11 049 résultats
1958réf. 139689Paris: Gaumont 1958. Vintage photograph of Jacques Tati as Monsieur Hulot from the 1958 film. The director's second of four films featuring the inimitable Monsieur Hulot. In this chapter Hulot strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. 7.25 x 5 inches. Near Fine with a shallow diagonal crease to one corner. Criterion Collection 111. Ebert II. Rosenbaum 1000. Gaumont unknown books
1967réf. 149330Paris: Jolly Film 1967. Three vintage reference photographs one borderless from the 1967 film. With manuscript annotations regarding layout to the verso and one with the stamp of Specta Films. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. 7 x 5 inches. Very Good plus with light edgewear. Jolly Film unknown books
1953réf. 149681Burbank CA: Walt Disney 1953. Vintage reference photograph from the 1953 film showing sound effects specialists Jim McDonald "Rusty" Jones and Earl Hatch in the studio using a variety of instruments several appearing makeshift to create musical accompaniment for the film. A documentary following the everyday behaviors of the desert-dwelling animals of the southwestern US. The first feature-length film in Walt Disney Productions' "True-Life Adventures" film series which focused on animal behavior and zoology. Shot on location in Tucson Arizona. 10 x 8 inches. Very Good plus. National Film Registry. Walt Disney unknown
1953réf. 149681Burbank CA: Walt Disney 1953. Vintage reference photograph from the 1953 film showing sound effects specialists Jim McDonald "Rusty" Jones and Earl Hatch in the studio using a variety of instruments several appearing makeshift to create musical accompaniment for the film. A documentary following the everyday behaviors of the desert-dwelling animals of the southwestern US. The first feature-length film in Walt Disney Productions' "True-Life Adventures" film series which focused on animal behavior and zoology. Shot on location in Tucson Arizona. 10 x 8 inches. Very Good plus. National Film Registry. Walt Disney unknown books
1982réf. 141766Australia: Embassy Pictures 1982. Shooting script for the 1982 film. Copy belonging to an unknown crew member with manuscript annotations highlighting camera shots throughout. Rogue KGB agents posing as Islamic terrorists steal a nuclear weapon and threaten to blow up Saudi oil fields unless their demands are met. Enter The Soldier a CIA operative whose actions have been disavowed by the US government who must find and stop the terrorists before the nuke is launched. Self wrappers with credits for Glickenhaus. Title page present dated 6/29/81 noted as First Draft Shooting Script. 83 leaves with last page of text numbered 80. Xerographic duplication first generation with no copied holes. Pages Near Fine wrapper Near Fine housed in a generic ring binder. Embassy Pictures unknown
1982réf. 141766Australia: Embassy Pictures 1982. Shooting script for the 1982 film. Copy belonging to an unknown crew member with manuscript annotations highlighting camera shots throughout. Rogue KGB agents posing as Islamic terrorists steal a nuclear weapon and threaten to blow up Saudi oil fields unless their demands are met. Enter The Soldier a CIA operative whose actions have been disavowed by the US government who must find and stop the terrorists before the nuke is launched. Self wrappers with credits for Glickenhaus. Title page present dated 6/29/81 noted as First Draft Shooting Script. 83 leaves with last page of text numbered 80. Xerographic duplication first generation with no copied holes. Pages Near Fine wrapper Near Fine housed in a generic ring binder. Embassy Pictures unknown books
1973réf. 149156Burbank CA: Warner Brothers 1973. Final Draft script for the 1974 film. Laid in are six blue revision pages dated 2/26/73. Based on the 1942 novel "The Stranger" by Lillian Bos Ross. Later re-released under the title "For Better For Worse." Gene Hackman stars as a rural rancher who sends away for a mail-order bride looking for an extra ranch hand. His headstrong bride played by Liv Ullman is a tough bargain and the two eventually fall in love through shared hardship and growing respect. An early effort of screenwriter Marc Norman twenty-five years before he would receive an Oscar for his work on "Shakespeare in Love." Set in a remote region of the American West shot on location in Big Sur California. Orange titled wrappers noted as FINAL on the front wrapper dated February 26 1973. Distribution page present with receipt intact. Title page present dated 2/26/73 noted as FINAL with credits for screenwriter Marc Norman. 113 leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Warner Brothers unknown
