10.173 Ergebnisse
Best.-Nr. 93656N.D. Non-Book. Very Good with no dust jacket; Framed Civil War Print Colonel Nathan Bedford Forrest. Signed by John Warr. 9 1/2" across and 9 1/2" high Framed. Print is 5 3/4" by 5 3/4". Good condition; Prints . unknown
1991Best.-Nr. 909001991. Non-Book. Very Good with no dust jacket; Framed Civil War Print Hanging Out Till The Smoke Clears. Signed by John Warr. Print is 5" high and 8 1/2" across Frame is 13" across and 9" high. Very good condition. ; Prints . unknown
Best.-Nr. 139760Hardcover. Book Condition: Very Good. Jacket Condition: No Jacket. Jonathan Cape and Harrison Smith New York NY 1930. First Edition. 1st Printing. Unpaginated pages. Nice Firm copy ! Previous owner names. Size: 8vo. Fiction Modern::Crime/Mystery/Suspense 5923 hardcover
1891Best.-Nr. 004953London: Vincent Brooks Day & Son Lith 1891. Near Fine. 1 chromolithographed print 39 x 27 cm. signed "Spy" with the biographical text photocopy. Sir Leslie Ward 1851-1922 English caricaturist and portrait painter signed his works 'Spy.' Sir Peter Henry Edlin 1819-1903 was chairman of the County of London Sessions. According to the biographical text that accompanied the print he was an unpleasant and controversial judge. In Near Fine Condition: clean and bright. Vincent Brooks Day & Son, Lith unknown
1877Best.-Nr. biblio358London: Vanity Fair june 9 1877. Fine. Chromolithography 265x395mm original proof impression Like new a small tear of 2 cm in the lower margin “The second versions of the Vanity Fair caricatures are the proof prints or proofs before lettering First versions are the original watercolors; third versions are the widely available weekly/album prints Produced to verify the colours and lines of the lithograph no more than twenty copies were printed Not true many more than that These prints have no captions or dates or other descriptive type and the magazine bound them in numbered albums in green leather with gilt tooling They were offered for sale and also awarded as prizes in the magazine’s acrostic contests At the front of each volume is a printed note from Vanity Fair giving the number of the proof volume and the numbered volume in the series However these volumes were "broken" to sell individually and one never sees the complete volume The quality of the colours in the proof prints their clarity of line and detail and their scarcity make them of considerable interest to the collector” Roy T Matthews and Peter Mellini In “Vanity Fair” Berkeley: University of California Press 1982 203 Vanity Fair hardcover
1887Best.-Nr. 2784DBFrauenfeld, J. Huber, 1887. 8°. VI, 78 S. Orig.-Broschur.
1887Best.-Nr. 2784DBFrauenfeld, J. Huber, 1887. 8°. VI, 78 S. Orig.-Broschur. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1885Best.-Nr. 5898BBLuzern, J. Bujrkhardt, 1885. 8°. (2), VIII, 648 S. Halblederbd. d. Zt. mit goldgepr. Rückenschildern + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 5898BB
Best.-Nr. 7404D’après Pillement. Le Blanc n°13. Taches d’eau. 30,5 x 41,7 cm. (à la cuvette).
Best.-Nr. 7405D’après Pillement. Le Blanc n°13. Taches d’eau. 30,5 x 41,7 cm. (à la cuvette).
Best.-Nr. 118788Fribourg, Imprimerie Saint-Paul 1977, 365x260mm, en feuille sous chemise et emboitage toilés. Les estampes ont été tirées par René Agass Baumgartner sur ses presses à Fribourg. Les cuivres ont été barrés après le tirage. La mise en page et la maquette sont de Jean-Christophe Aeby. L’emboîtage a été réalisé par Roger Auderset à Fribourg. Un des 62 exemplaires sur papier vélin d’Arches teinté des Papeteries Arjomari-Prioux, numéroté n.° 21 / 60, signés par l’auteur et l’artiste en bas du justificatif de tirage. Très bel exemplaire.
1977Best.-Nr. 118788Fribourg : Imprimerie Saint-Paul 1977. WANDELERE Frédéric. - BAUMGARTNER René Agass estampes de.Aux passants le dimanche avec sept estampes de René Agass Baumgartner. Fribourg Imprimerie Saint-Paul1977 365x260mm contrôle effectué : complet des 7 estampes en feuille sous chemise et emboitage toilés. Les estampes ont été tirées par René Agass Baumgartner sur ses presses à Fribourg. Les cuivres ont été barrés après le tirage. La mise en page et la maquette sont de Jean-Christophe Aeby. L’emboîtage a été réalisé par Roger Auderset à Fribourg. Un des 62 exemplaires sur papier vélin d’Arches teinté des Papeteries Arjomari-Prioux numéroté n.° 21 / 60 signés par l’auteur et l’artiste en bas du justificatif de tirage. Très bel exemplaire. For shipments to the U.S.A. with a value exceeding 800 USD VAT is not included. Please contact us via our website if needed. Imprimerie Saint-Paul unknown
1878Best.-Nr. 8002Belle épreuve bien contrastée. Première pensée de la femme au perroquet de Courbet. Paris Gazette des Beaux-Arts 1878 9,8 x 16,1 cm au trait carré. Papier 21 x 28 cm.
