11.067 Ergebnisse
1959Best.-Nr. 131673Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Collection of 12 vintage color British front-of-house cards from the 1959 film. Based on characters and concepts from the 1885 novel "King Solomon's Mines" by H. Rider Haggard and written for the screen by novelist James Clavell. Released as the "sequel" to the 1950 MGM film "King Solomon's Mines." Harry Quartermain George Montgomery is the son of Allan Quartermain who first set out on the quest for the source of Solomon's wealth and he is determined to succeed where his father failed. He goes to Africa with his good friend Rick Cobb David Farrar and as they continue on their journey Erica Neuler Taina Elg joins them. She is the daughter of a missionary who has been killed by a local tribe. Harry cannot hide his antagonism toward Erica. She is German and Harry's mother was killed at sea by Germans in World War I. 8 x 10 inches. Fine. Metro-Goldwyn-Mayer [MGM] unknown books
2000Best.-Nr. 143686West Hollywood: N.p. 2000. First Draft script for an unproduced film. Dedication on the front wrapper to "Eric Olsen and all the firefighter's who died in 9/11" White titled wrappers lacking rear wrapper noted as First Draft on the front wrapper. Title page integral to front wrapper with credits for screen writer James Kevin Fenwick. 60 leaves with last page of text numbered 60. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
2000Best.-Nr. 143686West Hollywood: N.p. 2000. First Draft script for an unproduced film. Dedication on the front wrapper to "Eric Olsen and all the firefighter's who died in 9/11" White titled wrappers lacking rear wrapper noted as First Draft on the front wrapper. Title page integral to front wrapper with credits for screen writer James Kevin Fenwick. 60 leaves with last page of text numbered 60. Xerographically reproduced. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1966Best.-Nr. 161875N.p.: Times Films 1966. Vintage studio still photograph from the US release of the 1964 Brazilian film. Provenance stamp on a label on the verso obscuring a previous provenance stamp. Based on the 1960 novel "Asfalto Selvagem" by Nelson Rodrigues. Since childhood Lollipop has been in love with her orphaned cousin Silvio who was raised as a member of her family. When Silvio announces his engagement to Lollipop's cousin Leticia Lollipop decides to seduce Silvio at his engagement party. 8 x 10 inches. Very Good plus with several pinholes to the margins and a faint crease to the bottom right corner. Times Films unknown
1966Best.-Nr. 161875N.p.: Times Films 1966. Vintage studio still photograph from the US release of the 1964 Brazilian film. Provenance stamp on a label on the verso obscuring a previous provenance stamp. Based on the 1960 novel "Asfalto Selvagem" by Nelson Rodrigues. Since childhood Lollipop has been in love with her orphaned cousin Silvio who was raised as a member of her family. When Silvio announces his engagement to Lollipop's cousin Leticia Lollipop decides to seduce Silvio at his engagement party. 8 x 10 inches. Very Good plus with several pinholes to the margins and a faint crease to the bottom right corner. Times Films unknown books
1972Best.-Nr. 132630California: National Screen Service / Gamalex Associates 1972. Eight vintage black-and-white still photographs from the US release of the 1970 French-Italian-German film. Title layovers affixed to the rectos over the original titles. Based on a novel by French writer Francis Ryck aka Yves Delville about a woman who kills her husband under the suspicion of infidelity when in reality the man was a secret agent. 8 x 10 inches. Light creases to the extremities else Near Fine. National Screen Service / Gamalex Associates unknown
1972Best.-Nr. 132630California: National Screen Service / Gamalex Associates 1972. Eight vintage black-and-white still photographs from the US release of the 1970 French-Italian-German film. Title layovers affixed to the rectos over the original titles. Based on a novel by French writer Francis Ryck aka Yves Delville about a woman who kills her husband under the suspicion of infidelity when in reality the man was a secret agent. 8 x 10 inches. Light creases to the extremities else Near Fine. National Screen Service / Gamalex Associates unknown books
1957Best.-Nr. 144612Paris: N.p. 1957. Two original single weight black-and-white press photographs from an anniversary showing of the 1937 French film circa 1957. Director Renoir is seen with actress Mylene Demongeot and an image of a neighboring Champs-Elysees drugstore. Renoir's film about soldiers during WWI is widely regarded as a masterpiece and one of Orson Welles' favorite films. 5 x 7 inches. Light curling else Near Fine. Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1951Best.-Nr. 148360N.p.: N.p. 1951. Three vintage studio still photographs with narrow margins from the 1951 film. All with "Archives Maurice Bessy" labels two with provenance stampa of film historian "Maurice Bessy" and one with Italian mimeo snipe on the verso. Based on the 1946 novel by Rumer Godden who adapted it for the screen with Renoir. The film's crew included Satyajit Ray who worked as an assistant director on the film after meeting Renoir. Ray's longtime cinematographer Subrata Mitra also worked on the film and the two would come to international attention four years later with "Pather Panchali." "The River" an international co-production distributed by United Artists concerns three young girls two British one Indian in Bengal who become infatuated with an ex-soldier who comes into their lives. Set and shot on location in India. 7 x 9.5 inches. Near Fine. BFI 619. Criterion Collection 276. Ebert III. N.p. unknown