1973réf. 149156Burbank CA: Warner Brothers 1973. Final Draft script for the 1974 film. Laid in are six blue revision pages dated 2/26/73. Based on the 1942 novel "The Stranger" by Lillian Bos Ross. Later re-released under the title "For Better For Worse." Gene Hackman stars as a rural rancher who sends away for a mail-order bride looking for an extra ranch hand. His headstrong bride played by Liv Ullman is a tough bargain and the two eventually fall in love through shared hardship and growing respect. An early effort of screenwriter Marc Norman twenty-five years before he would receive an Oscar for his work on "Shakespeare in Love." Set in a remote region of the American West shot on location in Big Sur California. Orange titled wrappers noted as FINAL on the front wrapper dated February 26 1973. Distribution page present with receipt intact. Title page present dated 2/26/73 noted as FINAL with credits for screenwriter Marc Norman. 113 leaves with last page of text numbered 111. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two gold brads. Warner Brothers unknown books
1982réf. 141680London: Channel Four Films 1982. Draft script for the 1987 French film. A washed-up Hollywood actor a French financier a British director and a group of other misfits converge in a small hotel in Paris. Set in France. Title page present dated August 18 1982 with credits for screenwriter Jana Bokova. 191 leaves with last page of text numbered 179. Xerographic duplication rectos only. Pages Near Fine lacking wrapper. Channel Four Films unknown
1982réf. 141680London: Channel Four Films 1982. Draft script for the 1987 French film. A washed-up Hollywood actor a French financier a British director and a group of other misfits converge in a small hotel in Paris. Set in France. Title page present dated August 18 1982 with credits for screenwriter Jana Bokova. 191 leaves with last page of text numbered 179. Xerographic duplication rectos only. Pages Near Fine lacking wrapper. Channel Four Films unknown books
1961réf. 160674New York: Globe Photos 1961. Vintage borderless reference photograph from the 1961 film showing actress Jayne Mansfield having her makeup touched up on the set. Mimeo snipe in German on the verso along with several copyright stamps. A fictionalized portrayal of the prolific Hollywood star and nightclub dancer George Raft known for his many roles portraying gangsters and known for having real-life underworld connections made while Raft was still living. Shot on location in Los Angeles. 8.5 x 10 inches. Very Good plus. Globe Photos unknown
1961réf. 160674New York: Globe Photos 1961. Vintage borderless reference photograph from the 1961 film showing actress Jayne Mansfield having her makeup touched up on the set. Mimeo snipe in German on the verso along with several copyright stamps. A fictionalized portrayal of the prolific Hollywood star and nightclub dancer George Raft known for his many roles portraying gangsters and known for having real-life underworld connections made while Raft was still living. Shot on location in Los Angeles. 8.5 x 10 inches. Very Good plus. Globe Photos unknown books
1956réf. 143289Paris: Cite Films 1956. Collection of 24 vintage reference photographs from the 1956 French film here under the French title "Le couturier de ces dames." 13 photographs with numeric annotations on the versos in pencil and one with "Le couturier de ces dames" in mimeograph duplication to same. A tailor needs to create a lasting fashion line to save his business. He does but he also cavorts a little with the models only for his wife to discover his infidelity. A send-up of the new haute couture popular at the time with notable designers Yves Saint Laurent Pierre Cardin who worked on the film and Japanese native Hanae Mori representing the "new look." Shot on location in Val-de-Marne France. One photo 3.25 x 4.25 inches the balance 5 x 7 inches. Generally Near Fine. Cite Films unknown
