11 046 résultats
1961réf. 149523Culver City CA: Columbia Pictures 1961. Vintage reference photograph from the 1961 film showing director J. Lee Thompson and various crew members on the set of the German gun fortress. With a printed mimeo snipe affixed to the verso along with the stamp of Columbia Pictures. Based on Alistair MacLean's 1957 novel wherein a group of Allied soldiers plan to destroy an airtight German fortress in order to save British naval ships stranded in the Aegean Sea. Set and shot on location on the Greek islands. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1979réf. 149481Beverly Hills CA: United Artists 1979. Vintage borderless black-and-white reference photograph of director J. Lee Thompson and a camera crew directing actress Patricia Neal while filming on location for the 1979 British film. With two printed mimeo snipes affixed to the verso with tape along with manuscript pencil and ink annotations regarding layout. Based on screenwriter Bruce Nicolaysen's 1976 novel "Perilous Passage" wherein a Basque farmer helps a French scientist and his family flee to neutral Spain during World War I. Set and shot on location in the Pyrenees France. 9.5 x 7.5 inches. Very Good plus slightly wavy. United Artists unknown books
1955réf. 140258Universal City CA: Universal Pictures 1955. Vintage still photograph from the set of the 1955 film "Revenge of the Creature." Featuring a comical image of the film being shot in the water at Marineland Florida while a dolphin show takes place in the background. Half of the gathered crowd watches the dolphin show while the other half has turned to watch the Gill-man attack a diver bathing suit-clad cameramen milling about to the side. The captive Gill-man Ricou Browning falls in love with the girlfriend Lori Nelson of animal psychologist Clete Ferguson John Agar. When it inevitably escapes and unsurprisingly takes Nelson hostage the police are forced to shoot it. The first 3-D sequel to a 3-D film its far more successful predecessor "The Creature from the Black Lagoon" and the only 3-D film released in 1955. Clint Eastwood makes a hilarious uncredited appearance as an incompetent lab technician who insists a lab rat has been eaten by a cat test subject only to find the rat in his lab coat pocket. Set in Florida and shot there on location. 8 x 10 inches. Just about Fine. Weaver and Brunas Universal Horrors. Mystery Science Theater 801. Universal Pictures unknown
1957réf. 150405Universal City: Universal Pictures 1957. Vintage reference photograph from the 1957 film showing actress Elaine Stewart reclining on a pool float while director Jack Arnold and a camera crew capture the shot from the poolside. With a printed mimeo snipe affixed to the verso. A dark tale about Nick Hoak a corrupt sheriff in a small Nevada town whose principal concerns are the maintenance and upkeep of all illegal activity. A lawyer and his lascivious wife stumble into Hoak's territory and conflict ensues. One of the seedier late noirs with a tawdry quality that transcended its big studio trappings. 10 x 8 inches. Near Fine. Grant US. Selby US. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown
1957réf. 150405Universal City: Universal Pictures 1957. Vintage reference photograph from the 1957 film showing actress Elaine Stewart reclining on a pool float while director Jack Arnold and a camera crew capture the shot from the poolside. With a printed mimeo snipe affixed to the verso. A dark tale about Nick Hoak a corrupt sheriff in a small Nevada town whose principal concerns are the maintenance and upkeep of all illegal activity. A lawyer and his lascivious wife stumble into Hoak's territory and conflict ensues. One of the seedier late noirs with a tawdry quality that transcended its big studio trappings. 10 x 8 inches. Near Fine. Grant US. Selby US. Spicer US. Silver and Ward Classic Noir. Universal Pictures unknown books
