5772 risultati
Linoleumgrafia a 6 colori Firma a matita. Timbro a secco dello stampatore Giorgio Upiglio, Milano Grafica Uno. Stampata su carta BFK Rives. Esemplare p.d.a.. cm 85x65 (Foglio 89,5x69,5). . . . . Tiratura Waddington Graphics. .
Linoleumgrafia dalla cartella ''Zodiaco'' Firma e numerazione a matita. Stampatore: Giorgio Upiglio, Grafica Uno, Milano. Stampa su carta Alcantara. Timbri a secco dello stampatore e dell'Artista. Esemplare A.P. 1/10. cm 22,7x30,7 (Foglio cm 39x58). . . Perfetto (Mint). . Tiratura 60 + X esemplari. .
2003Puntasecca dal volume ''Ouverture'' Firma a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Arches. cm 15x10,5 (Foglio 33x25). . . Ottimo (Fine). . . .
2003Puntasecca dal volume ''Ouverture'' Firma a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta Arches. cm 15x10,5 (Foglio 33x25). . . Ottimo (Fine). . . .
Acquaforte, puntasecca, acquatinta e carborundum a due colori Firma a matita. Timbro a secco dello stampatore Giorgio Upiglio. Lastra cm 187x86 (Foglio cm 199,5x98,5). . Dedica autografa dell'Artista alla Stamperia (Inscribed by the Artist to Giorgio Upiglio). Molto buono (Very Good). . Tiratura 28 + 10 p.d.a.. .
Linoleumgrafia dalla cartella ''Terra tonda africana'' Firma, data e numerazione a matita. Stampatore: Giorgio Upiglio, Grafica Uno, Milano. Stampa su carta Duchene. Timbri a secco dello stampatore e dell'Artista. Esemplare I/VIII. cm 29,7x40 (Foglio cm 38x50). . . Perfetto (Mint). . Tiratura 30 + VIII esemplari. .
Linoleumgrafia dalla cartella ''Terra tonda africana'' Firma, data e numerazione a matita. Stampatore: Giorgio Upiglio, Grafica Uno, Milano. Stampa su carta Duchene. Timbri a secco dello stampatore e dell'Artista. Esemplare IV/VIII. cm 31,4x39,5 (Foglio cm 38x50). . . Perfetto (Mint). . Tiratura 30 + VIII esemplari. .
Linoleumgrafia dalla cartella ''Terra tonda africana'' Firma, data e numerazione a matita. Stampatore: Giorgio Upiglio, Grafica Uno, Milano. Stampa su carta Duchene. Timbri a secco dello stampatore e dell'Artista. Esemplare IV/VIII. cm 29,7x39,7 (Foglio cm 38x50). . . Perfetto (Mint). . Tiratura 30 + VIII esemplari. .
Acquaforte, acquatinta, puntasecca. Tre lastre di cm: 34,5x33,2 - 24,7x20,5 - 34,7x33. Variante di colore dell'acquaforte centrale stampata in azzurro, anziché in ocra, come pubblicata sul Catalogo dell'opera grafica dell'Artista Firma, data e numerazione a matita. Stampatore: Giorgio Upiglio, Grafica Uno. Stampa su carta Hahnemuhle. Timbri a secco dello stampatore e dell'Artista. Esemplare 10/20. Foglio cm 62,3x114,5. . . Perfetto (Mint). . Tiratura 20 esemplari + 8 p.d.a.. .
rif. 1528215133.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000SIGNED BY AUTHOR. FACSIMILE EDITION. 22x17 cm. XI+260 pages. Hardcover. In good condition.
1987With 8 plates in colour and 21 illustrations in black & white. 48 pages. Light rubbing to cover surfaces.
1996A clean, unmarked book with a tight binding. Full dark blue cloth boards. 9 1/4"w x 11 1/4"h. 268 pages.
1968rif. 1067030(1968). 4to. 96 S., 136 Taf., davon 16 farbig. OLwd (etwas fleckig).
1860rif. DEMO010833IWashington: Thomas H. Ford 1860. First & Quarto edition. Hardcover. chromolithographs b&w pls. Quartos 358 40; 399 pages 21stC 3/4 calf marbled boards waterstains House Exec. Doc. no. 56. Howes P3; Wheat TRANSMISSISSIPPI 822ff; Wagner - Camp - Becker 261ff; Rittenhouse 442. Vol.I has 70 chromolithographed scenes. With 3 folding maps. Vol.1 has the Report. Vol.2 has the Botany Zoology Ornithology Fish Mollusks & Crustaceans. "The plates in Book 1 are all really tinted. Book II has 8 fine colored plates of birds; 45 black & white plates of fish animals insects and plants -Whitman Bennett in his PRACTICAL GUIDE TO AMERICAN NINETEENTH CENTURY COLOR PLATE BOOKS p.101." Thomas H. Ford hardcover
1986rif. 343291986. Softcover. VG. Brown ill. stapled wraps. Unpaginated. Numerous color plates. Comprised of illustrations and artist cv. paperback books
1987rif. 6996New York: Pace Prints 1987. Softcover. VG. White & yellow wraps w/ brown printing. appx. 92 pp. 55 bw plates. Introductory essay The Prints of David Smith written by Paul Cummings. Catalogue Raisonne assembled and written by Alexandra Schwarz. Some of the prints illustrated in this catalogue were made from original blocks in the Smith estate and are the only known impressions from these blocks. Includes a selected bibliography. The premier work on Smith as a printmaker. Exhibition held Feb. 27 to Mar. 21 1987. Pace Prints paperback books
rif. 15-7438New York: Pace Master Prints 1986. EXHIBITION CATALOGUE. 8vo. Oblong 16 pp. Stapled Wraps Very Good with slight bowing minor shelf wear. Illustrations. Lots # 1-60. Provenance: Pasquale Iannetti. New York: Pace Master Prints, 1986. paperback
Portfolio containing twenty loose black and white prints (on 9 1/2"w x 12 5/8"h paper).One sheet of text in Spanish. White folder shows several tears. No date shown; circa 1960's.
