347 Ergebnisse
2005Best.-Nr. 1246294Köln ; London ; Los Angeles ; Madrid ; Paris ; Tokyo : Taschen Verlag, 2005. [104] S. : zahlr. Illustr. ; 25 cm; fadengeh. Orig.-Pappband mit illustr. OUmschlag.
2005Best.-Nr. 61599Köln ; London ; Los Angeles ; Madrid ; Paris ; Tokyo : Taschen 2005. [104] S. : zahlr. Ill. ; 25 cm Originalverschweißt, Top Zustand, Pp., gebundene Ausgabe, Hardcover/Pappeinband
1988Best.-Nr. q12b2775amazEdition Nathan, Paris, 1988. Vorwort von Daniele Laufer. 172 S., 160 ganzseitige s/w Fotos von u.a. Juliette Greco, Yves Montand, Georges Simenon, Orson Welles, Alain Delon, Edith Piaf, Grock, Jean Gabin, Fernandel, Edith Piaf. 31,5 x 25,5 cm. Sehr gutes, sauberes Exemplar mit orig. SU 4° Erstausgabe Pappband
1992Best.-Nr. q6b3468Gina Kehayoff Verlag, München, 1992. Vorwort von Roger Therond. Walter Carone, 1920-1982, war einer der Pioniere von Paris-Match. In dieser Funktion fotografierte er wichtige Personen der Zeitgeschichte aus Film, Sport, Politik, Musik usw. Das Buch zeigt einen mehr als repräsentativen Querschnitt seines Schaffens: Fotografien von Brigitte Bqardot, Audrey Hepburn, Jean Gabin, Francois Mitterand, Louis Armstrong, J.F.Kennedy, Hassan II. Abbe Pierre, Fernandel, Kim NovakGary Cooper, Alain Delon, Yves Montand, Catherine Deneuve, Henri Matisse, Edith Piaf u.v.a.m. 25 Textseite mit 154 s/w Abb. davon 130 s/w Tafeln. Ca. 155 S. 24,5x31, 5 cm. Umschlag sehr gut und sauber, Einband und Rücken sauber, Seiten minimal lichtrandig, sauber, Gesamtzustand sehr gut. 4° Pappband
1952Filmsonor, 1952. In-4 broché (agrafé), non paginé. Nombreuses photos. Dossier de presse du flim de Julien Duvivier avec Fernandel. Bon état
1953Filmsonor, 1953. In-4 broché (agrafé), non paginé. Nombreuses photos. Dossier de presse du flim de Julien Duvivier avec Fernandel. Joint : Manuel de publicité : Le retour de Don Camillo. 8 pagesavec photos. Bon état
1971In-4, brossura, in buono stato di conservazione. In questo numero: .
1950Fotografia originale con brindisi di Erminio Macario (Torino, 27 maggio 1902 – Torino, 26 marzo 1980) con il comico francese Fernandel (Marsiglia, 8 maggio 1903 – Parigi, 26 febbraio 1971). Al retro timbro del reporter CH. Baulard - Paris
in-12, 335 pp, photos N&B, broche, couverture illustree. Bel exemplaire. [CA33-7] Simone Weil, Cocteau, Romy Schneider, Jean Genet, Fernandel, Virenque, David Cronenberg, Amiel, etc.
fort volume in-8°, 476 pp., illustrations en noir et blanc h.t., broche, couverture illustree.- 9782840985686 Tres bel exemplaire. [CA30-5]
in-8°, 284 p, broche avec jaquette illustree. Bel exemplaire. [CA32-3]
1960Best.-Nr. 171668Los Angeles: Paul Kohner 1960. Vintage press kit produced by Paul Kohner Agency advertising his clients to the American motion picture industry. Features a number of prominent actors including Richard Attenborough Richard Attenborough Romy Schneider Ingrid Thulin Fernandel and others. 10 x 12 inches folded twice and measuring 28 x 12 inches unfolded. Very Good plus. Paul Kohner unknown books
1963Best.-Nr. 158196N.p.: N.p. 1963. Three vintage borderless reference photographs from the 1963 French- Italian film. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo lightly faded. N.p. unknown books
1963Best.-Nr. 158194N.p.: N.p. 1963. Eight vintage borderless reference photographs from the 1963 French- Italian film. Features a photograph of a camera crew on the set shooting a driving scene. Numerical annotations in manuscript pencil on the verso. Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. Shot in Biarritz. 3.5 x 4.75 inches. Very Good plus one photo with a bruise and dampstaining at a corner. N.p. unknown books
1948Best.-Nr. 158749N.p.: Continental Distributing 1948. Vintage pressbook for the US release of the 1948 French film. A meek Parisian tax collector sets off on a madcap hunt for his aunt's lost corpse in order to claim his inheritance leading to his inadvertent involvement in the French criminal underground. 10 x 14 inches. Bi-fold with a second horizontal fold and a single laid-in leaf as issued. Near Fine. Continental Distributing unknown books
1956Best.-Nr. 143289Paris: Cite Films 1956. Collection of 24 vintage reference photographs from the 1956 French film here under the French title "Le couturier de ces dames." 13 photographs with numeric annotations on the versos in pencil and one with "Le couturier de ces dames" in mimeograph duplication to same. A tailor needs to create a lasting fashion line to save his business. He does but he also cavorts a little with the models only for his wife to discover his infidelity. A send-up of the new haute couture popular at the time with notable designers Yves Saint Laurent Pierre Cardin who worked on the film and Japanese native Hanae Mori representing the "new look." Shot on location in Val-de-Marne France. One photo 3.25 x 4.25 inches the balance 5 x 7 inches. Generally Near Fine. Cite Films unknown books
