Honoré Daumier (1808-1879).Livre Rare Book
10.941 risultati
1833rif. 250681833 Planche 278 de La Caricature N° 134.La Caricature, 30 mai, 1833. Lithographie originale sur Velin blanc. . Delteil 54. Belle épreuve en noir et pli horizontal,plis;lithographie en noir sur velin blanc,Delteil 54,tirage bien noir malgré l'image jaunie
1833rif. 250661833 Planche 283 de La Caricature N° 136.La Caricature, 13 juin, 1833. Lithographie originale sur Velin blanc. . Delteil 57. Belle épreuve en noir et pli horizontal,plis;lithographie en noir sur velin blanc,Delteil 57,tirage bien noir malgré l'image jaunie
rif. HD-003o.J. Ganzfigur stehend nach rechts. Lithographie, auf chamoisfarbenem Velin, mit der Adresse: Chez Aubert, galerie véro dodat. Blattgröße 33,1:24,9 cm. ? Zwei vertikale knickfalten geglättet, angeschmutzt. Literatur: Daumier-Register 57; Delteil 57. ? Erschienen in ?La Caricature (Journal)?, 13.06.1833, No. 136, (Planche 283). ? Selten! ? Sur blanc! - Zum Dargestellten: ETIENNE, Charles Guillaume (1777-1845) Journalist und Autor. Er schrieb unter anderem das Libretto für ?La Joconde? (Musik von Nicolo 1814). 1811 wurde er Mitglied der Académie Française, eine Ehre, die ihm jedoch in 1815 wieder aberkannt wurde. Politiker und Abgeordneter von 1820-1824 und von 1827-1839. Er leitete den "Constitutionnel? vor Véron und war politisch liiert mit Guizot. Er war ein bekannter Journalist und Begründer der Zeitschrift "L'Indépendent", die später in "Le Constitutionnel" umbenannt wurde. Etienne eignete sich für die Karikaturisten des ?Le Charivari? als beliebtes Ziel für ihren Spott. Er wurde als fett und übergewichtig beschrieben, mit kleinen Schlitzaugen und schweren Augensäcken. Sein Gesicht strahlte maßlose Arroganz und Selbstgefälligkeit aus. Etienne kann als konvertierter Bonapartist oder als Thiers Wohltäter bezeichnet werden. Unter seiner Führung wurde aus dem Constitutionnel ein Regierungsorgan. Sein Einfluss war beträchtlich, da das Zeitungslesen in dieser Zeit eine Institution war und nicht eine Unterhaltung. Daumier fertigte auch eine Skulptur von Etienne an, die bei Gobin unter der Nr. 26 mit dem Namen ?Le Vaniteux? (Der Eitle) beschrieben ist. Er war für Daumier der ?Prügelknabe?.
rif. 14360D'après le tableau de G. Romney. L'estampe a été publiée dans L'Art En feuille Très bon Paris L'Art 40 x 29 cm
1986rif. 9138Wakefield West Yorkshire: Fleece Press 1986. Hard Cover. Very Good binding. Octavo. 8 16 8 pp. illus. Limited edition one of 200 copies. As issued in publisher's boards with printed paper labels on the front cover and spine. Spine a trifle sunned and the tail of the spine is slightly bumped else a near fine copy. A beautifully printed book with five engravings in-text by Lydbury. Fleece Press unknown
Acquaforte originale su zinco Firma, titolo e numerazione a matita. Data e firma anche su lastra. Esemplare 20/100. Cm 24,5x22,3 (Foglio 70x50). . . Ottimo (Fine). . Tiratura 100 (2° stato). . La lastra fu incisa in primo stato nel 1963 e ne furono tirate 20 copie.
