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1902rif. 10383Cover only. Cover is toned with wear and soiling but very suitable for framing. 11" x 16".; Prints . 1902. unknown
1904rif. 10377Cover only. Cover is toned with a 1" tear and modest soiling but suitable for framing. 11" x 16".; Prints . 1904. unknown
1904rif. 10376Cover only. Cover is toned with chipping and light soiling in margins but very suitable for framing. 11" x 16".; Prints . 1904. unknown
1908rif. 10388Cover only. Cover is toned but clean bright and very suitable for framing. 10" x 14.5".; Prints . 1908. unknown
1904rif. 10379Cover only. Cover is toned with wear and soiling but very suitable for framing. 11" x 16".; Prints . 1904. unknown
1908rif. 10389Cover only. Cover is toned but clean bright and very suitable for framing. 10" x 14.5".; Prints . 1908. unknown
1908rif. 10387Cover only. Cover is toned but clean bright and very suitable for framing. 10" x 14.5".; Prints . 1908. unknown
1908rif. 10392Cover only. Cover is toned but clean bright and very suitable for framing. 10" x 14.5".; Prints . 1908. unknown
1904rif. 10371Cover only. Cover is toned with light soiling in margins but illustration clean and very suitable for framing. 11" x 16".; Prints . 1904. unknown
1970240 p. Illustrated in color. Light damp stain and foxing. Small 4to. 260 mm. Original cloth spine over glossy paper boards. Slightly rubbed at extremities. Original priced dust jacket, worn with small loss. Seventh printing. Very good. W102
1967rif. 170189Tokyo, Tarumi Shobo, 1967. XXVIII, 127 pp. with 237 illustrations, partly coloured. 4°, original cloth, slipcase.
255 x 180 mm. Copperprint engraving, cut, hand-coloured and dressed with several fabric fragments, some with metallic threads, metallic lace details, and ground glass. Stitched at an early date to a ruled paper mount. Later giltwood frame and glazing with framer’s label ("Collard Doreur sur bois. Versailles’", ca. 1830-40). Striking and well-preserved example of a so-called "dressed print", based on a devotional engraving of Mary Magdalene by the German engraver and publisher Martin Engelbrecht (1684-1756), dating to the mid-18th century. The materials and style of the adornments point to the 18th century, though a later reuse of older fabrics cannot be ruled out. As often, the dressing has been ingeniously applied both under and over the surface of the original engraving. The penitent Mary Magdalene has been modified by being pasted onto glazed paper, producing a dramatic black-sky background, her body is embellished with three different brocade fabrics (two with metallic threads), and the print was further enhanced with hand-colouring, some metallic lace and ground glass. The saint is characterized by her traditional attributes of a cross, a book, a myrrh jar, a straw mat, and a skull, while her left foot rests on a globe or orb. The precious clothes that were added to Mary Magdalene, who is usually just covered by her long open hair as an expression of her ascetism and atonement, almost transforms her into a celestial Mary, thus altering the meaning of the engraving. - The fashion for dressing prints existed probably from the beginning of printed illustrations themselves, though it was a widespread, predominantly female recreation, especially in nunneries and convents, during the 17th and 18th centuries. Dressed prints were often overlooked by art historians and, due to their fragile nature, are rarely preserved in such good condition.
rif. 23162Shogakukan 1971. Folio 220pp. Original cloth-backed boards in dustwrapper.Over 100 full-page coloured plates some folding. A near fine copy. First edition. Text in Japanese. English index. Shogakukan, 1971. hardcover
rif. 23161Shogakukan 1967. Folio 228pp. Original cloth-backed boards in dustwrapper.Over 100 full-page coloured plates some folding. A near fine copy. First edition. Text in Japanese. English index. Shogakukan, 1967. hardcover
rif. awd-217Gravure signée au crayon et justifiée 4/ 40 ex. (42/74,5 cm) Bon état.
