Estampes

THORVALDSEN. [A Collection of 55 Original Line Engraved Classical Illustrations].

1836 — ff. 30, 25 = Fifty-five Original Line Engraved plates, with Italian captions. Some foxing. Oblong folio. 280 x 380 mm. Early half leather binding. Morocco leather name plate on the front cover, stamped in gilt: "A. Thorvaldsen." Front board detached. Hardbound. Very good. Albert Bertel Thorvaldsen (1770-1844) was a Danish / Icelandic sculptor and artist. Thorvaldsen was an outstanding representative of the Neoclassical period in art, becoming the foremost artist in the field after the death of Antonio Canova in 1822. The poses and expressions of his figures are considered much more stiff and formal than those of Canova's. Thorvaldsen embodied the style of classical Greek art more than the Italian artist, he believed that only through the imitation of classical art pieces, could one become a truly great artist. Motifs for his works (reliefs, statues, busts, and illustrations) were drawn mostly from Greek mythology, as well as from works of classic art and literature. These engraved line illustrations also owe a great deal to the influence of John Flaxman (1755 - 1826). Very scarce. **PRICE JUST REDUCED! OVERSIZE 1/4

THOT AU LOGIS

1971 · Best.-Nr. 005640 — Colombes , Collection Génération n°5 (Gervais Jassaud) 1971 In-8 Broché Edition originale

Thoun vers Niesen et le Stockhorn.

1830 · Best.-Nr. 627DG — (Zürich, Keller & Füssli), um 1830. Altkolorierte Aquatinta von Rudolf Bodmer (1805-1841). Bildgrösse: 16 x 24,1 cm. Blattgrösse: 19,4 x 27 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.

Thoun vers Niesen et le Stockhorn.

1830 · Best.-Nr. 627DG — (Zürich, Keller & Füssli), um 1830. Altkolorierte Aquatinta von Rudolf Bodmer (1805-1841). Bildgrösse: 16 x 24,1 cm. Blattgrösse: 19,4 x 27 cm.

THREE COURSES AND A DESSERT. The Decoration by George Cruikshank. Second Edition.

1830 — pp. 432 + 8 [Publisher's Advertisements] + Eight plates; and over 40 charming woodcut text illustrations by Cruikshank. Foxed. 8vo. 215 mm. Original leather backed boards binding, worn. A collection of humorous and satirical short stories with West Country, Irish and legal settings (the 'Three Courses') together with a more miscellaneous selection (the 'Dessert'). The book makes wonderfully entertaining reading, and the illustrations are frequently quite delightful. Though the author is un-named, he was readily identifiable in early 19th century England. William Clarke (1800-1838), was also the author of `The Boys' Own Book' and other various works of light literature, which obtained a considerable measure of popularity. He also brought out a humorous periodical, called `The Cigar' and he was for some time editor of the `Monthly Magazine' For the last three or four years of his life he devoted himself to an elaborate work on natural history. This does not appear to have been published, nor are any of his other writings extant. While working in his garden, near his house near Hampstead, he died of an apoplectic fit. **PRICE JUST REDUCED! W140

Three Greek Sisters at Therapia

Three organic forms

Litografia originale da ''A Bestiary and some correspondences'', serie di 25 litografie alle quali l'Artista lavorò dal 1965 al 1968 Stampa eseguita da Mourlot, Parigi su carta Arches fatta a mano. Firma e numerazione a matita, data incisa su lastra (7-II-1968). Esemplare 20/70. cm 66x51. pp.. . Molto buono (Very Good). . Tiratura 70 + alcune p.d.a.. .

Three reference volumes from the British Museum Department of Prints and Drawings

1893 · Best.-Nr. 462987 — London : Longmans & Co. etc 1893. First Edition. Hardcover. Very good library copies all in contemporary gilt-blocked black cloth boards now with some light scuffs. Endbands and joints somewhat worn with some minor tears. The preliminary and final leaves of some volumes are lightly foxed with the Catalogue v.2 front free endpaper slightly torn at the outside margin; minor library marks remain. The interiors remain otherwise tight bright and clean with surprisingly sharp corners. A well-preserved set overall. Physical description; 3 volumes ; 26 cm. Contents; Index of artists Vol. 1 of 2 1893: Dutch and Flemish schools German schools / by Lionel Cust. Catalogue of drawings by British artists Vols. 2 & 3 of 4 1900-1907: Vol. 2 D-H and Vol. 3 I-R / by Laurence Binyon 1869-1943. Includes bibliographical references. Subjects; Drawing British Catalogs. Drawing Dutch Catalogs. Drawing Flemish Catalogs. Drawing German Catalogs. Drawing French Catalogs. Drawing European Catalogs. Artists Netherlands Indexes. Artists Flanders Indexes. Artists Germany Indexes. Artists France Indexes. Artists Great Britain Indexes. Engravers Netherlands. Engravers Flanders. Engravers Germany. Engravers France. Prints Catalogs. Drawings Catalogs. London : Longmans & Co. [etc] hardcover