2010Superficie in rilievo su jesmonite. Multiplo originale numerato e firmato dall'artista sul retro contenuto in display in perpex. Esemplare 9/10 Display in perspex di Euromod, Roma. Confezione di Green Imballaggi, Roma. Progetto grafico by Artefatto, Roma. Cm 28x30. . . Perfetto (Mint). . Tiratura di 10 es. num. + IV p.d.a.. . La jemsonite è un composto di gesso e resina acrilica di produzione inglese che possiede eccellenti qualità di resistenza meccanica, durabilità e non tossicità. Non richiede manutenzione e può essere pulita con acqua e sapone. Questo multiplo pertanto ha la caratteristaca di opera durevole nel tempo, come se fosse realizzato in pietra o bronzo
2010Superficie in rilievo su jemsonite. Multiplo originale numerato e firmato dall'artista sul retro contenuto in display in perpex. Esemplare 13/25 Display in perspex di Euromod, Roma. Confezione di Green Imballaggi, Roma. Progetto grafico by Artefatto, Roma. Cm 28x30. . . Perfetto (Mint). . Tiratura 25 es. num. + VIII p.d.a.. . La jemsonite è un composto di gesso e resina acrilica di produzione inglese che possiede eccellenti qualità di resistenza meccanica, durabilità e non tossicità. Non richiede manutenzione e può essere pulita con acqua e sapone. Questo multiplo pertanto ha la caratteristaca di opera durevole nel tempo, come se fosse realizzato in pietra o bronzo
1920RARE illustrated collection of stories by the great Yiddish language author and playwright Isaac Leib Peretz with five lithographs by the eminent Israeli painter and woodcut artist Jacob Steinhardt (1887-1968). Includes Steinhardt's lithography as frontispiece. Text in Gothic lettering [Fraktur]. 300x240mm. 64 pages. Illustrated board Hardcover with cloth spine. Cover worn and stained. Cover edges bumped. Front cover coming loose from binding. Spine missing, hinges tattered. Tape residues near spine. Pages yellowing, wavy and rough-cut as published. [SUMMARY]: This beautiful and special book has suffered some damage to cover, but the inside of the book including the lithographs are all clean, thus the book is internally in good condition.
1920RARE illustrated collection of stories by the great Yiddish language author and playwright I. L. Peretz with five lithographs by the eminent Israeli painter and woodcut artist Jacob Steinhardt (1887-1968). Includes Steinhardt's lithography as frontispiece. Text in Gothic lettering [Fraktur]. 300x240mm. 64 pages. Illustrated board Hardcover with cloth spine. Cover and spine stained and curved. Cover corners and edges bumped. Spine edges tattered. Inner cover and whitepages age-stained. Pages bottom edge/corner water-stained. Pages yellowing, wavy and rough-cut as published. [SUMMARY]: This beautiful and special collection of stories by one of the most influential Jewish writers, illustrated by an eminent 20th-century graphic artist, is otherwise in good condition.
1819rif. 97430Wien, Michael Lechner, 1819. XX, [96] Text-S. u. [45] Taf. Mit insgesamt 61 Radierungen, davon 45 auf Taf. u. 16 im Text. Folio. 35,5 cm. Pp. d. Zt. m. RSch.
rif. 25449Le Charivari (Paris), 6 janvier 1872 - Double feuille du journal - 58 x 41,5 cm (2 feuillets) - Signé G. Lafosse- Parcours à 63 cases. (Girard & Quétel 1982, p. 130-131 fig. 70).texte imprime au dos,bon etat.
1993rif. 18850Wittenheim Editions Du Cygne 1993 391 pp + 527 pp Chine Japon Egypte histoire Locale pour le tome 1 - Médailles jetpns Sceaux Monnaies Estampes pour le second
1590rif. 11370Très rare estampe représentant Mutius Scevola mettant la main dans le feu devant le roi Porsenna. La planche est signée Hans Collaert fecit; et porte l'excudit de Adri(anus) Hubertus (Adriaen Huybrechts).Contrecollée en plein. Le Blanc non cité. Pas de couverture Bon Adriaen Huybrechts 1590 21,3 x 29,8 cm
Schabkunstblatt, 181 x 128 mm. Druck von Tommaso Benedetti nach einem Gemälde von Peter Fendi.
1887rif. 7900CBLondon, W. H. Allen and Co., 1887. 8°. IV, 147 S. Mit farb. 56 Tafeln mit 100 Abb. + 3 Tafeln. Orig.-Rückentitel mit verg. Rücken- und Deckeltitel.
