Savyon, JeanAntiquariat.de
10 989 résultats
1858réf. 4837CBGenève, Jules-Guillaume Fick, 1858. 8°. VI, 143 S. Mit gest. Buchschmuck, darunter eine kleine Ansicht und das Genfer Wappen. Pappband d. Zt. mit blindgepr. reich verziertem Genfer Wappen auf Deckeln, diese von roter Linie eingefasst. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4837C
1949réf. 4348Paris Rombaldi 1949 in-folio en feuilles Paris, Rombaldi, 1949. Coll. "Les Maîtres de l'estampe française contemporaine" (n° 8). 38,5 x 28,5 cm, in-folio, 2 ff. bl. - 7 ff. n. ch. portant 2 eaux-fortes dans le texte - 10 estampes (2 lithographies au crayon, 3 lithographies au lavis, 2 lithographie en couleurs, 3 eaux-fortes) toutes numérotées et signées par l'artiste à la mine de plomb et montées sous passe-partout - 3 ff. n. ch. - 3 ff. blancs, en feuilles sous couverture blanche rempliée et imprimée et portefeuille de l'éditeur.
1818réf. 168473Gießen, Heyer, 1818. 1 Bl., XXXX, 602 S. Halbleder d. Zeit (beschabt, Ecken u. Kanten bestoßen). [2 Warenabbildungen]
1920réf. 9742Beau portefeuille contenant 50 eaux-fortes originales de Sylvain Sauvage. Exemplaire tiré sur papier de Hollande, signé au colophon par l'artiste. On joint une lettre autographe signée de l'artiste sur son beau papier à en-tête. en feuille. Papier filigrané. Très bon Paris Cotinaud s.d. (1920) 1 volume in-folio.
1960réf. 1699AG1960. Aquarell auf festem Papier. Bildausschnitte: 31 x 39 cm. Blattgrösse: 33.5 x 43 cm.
1962réf. 1705AG1962. Aquarell auf festem Papier. Bildausschnitte: 32,5 x 40 cm. Blattgrösse: 35 x 43 cm.
1960réf. 1699AG1960. Aquarell auf festem Papier. Bildausschnitte: 31 x 39 cm. Blattgrösse: 33.5 x 43 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
1962réf. 1705AG1962. Aquarell auf festem Papier. Bildausschnitte: 32,5 x 40 cm. Blattgrösse: 35 x 43 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
1781réf. 29805AB4 Bände. Leipzig, Johann Friedrich Junius, 1781–1788. 8°. XXVI, (2), 298 S.; X, (2), 327 S.; VIII, 310 S.; (4), 433 S. Mit 2 gef. Karten, 14 (davon 13 gef.) Kupfertafeln. Pappbände der Zeit mit Kleisterpapierbezug und handschr. Rückenschildern.
1781réf. 29805ABLeipzig, Johann Friedrich Junius, 1781-1788. 8°. XXVI, (2), 298 S.; X, (2), 327 S.; VIII, 310 S.; (4), 433 S. Mit 2 gef. Karten, 14 (davon 13 gef.) Kupfertafeln. Pappbände der Zeit mit Kleisterpapierbezug und handschr. Rückenschildern. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 29805AB|29805AB_2|29805AB_3 4 Bände. [3 Warenabbildungen]
1977réf. 20185Barcelone, Editorial Gustavo Gili, 1977. Grand in-8 oblong, en feuilles sous couverture rempliée, couverture en fourrure blanche, sous emboîtage en Plexiglas.
1977This is a very good softcover copy with almost no wear. Completely clean inside and just lightly soiled outside. Spine not creased. Signed and inscribed by the author in 1978. Illustrated throughout in black & white. Tall 8vo, 9" high X 6" wide, 76 pages. This book will be securely packed and shipped with tracking.