Three Wood Engravings by John DePol for the Hammer Creek Press

1953 · Best.-Nr. 9695 — New York: Hammer Creek Press 1953. Unbound. Near Fine binding. Portfolio. 6.5" x 4.25." 4 folded leaves. Limited edition number of copies unknown. As issued 4 bifolium leaves laid into portfolio. Only light rubbing to the portfolio; leaves are fine. Comprises as title page with printing on the recto of the first page only; and three engraving on three bifolium with title of engravings in red on the recto of the first leaf and the engraving occupying the recto of the second leaf. Engravings are of "The Hell-Box Press" "The Hammer Creek Press" and "Along the Hammer Creek." An additional pressmark by DePol on the title page. Cohen 24; DePol Catalogue Raisonne p. 41. Hammer Creek Press unknown

THREE YEARS IN NORTH AMERICA.

1833 — Two volumes. pp. xii, [13]-334; vii, [1blank], [9]-337 (2)[Publisher's ads]. 12 mo. 197 mm. Original full fine linen cloth bindings. Spine mostly perished, and boards of one volume detached. Foxed. This set was a gift from Pennsylvania historian and archivist, Charles Coleman Sellers (1903-1980) to Dickinson College in 1950, and later withdrawn. First U.S. Edition. James Stuart (1775-1849) traveled from Liverpool to America, and visited: New York City, Albany, Auburn, Buffalo, Canada, Saratoga Springs, Connecticut, Boston, Philadelphia, Washington, Baltimore, and many more. He also observed the culture of the places he visited writing about issues on government, religion, slavery, education, ETC. Howes 1106; Sabin 93170. **PRICE JUST REDUCED! W145

Through the Woods: the English Woodland-April to April

1995 · Best.-Nr. 20053005 — London: Frances Lincoln Publishers 1995. First Thus 1st Printing. Hardcover. New/New. Hardcover with Dust Jacket. Published by Frances Lincoln Publishers. First printing thus. About 10 x 8 inches bound in green cloth with title information to spine in gold. With beautifully rendered and printed wood engravings throughout. NEW. Not read. Binding firm and square. All corners pointed. Without bumps or creases. Not marked in any way and very clean and bright. Dust jacket same. All items carefully wrapped and sent boxed. Frances Lincoln Publishers hardcover

Through the Woods; The English Woodland April to April

Best.-Nr. 112903 — London: Victor Gollancz 1936 1st edition. Cloth 142pp. Very good plus. Terracotta boards with gilt lettering to spine. Small sticker on front end-paper otherwise near fine. Victor Gollancz Hardcover

Through the Looking-Glass And What Alice Found There.

1887 · Best.-Nr. 26512 — London: Macmillan 1887. People's Edition. Hardcover. Very Good. Illustrations by John Tenniel. Duodecimo 208 pages pictorial green cloth edges of spine rubbed; unusual publisher's monogram on rear cover The rear advertisements state fifty-eight thousandth printing for TTL. Macmillan hardcover

Through the Woods.. The English Woodland - April to April. With Engravings by Agnes Miller Parker. [Second Edition] NEAR FINE COPY IN UNCLIPPED DUSTWRAPPER

1969 — 8vo., Second Edition, with title-vignette and 73 fine wood-engravings by Parker; green cloth, gilt back, a near fine copy in unclipped dustwrapper. Long-awaited reissue of the original edition of 1936. THIS EDITION IS NOW ELUSIVE IN ITS OWN RIGHT.

Thumb Nailing.

Best.-Nr. 15-5743 — Mt. Horeb WI: Perishable Press Limited 1974. PROSPECTUS. 8vo. Single Page Very Good with creasing. Letterpress on fine paper. Illustration. Mt. Horeb, WI: Perishable Press Limited, [1974?]. unknown

Thunersee Richtung Interlaken, Ringgenberg u. Brienzersee

1850 · Best.-Nr. 597BG — (um 1850). Gouache. Bildgrösse: 34,5 x 48 cm. Blattgrösse: 42 x 55,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.

Thunersee Richtung Interlaken, Ringgenberg u. Brienzersee

1850 · Best.-Nr. 597BG — (um 1850). Gouache. Bildgrösse: 34,5 x 48 cm. Blattgrösse: 42 x 55,5 cm.

Thurgauische Straffälle.

