10.182 risultati
1846rif. 9660Boston Otis Broaders publ 1846. HB NODJ ISSUED 1846 1st edition Embossed Burgundy Cloth boards with Rub Wear & Scuff & small chips Extremities Small spine Tear chipInterior relatively nice tight with few stains Fox & small dogeared pgs Edges pg Gold Gilt VG/VG AS-IS NODJ 296 pgs . First Edition. Hard Cover. Boston Otis Broaders publ hardcover
1845rif. 5667BBLuzern, Meyer'sche Buchdruckerei, (1845). 8°. 376 S. Halblederband der Zeit mit 2 goldgepr. Rückenschildern. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1845rif. 5667BBLuzern, Meyer'sche Buchdruckerei, (1845). 8°. 376 S. Halblederband der Zeit mit 2 goldgepr. Rückenschildern.
1720rif. 138891(Augsburg). (Um 1720). Kupferstichblatt in guter Erhaltung. Format ca. 16 x 27 cm
rif. awd-178Gravure sur bois imprimée sur Arches signée en bleu en bas à droite et justifiée 2/40 ex. (42/56 cm). Bon état.
1976rif. 1229642Hamburg, Altonaer Museum, 1976. 96 S. m. einigen Illustrationen u. 20 Farbtaf., 47 Taf. OKart. (Stempel auf Innendeckel).
1980rif. 1225684Berlin, 1980). 4to. 544 S. m. sehr zahlr. Abb. u. Farbtaf. OKart.
1963Exhibition catalog for a show held at the publisher's gallery in excellent condition. Binding is solid and square, covers have fairly sharp corners, text/interior is clean and free of marking of any kind, creaseless covers and spine, price sticker residue at front, a few very small mars to front cover, faded spine with light chipping. 112 pages with full many full and half page b&w prints of the work of the artists in the show, including Richard Anuszkiewicz; Lee Bontecou; Chryssa; Saly Hazelet Drummond, Edward Higgins; Robert Indiana; Gabriel Kohn, Michael Lekakis, Richard Lindner, Marisol, Claes Thure Oldenburg, Ad Reinhardt, James Rosenquist, Jason Seley, David Simpson.
1854310 p. + 32 Plates: steel-engraved frontispiece, title-page, and 30 steel-engraved plates. Plates considerably foxed. Elaborate publisher's red morocco leather gift binding, tooled in blind; With a diamond shaped inset blue leather title piece, elaborately tooled and lettered in gold gilt. Binding worn at the extremities, but still attractive. Inked manuscript ownership of: Mrs. Laura W. Fells, Carlisle, Cumberland County, PA. April 21, 1859. This work was also published under the title, 'The Romance of American Landscape.' Sabin 70958; Wright, II, 2030. "During the first half of the nineteenth century artists fanned out across the northeastern United States to find aesthetic inspiration in nature (and historic architecture). Thomas Addison Richards (1820-1900) was one of the few who traveled extensively in the South. Through his paintings, illustrated magazine articles, and guidebooks, Richards introduced the natural beauty and distinct characteristics of this region to a national audience. Born in London, his family immigrated to America in 1831, moving first to Hudson, New York, and then to Charleston, South Carolina. Around 1837 they settled in the small town of Penfield, Georgia, the original site of Mercer University, where Richards's father, a Baptist minister, served as a charter trustee. In 1838 the young Richards left for Augusta, where for the next two years he offered lessons in painting and drawing and contributed travelogues about his rambles around Georgia to the Augusta Mirror, a local literary magazine. In 1841, sketchbook in hand, he left Augusta to travel around the South in search of picturesque scenes. In 1844 he settled permanently in New York City, where he gave art lessons from his studio and began taking classes at the National Academy of Design. He subsequently became a full academician and served as the institution's corresponding secretary from 1852 to 1892. Many of the paintings he regularly contributed to academy exhibitions were romantic landscapes of the South. Throughout the 1850s Richards penned numerous articles and books. He supplied illustrated articles based on his travels around the Northeast to Graham's Magazine (Philadelphia) and the Knickerbocker (New York). For the weekly Southern Literary Gazette, published by his brother out of Athens, Georgia, and Harper's New Monthly Magazine (New York), he submitted essays on his travels through the South. Richards enlivened his travelogues with personal anecdotes, legendary stories, tips on lodging, and engravings after his on-site drawings. In1854 a series of engravings after Richards's southern sketches appeared in Romance of American Landscape / American Scenery. In 1857 Richards married Mary E. Anthony, an author of children's stories. Thereafter, Richards concentrated on teaching and painting. He served as the first director of the Cooper Union School of Design for Women in New York, a position he held from 1858 to 1860, and taught at New York University from 1867 to 1887. At the National Academy and Brooklyn Art Association he exhibited still lifes and landscapes, often of tranquil southern scenes. **PRICE JUST REDUCED! NW 45 BINDINGS
1839rif. 032038George Virtue, London 1839. Hardcover Befriedigend
2002IN HEBREW AND ENGLISH. Contain color plates. 27X21.5 cm. 96 pages. Softcover. Cover edges slightly stained. Else in good condition.