1888rif. 29007Senlis Imprimerie De Eugène Dufresne 1888 In-8 LXIII - 169 pp
1913rif. 89510Paris Octobre 1913 | 19 x 24.50 cm | une feuille
1806rif. 14774SUMMARY: Charles Fox, in bed with his wife, having a nightmare. To the right, Napoleon jumps to the bed from a cannon with the words "Pour subjugeur le Monde" inscribed on the muzzle; behind him are seen pikes and a banner with the words "Horrors of Invasion." William Pitt, as a shade, floats near the bed, admonishing Fox, "Awake, arise, or be for ever fallen". An eagle with the collar labeled "Prussia" looms over Fox's head. From under the bed grow thorny rose branches and Death crawls out from under the covers, holding an hourglass whose sand has nearly run out, and entwined with a scroll inscribed "Intemperance, Dropsy, Dissolution". A bulldog with its collar inscribed "John Bull" lunges at Napoleon. On the floor to the right side of the bed are tokens of Fox's problems: "India Roses", "Emancipation Roses", "French Roses", and "Volunteer Roses". At the bottom of the bed is "A List of the Broad-Bottom Administration": Citizen Volpone, Lord Bogy (Lord Grenville, nicknamed Bogy Grenville), Bett Armstead (Mrs. Fox), Doctor Clysterpipe (Lord Sidmouth), Miss Petty (Lord Henry Petty). Encadrée Bon Londres Humphrey 1806 35 x 42 cm
1787rif. 269191787 [Paris] : [s.n.], 1787- 1 est. : eau-forte, outils, colorié à main levée ; 8,7 x 5,3 cm (tr. c.) Appartient à : Tableaux de la Fable ; ou Nouvelle Histoire poétique des Dieux ; Demi-Dieux et Héros de la Fable, représentée par figures et accompagnée d'explications Dédiés à Madame la Comtesse de Genlis -GRASSET DE SAINT-SAUVEUR (J.) et MARECHAL (Sylvain)- 1785
rif. HD-107o.J. Wie ist's doch bedauerlich, mein Arm einst so stark, meine Waden beschaulich, wie das Alter mich plagt. (Eine alte Ballade). Lithographie, auf chamoisfarbenem Velin, mit der Adresse: Chez Bauger & Cie. R. du Croissant 16, sowie: Imp. d?Aubert & Cie. Blattgröße 36,2:25,5 cm. ? Horizontale Mittelfalte geglättet, insgesamt fleckig. Literatur: Daumier-Register 850, II (von 3); Delteil 850, II (von 3), Nr. 1 der Serie ?Silhouettes?. - Sur blanc!
rif. HD-023o.J. (Wie appetitlich für die, die gerade anfangen.). Zeitgenöss. aquarellierte Lithographie, auf bräunlichem Velin, mit den Adressen: Chez Aubert & Cie. Place de la Bourse, sowie: Imp. d?Aubert et Cie. Blattgröße 24,5:32,7 cm. Literatur: Daumier-Register 475; Delteil 475. No. 10 der Serie ?Croquis d?Expressions?, erschienen 9.05.1838 in ?Le Charivari?. ? Sur blanc!
1676rif. 703540Tubingae (Tübingen), Johann Gotfried Zubrodt, 1676. Folio. 9 nnr.Blätter, 712 Seiten, 9 nnr. Blätter. Schlichter Pergamentband der Zeit. Gering fleckig und angestaubt. Sehr sauberes Exemplar.
1737rif. 600457Ingolstadt, J. A. la Haye Witwe, 1737. 4to. 4 Bl., 536, 460 S., 16 Bl. Leder d. Zeit mit Rückenschild (beschabt u. leicht fleckig). [2 Warenabbildungen]
1736rif. 70250Hannover, Förster, 1736. 4to. 18 Bl., 874 S., 24 Bl. Pergament d. Zeit (verstaubt, gebräunt u. fleckig). [2 Warenabbildungen]
1786rif. 634724Hannover, Helwing, 1786. 4to. 18 Bl., 766 S., 23 Bl. Halbpergament d. Zt. (etwas fleckig u. berieben, Vorderdeckelbezug mit Fehlstelle). [2 Warenabbildungen]