1956réf. 143289Paris: Cite Films 1956. Collection of 24 vintage reference photographs from the 1956 French film here under the French title "Le couturier de ces dames." 13 photographs with numeric annotations on the versos in pencil and one with "Le couturier de ces dames" in mimeograph duplication to same. A tailor needs to create a lasting fashion line to save his business. He does but he also cavorts a little with the models only for his wife to discover his infidelity. A send-up of the new haute couture popular at the time with notable designers Yves Saint Laurent Pierre Cardin who worked on the film and Japanese native Hanae Mori representing the "new look." Shot on location in Val-de-Marne France. One photo 3.25 x 4.25 inches the balance 5 x 7 inches. Generally Near Fine. Cite Films unknown books
1952réf. 149876Los Angeles: Twentieth Century-Fox 1952. Vintage reference photograph of director Jean Negulesco and actress Beatrice Straight on the set of the 1952 film. With a printed mimeo snipe affixed to the verso along with manuscript annotations regarding layout. While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. Set in Chicago and Los Angeles. 8 x 10 inches with a wide top margin. Very Good plus with light edgewear. Twentieth Century-Fox unknown
1952réf. 149876Los Angeles: Twentieth Century-Fox 1952. Vintage reference photograph of director Jean Negulesco and actress Beatrice Straight on the set of the 1952 film. With a printed mimeo snipe affixed to the verso along with manuscript annotations regarding layout. While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. Set in Chicago and Los Angeles. 8 x 10 inches with a wide top margin. Very Good plus with light edgewear. Twentieth Century-Fox unknown books
1956réf. 143992Paris: Franco London Film S.A. 1956. Original program for the 1956 English language release of the 1955 French-Italian film. Deluxe program in English text illustrated throughout in black-and-white stills from the film detailing the film synopsis. Also includes 8 full-color borderless film stills akin to lobby cards a brief filmography of director Renoir and transcript of an interview between Renoir and Georges Van Parys from January 1 1955 and sheet music for the theme song "Complainte de la butte." Housed in a Franco London Film folder with tipped-in plate reproducing Pierre-Auguste Renoir's "Le Moulin de la Galette" and film title in red on the front wrapper. Based on an idea by Andre-Paul Antoine his second to last film credit before "La dulce enemiga" 1957. Set in 1890s Paris Henri Danglard Gabin is the owner of a cafe where his mistress Lola Felix performs as a belly dancer. With the cafe nearly bankrupt Henri inspired by an old-fashioned cancan in Montmartre decides to add a new dancer to revive his business. Cue a laundress named Nini Arnoul who soon finds fame at the Moulin Rouge. François Truffaut's review in "Arts" magazine May 1955 was highly supportive even though other critics like Bernard Chardere criticised the music the sets even the final cancan scene. Regardless the film was awarded the Grand Prix de l'Academie du Cinéma 1956. Program 9 x 12.5 inches saddle-stapled and string-bound 4 leaves in slightly larger folder. 8 film stills 9 x 12 inches. Interview slightly smaller than stills single leaf printed on both sides and sheet music slightly larger dated 1954 single leaf folded twice 3 sides printed. Very Good plus overall with a few small scattered creases and brief dampstains to the folder. Criterion Collection. Roger Ebert Great Movies IV. Franco London Film S.A. unknown
1956réf. 143992Paris: Franco London Film S.A. 1956. Original program for the 1956 English language release of the 1955 French-Italian film. Deluxe program in English text illustrated throughout in black-and-white stills from the film detailing the film synopsis. Also includes 8 full-color borderless film stills akin to lobby cards a brief filmography of director Renoir and transcript of an interview between Renoir and Georges Van Parys from January 1 1955 and sheet music for the theme song "Complainte de la butte." Housed in a Franco London Film folder with tipped-in plate reproducing Pierre-Auguste Renoir's "Le Moulin de la Galette" and film title in red on the front wrapper. Based on an idea by Andre-Paul Antoine his second to last film credit before "La dulce enemiga" 1957. Set in 1890s Paris Henri Danglard Gabin is the owner of a cafe where his mistress Lola Felix performs as a belly dancer. With the cafe nearly bankrupt Henri inspired by an old-fashioned cancan in Montmartre decides to add a new dancer to revive his business. Cue a laundress named Nini Arnoul who soon finds fame at the Moulin Rouge. François Truffaut's review in "Arts" magazine May 1955 was highly supportive even though other critics like Bernard Chardere criticised the music the sets even the final cancan scene. Regardless the film was awarded the Grand Prix de l'Academie du Cinéma 1956. Program 9 x 12.5 inches saddle-stapled and string-bound 4 leaves in slightly larger folder. 