1999Very good condition with only a few signs of any use or wear. Ex-library sticker to spine, stamps to pageblock eddges three markings to the inside cover/title pages. Ex-Library
1984285p., illus. Edited by Wendy Wick Reaves. Pub. for National Portrait Gallery, Smithsonian Institute. Hardcover Very good condition good
19798' blue/white Soft cover. in good condition. black/white photos of the artists and coloured pictures of their work.
1991rif. 59759AW Fine Arts. New. 1991. Hardcover. 1556600887 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - 592 pp. 1600 illustrations. 1250 artists and 12000 works described. Reprint. -- with a bonus offer--; 2.25 x 10.25 x 8.75 Inches; 592 pages . AW Fine Arts hardcover
1983Ex-library book with the usual stamps and markings. Interior pages clean and unmarked; tight binding. 228 pages. Large format: 9 1/4"w x12 1/4"h. Artists include: James McNeill Whistler, Joseph Pennell, Albert Sterner, Margaret Lowengrund, Tatyana Grosman, June Wayne, George Bellows, Thomas Hart Benton, Rockwell Kent, and others.
1989Over 270 p. Most printed in colors on heavy matte paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
1987Over 256 p. 238 Illustrations, with 229 in full color. Printed on heavy matte paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
1986295 p. 285 Color plates. Printed on coated paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. Designed by Roger Black, this volume has a special introduction by Marshall Arisman. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
1986Over 320 p. 315 illustrations, including 298 plates in full color. Printed on coated paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. Designed by Roger Black, this volume has a special introduction by Marshall Arisman. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
1991196 p. Over 270 p. Most printed in colors on heavy matte paper. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72
1843rif. 22537Longman Brown Green London 1843. 2 VOLUMES 1843 1st edition Green embosssed decorated Cloth Gold Gilt decorations VG/VG AS-IS NODJ Covers slight rub wear & tiny Chips tears Extremities some Sunning Covers SPINE Title gold Gilt spine beautiful Gold Gilt outer pages edges Interior nice tight cleanlight FoX Wear 6 3/4 X 9 1/2 in. approx light small tears outer spine edges 8vo. Large Publisher's gilt titled elaborately gilt bordered and blind stamped cloth INNER Hinges starting. First Edition. Hard Cover. Longman Brown, Green, London, hardcover
4to, xxv, 327pp., large paper de-luxe edition printed on thick paper, frontis., 118 plates, orig. cloth, ruled in gilt, a fine copy. A valuable reference tool for early American prints, with historical notes, and indices of artists, engravers, and subjects.
4to, xxv, 327pp., frontis., 118 plates, Separate index to illustrations tipped-in, orig. cloth. A valuable reference tool for early American prints, with historical notes, and indices of artists, engravers, and subjects.
Dittico composto di due litografie originali a colori Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Stampato su carta BFK Rives. Esemplare 2/55. cm 75x50 (Foglio 79x55). Le misure della lastra e della carta si riferiscono alla singola stampa. . . Ottimo (Fine). . Tiratura 55 + 13 p.d.a.. .
