Huber, Caspar Ulrich (1825-1882)Antiquariat.de
10.975 risultati
1860rif. 704CGZürich, Henri Füssli & Comp., um 1860. Altkolorierte Aquatinta auf festem Papier. 16 x 23,4 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild
1774rif. 14636en feuille Très bon Rome Carlo Losi 1774
rif. 14737D'après le tableau de Van Dyck. Très belle estampe mais petite galerie de vers dans la marge inférieure avec atteinte au texte et en partie à l'image. en feuille Moyen Anvers Gallé 1 volume in-8°
Gestochene Kupferplatte (117:174 mm). Hübsches Bildnis der Madonna in Andacht, mit über die Brust gelegten Händen, nach einem Gemälde von Carlo Maratti (1625-1713). Signiert vom Pariser Kupferstecher Louis Gomier, der 1713-30 in Rom tätig war und auch nach Pietro da Cortona, Ciro Ferri und An. Carracci stach. "Zu seinen Hauptblättern gehören eine Ansicht der Bernini-Fontände und des Obelisken auf der Piazza Navona [...] Auch war er Mitarbeiter an Mich. Mercati's Metallotheca [...] und stach einige Porträts nach eigener Zeichnung, darunter die der Königin Marie Eleonore Jos. von Polen und des Fürsten Lubomirski" (Thieme/B. 14, 364). Die Platte trägt noch den Verlegervermerk "typis Salmoni" (wohl ein Hinweis auf den römischen Drucker Giovanni Generoso Salmoni?).
1999rif. 38518Barcelona: printed by Roser S. Noguera for the Galeria Alejandro Sales 1999. Four poems by Dachs illustrated with six original prints by Arbós: three etchings printed on Japanese paper laid down on fine wove paper and three silkscreens. EDITION LIMITED TO 25 NUMBERED COPIES. The first etching is SIGNED by Arbós and the justification is SIGNED by both the artist and the poet. Large folio. Loose as issued in publisher's cloth folding case. FINE AND BRIGHT with no defects. RARE. printed by Roser S. Noguera for the Galeria Alejandro Sales hardcover
rif. 25635Lithographie- Planche HT parue dans La Caricature morale, religieuse, littéraire et scénique, volume 4, 3 mai 1832 (Planches n°158 et 159) - Lithographie- Œuvre: Hauteur: 35.6cmx Largeur: 54cm - Image: Hauteur: 28.7cmx Largeur: 40cm - Titre en ht au centre : « SINGERIES // Morales, Politiques etc. »; légende sous chacune des cinq vignettes, de gche à dte en partant du ht : « Il a beau faire, il n’aura pas la croix. », « Bel homme y a de bien jolies dames ici ! – // ah ! c’t’échantillon !... va-t-en donc grand singe ! », « Pêche miraculeuse des souliers de notre sauveur. », « Mes camarades… mes chers camarades… mes bons camarades !... », « – mais non il n’est pas trop long ! … six pouces et quelque chose. » ; indications, en ht à gche : « La Caricature (Journal) N°79 », en ht à dte : « Pl. 158 159. »Inscription - Dans la lettre : « Lith de Becquet, rue Childebert N°9 » [imprimeur], « On s’abonne chez Aubert, galerie véro dodat. » [éditeur] ; dans l’image, en bas à gche des troisième et cinquième vignettes en partant de la gche, signatures : « JJG // EF » [Jean-Jacques Grandville, dessinateur, et Eugène Forest, lithographe]Inscription - 1e vignette : au mur, un cadre accroché contenant une feuille avec l’inscription : « PRIX et Médail […] [Médaille] » ; 2e vignette : le nom de la rue : « RUE DES SINGES », et numéro de la rue : « 38 » ; 4e vignette : sur la hotte portée par un personnage du peuple, une étiquette portant l’inscription : « CHARTE // 1830 »
1860rif. 255071860 Le Charivari. Journal illustre. 29e annee. 1860 - 1/6/1860,La page 3 contient une lithographie en noir à 2/3 de page.23,5x25 cm - -- texte imprime au dos,bon etat.
1833rif. 250641833 Planche 304 de La Caricature N° 145.La Caricature, August 15, 1833 1833. Lithographie originale sur Velin blanc. . Delteil 67. Belle épreuve en noir et pli horizontal,plis;lithographie en noir sur velin blanc,Delteil 67,tirage bien noir malgré l'image jaunie
Acquaforte, puntasecca, acquatinta e carborundum a due colori Firma a matita. Timbro a secco dello stampatore Giorgio Upiglio. Lastra cm 187x86 (Foglio cm 199,5x98,5). . Dedica autografa dell'Artista alla Stamperia (Inscribed by the Artist to Giorgio Upiglio). Molto buono (Very Good). . Tiratura 28 + 10 p.d.a.. .
