GRASSET de SAINT SAUVEUR Jacques MARECHAL, Sylvain.(GRAVURE)Livre Rare Book
10.988 Ergebnisse
1788Best.-Nr. 245621788 1788 Gravure a l'aquatinte du 18e siecle (1788) par Laroque, d'apres le dessin de Grasset St Sauveur,Coloriee a la main a l'époque surpapier vert.Encyclopédie des voyages,Kolorierte Aquatinta, Darstellung: 11 x 17 cm
1975Best.-Nr. 015800Genève - Bern Musée d'art et d'histoire - Kusstmuseum 1975 In-12 carré Broché, couverture illustrée
Best.-Nr. awd-0Anvers, Guy Schraenen éditeur, 1977. Feuillet enroulé (22/120 cm), imprimé sur papier calque et présenté à l’intérieur d’un tube rhodoïd. Poème graphique tiré à 90 ex. datés, numérotés et signés. Rouleau en très bon état (rhodoïd à peine abimé).
Best.-Nr. 16605Paris, chez Brunet, 1775 - 1783. 4 volumes in-8 de [6]-321; [2]-391; [2]-407; 410 pages, plein maroquin rouge grenat, dos lisse orné de fleurons et dentelle dorée, plats au triple encadrement stylisé de roulettes dorées, roulettes dorées aux coupes et aux chasses, tranches dorées.
1975Best.-Nr. 132235Switzerland: Cabinet des estampes Geneve; Kunstmuseum Bern 1975. Softcover. VG- ex-library with pen and ink stamp on cover. No other markings. Minor age toning. White wraps with orange illustration. Unpaginated. 159 illustrations 12 of them color. Text in German one interview with the artist in French. Small exhibition catalogue. Cabinet des estampes Geneve; Kunstmuseum Bern paperback books
1994Best.-Nr. 97008Hamburg, Sautter & Lackmann, 1994. 112 nn. S. Mit zahlr., tls. farb. Abb. 33 cm. OKart.
1994Best.-Nr. 92376Hamburg, Sautter & Lackmann, 1994. 112 nn. S. Mit zahlr., tls. farb. Abb. 33 cm. OKart.
1950Best.-Nr. 4342DBZürich, Fundgrube-Verlag, (um 1950). Quer-8°. (16) S. Mit schwarz-weiss Illustrationen. Illustr. Orig.-Umschlag mit Klammernheftung.
Best.-Nr. 40219Leide Chez Jean Guignard 1695 in 12 (16,5x10) 2 volumes reliure plein veau fauve de l'époque, dos à nerfs ornés, pièces de titre de cuir beige. Tome 1: 5 feuillets non chiffrés, 282 pages et 3 feuillets de table non chiffrés, avec un portrait gravé de Jules César, ressauts de cahiers. Tome 2: 305 pages et 3 feuillets de table non chiffrés, avec un portrait gravé d'Auguste. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1947In-folio, cartella originale rigida, che contiene in fogli sciolti il frontespizio della serie, le 10 litografie, tutte numerate, firmate dall’autore e con l’indicazione del soggetto, e un ultimo foglio con indicazioni sulla stampa e la tiratura; tiratura limitata, dopo la stampa le matrici furono distrutte. Litografo Igino Alessandrini. Ottimo esemplare.
1950RARE collection of 24 high-quality b&w prints by Antonio Carbonati, depicting the scenery of Rome at the post-war period. 415x300mm. 24 plates. No binding (folder format). Softcover. Cover worn and stained. Cover edges tattered and partly torn, spine partly torn. Some pages yellowing, with very few age-stains at edges (not touching the prints themselves). [SUMMARY]: This collection of rare and collectible prints is otherwise in good condition.
1775Best.-Nr. 704133Nürnberg, Johann Eberhard Zeh, 1775. Titelblatt, 13 nnr. Blätter, 544 Seiten, 6 Blätter Register. Halbpergament der Zeit mit Rückenschild. Einband, Speziell der Buchrücken stark berieben. Buchblock sauber und tadelsfrei.
