11.067 Ergebnisse
1997Best.-Nr. 146408Los Angeles: The Producers Entertainment Group 1997. Draft script for the 1998 television film originally aired August 30 1998 on Showtime. Based on the novel "Sorrow Floats" the second book in Tim Sandlin's GroVont series. A suicidal alcoholic woman decides to leave her small Wyoming hometown to help two bumbling men move a trailer full of illegal beer across the country. Set in Wyoming shot on location in Vancouver BC. White lacking titled wrappers. Title page present dated September 19 1997 with credits for screenwriter and novelist Tim Sandlin. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. The Producers Entertainment Group unknown
1997Best.-Nr. 146408Los Angeles: The Producers Entertainment Group 1997. Draft script for the 1998 television film originally aired August 30 1998 on Showtime. Based on the novel "Sorrow Floats" the second book in Tim Sandlin's GroVont series. A suicidal alcoholic woman decides to leave her small Wyoming hometown to help two bumbling men move a trailer full of illegal beer across the country. Set in Wyoming shot on location in Vancouver BC. White lacking titled wrappers. Title page present dated September 19 1997 with credits for screenwriter and novelist Tim Sandlin. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. The Producers Entertainment Group unknown books
1974Best.-Nr. 147278St. Albans: Tillman Trevone Productions 1974. Final draft script for an unproduced film. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. John Briley Academy Award winning screenwriter for Richard Attenborough's 1982 epic "Gandhi" adapts his 1968 Vietnam War novel "The Traitors" released in England in 1971 as "How Sleep the Brave." Five soldiers ambushed by the Vietcong are taken to a camp where they are indoctrinated by an American defector who persuades two of the soldiers that America's cause is immoral and unjust. Not to be confused with the 1981 film by Lindsay Shonteff. Black untitled wrappers with a die-cut title window in the British style. Title page present dated April 1974 noted as Final Draft with credits for screenwriter and novelist John Briley. 171 leaves with last page of text numbered 169. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Tillman Trevone Productions unknown
1970Best.-Nr. 147412N.p.: N.p. 1970. Treatment script for an unproduced film. Script opens with a three-page "Author's Note on the script: ." in which screenwriter John Briley examines his intents in writing a story regarding the Arab world and culture. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Briley the Academy Award winning screenwriter for Richard Attenborough's 1982 epic "Gandhi" here tackles a complicated study of Mahmoud and his wife Zahre a Saudi couple caught between family expectations and the possibilities afforded by wealth and multicultural influence. As Briley states in the "Author's Note:" "the story of a man torn between two cultures of a people going from relative poverty to unimaginable wealth of a deeply religious people exposed to a very secular world." Mustard untitled wrappers with die-cut title window in the British style. Title page present with credits for screenwriter John Briley. 72 leaves with last page of text numbered 68. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. N.p. unknown
1970Best.-Nr. 147412N.p.: N.p. 1970. Treatment script for an unproduced film. Script opens with a three-page "Author's Note on the script: ." in which screenwriter John Briley examines his intents in writing a story regarding the Arab world and culture. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. Briley the Academy Award winning screenwriter for Richard Attenborough's 1982 epic "Gandhi" here tackles a complicated study of Mahmoud and his wife Zahre a Saudi couple caught between family expectations and the possibilities afforded by wealth and multicultural influence. As Briley states in the "Author's Note:" "the story of a man torn between two cultures of a people going from relative poverty to unimaginable wealth of a deeply religious people exposed to a very secular world." Mustard untitled wrappers with die-cut title window in the British style. Title page present with credits for screenwriter John Briley. 72 leaves with last page of text numbered 68. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. N.p. unknown books
1974Best.-Nr. 147278St. Albans: Tillman Trevone Productions 1974. Final draft script for an unproduced film. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. John Briley Academy Award winning screenwriter for Richard Attenborough's 1982 epic "Gandhi" adapts his 1968 Vietnam War novel "The Traitors" released in England in 1971 as "How Sleep the Brave." Five soldiers ambushed by the Vietcong are taken to a camp where they are indoctrinated by an American defector who persuades two of the soldiers that America's cause is immoral and unjust. Not to be confused with the 1981 film by Lindsay Shonteff. Black untitled wrappers with a die-cut title window in the British style. Title page present dated April 1974 noted as Final Draft with credits for screenwriter and novelist John Briley. 171 leaves with last page of text numbered 169. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Tillman Trevone Productions unknown books