1957Best.-Nr. 138492Paris: Cocinor 1957. Vintage French Moyenne or Affiche Moyenne poster for the 1957 French-Italian film "The Man in the Raincoat" here under the French title "l'homme a l'impermeable." Printed in brilliant color by the French illustration company Bobigny with artwork by the prolific Jean Mascii. Notation in manuscript ink on the verso. Based on James Hadley Chase's 1954 novel "Tiger by the Tail." In a case of mistaken identity a lonely clarinet player named Albert Fernandel is appointed to see a call girl Magre. While he waits in her living room the girl is murdered and someone is seen leaving the scene of the crime in a raincoat. Albert is then followed by blackmail and professional killers. 23.5 x 31 folded. Very Good with tears and chips. Cocinor unknown books
1958Best.-Nr. 132347Beverly Hills CA: United Artists 1958. Vintage full-color still British front-of-house card from the UK release of the 1958 film. An American comedian takes an interest in a blonde diplomat while being pursued by another blonde who seems to be after something other than romance. 8 x 10 inches. A few light creases else Near Fine. United Artists unknown books
1949Best.-Nr. 584411New York: Simon and Schuster 1949. Softcover. Very Good. First edition. Small quarto. Illustrated with 24 black and white photographic plates of French comic actor Fernandel. Pictorial wrappers. Girft inscription in the upper margin of the first page. Wraps lightly toned rubbed nicks along the edges and with a few creases about very good. Simon and Schuster unknown books
1948Best.-Nr. 92534Marseille 1948. Fine. ""It is true that if he could replace me he would be an artist and that is not a gift given to everyone"" Marseille 7 avril 1948 21 x 28.7 cm Une feuille Typed letter dated and signed in blue ink by Fernandel addressed to his close friend Carlo Rim the Provençal writer caricaturist and filmmaker who was also his biographer concerning their joint film L'Armoire volante. One page on Fernandel's letterhead. Some light soiling and folds from mailing. A document that sheds light through the exchange between an actor and his director on the inner workings of French film production in the late 1940s. On 7 April 1948 Fernandel was working on his role as Alfred Puc in L'Armoire volante a black comedy written and directed by Carlo Rim which was released in cinemas on 29 October of the same year. It was the third film in which Carlo Rim directed Fernandel. Although shooting had begun in March the actor was still in April at the stage of reflection: in this letter he proposes to the director ""to shoot this film with a moustache for a change from the characters of his recent productions"". The letter also reveals how scant the material at his disposal was: in the absence of a screenplay Carlo Rim had sent him a synopsis supplemented by the shooting script a document setting out the staging of the film shot by shot. Fernandel is on the other hand delighted to have Antonin Berval as his partner with whom he had just made Si ça peut vous faire plaisir and whom he describes as ""a thoroughly decent fellow and what is more a talented artist"". Finally he returns to the difficulties encountered with his stand-in who ""for all his goodwill was unable to pull it off"" leaving him no choice but to reshoot his scenes himself. On this subject the actor displays a delightful self-satisfaction: ""It is true that if he could replace me he would be an artist and that is not a gift given to everyone"". Between these remarks on the production Fernandel slips in a more allusive paragraph on what in his eyes was at stake in the success of L'Armoire volante at a time of crisis for French cinema: ""This film must succeed; first for our own sake then for the others. They are waiting for you to slip up and I want the film-world menagerie to acknowledge that it is possible in friendship -and with talent- to succeed in France despite the growing number of detractors in making a production worthy of this country; which remains in spite of everything and against all comers one of the foremost in the film industry."" Fernandel is here echoing a topical issue: the decline of French cinema in the face of the influx of American films. In May 1946 the Blum-Byrnes agreements signed in Washington had opened French screens wide to Hollywood productions reserving only four weeks of screen time out of every thirteen for domestic films. Between 1946 and 1948 American films thus accounted for more than half of all films released in France provoking a vigorous response from the profession. Founded in December 1947 on the initiative of Claude Autant-Lara among others with the backing of the Communist Party and the CGT trade union the Comité de défense du cinéma français Committee for the Defence of French Cinema organised a demonstration on the grands boulevards of Paris on 4 January 1948. Thousands of film workers technicians filmmakers and filmgoers marched alongside stars such as Jean Marais and Simone Signoret. In referring to the ""detractors"" of French cinema Fernandel may have had in mind certain members of the profession itself. Many distributors and exhibitors had indeed taken advantage of the new import regime to programme American films on a massive scale as these were available in large numbers and often on more favourable terms than French films a practice regularly denounced by the Defence Committee. The profession's mobilisation met with partial success: in September 1948 the agreements were revised unknown