1850rif. 23334D. Appleton & Company New York 1850. HarDBACK nODuStJacket 1850 1st EditioN Small Brown embossed LEATHER COVER with TITled PapeR Label oN Spine Lettered IN Black Light Rub Wear Scuff Cover VG/VG- NOJacket 184 PGS ADS Interior Nice Tight with Some FOX & SMALL Stains & light Rub Wear slight wrinkiling some pgs Aging some tiny dogeared pages SpIne labEl slight FoX 6 1/4 X 4 in. Approx Light wear to tHE corners and spine ends and some light rubbing to the covers. The binding is solid and tight with no cracking and no loose or missing Pages There is mild foxing throughout the book but otherwise the pages are clean with no marks names creases TeARs or fingerprint smudges. Contains three separately paginated books with two facing tissue-guarded full page enGraved illustrations As frontispieces for each one last pair is missing the tissue-guard: My Autobiography 176 pagES Who Shall Be gReAteST 178 pageS and Which is the Wiser or People Abroad 184 pages. First Edition. Hard Cover. D. Appleton & Company, New York hardcover
1920rif. 3766DBLa Chaux de Fonds, (um 1920). Quer-4°. 48 S. Mit zahlr. Abb. Farb. illustr. Orig.-Heft. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1920rif. 3766DBLa Chaux de Fonds, (um 1920). Quer-4°. 48 S. Mit zahlr. Abb. Farb. illustr. Orig.-Heft.
8vo. 16 numbered hand-coloured aquatint panels (70 x 200 mm). With 2 sheets of publisher's advertisements. In original cardboard box (163 x 223 mm) with mounted hand-coloured aquatint title-page engraved by Sidney Hall. Curious art toy created by the London bookseller Samuel Leigh, featuring aquatint panels by the noted landscape and battle artist John Heaviside Clark (1771-1863), depicting idealized English and Scottish scenery, including ruins, lakes, and mountains. - A "myriorama", a term derived from the Greek words "myrias", meaning "multitude", and "orama", meaning "scene" or "view", comprised a set of illustrated cards, each representing a slice of a landscape. No matter what order you placed them in, the cards created a cohesive scene. The near-endless possibilities made it a popular entertainment for people of all ages. After the success of the first myriorama, designed by Jean-Pierre Brès in France, the toy took off across Europe from the 1820s, sparking imitations in Austria, England, Germany, and the Netherlands. Leigh and Clark adopted the name and the design of the box that housed the cards from the original French version, in hopes of inspiring other artists to draw attractive landscapes. Their myriorama also introduced the innovation of numbering each panel, making it possible to record and later recreate scenes found especially pleasing. Myrioramas provided dynamic visual entertainment at a time when the advent of cinema was still decades away. With their incredible number of possible combinations and charming visuals, myrioramas were "one of the most diversified and exhaustless inventions for variety and pleasing amusement that has hitherto appeared", according to the London's Morning Chronicle at the time. - The present 16-card myriorama can be arranged into an astounding 20,922,789,888,000 (that's 20 trillion!) different scenes. Later myrioramas with larger sets of cards could provide an unfathomable number of permutations, reaching well beyond our standard naming conventions. - Pencil ownership of Isabella Hord to the inside of upper cover. Box somewhat rubbed at extremities; corners lightly bumped; some brownstaining. The panels very well preserved. A copy is held at the Huntington Library in California. A charming item rarely seen at auction.
1931rif. 24950ABZürich, Gebr. Fretz A.G., 1931. 8°. 67 (5) S. Marmorierte Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1931rif. 24950ABZürich, Gebr. Fretz A.G., 1931. 8°. 67 (5) S. Marmorierte Pappband der Zeit.
1959rif. 20144Entretiens de Bichat 1959 106 pages in8. 1959. agrafé. 106 pages.
1875rif. 7952Béraldi 24. IFF 8.Très belle épreuve. en feuille Très bon Paris Gazette des Beaux-Arts, Cadart 1875 17,6 x 12 cm au trait carré. Marges 27,8 x 21,3 cm.
rif. 83027Paris Nouvelle Collection de Mémoires Historiques, Albin Michel, Editeur, sd, in-8, broché, 357p. Ex-libris. Bon état. Carte dépliante in-fine.