Best.-Nr. 146327N.p.: N.p. Draft script for an unproduced film. A young man with amnesia in the aftermath of a bloody car accident finds himself embroiled in a mysterious government plot. Tall burnt orange untitled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriters James Foster and John Davis. 130 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages Very Good with dampstaining to the title page and final leaves wrapper Very Good plus with some fading and rusting near the binding bound internally with two silver brads. N.p. unknown
Best.-Nr. 146327N.p.: N.p. Draft script for an unproduced film. A young man with amnesia in the aftermath of a bloody car accident finds himself embroiled in a mysterious government plot. Tall burnt orange untitled wrappers with a die-cut title window in the British style. Title page present with credits for screenwriters James Foster and John Davis. 130 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages Very Good with dampstaining to the title page and final leaves wrapper Very Good plus with some fading and rusting near the binding bound internally with two silver brads. N.p. unknown books
1971Best.-Nr. 161644N.p.: Cambist Films 1971. Vintage studio still photograph from the 1971 film. Provenance stamp on the verso on a label obscuring a previous provenance stamp. Based on the 1968 novel "Lie a Little Die a Little" by Michael Brett. The misadventures of a slobbish private detective hired by a millionaire to investigate a murder who gets mixed up in sex and blackmail. Shot on location in New York. 8 x 10 inches. Near Fine. Cambist Films unknown
1971Best.-Nr. 161644N.p.: Cambist Films 1971. Vintage studio still photograph from the 1971 film. Provenance stamp on the verso on a label obscuring a previous provenance stamp. Based on the 1968 novel "Lie a Little Die a Little" by Michael Brett. The misadventures of a slobbish private detective hired by a millionaire to investigate a murder who gets mixed up in sex and blackmail. Shot on location in New York. 8 x 10 inches. Near Fine. Cambist Films unknown books
1974Best.-Nr. 161912N.p.: Premier Releasing Organization 1974. Vintage studio still photograph from the 1974 film. Provenance stamp on the verso. Gloria Grahame stars as Mama a black widow who with the aid of her conniving daughters marries for money and leaves the husbands pushing up daisies. 8 x 10 inches. Near Fine. Premier Releasing Organization unknown
1974Best.-Nr. 161912N.p.: Premier Releasing Organization 1974. Vintage studio still photograph from the 1974 film. Provenance stamp on the verso. Gloria Grahame stars as Mama a black widow who with the aid of her conniving daughters marries for money and leaves the husbands pushing up daisies. 8 x 10 inches. Near Fine. Premier Releasing Organization unknown books
1963Best.-Nr. 145423Universal City: Universal Pictures 1963. Three vintage studio still photographs from the set of the 1963 film. Based on Philip MacDonald's 1959 novel. A star-studded film about a former intelligence officer who receives a list of eleven names all people who have died under mysterious circumstances. Set in London shot on location in Ireland and England. 8 x 10 inches. Near Fine. Universal Pictures unknown
1963Best.-Nr. 145423Universal City: Universal Pictures 1963. Three vintage studio still photographs from the set of the 1963 film. Based on Philip MacDonald's 1959 novel. A star-studded film about a former intelligence officer who receives a list of eleven names all people who have died under mysterious circumstances. Set in London shot on location in Ireland and England. 8 x 10 inches. Near Fine. Universal Pictures unknown books
1972Best.-Nr. 140774Madrid Spain: The Monovox Company 1972. Draft script for an unproduced film. A mysterious man posing as an artist is luring young women to his apartment in 1936 Madrid where he asks them to pose and then kills them and takes their photo. Forty years later a young woman is living in the apartment these unspeakable acts occurred in and she decides to find out who lived there before her. When she ends up dead her friends become concerned with who killed her and who is stalking them. Set in Madrid. Green titled wrappers. Title page present with credits for screenwriter John Melson and author Ryan Anderson. 119 leaves with last page of text numbered 117. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound in a spring binder. The Monovox Company unknown