1950Best.-Nr. 4342DBZürich, Fundgrube-Verlag, (um 1950). Quer-8°. (16) S. Mit schwarz-weiss Illustrationen. Illustr. Orig.-Umschlag mit Klammernheftung. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
1946Cartella originale, in folio, contenente 12 fogli sciolti: il frontespizio, 10 litografie numerate e firmate a matita dall’autore, un testo in fac-simile con le note sulla stampa e sulla tiratura; la cartella fa parte della collana di cartelle litografiche diretta da Libero de Libero per lo studio di Villa Giulia; il litografo è Igino Alessandrini; esemplare 12 di 80. La copertina è di Mino Maccari. Le tavole del “Romanzo nero” riportano alla memoria l’episodio di cronaca della prostituta assassinata e fatta a pezzi nella pineta del Tombolo.
1840Best.-Nr. lib55342BC5Charles Tilt 1840. Hardcover. Good. original orange binding with gold design 3o engraved views by Cooke Charles Tilt hardcover
1845Best.-Nr. 3466Original publisher's binding of brown cloth with decorative gilt Romulus/Remus motif to front cover blindstamped to rear board Front cover detatched; Lacking spine covering. Complete with 30 plates 29th plate "Piazza Barberini" as frontispiece. Infrequent foxing throughout some markings to page edges. A nice copy without previous owners' names or other markings. ; 4to 11" - 13" tall; viii 216 pages; David Bogue hardcover
1974This is a very good softcover copy with just light cover wear. Very clean inside and out. This catalog was prepared to accompany the exhibition at the Fogg Art Museum from May 5 to May 30, 1974. Catalog edited by Konrad Oberhuber. Not illustrated. Checklist of the exhibition with 56 works fully catalogued and annotated. 11" high X 8" wide, 99 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1970Best.-Nr. 000243Amsterdam / New York: Van Gendt / Abner Schram 1970. First Edition. . Hardcover. See Description. 4to. pp. 247 1. Contains many b&w illustrations. Green cloth with dust jacket. Near fine condition. Miniscule dusting/foxing to upper edge of text block. Dust jacket is vg/fine. "The present bibliography describes over 100 titles containing ca. 2800 etchings by De Hooghe." -d.j. Contains indexes. Van Gendt / Abner Schram hardcover
1924Best.-Nr. 55175Lucien Vogel éditeur | Paris 1924-1925 | 18 x 24 cm | une feuille
1847Best.-Nr. 356ABParis, J.J. Dubochet, 1847. 12°. 3 Bl, LXIII S, 263 S, 1 Bl. Grüner Hldr. d.Zt. mit Rvg.
1847Best.-Nr. 356ABParis, J.J. Dubochet, 1847. 12°. 3 Bl, LXIII S, 263 S, 1 Bl. Grüner Hldr. d.Zt. mit Rvg. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1972Litografia Firma a matita. Esemplare 38/90. cm 74x54. pp.. . Ottimo (Fine). . Tiratura 90. .
Litografia originale Tiratura 15o esemplari. Firma a matita dell'Artsta. Timbro a secco dello stampatore Il Torcoliere, Roma. Cm 34,5x43,5 (Foglio 50x70). . . Ottimo (Fine). . Tiratura: 150. .
1924- Lucien Vogel éditeur, Paris 1924-1925, 18x24cm, une feuille. - Original color print, printed on vergé paper, non signed. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, non-signée. Une petite déchirure sans manque en marge gauche de la planche. Gravure o
1945Litografia originale in sanguigna, inserita nel n. 1 della rivista "Piccola Galleria. Pagine d'arte mooderna", pubblicata a Venezia nel maggio 1945, direttore Carlo Betocchi. Firma e sigla S. B. nella pietra Opera pubblicata con il n. 35 in apertura del catalogo "L'opera grafica di Filippo De Pisis", a cura di Manlio Malabotta, Edizioni di Comunità, 1969. Cm 16,8 x 12. . . Ottimo (Fine). . Tiratura non nota. .
