Böttger, GottliebAntiquariat.de
10 194 résultats
1805réf. 80197O. O. [ca. 1805]. Auf kleinem Bütten. Plattenmaß 6,7 x 7,7 cm; Blatt 10,8 x 13 cm. Unter Passepartout.
réf. 52242Hamburg B. S. Berendsohn ca. 1845. . Graphik #37510. - Blick von Osten über das rege Treiben promenierender spielender Waren feilbietender Menschen zwischen "Circus Gymnasticus" links im Vordergrund u. Buden unter Bäumen der Reeperbahn; im Hintergrund die St. Trinitatiskirche vgl. # 52145. - Zu dem Vorzeichner für Stahlstich Maler u. Lithographen Heinrich Jessen Mitte des 19. Jhdts. in Hamburg tätig siehe Der Neue Rump S. 212; zu dem Zeichner u. Radierer James Gray ebenfalls Mitte des 19. Jhdts. in Hamburg tätig siehe ebda. S. 150. - Im weißen Rand wenig stockfl. sonst gutes Exemplar Hamburg, B. S. Berendsohn, [ca. 1845]. unknown
1952Rara acquaforte e acquatinta originale di Renzo Vespignani. In basso a destra firmato e datato "Vespignani '52" Esemplare 8/10. Cm 24x26, foglio 35x50,5. . . Molto buono (Very Good). Leggere fioriture nella parte inferiore del foglio che non interessano la parte incisa (Light yellowing at the lowre part of the sheet). Tiratura di 10 (Edition of 10 copies). . Nel "Catalogo dell'Opera Incisoria" di Renzo Vespignani. Franca May Edizioni, 1982, l'opera viene riportata nell'Appendice con il titolo "Spiaggia e barche" ma datata 1954.
1864pp. 203, 8 [Walker, Wise, & Co.'s Children books catalogue with sample illustrations] + Plus wood engraved half title, frontis and full page plates. Wood engraved text illustrations. Inked 1864 ownership of Robert S. Bair (York, PA). Unusual Photo portrait ownership bookplate of Robert C. Bair, (York, PA) 1928. Bair was involved in politics and served as the Director of Historical Society of York County. Age stained. A few signatures loose. 12mo. Original full green buckram embossed in gold and blind. Binding slightly worn and cocked. ** PRICE JUST REDUCED!! RUSSIA/1
1737réf. 487427Halle, Waisenhaus, 1737-45. 4to. Mit gestochenem Porträt u. 4 gestochenen Titelvignetten. Pergament d. Zeit mit Rückenschild (fleckig, 3 Rücken mit kurzen Einrissen). [3 Warenabbildungen]
1712réf. 627637Frankfurt u. Wittenberg, Schrey & Meyer Erben, ab Teil 2 Halle, Waisenhaus, 1690-1712. 4to. 3 Bl., 491 S., 3 Bl., 512 S.; 3 Bl., 880 S.; 4 Bl., 1200 S.; 3 Bl., 1046 S., 124 Bl. (Ohne das gestochene Porträt in Band 1). Halbleder d. Zeit mit Rückenschildern u. etwas Rückenvergoldung (berieben u. mit einigen Schabstellen, Ecken bestoßen, 3 Innengelenke angebrochen). [2 Warenabbildungen]
1984réf. 298176Maple Shade NJ: The Pickering Press 1984. Soft Cover. Near Fine binding. Large 8vo.; in blue paper-covered flexible boards with a decorative paper label to the upper board; 18 pages with a wood-engraved portrait as frontispiece and example of Pickering’s work tipped in and numerous illustrations in blue and black; there is minor fade to the spine. Near Fine binding. The Pickering Press unknown books
1984réf. 297106Marlborough Wilts England: Paulinus Press 1984. Limited Edition. Hard Cover. Fine binding. Large 8vo.; in the publisher’s pink silk bonding with a cream label to the spine lettered in gilt with slipcase; 55 pages with illustrations and a set of proofs; signed by the author Walter Shewring; the engraver Simon Brett the engraver; Christopher Skelton the printer; and Clare Skelton the binder.~~This edition limited to twenty-five special copies printed on Zerkall mould-made paper with additional pages bearing impressions of the engravings printed direct from the wood blocks; in the rear of the book is a loose set of proofs of the engravings on japon printed and signed by the artist.~~This special edition is signed by the author the engraver the printer and the binder “in recognition of its being the last book produced at Skelton’s Press under Christopher Skelton’s ownership”. Fine binding. Paulinus Press unknown books
1984réf. 297104Marlborough Wilts: Paulinus Press 1984. Limited Edition. Near Fine binding. Small quarto; in morocco-backed vellum with spine lettered in gilt; housed in slipcase with portfolio in the slipcase containing a set of nineteen wood engravings by Simon Brett printed on japon and signed by the artist; the morocco spine is a bit sunned; this edition with the portfolio is limited to 25 copies; of the engravings in the portfolio this is number 18 of xxv; signed on the colophon by Michael Justin Davis and Simon Brett. Near Fine binding. Paulinus Press unknown books
1984réf. 298176Maple Shade NJ: The Pickering Press 1984. Soft Cover. Near Fine binding. Large 8vo.; in blue paper-covered flexible boards with a decorative paper label to the upper board; 18 pages with a wood-engraved portrait as frontispiece and example of Pickering’s work tipped in and numerous illustrations in blue and black; there is minor fade to the spine. Near Fine binding. The Pickering Press unknown
1984réf. 297104Marlborough Wilts: Paulinus Press 1984. Limited Edition. Near Fine binding. Small quarto; in morocco-backed vellum with spine lettered in gilt; housed in slipcase with portfolio in the slipcase containing a set of nineteen wood engravings by Simon Brett printed on japon and signed by the artist; the morocco spine is a bit sunned; this edition with the portfolio is limited to 25 copies; of the engravings in the portfolio this is number 18 of xxv; signed on the colophon by Michael Justin Davis and Simon Brett. Near Fine binding. Paulinus Press unknown
1984réf. 297106Marlborough Wilts England: Paulinus Press 1984. Limited Edition. Hard Cover. Fine binding. Large 8vo.; in the publisher’s pink silk bonding with a cream label to the spine lettered in gilt with slipcase; 55 pages with illustrations and a set of proofs; signed by the author Walter Shewring; the engraver Simon Brett the engraver; Christopher Skelton the printer; and Clare Skelton the binder.~~This edition limited to twenty-five special copies printed on Zerkall mould-made paper with additional pages bearing impressions of the engravings printed direct from the wood blocks; in the rear of the book is a loose set of proofs of the engravings on japon printed and signed by the artist.~~This special edition is signed by the author the engraver the printer and the binder “in recognition of its being the last book produced at Skelton’s Press under Christopher Skelton’s ownership”. Fine binding. Paulinus Press unknown
réf. 68202643-75Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1920réf. 28737ABOlten, W. Trösch, o.J. (um 1920). 8°. 35 (1) S. Orig.-Heft + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (lichtrandig und mit Knickspuren).