1972Best.-Nr. 140774Madrid Spain: The Monovox Company 1972. Draft script for an unproduced film. A mysterious man posing as an artist is luring young women to his apartment in 1936 Madrid where he asks them to pose and then kills them and takes their photo. Forty years later a young woman is living in the apartment these unspeakable acts occurred in and she decides to find out who lived there before her. When she ends up dead her friends become concerned with who killed her and who is stalking them. Set in Madrid. Green titled wrappers. Title page present with credits for screenwriter John Melson and author Ryan Anderson. 119 leaves with last page of text numbered 117. Mechanical duplication. Pages Very Good plus wrapper Very Good plus bound in a spring binder. The Monovox Company unknown books
1957Best.-Nr. 137347Los Angeles: Twentieth Century-Fox 1957. Original Pressbook for the 1957 film based on John Steinbeck's 1947 novel. 13 x 16.5 inches. 16 pages saddle stapled. About Near Fine. Horizontal fold as issued with some light soil. Twentieth Century-Fox unknown
1957Best.-Nr. 137347Los Angeles: Twentieth Century-Fox 1957. Original Pressbook for the 1957 film based on John Steinbeck's 1947 novel. 13 x 16.5 inches. 16 pages saddle stapled. About Near Fine. Horizontal fold as issued with some light soil. Twentieth Century-Fox unknown books
1970Best.-Nr. 141189N.p.: N.p. 1970. Draft script for an unproduced film. A young woman dreams of being a painter but is forced by her controlling mother into being a concert pianist. She begins to break down when her mother decides to be a matchmaker bringing home prospective suitors for her daughter. Brown untitled wrappers. Title page present with credits for screenwriter John Tarangelo. 127 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown
1970Best.-Nr. 141189N.p.: N.p. 1970. Draft script for an unproduced film. A young woman dreams of being a painter but is forced by her controlling mother into being a concert pianist. She begins to break down when her mother decides to be a matchmaker bringing home prospective suitors for her daughter. Brown untitled wrappers. Title page present with credits for screenwriter John Tarangelo. 127 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a silver prong binding. N.p. unknown books
1983Best.-Nr. 141284N.p.: N.p. 1983. First Draft script for an unproduced film. Laid in are three pages of cast lists. After a young girl witnesses the death of her father at the hands of assassins she is taken in by her uncle who aids her in tracking down the assassins. He also gives her a magic ring that allows her to wield the power of the Fist of Lightning. Set in Vietnam. Blue untitled wrappers. Title page present dated March 1983 noted as Second Draft with credit for screenwriter Jon Wokuluk. 105 leaves with last page of text numbered 104. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a Velo binding. N.p. unknown
1983Best.-Nr. 141284N.p.: N.p. 1983. First Draft script for an unproduced film. Laid in are three pages of cast lists. After a young girl witnesses the death of her father at the hands of assassins she is taken in by her uncle who aids her in tracking down the assassins. He also gives her a magic ring that allows her to wield the power of the Fist of Lightning. Set in Vietnam. Blue untitled wrappers. Title page present dated March 1983 noted as Second Draft with credit for screenwriter Jon Wokuluk. 105 leaves with last page of text numbered 104. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with a Velo binding. N.p. unknown books
1972Best.-Nr. 141420New York: Theatre Guild Productions 1972. Draft script for an unproduced film. A washed-up musician and music publisher travels around Europe meeting and unsuccessfully pursuing women. Set in Europe. Red titled wrappers. Title page present with credit for screenwriter Jonothan Moses. 138 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Theatre Guild Productions unknown
1972Best.-Nr. 141420New York: Theatre Guild Productions 1972. Draft script for an unproduced film. A washed-up musician and music publisher travels around Europe meeting and unsuccessfully pursuing women. Set in Europe. Red titled wrappers. Title page present with credit for screenwriter Jonothan Moses. 138 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Theatre Guild Productions unknown books
Best.-Nr. 146518N.p.: N.p. Unknown. Treatment script for an unproduced film. With a manuscript ink annotation to the title page stating "ROUGH TRANSLATION / VERY ROUGH" and a few small proofreader's annotations. Text in English. Incomplete apparentlhy as issued. An assassin becomes involved with a solitary young woman and gives her a handgun to protect herself while he's out of the country on an assignment-a gift which invariably only lands her in deeper trouble. Screenwriters Eugenio Martin and Jose G. Maesso were best known for their work on "The Ugly Ones" 1968 a violent heavily influential Euro Western film. Set in the US and Uruguay. Tan untitled side stapled wrappers. Title page present with credits for screenwriters Jose G. Maesso and Eugenio Martin. 52 leaves with last page of text numbered 51. Carbon typescript rectos only. Pages Very Good wrapper Very Good plus with the final few leaves loose from the binding. Pitts 4631. N.p. unknown