1835réf. 006330Philadelphia: John Sartrain 1835. Very Good -. 1 mezzotint engraving of Benjamin Carr 1768-1831 American composer singer music teacher and music publisher. Sheet is 30 x 24 cm.; image is 14 x 11 cm. John Sartain 1808-1897 pioneered mezzotint engraving in the United States. He engraved this portrait of Benjamin Carr from a painting by John Clarendon Darley 1808-1863. Undated but probably produced in the 1830s. Number in pencil in lower right-hand corner: 7/882. In Very Good- Condition: light soiling and foxing; a crisp mezzotint image. John Sartrain unknown
1860réf. 006727Philadelphia: William Smith 1860. Good. Sheet is 48 x 57 cm. Image is 33 x 38 cm. Hand-colored lithograph produced by Magee's Lithograph Press 48 S. 3rd St. Philadelphia. No date of publication. John L. Magee artist lithographer and engraver was located at 48 or 49 S. 3rd St. Philadelphia only in 1860. Engraved by A. Biggerman after an engraving by John Sartain. Print of deathbed scene of the Reverend John Wesley. Others shown in the image as identified by Sartain: Sarah Wesley a medical assistant the Rev. J. Bradford the Rev. P. Dickinson Mrs. Charles Wesley the Rev. T. Rankin Mrs. E.A. Rogers Miss Ritchie the Rev. J. Rogers the Rev. J. Creighton Master Rogers R.C. Brackenbury the Rev. T. Broadbent the Rev. A. Mather the Rev. J. Broadbent J. Horton the Rev. G. Whitfield Dr. Whitehead and the Rev. J. Edmonson. Scarce one copy on WorldCat. In Good Condition: some mat burn; closed tear of 2.5 cm. fromt upper edge; closed years of less than 2 cm. from lower edge; lower corner creased; image is clean and bright. William Smith unknown
1736réf. 42844Amsterdam: J. Wetstein; G. Smith 1736. First French-language edition. Hardcover. g to vg. Quarto 10 1/4 x 8". 14 lxxv 1 696pp; 4 848pp. Modern half brown calf over light green cloth with gold lettering and tooling to spines retaining the original gilt-lettered leather titles. All paper edges red. Marbled endpapers. Engraved frontispiece portrait of the author and engraved portrait of Caroline of Brandenburg-Ansbach Queen of Great Britain as the wife of King George II by George Vertue. Title vignettes. Title pages in red and black lettering. This work was originally published in London in 1619 by Paolo Sarpi 1552-1623 an Italian historian prelate scientist canon lawyer and statesman active on behalf of the Venetian Republic during the period of its successful defiance of the papal interdict 1605-1607 and its war 1615-1617 with Austria over the Uskok pirates. The author published it under the name of Pietro Soave Polano an anagram of Paolo Sarpi Veneto plus o. The book's emphasis was on the role of the Papal Curia and its slant on the Curia hostile. Sarpi's work attained such fame that the Vatican opened its archives to Cardinal Pietro Sforza Pallavicino whom it commissioned to write a three volume rebuttal entitled the "Istoria del Concilio di Trento scritta dal P. Sforza Pallavicino della Comp. di Giesù ove insieme rifiutasi con auterevoli testimonianze un Istoria falsa divolgata nello stesso argomento sotto nome di Petro Soave Polano" "The History of the Council of Trent written by P. Sforza Pallavicino of the Company of Jesus in which a false history upon the same argument put forth under the name of Petro Soave Polano is refuted by means of authoritative testimony" 1656-1657. Sporadic foxing and offsetting throughout. Bindings in overall very good interior in good to very good condition. J. Wetstein; G. Smith hardcover books