1955réf. 140258Universal City CA: Universal Pictures 1955. Vintage still photograph from the set of the 1955 film "Revenge of the Creature." Featuring a comical image of the film being shot in the water at Marineland Florida while a dolphin show takes place in the background. Half of the gathered crowd watches the dolphin show while the other half has turned to watch the Gill-man attack a diver bathing suit-clad cameramen milling about to the side. The captive Gill-man Ricou Browning falls in love with the girlfriend Lori Nelson of animal psychologist Clete Ferguson John Agar. When it inevitably escapes and unsurprisingly takes Nelson hostage the police are forced to shoot it. The first 3-D sequel to a 3-D film its far more successful predecessor "The Creature from the Black Lagoon" and the only 3-D film released in 1955. Clint Eastwood makes a hilarious uncredited appearance as an incompetent lab technician who insists a lab rat has been eaten by a cat test subject only to find the rat in his lab coat pocket. Set in Florida and shot there on location. 8 x 10 inches. Just about Fine. Weaver and Brunas Universal Horrors. Mystery Science Theater 801. Universal Pictures unknown books
1987réf. 145894London: HandMade Films 1987. Revised Draft script for the 1987 film. Single manuscript notation in ink on page 62 a scene deletion. Based on the 1955 novel by Brian Moore. A pious spinster living in a boardinghouse begins an ersatz romance with a fellow resident looking to bankroll his next business venture. Novelist Moore born and raised in Belfast was highly acclaimed for his vivid descriptions of life in Ireland after the Second World War in particular for his exploration of The Troubles. Set and shot on location in Dublin. Blue untitled wrappers with a die-cut title window in the British style. Title page present dated February 1987 noted as Revised Draft with credits for screenwriter Peter Nelson and novelist Brian Moore. 105 leaves with last page of text numbered 104. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with white Velo binding partially loose. Indicator 123. HandMade Films unknown
1987réf. 145894London: HandMade Films 1987. Revised Draft script for the 1987 film. Single manuscript notation in ink on page 62 a scene deletion. Based on the 1955 novel by Brian Moore. A pious spinster living in a boardinghouse begins an ersatz romance with a fellow resident looking to bankroll his next business venture. Novelist Moore born and raised in Belfast was highly acclaimed for his vivid descriptions of life in Ireland after the Second World War in particular for his exploration of The Troubles. Set and shot on location in Dublin. Blue untitled wrappers with a die-cut title window in the British style. Title page present dated February 1987 noted as Revised Draft with credits for screenwriter Peter Nelson and novelist Brian Moore. 105 leaves with last page of text numbered 104. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with white Velo binding partially loose. Indicator 123. HandMade Films unknown books
1967réf. 141006N.p.: N.p. 1967. Three Draft scripts for an unproduced film. During the Korean War a group of marines are pinned down behind enemy lines in a remote village where the only survivor is a widowed Korean woman and her child. Chaos descends as the soldiers find their radio is broken they are running out of supplies and they are slowly being picked off by snipers. Set in Korea. Script 1: Self wrappers. Title page present with credits for screenwriter Jack Lewis. Twelve leaves with last page of text numbered twelve. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. Script 2: Self wrappers. Title page present with credits for screenwriter Jack Lewis. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. Script 3: Self wrappers. Title page present with credits for screenwriter Jack Lewis. 100 leaves with last page of text numbered 99. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. N.p. unknown
1967réf. 141006N.p.: N.p. 1967. Three Draft scripts for an unproduced film. During the Korean War a group of marines are pinned down behind enemy lines in a remote village where the only survivor is a widowed Korean woman and her child. Chaos descends as the soldiers find their radio is broken they are running out of supplies and they are slowly being picked off by snipers. Set in Korea. Script 1: Self wrappers. Title page present with credits for screenwriter Jack Lewis. Twelve leaves with last page of text numbered twelve. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. Script 2: Self wrappers. Title page present with credits for screenwriter Jack Lewis. 101 leaves with last page of text numbered 100. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. Script 3: Self wrappers. Title page present with credits for screenwriter Jack Lewis. 100 leaves with last page of text numbered 99. Mimeograph duplication. Pages Very Good plus lacking wrappers unbound. N.p. unknown books