Portfolio containing twenty loose black and white prints (on 9 1/2"w x 12 5/8"h paper) and four color prints (on 8 1/2"w x 12 1/2"h paper). One sheet of text in Spanish. White folder shows several tears. No date shown; circa 1960's.
1812pp. xii, [13]-214 + Frontis, and one unusual engraved plate. Small 12mo. 14 cm. Slight marginal damp stain. Well foxed and browned. Disbound. Very mildly XLib. Rare American edition of Ovid. **PRICE JUST REDUCED! SMALL BOX 7.
1729rif. 44168London: Printed for J. Tonson 1729. First edition. Hardcover. vg. Duodecimo. 1 plate 24pp. 1 plate 348pp. 11 plates with tissue guards. 19th century three-quarter calf with gilt lettering on black label of spine over marbled boards with guilt ruling; raised bands protected by modern mylar. Gilt top edge. Marbled endpapers. Frontispiece engraving. Historiated and decorative head and endpieces. Decorative initials. Content: Sapho to Phaon; The Fame wholly translated by Mr. Pope; Canace to Macareus Edward Poley; The same by Ed. Floyd; Hypermnestra to Linus; Ariadne to Theseus; Hermione to Orestes; Leander to Hero; Hero to Leander; Laodamia to Protesilaus; O Enone to Paris; A Paraphrase on O Enone to Paris; Paris to Helen; Helen to Paris; Penelope to Ulysses; The Fame by Mrs. Wharton; Hypsipyle to Jason; Medea to Jason; Phaedra to Hippolytus; Dido to Aeneas; The fame by another hand; Briseis to Achilles; Dejanira to Herculus; The fame by another hand; Acontius to Cydippe; Cydippe to Acontius; Ulysses to Penelope; Demophoon to Phillis; Paris to E Enone; Ovid's Amours. In Three Books. Illustrated with thirteen steel plate engravings with tissue guards. Binding with some scuffing along edges. Block somewhat age toned. Binding and interior in overall very good condition. Printed for J. Tonson hardcover books
1729rif. 44168London: Printed for J. Tonson 1729. First edition. Hardcover. vg. Duodecimo. 1 plate 24pp. 1 plate 348pp. 11 plates with tissue guards. 19th century three-quarter calf with gilt lettering on black label of spine over marbled boards with guilt ruling; raised bands protected by modern mylar. Gilt top edge. Marbled endpapers. Frontispiece engraving. Historiated and decorative head and endpieces. Decorative initials. Content: Sapho to Phaon; The Fame wholly translated by Mr. Pope; Canace to Macareus Edward Poley; The same by Ed. Floyd; Hypermnestra to Linus; Ariadne to Theseus; Hermione to Orestes; Leander to Hero; Hero to Leander; Laodamia to Protesilaus; O Enone to Paris; A Paraphrase on O Enone to Paris; Paris to Helen; Helen to Paris; Penelope to Ulysses; The Fame by Mrs. Wharton; Hypsipyle to Jason; Medea to Jason; Phaedra to Hippolytus; Dido to Aeneas; The fame by another hand; Briseis to Achilles; Dejanira to Herculus; The fame by another hand; Acontius to Cydippe; Cydippe to Acontius; Ulysses to Penelope; Demophoon to Phillis; Paris to E Enone; Ovid's Amours. In Three Books. Illustrated with thirteen steel plate engravings with tissue guards. Binding with some scuffing along edges. Block somewhat age toned. Binding and interior in overall very good condition. Printed for J. Tonson hardcover
1840rif. 2496CBStrassburg, G.L. Schuler, 1840. 8°. VIII, 86 S. Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 2496C
1766Folio (c. 485 x 335 mm) XVI ff. and printed dedication (to Carlo Emanuele III) with engr. initial. Fine series of decorations with elaborate cartouches and emblems, some including architectural or marine designs. The Bologna painter Gaetano Bernardino Ottani (1736-1827), long active in Turin, created the stage decorations of his native city's Teatro Formagliari in 1742. - Plates mostly engraved by Dionisio Valesi, others by Pietro Peiroleri and Angelo Ghizzardi. Margins occasionally wrinkled and fingerstained (especially t. p. and dedication). Wants the two portraits engraved by Ghizzardi. Rare; the San Francisco State Univ. Library copy wants the dedication; the OCLC record linked by Princeton and Harvard states one portrait and two plates as missing. Ornamentstichkat. Berlin 592. Guilmard, Les maitres ornemanistes (Paris 1880), S. 334. OCLC 34976429 u. 27192168. Cf. N. Aprà, Dizionario enciclopedico dell'antiquariato (Milano 1969), s. v. Thieme/Becker XXVI, 86.