1962Best.-Nr. 88206Paris: Studio André Nisak 1962. Fine. Studio André Nisak Paris 1962 18 x 24 cm une feuille Original photograph by Studio André Nisak showing Fernandel smiling with a cigarette in his right hand. Some minor creasing marks to the margins of the photograph. Photographer's printed stamp on verso of the print. Autograph inscription signed by Fernandel in the right margin of the photograph to Claude Armand. Provenance: from the collection of the great autograph collector Claude Armand. Studio André Nisak unknown
1951Best.-Nr. 80759Carry-le-Rouet: S. n. 1951. Fine. S. n. Carry-le-Rouet 18 Septembre 1951 16.50 x 10.50 cm une feuille Autograph signed letter card from Fernandel on letterhead from his property L'Oustau de la Mar at Carry-le-Rouet addressed to his great friend the Provençal writer caricaturist and filmmaker Carlo Rim who was also his biographer. 10 lines in turquoise ink the ink having smudged on three words. ""18 Sept 1951 My dear Carlo I leave tomorrow for Italy but I haven't forgotten you. You will receive documentation and manuscript pages ""My memoirs"" published by ""Ce soir"" in 1938 you will thus have all the details from my birth and my different jobs before being an artist at least I believe so. Affectionately Fernandel."" S. n. unknown
1948Best.-Nr. 81476Paris: R. Bègue photo 1948. Fine. R. Bègue photo Paris 1948 11 x 8.50 cm une feuille Original photograph taken during the filming of ""L'armoire volante"" a humorous police intrigue starring Fernandel. The photograph shows Carlo Rim from behind his hands resting on a window balcony offering his advice to Fernandel facing him vintage silver gelatin print. Carlo Rim was a Provençal writer ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary."" Manuscript annotations in pencil by Carlo Rim on the verso of the photograph: ""Carlo Rim Fernandel L'armoire volante 1948."" R. Bègue photo unknown
1948Best.-Nr. 81542Paris: R. Bègue photo 1948. Fine. R. Bègue photo Paris 1948 11 x 8.50 cm une feuille Original photograph taken on the set of ""L'armoire volante"" a humorous police intrigue with Fernandel in the leading role. The photograph shows Carlo Rim standing to the right of Fernandel giving him advice with three people involved in the filming present in the background period silver gelatin print. Carlo Rim was a Provençal writer ""Ma belle Marseille"" a caricaturist a filmmaker and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary."" Manuscript annotations in pencil by Carlo Rim on the verso of the photograph: ""Carlo Rim Fernandel L'armoire volante 1948."" R. Bègue photo unknown
1952Best.-Nr. 82258Marseille: S. n. 1952. Fine. S. n. Marseille 9 Janvier 1952 21 x 27 cm une feuille Typed letter dated and signed in blue ink by Fernandel addressed from his Marseilles property ""Les milleroses"" to his great friend the Provençal writer caricaturist and filmmaker Carlo Rim who was also his biographer. 24 lines creases inherent to folding for mailing as well as in the left margin. Fernandel first conforms to the courtesies of New Year wishes: ""Obligé de commencer ma lettre comme la tienne par correction je te présente mes meilleurs voeux pour toi et tous ceux que tu aimes."" ""Obliged to begin my letter like yours out of courtesy I present my best wishes for you and all those you love."" before signifying that he will not delay in sending him the exhaustive list of his filmography Carlo Rim wishing to write a biography of his friend Fernandel: "". afin que tu puisses avoir des choses vraies à raconter."" "". so that you can have true things to tell."" Finally Fernandel returns to an article published in Cinémonde and written by Alice Carlo Rim's wife for whom he harbors vindictive memories: "". dis-lui de ma part qu'on ne peut pas écrire de plus grandes conneries car d'après son papier j'ai été imposé dans le film d'Aron. et qui m'avait démandé si cela ne me faisait rien d'avoir Gaby Morlay comme partenaire."" "". tell her from me that one cannot write greater nonsense because according to her article I was imposed in Aron's film. and who had asked me if it didn't bother me to have Gaby Morlay as a partner."" Fernandel concluding his letter with a peremptory: "". mon cher Carlo je te supplie de ne pas prendre ta femme comme collaboratrice pour le livre car alors."" "". my dear Carlo I beg you not to take your wife as collaborator for the book because then."" Manuscript signature in blue ink by Fernandel at the foot of the letter. S. n. unknown
