SCHELTE A. BOLSWERTLivre Rare Book
10.174 risultati
rif. 5152Coupé à la cuvette. Légende : Pictor trireremium naviumque maiorum antverpiæ. Très beau portrait de ce peintre de marines, d’après Van Dyck. Tirage sur beau papier vergé. Le Blanc I - 431. En feuille Très bon 247 x 170
rif. 51575Hamburg B. S. Berendsohn 1850. . Schönes Sammelbild von Hamburg nach dem Brand von 1842. Mittig die große Ansicht der Binnenalster von der Lombardsbrücke aus betrachtet umgeben von 20 kl. Ansichten vom alten und neuen Jungfernstieg Hafen und Hafentor Stadttheater Thalia-Theater Post Börse Raineville's Garten Alsterarkaden Bazar Blankenese Tivoli Landungsbrücken Spielbudenplatz u. a. Mit dreisprachigem Titel im unt. Plattenrand. Hamburg, B. S. Berendsohn, 1850. unknown
The catalogue raisonne of the prints. 146 items fully described and illustrated, most as full-page plates. Large 4to. Publisher's cloth. Fine in a vg dj.
rif. 30098329Abbeville Press for Ronald Feldman Fine Arts New . 26.0 x 24.0cms 144pp 34 b/w & 409 colour illusts very good hardback & dustwrapper The essays are: Warhol as printmaker; Rupert Jasen Smith on printmaking for Warhol 1977-1987; catalogue raisonne. Abbeville Press for Ronald Feldman Fine Arts (New hardcover
rif. 30101722Ronald Feldman Fine Arts New York & Editions Sch. 26.0 x 24.0cms 119pp b/w & colour illusts very good paperback & cover Ronald Feldman Fine Arts (New York) & Editions Sch paperback
rif. 1333164386.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 15202Épreuve sur beau papier filigrané. en feuille Très bon Paris 15 x 11 cm
1995rif. 12350Lewisburg PA: The Press of Appletree Alley 1995. Limited Edition. Hardcover. Near fine. Large octavo 48pp. illustrated. From The Bucknell University Fine Editions: A Series in Contemporary Poetry edited by John Wheatcroft. A near fine copy in the publisher's printed boards with very dark navy cloth spine. Spine just a tinge sunned top edge gently foxed but the contents fresh and lovely. Per the colophon: "This book was set in Spectrum type and printed on English Somerset mould-made paper with a No. a Vandercook press. The edition was designed type-set and printed by Juanita Bishop Barnard Taylor and Kathy Pino a Bucknell University graduate student. The engravings were printed directly from the blocks. Don Rash and Nicolyn Rosen hand bound each book with printed paper over boards." This is number 34 of 125 limited copies SIGNED by Peacock on the limitation page. Publisher's prospectus laid-in. The Press of Appletree Alley hardcover
1835rif. 31067ABChur, Kellenberger, 1835. 256 Seiten, 3 Blatt. Illustrierter Original Pappband.
1857rif. 8226CBVierte, in zwei Bände zusammengefasste Auflage. 2 Bände. Stuttgart und Augsburg, J. G. Cotta, 1857. 8°. (3) S. VI–XXXII, 592 S.; XVI, 570 S. Mit 18 gef. lithogr. Tafeln. Moderne Pappbände.
1864rif. 4776DBBern, Rud. Jenni, 1864. 8°. (2) Bl., VII, (1), 76 S. Mit 24 Tafeln. Halblederband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4776DB|4776DB_2 [2 Warenabbildungen]
1835rif. 31067ABChur, Kellenberger, 1835. 256 Seiten, 3 Blatt. Illustrierter Original Pappband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
1813rif. 636350München, Redaktion des allgemeinen Regierungsblattes, 1813. VIII, 328 S. Etwas späterer blauer Pappband (berieben, Ecken etwas bestoßen). [2 Warenabbildungen]
1813rif. 636393München, Redaktion des allgemeinen Regierungsblattes, 1813. VIII, 328 S. Halbleder d. Zeit (beschabt u. bestoßen, Gelenke am Kopf eingerissen). [2 Warenabbildungen]
1919rif. RO80052258CHEZ L'AUTEUR. 1919. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. 289 pages. Frontispice en couleurs. Nombreuses planches d'illustrations en noir et blanc, hors-texte. Charnières fendues.. . . . Classification Dewey : 769-Estampes
1912rif. RO80068265DELTEIL Léo & A. Le CORBEILLER. 1911 - 1912. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Quelques rousseurs. 260 pages. 28 planches illustrées en noir et blanc, hors-texte. Quelques manques en coiffes. Charnières fendues.. . . . Classification Dewey : 769-Estampes
rif. R240126943LEO DELTEIL. non daté. In-4. Broché. Etat d'usage, Couv. défraîchie, Mors fendus, Intérieur frais. 176 pages - Nombreuses reproductions d'estampes hors-texte en noir et blanc - Nombreux bandeaux en noir et blanc - 1 illustration en noir et blanc contrecollée sur le 1er plat - 2 coupures contrecollées en contreplat - PAGES DESOLIDARISEES DU DOS. . . . Classification Dewey : 769-Estampes
1820rif. 2707DBZürich, Joh. Caspar Näf, 1820. 8°. XII, 200 S. Mit 1 gest. Portait. Leinenband der Zeit.
1928rif. R160118394L. MAURICE. 1927-1928. In-8. Broché. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Intérieur frais. 244 pages. 1er plat de couverture illustrées par une photos contre-collées.. . . . Classification Dewey : 769-Estampes
rif. 14060Paris, Leo Delteil, 1912, 1913. Deux annees relies ensemble dans une reliure pleine toile recente, piece de titre cuir rouge, page de titre conservee, format 25x16 cm, XV + 260 et XII + 232 pages.Tres bon etat.
1858rif. 4837CBGenève, Jules-Guillaume Fick, 1858. 8°. VI, 143 S. Mit gest. Buchschmuck, darunter eine kleine Ansicht und das Genfer Wappen. Pappband d. Zt. mit blindgepr. reich verziertem Genfer Wappen auf Deckeln, diese von roter Linie eingefasst.
1820rif. 2707DBZürich, Joh. Caspar Näf, 1820. 8°. XII, 200 S. Mit 1 gest. Portait. Leinenband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1858rif. 4837CBGenève, Jules-Guillaume Fick, 1858. 8°. VI, 143 S. Mit gest. Buchschmuck, darunter eine kleine Ansicht und das Genfer Wappen. Pappband d. Zt. mit blindgepr. reich verziertem Genfer Wappen auf Deckeln, diese von roter Linie eingefasst. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4837C
1809rif. Flo541Very good copy of the first edition of this classic of equestrian humour With 26 of 29 handcoloured copperplate engravings by Thomas Rowlandson after illustrations by George Moutard Woodward and Henry Bunbury unsigned The illustrations show Regency gents falling off horses ladies falling off horses gamblers pursued by officers of the debtors' prisons raggedy dogs yokel fashions and furniture famous beauties etc. The 26 plates include: portrait of Caleb Quizem Esq. title page vignette with courtier falling from Pegasus The Maid of Mim; Costume of Hogs Norton: Morning dress; Game Wigs 2 plates; Hounds 2 plates; Mathematical Horsemanship 6 plates; The True Method of Sitting on a Horse Mathematically Delineated; How to Vault from the Saddle; Fashionable Furniture at Hogs Norton 2 plates; and The Bailiffs Hunt 8 plates. Lacks the folding plate The Bucephalus Riding Academy for Grown Gentlemen and two other plates Costume of Hogs Norton: A Back Front View of Miss Dickinson's new Dress and How a Man may Shoot his own Wig. George Murgatroyd Woodward 1765–1809 more commonly known as George "Moutard" or "Mustard" Woodward was an English caricaturist and humourist. He was a friend collaborator and drinking companion of Thomas Rowlandson who engraved many of his prints. Thomas Rowlandson 1757-1827 was an English artist and caricaturist of the Georgian and Regency eras noted for his ribald satire and social observation. A prolific artist and printmaker his most famous works include The Miseries of Human Life 1808 The Tours of Dr. Syntax 1812-21 Microcosm of London 1810 The English Dance of Death 1815 Military Adventures of Johnny Newcome 1815 History of Johnny Quae Genus 1822 The English Spy 1826 etc. The pseudonym Caleb Quizem is often attributed to the artist George Moutard Woodward. The portrait however links the author to Geoffrey Gambado i.e. Francis Grose. In the picture a corpulent man sits in an armchair looking at the viewer through a monocle. Two books Gambado's Annals of Horsemanship a popular book attributed to Grose reissued with Rowlandson's engravings in 1809 and Laurence Sterne's Tristam Shandy are on the table next to him and a portrait of Gambado with gouty foot and crutch hangs on the wall. Quite scarce copies held by the British Library and Oxford University. Bound in full red morocco leather spine with five raised bands gilt title and decoration to compartments front board with 2cm scratch to leather TEG marbled endpapers book block solid. Interior clean and bright all copperplates under tissue guards with vivid handcolour. Engraved armorial bookplate of Herman Le Roy Edgar a New York real-estate broker amateur photographer and book collector 1865-1938. Very good copy of this rare classic of horsey fun. Thomas Tegg hardcover
1974Exhibition catalog for show at the Oakland Museum, Oakes Gallery, September 17 through November 17, 1974. Staple-bound. 7"w x 11"h. 18 pages. Light wear to cover; previous owner's name inside. " 'Anne Brigman' fills a gap in the understanding of what photography was about in the decade 1903-1913 when the soft-focus, pictorial approach was commanding attention for the first time. Anne Brigman was in the forefront of this style, and, the only woman from the west to be included in the noted gallery of mader art 291, she led the interest in the bay area. The collection of her work in The Oakland Museum is no doubt the strongest in any museum, and, thanks to the gifts of Mr. and Mrs. Willard Nott, contains many important family letters and mementoes."