1957Best.-Nr. 144612Paris: N.p. 1957. Two original single weight black-and-white press photographs from an anniversary showing of the 1937 French film circa 1957. Director Renoir is seen with actress Mylene Demongeot and an image of a neighboring Champs-Elysees drugstore. Renoir's film about soldiers during WWI is widely regarded as a masterpiece and one of Orson Welles' favorite films. 5 x 7 inches. Light curling else Near Fine. Criterion Collection 1. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown books
1951Best.-Nr. 148360N.p.: N.p. 1951. Three vintage studio still photographs with narrow margins from the 1951 film. All with "Archives Maurice Bessy" labels two with provenance stampa of film historian "Maurice Bessy" and one with Italian mimeo snipe on the verso. Based on the 1946 novel by Rumer Godden who adapted it for the screen with Renoir. The film's crew included Satyajit Ray who worked as an assistant director on the film after meeting Renoir. Ray's longtime cinematographer Subrata Mitra also worked on the film and the two would come to international attention four years later with "Pather Panchali." "The River" an international co-production distributed by United Artists concerns three young girls two British one Indian in Bengal who become infatuated with an ex-soldier who comes into their lives. Set and shot on location in India. 7 x 9.5 inches. Near Fine. BFI 619. Criterion Collection 276. Ebert III. N.p. unknown books
1965Best.-Nr. 149469New York: Wiliam Mishkin Motion Pictures 1965. Vintage studio still photograph from the 1965 film. With a provenance stamp on the verso. Three theatre bigwigs discuss their most recent project prominently featuring aspiring actress Liz Adams who has slept her way to the top of the Broadway money chain. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly edgeworn to the bottom right corner. Wiliam Mishkin Motion Pictures unknown
1965Best.-Nr. 149469New York: Wiliam Mishkin Motion Pictures 1965. Vintage studio still photograph from the 1965 film. With a provenance stamp on the verso. Three theatre bigwigs discuss their most recent project prominently featuring aspiring actress Liz Adams who has slept her way to the top of the Broadway money chain. Set and shot on location in New York. 10 x 8 inches. Very Good plus lightly edgeworn to the bottom right corner. Wiliam Mishkin Motion Pictures unknown books
1964Best.-Nr. 137635Hollywood: Paul Kohner Inc 1964. Draft agency script for the an uproduced film called "A Thousand Several Tongues" written by Jeremy Fey whose film credits include three episodes of the 1976-1977 television series "ABC Afterschool Specials" his job being Productions Assistant. Agency copy with the address imprint and label present from the Paul Kohner Inc. agency in Hollywood. Copy belonging to agency representative Ilse Lahn with her name in manuscript ink on the front wrapper and on the address label on the title page. Lahn's other film credits include "The Man from Planet X" 1951 "The Neanderthal Man" 1953 "Murder Is My Beat" 1955 and "Daughter of Dr. Jekyll" 1957 all credits as Associate Producer. A story set in Hollywood involving an elderly thief his granddaughter gambling and a jolt of hard-boiled language. Yellow wrappers. Title page present undated with a credit for screenwriter Fey. 158 leaves with last page of text numbered 157. Mimeograph duplication with photocopied punch holes. Pages and wrapper Near Fine bound internally with three gold brads. Paul Kohner Inc unknown
1964Best.-Nr. 137635Hollywood: Paul Kohner Inc 1964. Draft agency script for the an uproduced film called "A Thousand Several Tongues" written by Jeremy Fey whose film credits include three episodes of the 1976-1977 television series "ABC Afterschool Specials" his job being Productions Assistant. Agency copy with the address imprint and label present from the Paul Kohner Inc. agency in Hollywood. Copy belonging to agency representative Ilse Lahn with her name in manuscript ink on the front wrapper and on the address label on the title page. Lahn's other film credits include "The Man from Planet X" 1951 "The Neanderthal Man" 1953 "Murder Is My Beat" 1955 and "Daughter of Dr. Jekyll" 1957 all credits as Associate Producer. A story set in Hollywood involving an elderly thief his granddaughter gambling and a jolt of hard-boiled language. Yellow wrappers. Title page present undated with a credit for screenwriter Fey. 158 leaves with last page of text numbered 157. Mimeograph duplication with photocopied punch holes. Pages and wrapper Near Fine bound internally with three gold brads. Paul Kohner Inc unknown books