1924rif. 20345ABZürich, Kommissionsverlag von Beer & Co., 1924. 8°. 186 S. Mit zahlreichen s/w Abbildungen auf XXXI Tafeln. Orig. brosch. 124. Neujahrsblatt hrausgegeben von der Hülfsgesellschaft in Zürich.
1924rif. 20345ABZürich, Kommissionsverlag von Beer & Co., 1924. 8°. 186 S. Mit zahlreichen s/w Abbildungen auf XXXI Tafeln. Orig. brosch. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 124. Neujahrsblatt hrausgegeben von der Hülfsgesellschaft in Zürich.
rif. 1006CGo.J. Radierung. Plattengrösse: 17,3 x 25 cm. Papiergrösse: 22 x 34,3 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
rif. 1006CGRadierung. Plattengrösse: 17,3 x 25 cm. Papiergrösse: 22 x 34,3 cm.
1937Ex-library copy with the usual stamps and markings. Interior pages clean and unmarked; tight binding. 406 pages. Bound by library in bright red buckram. 195 pages of text, followed by a section of black and white plates.
1976Acquatinta ceramolle a colori Firma, data, numerazione e dedica a matita. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare p.d.s.. cm 82,5x54,5 (Foglio 100x70). . Dedica e firma autografe dell'Artista (Inscribed and signed by the Artist). Molto buono (Very Good). . . .
1890rif. 003892London: T.F. Robey 1890. Very Good. 16 black-and-white collotype views loose as issued in a light green envelope. Title from envelope. "Robey's Series" -- on envelope and on each image. Thomas F. Robey was a photographer active in London beginning in the 1890s. From about 1894 to about 1905 he was also active as a commercial photographer and printer with Eustace Curzon. They were among many photographers producing platinotypes or platinum prints around the turn of the century. "Platinogram" was the name given by Robey to these images made from platinotypes. As listed on the envelope the views are: The Tower Bridge Tower of London London Bridge Royal Exchange St. Paul's West Front Embankment Houses of Parliament Westminster Abbey Rotten Row Piccadilly Circus Albert Hall Albert Memorial Crystal Palace Trafalgar Square Ludgate Circus and the Great Wheel. There is no date of publication but the images appear to be from the 1890s. The detail in the street scenes is particularly impressive. There are no motorized vehicles in any of the scenes. Oval stationers label on front of envelope: Rowsell & Son Cheapside. In Very Good Condition: minor creasing at a few corners; loss of corners on two images; clean and bright. Envelope is in Good- Condition: separated into two sections; chipping along edges; minor loss at corners. Extremely scarce -- no other copies of these "Platinogram" views have been located. T.F. Robey unknown
13 watercolours and pencil and ink drawings mounted on 60 leaves of white and brown-toned paper. Splendid red morocco binding by Alphonse Giroux of Paris with covers and spine gilt and inlaid (wanting the fore-edge lock). Small oblong folio (340 x 245 mm). Red moirée silk endpapers. All edges gilt. A magificently bound, early album containing sketches by the artistically gifted princess as well as by other artists. It was not until the year of her birth that her father Louis Philippe, the Duke of Orleans (1773-1850), who had had to leave Europe after the French Revolution and spent several years in America, returned to France, where in 1830 he accepted the crown, following the deposition of Charles X. Until the February Revolution of 1848 and his emigration to England he reigned as "King of the French". - The present album contains three unsigned portrait studies in pencil attributable to the princess, probably based on details from an old master painting (possibly a Crucifixion or Lamentation of Christ). In her youth, Clementine is known frequently to have copied details from Dürer, Michelangelo, Leonardo da Vinci, Holbein, and Titian. Two of the present studies are dated "1831", when she was but fourteen years old: among the earliest of her known works, they show off her remarkably developed talent. - Among the other drawings in the album is a watercolour still life with fowl, signed "D. Pedro 1850" and inscribed, "Offert À Son Altesse Royale Madame La Duchesse de Saxe Cobourg Gotha le 3 Juin 1851", while a similar still life is signed "D. Suid [?] fecit / 20 Set. 1850". Other drawings include four pencil sketches by the