1960réf. 140101Hollywood: Paramount Pictures 1960. First Draft script for the 1961 film. With a typeover correction to the title page changing "The Beach Pad" to "Love in a Goldfish Bowl". Two unlikely friends at a small college are forbidden to associate with each other despite each being the other's protector. Neither wishes to spend Easter break with their respective families and instead devise a plan to spend the holiday at an empty beach house. Self-wrappers dated October 13 1960 noted as First Draft Screenplay rubber-stamped copy No. 120 with credits for screenwriter Jack Sher. 131 leaves with last page of text numbered 131. Mimeograph duplication with yellow and blue revision pages throughout dated variously between November 1 1960 and November 23 1960. Pages Very Good plus wrapper Very Good plus bound with three ring binding. Paramount Pictures unknown
1960réf. 140101Hollywood: Paramount Pictures 1960. First Draft script for the 1961 film. With a typeover correction to the title page changing "The Beach Pad" to "Love in a Goldfish Bowl". Two unlikely friends at a small college are forbidden to associate with each other despite each being the other's protector. Neither wishes to spend Easter break with their respective families and instead devise a plan to spend the holiday at an empty beach house. Self-wrappers dated October 13 1960 noted as First Draft Screenplay rubber-stamped copy No. 120 with credits for screenwriter Jack Sher. 131 leaves with last page of text numbered 131. Mimeograph duplication with yellow and blue revision pages throughout dated variously between November 1 1960 and November 23 1960. Pages Very Good plus wrapper Very Good plus bound with three ring binding. Paramount Pictures unknown books
1973réf. 156326Paris: Gamma 1973. Two vintage borderless reference photographs of actress Jacqueline Bisset on the set of the 1973 film one showing a camera crew on the bottom left corner. Stamps of Gamma Photo on the versos. A shy writer of pulp espionage fiction lives vicariously through the hero of his novels a sophisticated spy and bases his heroine on his real-life neighbor a sociology student named Christine. Shot on location in Puerto Vallarta Mexico and Paris France. 9.5 x 6.5 inches. Near Fine. Gamma unknown
1973réf. 156326Paris: Gamma 1973. Two vintage borderless reference photographs of actress Jacqueline Bisset on the set of the 1973 film one showing a camera crew on the bottom left corner. Stamps of Gamma Photo on the versos. A shy writer of pulp espionage fiction lives vicariously through the hero of his novels a sophisticated spy and bases his heroine on his real-life neighbor a sociology student named Christine. Shot on location in Puerto Vallarta Mexico and Paris France. 9.5 x 6.5 inches. Near Fine. Gamma unknown books
1960réf. 149957Paris: Lorcaster 1960. Vintage borderless reference photograph of Jacques Becker and Marc Michel on the set of the 1960 film. "Lorcaster" and "636" stamps on verso. Based on the 1957 novel by Jose Giovanni. True story of the 1947 Le Sante Prison break with one of the real escapees Keraudy playing his own character in the film. Jacques Becker's final film having died two weeks after completing the film. Nominated for the Palm d'Or. 7 x 9 inches. Some light creasing else Near Fine. Buss French Film Noir. Criterion Collection 129. Godard Histoires du Cinema. Grant France. Hayden and Schneider 1001. Selby France. Spicer France. Lorcaster unknown
1960réf. 149957Paris: Lorcaster 1960. Vintage borderless reference photograph of Jacques Becker and Marc Michel on the set of the 1960 film. "Lorcaster" and "636" stamps on verso. Based on the 1957 novel by Jose Giovanni. True story of the 1947 Le Sante Prison break with one of the real escapees Keraudy playing his own character in the film. Jacques Becker's final film having died two weeks after completing the film. Nominated for the Palm d'Or. 7 x 9 inches. Some light creasing else Near Fine. Buss French Film Noir. Criterion Collection 129. Godard Histoires du Cinema. Grant France. Hayden and Schneider 1001. Selby France. Spicer France. Lorcaster unknown books
1969réf. 171749N.p.: N.p. 1969. Two vintage reference photographs from the 1969 film one showing Gary Lockwood and Anouk Aimee the other showing Aimee alone. One with a provenance stamp and faded annotations in manuscript ink on the verso. Jacques Demy's first English language film recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s. A young discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed he sees and becomes obsessed with the beautiful Lola an older French model who works in a "model shop" posing for photographers. Set and shot on location in Laurel Canyon Los Angeles. 10 x 8 inches. Near Fine. Twilight Time 327. N.p. unknown