1736réf. 42844Amsterdam: J. Wetstein; G. Smith 1736. First French-language edition. Hardcover. g to vg. Quarto 10 1/4 x 8". 14 lxxv 1 696pp; 4 848pp. Modern half brown calf over light green cloth with gold lettering and tooling to spines retaining the original gilt-lettered leather titles. All paper edges red. Marbled endpapers. Engraved frontispiece portrait of the author and engraved portrait of Caroline of Brandenburg-Ansbach Queen of Great Britain as the wife of King George II by George Vertue. Title vignettes. Title pages in red and black lettering. This work was originally published in London in 1619 by Paolo Sarpi 1552-1623 an Italian historian prelate scientist canon lawyer and statesman active on behalf of the Venetian Republic during the period of its successful defiance of the papal interdict 1605-1607 and its war 1615-1617 with Austria over the Uskok pirates. The author published it under the name of Pietro Soave Polano an anagram of Paolo Sarpi Veneto plus o. The book's emphasis was on the role of the Papal Curia and its slant on the Curia hostile. Sarpi's work attained such fame that the Vatican opened its archives to Cardinal Pietro Sforza Pallavicino whom it commissioned to write a three volume rebuttal entitled the "Istoria del Concilio di Trento scritta dal P. Sforza Pallavicino della Comp. di Giesù ove insieme rifiutasi con auterevoli testimonianze un Istoria falsa divolgata nello stesso argomento sotto nome di Petro Soave Polano" "The History of the Council of Trent written by P. Sforza Pallavicino of the Company of Jesus in which a false history upon the same argument put forth under the name of Petro Soave Polano is refuted by means of authoritative testimony" 1656-1657. Sporadic foxing and offsetting throughout. Bindings in overall very good interior in good to very good condition. J. Wetstein; G. Smith hardcover
Acquaforte acquatinta originale a 4 colori Tiratura 100 esemplari. Firma e numerazione a matita dell'Artista. Timbro a secco dello stampatore Il Torcoliere, Roma. cm 36x36 (Foglio 59x45). . . Ottimo (Fine). . Tiratura 100. .
réf. ART5124MMarseille, Editions Autres Temps, 1992. In-8 (13 x 22), 95 pp., 7 ff., broché. Illustrations en N&B.
1976réf. 1053371976 Paris, Galerie Durand-dessert, janvier 1976, 46 x 61,3 cm, portfolio de 9 affiches dans une enveloppe de papier cristal imprimée.Tirage unique de 100 exemplaires tous numérotés et signés par les deux artistes.
réf. 140949499San Francisco: The Arion Press 2011. Limited edition. Limited edition. No. 43 of 400 numbered copies signed by artist Julie Mehretu from a total edition of 426. Folio. Bound in publisher's vellum-backed printed cloth spine lettered in gilt; prospectus laid in. Fine in a Near Fine slipcase with minor scuffing. The 93rd publication of The Arion Press featuring the classic female poet of antiquity's work in Greek and English. The Arion Press unknown books
réf. 140949499San Francisco: The Arion Press 2011. Limited edition. Limited edition. No. 43 of 400 numbered copies signed by artist Julie Mehretu from a total edition of 426. Folio. Bound in publisher's vellum-backed printed cloth spine lettered in gilt; prospectus laid in. Fine in a Near Fine slipcase with minor scuffing. The 93rd publication of The Arion Press featuring the classic female poet of antiquity's work in Greek and English. The Arion Press unknown
réf. ART5149M12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Rêverie, Gaspillage, Exagération, Simplicité, Gourmandise, Abondance, Violence, Fantaisie, Faiblesse, Curiosité, Obligeance, Surprise.
réf. ART5185M2 /12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Violence, Obligeance
réf. ART5186M9/12 lithographies érotiques sur papier japon plus la couverture. Sans le portefeuille. Vers 1936, non daté. Rêverie, Gaspillage, Simplicité, Gourmandise, Abondance, Violence, Curiosité, Obligeance, Surprise.
1820In-8°; front. inciso su rame, pp. (4) con l’avertissement, e 34 tavole numerate incise su rame da Sanier figlio (di cui una ripiegata contenente una serie di simboli) con tutti gli esempi di lettere singole e monogrmmi a due o tre lettere, utilizzati nelle botteghe di vari artigiani, dai gioiellieri ai calligrafi; in fine anche il testamento di Luigi XVI inciso entro un tondo in caratteri minuscoli. legatura in piena pergamena con tassello e titolo in oro al dorso.Cifrario specimen alfabeti monogrammi model book calligraphic monograms writing ecriture alphabet calligraphy incisioni engravings
