11 046 résultats
1985réf. 149448France: JLG Films 1985. Vintage black-and-white borderless reference photograph of director Jean-Luc Godard and actors Claude Brasseur Nathalie Baye and Johnny Hallyday playing pool on the set of the 1985 film. Two detectives staying at a Parisian hotel investigate a murder which occurred two years prior. Released the same year as Godard's highly and pointlessly controversial film "Je Vous Salue Marie." Shot on location in Paris. 9.5 x 7 inches. Near Fine. Godard Histoires du cinema. Carlson and Connolly Destroy All Movies. JLG Films unknown
1980réf. 149979N.p.: N.p. 1980. Vintage borderless reference photograph of Jean-Luc Goddard and crew on the set of the 1980 film. "Sauve qui peut / la Vie" stamp on verso with last three lines of stamp which include copyright date and photograph credit for Anne-Marie Mieville struck through with manuscript marker. A most Godardian examination of sexual relationships in which three protagonists interact in different combinations. Nominated for the Palme d'Or. Shot on location in Switzerland. 9.5 x 7 inches. Near Fine. Criterion Collection 744. Godard Histoires du cinema. N.p. unknown
1969réf. 149696London: Institute of Contemporary Arts 1969. Two vintage double weight reference photographs from the 1969 French film. With printed mimeo snipes for the film's British release affixed to the verso. A man and a woman meet to discuss the Vietnam War student protests the changing relationship between the US and France and other current events of the 1960s interspersed with news clips music and narration by director Jean-Luc Godard. 8.5 x 6.5 inches. Near Fine. Institute of Contemporary Arts unknown
1961réf. 138215Paris: N.p. 1961. Vintage black-and-white borderless still photograph of Godard and Macha Meril on the set of the 1961 film. With the Paris stamp of photographer Claude Schwartz on the verso. 9 x 6 inches. Near Fine. Criterion Collection 238. N.p. unknown
1980réf. 149979N.p.: N.p. 1980. Vintage borderless reference photograph of Jean-Luc Goddard and crew on the set of the 1980 film. "Sauve qui peut / la Vie" stamp on verso with last three lines of stamp which include copyright date and photograph credit for Anne-Marie Mieville struck through with manuscript marker. A most Godardian examination of sexual relationships in which three protagonists interact in different combinations. Nominated for the Palme d'Or. Shot on location in Switzerland. 9.5 x 7 inches. Near Fine. Criterion Collection 744. Godard Histoires du cinema. N.p. unknown books
1985réf. 149448France: JLG Films 1985. Vintage black-and-white borderless reference photograph of director Jean-Luc Godard and actors Claude Brasseur Nathalie Baye and Johnny Hallyday playing pool on the set of the 1985 film. Two detectives staying at a Parisian hotel investigate a murder which occurred two years prior. Released the same year as Godard's highly and pointlessly controversial film "Je Vous Salue Marie." Shot on location in Paris. 9.5 x 7 inches. Near Fine. Godard Histoires du cinema. Carlson and Connolly Destroy All Movies. JLG Films unknown books
1961réf. 138215Paris: N.p. 1961. