10.943 risultati
The standard catalogue raisonne of Chasseriau's prints. Profusely illustrated. Large 4to. Original wraps. FINE AND BRIGHT.
1742rif. 1047248Büdingen, Johann Christoph Stöhr 1742. Titel, (76) Seiten Zuschrift und Vorrede, 206 Seiten, (17) Seiten Register, (1) weiße Seite. Mit einigen Kopfstücken, Vignetten und Ziersleisten in Holzschnitt. 4° (21,5 x 17,5 cm). Pappband der Zeit mit Kiebitzpapierbezügen und rot gesprenkeltem Schnitt.
19498vo., Second Edition, with engraved and printed titles, endpapers very lightly spotted; tan cloth, backstrip lettered in black, a near fine copy in unclipped dustwrapper. The striking image on dustwrapper and illustrated title is by Agnes Miller Parker. Wide-ranging anthology of verse and prose relating to animals. First published in 1945 without the benefit of an index.
rif. 20184Sofia, Bulgarski Houdozhnik publishers, 1990. In-plano, 8 pp. + 30 pl., en feuilles, emboîtage éditeur illustré (taches à l'emboîtage).
1810rif. 8165Philadelphia: Johnson & Warner printed by J. Bouvier 1810. Hard Cover. near Very Good binding. 16mo 32 pp. frontis plates. Early reprint. As issued stitched into stiff paper covers with frontispiece and 5 additional inserted plates. Cover is light rubbed; some separation where the cover hinges at the stitching but the cover remains fairly stable; light foxing throughout. This is one of two 1810 imprints of this title the other Shaw & Shoemaker 19993 is self styled the "First American from the Second London Edition" and is sold by Wm. Charles and printed by W. McCullouch in 1810. While both Welch and Shaw & Shoemaker list this present edition by Johnson & Warner first it would stand to reason that the Charles edition is in fact first as this present edition has a title page dating publication at 1810 but the cover title is dated 1811. Nevertheless an early edition of this scarce title by Dorset who was "the younger daughter of Nicholas Turner and the sister of Charlotte Smith also a famous author. She wrote several books for children which were all published anonymously" Rosenbach 438. Shaw & Shoemaker 19992 & 22717. Welch 297.1; Cotsen 1813. Johnson & Warner | printed by J. Bouvier unknown
33.5x28 cm. 30 pages. Gilt hardcover. Cover stained, rubbed and slightly bumped. Cover edges and corners bumped. Spine wrinkled. Spine corners worn and torn. Inner cover stained. Sticker on front inner cover. Binding partly visible between inner cover and white pages. Front white page edge torn. page 14 slightly torn - no damage to text. Few pages slightly age stained. Pages slightly yellowing. Else in good condition.
rif. 42584Antwerpen, Elzenveld vzw, 2000 Gebonden, hardcover met stofomslag, 76pp., 31x25cm., ills. in kleur, goede staat.
1830rif. 627DG(Zürich, Keller & Füssli), um 1830. Altkolorierte Aquatinta von Rudolf Bodmer (1805-1841). Bildgrösse: 16 x 24,1 cm. Blattgrösse: 19,4 x 27 cm.
1971rif. 005640Colombes , Collection Génération n°5 (Gervais Jassaud) 1971 In-8 Broché Edition originale
1951rif. 8728Lexington KY: Gravesend Press printed by Philip Reed 1951. Hard Cover. Very Good binding. Small octavo. 8 vii 1 16 2 pp. illus. Limited edition one of 500 copies. As issued in paste-paper over boards bound by Elizabeth Kner with printed paper title label on the front cover; partially unopened. 16 in-text engravings from Bewick's blocks printed in brown grace the pages of the charming volume. Light rubbing to the extremities of the binding including a scuffed spot on the front board; interior is fine. Designed by Joseph C. Graves this is the second issue with his imprint though Graves's friend Philip Reed executed the presswork at his Chicago print shop. Graves ran the Gravesend Press as a sideline from about 1949 through to the end of his life in 1960 issuing scarcely more than half a dozen books. While less known that some of his contemporaries he took his place amidst a vibrant mid-century printing and illustrating scene—friends with Victor Hammer Carolyn Reading Philip Reed Fritz Kredel John DePol John Fass and others. H. Richard Archer in a history of Graves and his press published in The Kentucky Review Spring 1987 summarizes Graves's work thus: "All of the books whether pamphlets or bound books reflect the taste and high standards of a true amateur craftsman and as such they certainly qualify as choice examples from one of this generation's most distinguished private presses. Gravesend Press | printed by Philip Reed unknown
rif. 44917335-6Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1846rif. 006787Philadelphia: Illman & Sons 1846. Very Good. 1 leaf 19 x 11 cm. with engraving of Thomas Paine from a painting by George Romney. No date of publication. Although Thomas Illman and his sons were active as engravers and printers in Philadelphia from 1844 onward Illman & Sons is only listed in city directories for the years 1845-47. Scarce. In Very Good Condition: lightly soiled; very small dampstain at lower edge. Illman & Sons unknown
1836ff. 30, 25 = Fifty-five Original Line Engraved plates, with Italian captions. Some foxing. Oblong folio. 280 x 380 mm. Early half leather binding. Morocco leather name plate on the front cover, stamped in gilt: "A. Thorvaldsen." Front board detached. Hardbound. Very good. Albert Bertel Thorvaldsen (1770-1844) was a Danish / Icelandic sculptor and artist. Thorvaldsen was an outstanding representative of the Neoclassical period in art, becoming the foremost artist in the field after the death of Antonio Canova in 1822. The poses and expressions of his figures are considered much more stiff and formal than those of Canova's. Thorvaldsen embodied the style of classical Greek art more than the Italian artist, he believed that only through the imitation of classical art pieces, could one become a truly great artist. Motifs for his works (reliefs, statues, busts, and illustrations) were drawn mostly from Greek mythology, as well as from works of classic art and literature. These engraved line illustrations also owe a great deal to the influence of John Flaxman (1755 - 1826). Very scarce. **PRICE JUST REDUCED! OVERSIZE 1/4
1830rif. 627DG(Zürich, Keller & Füssli), um 1830. Altkolorierte Aquatinta von Rudolf Bodmer (1805-1841). Bildgrösse: 16 x 24,1 cm. Blattgrösse: 19,4 x 27 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1830pp. 432 + 8 [Publisher's Advertisements] + Eight plates; and over 40 charming woodcut text illustrations by Cruikshank. Foxed. 8vo. 215 mm. Original leather backed boards binding, worn. A collection of humorous and satirical short stories with West Country, Irish and legal settings (the 'Three Courses') together with a more miscellaneous selection (the 'Dessert'). The book makes wonderfully entertaining reading, and the illustrations are frequently quite delightful. Though the author is un-named, he was readily identifiable in early 19th century England. William Clarke (1800-1838), was also the author of `The Boys' Own Book' and other various works of light literature, which obtained a considerable measure of popularity. He also brought out a humorous periodical, called `The Cigar' and he was for some time editor of the `Monthly Magazine' For the last three or four years of his life he devoted himself to an elaborate work on natural history. This does not appear to have been published, nor are any of his other writings extant. While working in his garden, near his house near Hampstead, he died of an apoplectic fit. **PRICE JUST REDUCED! W140
Litografia originale da ''A Bestiary and some correspondences'', serie di 25 litografie alle quali l'Artista lavorò dal 1965 al 1968 Stampa eseguita da Mourlot, Parigi su carta Arches fatta a mano. Firma e numerazione a matita, data incisa su lastra (7-II-1968). Esemplare 20/70. cm 66x51. pp.. . Molto buono (Very Good). . Tiratura 70 + alcune p.d.a.. .