1846 · Best.-Nr. 4674BB — Zürich u. Frauenfeld, Ch. Beyel, 1846. 8°. 305 S. Pappbd. d. Zt. mit handschriftl. Rückentitel + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (berieben u. bestossen, Schild gebräunt).

Thurgauische Straffälle.

1846 · Best.-Nr. 4674BB — Zürich u. Frauenfeld, Ch. Beyel, 1846. 8°. 305 S. Pappbd. d. Zt. mit handschriftl. Rückentitel (berieben u. bestossen, Schild gebräunt).

Théâtre de l'Odéon La Contagion ou Trichines et Isthme de Suez - Lithographie

Best.-Nr. 25466 — Le Charivari, trente-cinquième année, lundi 26 mars 1866- Lithographie- Hauteur: 43.9cmx Largeur: 31.1cm - Trait carré = Hauteur: 26.2cmx Largeur: 39.8cm- 1 feuillet (4 pages) ; illustration page 3. Format paysage. - Au-dessus de l'image, au centre : "THÉÂTRE DE L'ODÉON LA CONTAGION ou TRICHINES ET ISTHME DE SUEZ" ; signé dans l'image au centre à gauche : "HADOL", sous l'image à gauche : "A.de Vresse, Ed[iteu]r r. Rivoli, 55." et à droite : "Lith Destouches, 28, r. Paradis Pre".texte imprime au dos,bon etat.

Théâtre du Gymnase Nos bons villageois - de V. Sardou - Le théâtre au crayon 1.- Lithographie

Best.-Nr. 25475 — Le Charivari, trente-cinquième année, vendredi 12 octobre 1866 - Lithographie = Hauteur: 43.7cmx Largeur: 30.8cm - Trait carré : Hauteur: 26.5cmx Largeur: 39.8cm - 1 feuillet (4 pages) ; illustration page 3 ; format paysage. - Au-dessus de l'image, au centre : "THÉATRE DU GYMNASE - NOS BONS VILLAGEOIS --dc V. SARDOU."; signé dans l'image en bas à gauche : "HADOL", sous l'image à gauche : "A.de Vresse, R. Rivoli, 55." et à droite : "Lith DESTOUCHES R. Paradis Poissonnière 28 PARIS" ; au-dessous, au centre : "LE THÉATRE AU CRAYON 1." - texte imprime au dos,bon etat,marge du bas un peu effrangée.

Théâtre Français; French Theatre; c.1770 Five hand-coloured prints of French actors performing in French and Italian plays at the Comédie Française in the eighteenth century.

Best.-Nr. 7545 — All five prints 'Publish'd by Robt. Sayer No. 53 Fleet Street London as the Act directs 1st. Septr. 1772.'. Each of the five on a piece of good laid paper roughly 15 cm square. Wide margins with indentation of plate 9.5 x 8 cm. All five good with occasional light creasing to margins. The second and third items more aged that the others but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous allons qu'êtes-vous' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille. dans la Fée Urgele Acte III.' Item Four: 'Mrs. Trial & Clerval. 29 Coméd. Ital. Bertrand et Monteauciel dans le Déferteur. Voulez-vous bien chanter quand on vous en prie' Item Five: 'Mr. Laurette 30 Coméd. Ital. Jean Louis. dans le Déserteur.' Presumably from Whirsker's "The Metamorphoses of Melpomene and Thalia or Dramatic Characters of the French and Italian Comedies." London: Robert Sayer n.d. but circa 1770. 30 plates. Cohen 1066. Lewine 356 copy on with 19 of the 30 plates at $3000: Micahel Hollander. See Image. All five prints 'Publish'd by Robt. Sayer, No. 53 Fleet Street London, as the Act directs, 1st. Septr. 1772.' unknown

Tiens !... Déjà de retour ! Pardessus d'après-midi (pl.1, La Gazette du Bon ton, 1913 n°12)

1913 · Best.-Nr. 89411 — Lucien Vogel éditeur | Paris Octobre 1913 | 19 x 24.50 cm | une feuille

Tiens vous v'là, qué que vous avez donc là? - M'en parlez pas; nous avons du monde et je viens de faire mon marché.

Best.-Nr. HD-033 — o.J. (Hallo, da sind Sie ja.... was haben Sie denn da gekauft?... - Reden wir nicht davon; wir haben Gäste und ich habe meine Einkäufe gemacht.). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger R. du Croissant 16, sowie: Imp. d?Aubert et Cie. Blattgröße 25,8:34,4 cm. Literatur: Daumier-Register 564; Delteil 564, Blatt 6 aus der Serie ?Types Parisiens?, erschienen 31.10.1841 in ?Le Charivari?. - Sur blanc!