1920réf. 28737ABOlten, W. Trösch, o.J. (um 1920). 8°. 35 (1) S. Orig.-Heft (lichtrandig und mit Knickspuren).
réf. HD-086o.J. Seien Sie doch höflich, Sie impertinenter Flegel!! (Lektion in zivilen Umgangsformen). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Imp. d?Aubert & Cie. sowie: Au Bureau de Charivari rue du Croissant 16. Blattgröße 33:24,7 cm. ? Leicht stockfleckig. Literatur: Daumier-Register 729; Delteil 729, III (von 3), No. 1 der Serie ?Scènes Grotesques?. (Groteske Szenen) ist eine Serie von 6 Lithographien, die zwischen dem 19. Juni und dem 29. November 1839 im Charivari publiziert wurden. ? Sur blanc!
1912- Lucien Vogel éditeur, Paris 1912-1913, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé et signée en bas à gauche dans la planche. Gravure originale réalisée pour
1912réf. 54495Lucien Vogel éditeur | Paris 1912-1913 | 19 x 24.50 cm | une feuille
1912réf. 89474Paris 1912-1913 | 19 x 24.50 cm | une feuille
1830réf. 7645BBZürich, H. F. Leuthold, um 1830. Quer-4°. Titelblatt. Mit 18 Aquatinta-Tafeln. Moderner Halbleinenband mit montiertem alten Einbanddeckeln. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7645BB|7645BB_2|7645BB_3 [3 Warenabbildungen]
1830réf. 7645BBZürich, H. F. Leuthold, um 1830. Quer-4°. Titelblatt. Mit 18 Aquatinta-Tafeln. Moderner Halbleinenband mit montiertem alten Einbanddeckeln.
1822réf. 7661BBZuric, chez H. Trachsler et chez J. C. Wirz-Widmer/Impr.: Ulrich, nach 1822. Quer-8°. (7) Bl. Mit 6 kol. Aquatinta, montiert. Pappband der Zeit.
1849réf. 255211849 LE CHARIVARI Aubert et Cie, imprimeur-lithographe. 1849- Lithographie - Hauteur: 35.9cmx Largeur: 27.6cm - Description:-1 feuillet (4 pages) numéro complet; illustration page 3.-- texte imprime au dos,bon etat,rousseurs.
Oblong folio (400 x 320 mm). 93 pp. A privately compiled album comprising 138 engravings, either full-page or as four smaller engravings to one leaf, mostly hand-coloured. Includes one watercolour, signed "Fedor Comte Karaczay, Wien 1822". All mounted on brown paper with black borders, mostly with manuscript captions in French and watermarks to tissue guards. Contemporary red morocco, finely decorated with gilt borders; gilt title to upper cover, metal clasp fastening with key. Green silk guards. A charming album comprising numerous views of Vienna's grand buildings, palaces, and parks as well as landscapes of the surrounding areas. Notable sites of the Austrian capital are depicted in all their splendour, including Klosterneuburg monastery, the Kohlmarkt, St Stephen's Cathedral, and the Circus Gymnasticus in the Prater park. - Landscape views of Leopoldsberg, the route to Mariazell, and the nearby spa town of Baden are presented in all their idyllic majesty, as are lively social scenes of the Habsburg Empire's carnivals and café culture. The ensemble also includes 13 plates of professions and three military figures, one of which is a watercolour by Fedor Graf Karaczay (1787-1859), an Austrian colonel and dilettante artist, later in Persian services. The occupations include lantern lighter, laundry woman and hawkers selling brushes, apples and honey, straw hats, ribbons, carpets and laurel leaves. - Some minor staining. Tissue guards and covers somewhat worn, but otherwise a fine work.
1846réf. 7543CBGenève, Briquet et Dubois, 1846. 12°. Mit 22 lithogr. Tafeln, davon 2 doppelblattgr. Orig.-Broschur. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 7543CB|7543CB_2|7543CB_3 [3 Warenabbildungen]