1893rif. 462987London : Longmans & Co. etc 1893. First Edition. Hardcover. Very good library copies all in contemporary gilt-blocked black cloth boards now with some light scuffs. Endbands and joints somewhat worn with some minor tears. The preliminary and final leaves of some volumes are lightly foxed with the Catalogue v.2 front free endpaper slightly torn at the outside margin; minor library marks remain. The interiors remain otherwise tight bright and clean with surprisingly sharp corners. A well-preserved set overall. Physical description; 3 volumes ; 26 cm. Contents; Index of artists Vol. 1 of 2 1893: Dutch and Flemish schools German schools / by Lionel Cust. Catalogue of drawings by British artists Vols. 2 & 3 of 4 1900-1907: Vol. 2 D-H and Vol. 3 I-R / by Laurence Binyon 1869-1943. Includes bibliographical references. Subjects; Drawing British Catalogs. Drawing Dutch Catalogs. Drawing Flemish Catalogs. Drawing German Catalogs. Drawing French Catalogs. Drawing European Catalogs. Artists Netherlands Indexes. Artists Flanders Indexes. Artists Germany Indexes. Artists France Indexes. Artists Great Britain Indexes. Engravers Netherlands. Engravers Flanders. Engravers Germany. Engravers France. Prints Catalogs. Drawings Catalogs. London : Longmans & Co. [etc] hardcover
1953rif. 9695New York: Hammer Creek Press 1953. Unbound. Near Fine binding. Portfolio. 6.5" x 4.25." 4 folded leaves. Limited edition number of copies unknown. As issued 4 bifolium leaves laid into portfolio. Only light rubbing to the portfolio; leaves are fine. Comprises as title page with printing on the recto of the first page only; and three engraving on three bifolium with title of engravings in red on the recto of the first leaf and the engraving occupying the recto of the second leaf. Engravings are of "The Hell-Box Press" "The Hammer Creek Press" and "Along the Hammer Creek." An additional pressmark by DePol on the title page. Cohen 24; DePol Catalogue Raisonne p. 41. Hammer Creek Press unknown
1833Two volumes. pp. xii, [13]-334; vii, [1blank], [9]-337 (2)[Publisher's ads]. 12 mo. 197 mm. Original full fine linen cloth bindings. Spine mostly perished, and boards of one volume detached. Foxed. This set was a gift from Pennsylvania historian and archivist, Charles Coleman Sellers (1903-1980) to Dickinson College in 1950, and later withdrawn. First U.S. Edition. James Stuart (1775-1849) traveled from Liverpool to America, and visited: New York City, Albany, Auburn, Buffalo, Canada, Saratoga Springs, Connecticut, Boston, Philadelphia, Washington, Baltimore, and many more. He also observed the culture of the places he visited writing about issues on government, religion, slavery, education, ETC. Howes 1106; Sabin 93170. **PRICE JUST REDUCED! W145
1995rif. 20053005London: Frances Lincoln Publishers 1995. First Thus 1st Printing. Hardcover. New/New. Hardcover with Dust Jacket. Published by Frances Lincoln Publishers. First printing thus. About 10 x 8 inches bound in green cloth with title information to spine in gold. With beautifully rendered and printed wood engravings throughout. NEW. Not read. Binding firm and square. All corners pointed. Without bumps or creases. Not marked in any way and very clean and bright. Dust jacket same. All items carefully wrapped and sent boxed. Frances Lincoln Publishers hardcover
rif. 112903London: Victor Gollancz 1936 1st edition. Cloth 142pp. Very good plus. Terracotta boards with gilt lettering to spine. Small sticker on front end-paper otherwise near fine. Victor Gollancz Hardcover
1887rif. 26512London: Macmillan 1887. People's Edition. Hardcover. Very Good. Illustrations by John Tenniel. Duodecimo 208 pages pictorial green cloth edges of spine rubbed; unusual publisher's monogram on rear cover The rear advertisements state fifty-eight thousandth printing for TTL. Macmillan hardcover
19698vo., Second Edition, with title-vignette and 73 fine wood-engravings by Parker; green cloth, gilt back, a near fine copy in unclipped dustwrapper. Long-awaited reissue of the original edition of 1936. THIS EDITION IS NOW ELUSIVE IN ITS OWN RIGHT.
1850rif. 597BG(um 1850). Gouache. Bildgrösse: 34,5 x 48 cm. Blattgrösse: 42 x 55,5 cm.