1875Best.-Nr. 8001Belle épreuve bien contrastée. Paris Gazette des Beaux-Arts 1875 17 x 14 cm au trait carré. Papier 28 x 20,6 cm.
Best.-Nr. 14360D'après le tableau de G. Romney. L'estampe a été publiée dans L'Art En feuille Très bon Paris L'Art 40 x 29 cm
1874Best.-Nr. 8071Belle épreuve sur Chine appliqué. D'après Carolus Duran. Sanchez et Seydoux (ne mentionnent pas d'épreuve sur Chine) 1874-13. en feuille Très bon Paris Gazette des Beaux-Arts 1874 26 x 13,2 cm.
1874Best.-Nr. 8063Belle épreuve sur vergé. D'après Morland. Sanchez et Seydoux 1874-11. en feuille Paris Gazette des Beaux-Arts 1874 21,6 x 16 cm.
Best.-Nr. 147109Stuttgart (Ohne Jahr). Ein Blatt orangerotem Umschlag "Frohe Weihnachten und ein gutes Neues Jahr". Neuwertig 21x15 cm
1827Best.-Nr. 4084ABBern, Bourgdorfer, 1827. 8°. X, 267 S. Mit 4 Kupferstichen und 1 gest. Titel nach G. Lory. Illustr. Pappband der Zeit.
1827Best.-Nr. 4084ABBern, Bourgdorfer, 1827. 8°. X, 267 S. Mit 4 Kupferstichen und 1 gest. Titel nach G. Lory. Illustr. Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4084A
1984Best.-Nr. 297106Marlborough Wilts England: Paulinus Press 1984. Limited Edition. Hard Cover. Fine binding. Large 8vo.; in the publisher’s pink silk bonding with a cream label to the spine lettered in gilt with slipcase; 55 pages with illustrations and a set of proofs; signed by the author Walter Shewring; the engraver Simon Brett the engraver; Christopher Skelton the printer; and Clare Skelton the binder.~~This edition limited to twenty-five special copies printed on Zerkall mould-made paper with additional pages bearing impressions of the engravings printed direct from the wood blocks; in the rear of the book is a loose set of proofs of the engravings on japon printed and signed by the artist.~~This special edition is signed by the author the engraver the printer and the binder “in recognition of its being the last book produced at Skelton’s Press under Christopher Skelton’s ownership”. Fine binding. Paulinus Press unknown books
1984Best.-Nr. 297106Marlborough Wilts England: Paulinus Press 1984. Limited Edition. Hard Cover. Fine binding. Large 8vo.; in the publisher’s pink silk bonding with a cream label to the spine lettered in gilt with slipcase; 55 pages with illustrations and a set of proofs; signed by the author Walter Shewring; the engraver Simon Brett the engraver; Christopher Skelton the printer; and Clare Skelton the binder.~~This edition limited to twenty-five special copies printed on Zerkall mould-made paper with additional pages bearing impressions of the engravings printed direct from the wood blocks; in the rear of the book is a loose set of proofs of the engravings on japon printed and signed by the artist.~~This special edition is signed by the author the engraver the printer and the binder “in recognition of its being the last book produced at Skelton’s Press under Christopher Skelton’s ownership”. Fine binding. Paulinus Press unknown
1930Best.-Nr. 32214London: Faber & Faber Limited 1930. Hardcover. First Edition: Limited to 300 numbered copies signed by the author. This copy being No. 18 and signed by the author on the Limitation Page. 6 x 9.25in. xi. 331pp. Publisher's cloth boards with gilt decoration and titling. FINE/AS NEW. Flawless. As pictured. Faber & Faber Limited hardcover
Best.-Nr. B33500-FT-WHIThe Peter Pauper Press. Collectible - Very Good. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES! Mt Vernon: Peter Pauper Press. No date given possibly 1950. Limited to 1100 copies this one un-numbered. Hardcover folio 400 pgs. B/w and red frontis and engravings. Near fine in a fair slipcase. Brown leather spine over brick cloth with cream and green leaves. Worn rear panel and rear flap of cellophane dust jacket present the rest missing. Light wear to spine heel. Light off-setting to pgs opposite plates. Contents clean and binding sound. Slipcase quite worn and seams starting to split. Inquire if you need further information. The Peter Pauper Press hardcover
1835Best.-Nr. 3123BB2 Bände. Bruxelles, H. Dumont, 1835. 8°. (2) 327 S.; (4) 353 S. Mit 2 lithogr. Tafeln. Orig.-Halblederbände mit Rückensch. und verblasster Rückenverg.