1969réf. 171749N.p.: N.p. 1969. Two vintage reference photographs from the 1969 film one showing Gary Lockwood and Anouk Aimee the other showing Aimee alone. One with a provenance stamp and faded annotations in manuscript ink on the verso. Jacques Demy's first English language film recently a subject of renewed interest in two different documentaries about the Laurel Canyon music scene of the late 1960s. A young discontented man in a dead-end relationship learns his draft notice has arrived and he is due to report for Army duty the following week. While out trying to raise money to keep his car from being repossessed he sees and becomes obsessed with the beautiful Lola an older French model who works in a "model shop" posing for photographers. Set and shot on location in Laurel Canyon Los Angeles. 10 x 8 inches. Near Fine. Twilight Time 327. N.p. unknown books
1984réf. 149571London: Cannon-Gala 1984. Vintage reference photograph of director Jacques Rivette and actress Jane Birkin on the set of the 1984 French film. With a printed mimeo snipe affixed to the verso. Fiction and reality begin to mix when a theatre troupe begins to rehearse a play in a mysterious mansion. Set and shot on location in Paris and Hauts-de-Seine France. 10 x 8 inches. Fine. Cannon-Gala unknown
1984réf. 149571London: Cannon-Gala 1984. Vintage reference photograph of director Jacques Rivette and actress Jane Birkin on the set of the 1984 French film. With a printed mimeo snipe affixed to the verso. Fiction and reality begin to mix when a theatre troupe begins to rehearse a play in a mysterious mansion. Set and shot on location in Paris and Hauts-de-Seine France. 10 x 8 inches. Fine. Cannon-Gala unknown books
1949réf. 170417France: Cady Films 1949. Vintage borderless reference photograph from the 1949 film showing director Jacques Tati talking with a live goat and an unidentified cast member. Annotations in manuscript ink and pencil on the verso. In his charming and beautifully plotless pre-Hulot first feature Tati is Francois a contented and happy postman in a small unhurried French village. Francois is at ease with his job and leisurely performs his duties peddling away on his rounds upon his beloved bicycle. A carnival comes to town and one of the attractions is a film depicting the United States Postal Service's fast and efficient postal delivery system. The narrator in the film exhorts "Rapidite rapidite." Francois takes up the call and attempts to Americanize his work style. 7 x 9.5 inches. Near Fine. BFI 603. Criterion Collection 730. Godard Histoires du cinema. Rosenbaum 1000. Cady Films unknown
1958réf. 139689Paris: Gaumont 1958. Vintage photograph of Jacques Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 5 inches. Near Fine with a shallow diagonal crease to one corner. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown
1967réf. 149330Paris: Jolly Film 1967. Three vintage reference photographs one borderless from the 1967 film. With manuscript annotations regarding layout to the verso and one with the stamp of Specta Films. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. 7 x 5 inches. Very Good plus with light edgewear. Jolly Film unknown
1949réf. 170417France: Cady Films 1949. Vintage borderless reference photograph from the 1949 film showing director Jacques Tati talking with a live goat and an unidentified cast member. Annotations in manuscript ink and pencil on the verso. In his charming and beautifully plotless pre-Hulot first feature Tati is Francois a contented and happy postman in a small unhurried French village. Francois is at ease with his job and leisurely performs his duties peddling away on his rounds upon his beloved bicycle. A carnival comes to town and one of the attractions is a film depicting the United States Postal Service's fast and efficient postal delivery system. The narrator in the film exhorts "Rapidite rapidite." Francois takes up the call and attempts to Americanize his work style. 7 x 9.5 inches. Near Fine. BFI 603. Criterion Collection 730. Godard Histoires du cinema. Rosenbaum 1000. Cady Films unknown books
1958réf. 139689Paris: Gaumont 1958. Vintage photograph of Jacques Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 5 inches. Near Fine with a shallow diagonal crease to one corner. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown books