English painter and engraver William Daniell (1769-1837), who had accompanied his uncle Thomas Daniell to India in 1784 and subsequently produced a wealth of highly regarded landscapes and scenes of Indian life (including work for the famous "Oriental Scenery" volume), many of which are in the Royal collections (cf. Thieme/Becker VIII, 361f.). His signed contributions are two boating scenes (1827, one entitled "Patience in a Punt"), an Indian riverside scene (1827) entitled "The Plantane tree, Bengal", and an "Indian Bull" (1830, inked and watercoloured). Another particularly finely executed watercolour shows a beach scene at Ingouville (in Normandy), dated August 1839 and signed "L. Laurent". In addition, there are three skilled but unsigned pen-and-ink sketches, apparently also by a trained artist, showing a watchman with a shouldered musket, the Falls of Clyde in Scotland ("Chute de la Clyde / Lanarke 11 Juillet 51"), and the profile study of a lady (all but the latter washed in ink). A few torn stubs show the album to have formerly comprised several additional leaves, while the faint nature-printed impressions left by plants between two leaves prove that the album was once also used to preserve botanical mementos. - The princess grew up in the Palais Royale in Paris. In 1843 she was married to Prince August of Saxe-Coburg; in 1861 she would give birth to Prince Ferdinand of Saxe-Coburg, who in 1887 accepted the crown of Bulgaria, against the wishes of the European Powers and indeed those of the house of Coburg. Having long lived under the same roof with the similarly aged Victoria of Kent, later Queen Victoria (1819-1901), Clementine maintained a lifelong correspondence with the Queen of England, and her more than 600 letters are now in the Royal Archive in Windsor. Also the Hoover Institution at Stanford University keeps material from the estate of Princess Clementine within the so-called "Czar Ferdinand I of Bulgaria papers". Her artistic productions have remained enduringly popular: in 1990, one of her pencil drawings ("Etude des chiens") sold for 20,000 Francs (Paris, Tajan, 5 Dec. 1990, lot 23).
1864256p. + Full Page Engraved Portraits with original tissue guards. Slightly foxed. XLib. Manuscript notes on rear fly leaf. 12mo. 190 mm. Original full cloth binding embossed in blind. Corners worn. Spine faded with loss at head and tail and near title. Hardbound. Very good. Brief sketches of John Summerfield, Archibald Alexander, Nettleton, Beecher, Payson, Chalmers, Dwight, Edwards, Whitefield, Baxter, Bunyan, Massilon, et. al. RELIGION BOX 10
Litografia a 5 colori Firma, data e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare 42/42. cm 76x54,5. . . Molto buono (Very Good). Bruniture leggere ai margini del foglio (Some light browning and spotting). Tiratura 42. .
1970rif. 210213036Sky Prints Corp 1970-01-01. Spiral-bound. Like New. 0x0x0. 1970-1979 and 1981 Like New inside and Out! Clean & Crisp Pages. Excellent book.Fast Shipping!11 books total Sky Prints Corp unknown
2018Acquaforte elettrochimica / Electrochemical etching. L'incisione è stata realizzata presso la Kansas State University (Manhattan, Kansas) Timbro a secco dell'Artista. Firma, titolo e numerazione a matita. Esemplare p.d.a.. Cm 15x11 (Foglio 53x38). . . Ottimo (Fine). . Edizione originale di 25 es. numerati e firmati . .
rif. awd-735Portrait de John Cage souriant, série Hostages. Épreuve d’artiste imprimée en lithographie par Quensen GmBH en 1998. Signée, datée, justifiée et insérée dans une pochette de présentation rouge à rabat. Impression à 85 ex. avec timbre sec de l’éditeur (40/27 cm). Bon état.
1910rif. 4831910 VERS 1910. ESTAMPE EN COULEURS (50 X 36,5 CENTIMETRES ENVIRON, ET 60 X 43 ENVIRON AVEC LES MARGES), SIGNEE DANS LA PLANCHE EN BAS A GAUCHE. BON ETAT.
rif. 48241Paris Bibliothèque Nationale 1950 in 8 (21x15,5) 1 volume broché, non paginé, avec des illustrations hors-texte en noir et blanc. Catalogue de 153 gravures exposées lors de la 36ème expostion de la Societe des Peintres Graveurs Francais, reconnue d'utilite publique. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1984rif. 11375MacOn Imp. Buguet-Comptour 1984 GRAND In-8 84 pp, figures, dessins et reproductions photographiques en noir in-texte. Intérieur frais.