8 film stills 9 x 12 inches. Interview slightly smaller than stills single leaf printed on both sides and sheet music slightly larger dated 1954 single leaf folded twice 3 sides printed. Very Good plus overall with a few small scattered creases and brief dampstains to the folder. Criterion Collection. Roger Ebert Great Movies IV. Franco London Film S.A. unknown books
1976réf. 146900N.p.: Films du Berry 1976. Four vintage borderless studio still photographs and one contact sheet from the 1976 film. Two larger gloss finish photographs and two smaller matte finish photographs and contact sheet containing eleven images. Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s. Two photographs 7 x 9.5 inches two photographs 5 x 7 inches Contact Sheet 7 x 9.5 inches. Near Fine. Hinds 222. Films du Berry unknown
1976réf. 146900N.p.: Films du Berry 1976. Four vintage borderless studio still photographs and one contact sheet from the 1976 film. Two larger gloss finish photographs and two smaller matte finish photographs and contact sheet containing eleven images. Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s. Two photographs 7 x 9.5 inches two photographs 5 x 7 inches Contact Sheet 7 x 9.5 inches. Near Fine. Hinds 222. Films du Berry unknown books
1967réf. 152327Universal City: Universal Pictures 1967. Vintage borderless reference photograph from the 1967 British film showing actors Jean Shrimpton and Paul Jones dancing. Mimeo snipe to the verso along with the stamp of the Israel Film Archive. An outrageous paranoiac satire following a beloved pop star named Steven Shorter whose actions beliefs and performances are controlled by a totalitarian British government. Set in a near-future England shot on location in London and Birmingham. 8 x 9.5 inches. Very Good plus with pinholes and light creases to the corners. BFI Flipside 7. Rosenbaum 1000. Universal Pictures unknown
1967réf. 152327Universal City: Universal Pictures 1967. Vintage borderless reference photograph from the 1967 British film showing actors Jean Shrimpton and Paul Jones dancing. Mimeo snipe to the verso along with the stamp of the Israel Film Archive. An outrageous paranoiac satire following a beloved pop star named Steven Shorter whose actions beliefs and performances are controlled by a totalitarian British government. Set in a near-future England shot on location in London and Birmingham. 8 x 9.5 inches. Very Good plus with pinholes and light creases to the corners. BFI Flipside 7. Rosenbaum 1000. Universal Pictures unknown books
1933réf. 146133Paris: Franfilmdis 1933. Collection of 3 vintage borderless double weight studio still photographs from the landmark 1933 silent film by Jean Vigo. Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." 9.5 x 7 inches. Very Good plus corner pinholes. Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis unknown
1933réf. 146133Paris: Franfilmdis 1933. Collection of 3 vintage borderless double weight studio still photographs from the landmark 1933 silent film by Jean Vigo. Although he only made four films before his death from tuberculosis at the age 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with Truffaut in particular paying homage to the anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in "The 400 Blows." 9.5 x 7 inches. Very Good plus corner pinholes. Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis unknown books
1973réf. 149662N.p.: N.p. 1973. Vintage borderless reference photograph from the 1973 French film showing actress Brigitte Fossey in silhouette. A man recently released from the hospital falls in love with a woman who is identical in appearance to his wife. Shot on location in Morbihan France. 9.25 x 7 inches. Near Fine. N.p. unknown