1974Best.-Nr. 141118N.p.: N.p. 1974. Draft script for an unproduced film. Letter stapled to the front wrapper from a publicity agent addressed to Paul Kohner agent Arnold Stiefel urging him to enlist Jan Troell as director for the film. An unconventional young woman moves west from Boston becoming a successful prostitute on the frontier. Yellow titled wrappers with credit for screenwriter Jerome C. Small. Title page present with credit for screenwriter Jerome C. Small. 125 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1974Best.-Nr. 141118N.p.: N.p. 1974. Draft script for an unproduced film. Letter stapled to the front wrapper from a publicity agent addressed to Paul Kohner agent Arnold Stiefel urging him to enlist Jan Troell as director for the film. An unconventional young woman moves west from Boston becoming a successful prostitute on the frontier. Yellow titled wrappers with credit for screenwriter Jerome C. Small. Title page present with credit for screenwriter Jerome C. Small. 125 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1965Best.-Nr. 146545N.p.: N.p. 1965. Draft script for the 1965 Yugoslavian made-for-television film first aired on November 15 1965. With a few manuscript ink annotations throughout mostly noting deletions and grammatical revisions. Text in English. An aging actor recalls his experiences twenty years earlier during World War II in particular remembering an older artist nicknamed "Maestro" who encouraged him to pursue his dream of acting. Set and shot on location in Warsaw. White untitled wrappers. Title page present with credits for director Jerzy Antczak and story credits to Zdzislaw Skowronski. 65 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with light rusting on the front wrapper likely from a paper clip bound with two silver brads. N.p. unknown
1965Best.-Nr. 146545N.p.: N.p. 1965. Draft script for the 1965 Yugoslavian made-for-television film first aired on November 15 1965. With a few manuscript ink annotations throughout mostly noting deletions and grammatical revisions. Text in English. An aging actor recalls his experiences twenty years earlier during World War II in particular remembering an older artist nicknamed "Maestro" who encouraged him to pursue his dream of acting. Set and shot on location in Warsaw. White untitled wrappers. Title page present with credits for director Jerzy Antczak and story credits to Zdzislaw Skowronski. 65 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with light rusting on the front wrapper likely from a paper clip bound with two silver brads. N.p. unknown books
1985Best.-Nr. 143917N.p.: N.p. 1985. Draft script for an unproduced film. A depiction of the struggles of two US soldiers after returning home from the Vietnam War. Copper untitled wrappers. Title page present dated 1985 with credits for screenwriter Jesse Wolf. 128 leaves with last page of text numbered 127. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with three gold brads. N.p. unknown
1985Best.-Nr. 143917N.p.: N.p. 1985. Draft script for an unproduced film. A depiction of the struggles of two US soldiers after returning home from the Vietnam War. Copper untitled wrappers. Title page present dated 1985 with credits for screenwriter Jesse Wolf. 128 leaves with last page of text numbered 127. Mechanical duplication. Pages Near Fine wrapper Very Good plus bound with three gold brads. N.p. unknown books
1963Best.-Nr. 132730London: Warner-Pathe Distributors / Elstree Distributors Limited 1963. Vintage black-and-white still photograph from the 1963 UK film. Noted director Joan Littlewood's first film credit after more than 15 years working at the Theatre Workshop an avant garde theatre she co-founded. This film centers around Charlie who returns home to find it demolished and his wife shacked up with a local bus driver. A scathing but poignant look at the real life in the East End. A story shot on location in and around London. 8 x 10 inches. A few light creases at the extremities else Near Fine. Warner-Pathe Distributors / Elstree Distributors Limited unknown
1963Best.-Nr. 132730London: Warner-Pathe Distributors / Elstree Distributors Limited 1963. Vintage black-and-white still photograph from the 1963 UK film. Noted director Joan Littlewood's first film credit after more than 15 years working at the Theatre Workshop an avant garde theatre she co-founded. This film centers around Charlie who returns home to find it demolished and his wife shacked up with a local bus driver. A scathing but poignant look at the real life in the East End. A story shot on location in and around London. 8 x 10 inches. A few light creases at the extremities else Near Fine. Warner-Pathe Distributors / Elstree Distributors Limited unknown books
1975Best.-Nr. 147070Venice CA: Capricorn Productions 1975. Treatment script for an unproduced film. With an annotation in manuscript ink on the front wrapper noting the title of the script and another on the first page of text noting an editorial revision. The jazz-loving navigator of a small Japanese submarine finds himself accidentally stranded in a small American town in 1944 and must convince the wary townspeople that he is Chinese in order to avoid persecution. Set in the American Midwest. Blue untitled wrappers. Title page present dated 1975 with credit for screenwriter Joe Ravetz. 20 leaves with last page of text numbered 19. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. Capricorn Productions unknown
1975Best.-Nr. 147070Venice CA: Capricorn Productions 1975. Treatment script for an unproduced film. With an annotation in manuscript ink on the front wrapper noting the title of the script and another on the first page of text noting an editorial revision. The jazz-loving navigator of a small Japanese submarine finds himself accidentally stranded in a small American town in 1944 and must convince the wary townspeople that he is Chinese in order to avoid persecution. Set in the American Midwest. Blue untitled wrappers. Title page present dated 1975 with credit for screenwriter Joe Ravetz. 20 leaves with last page of text numbered 19. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. Capricorn Productions unknown books
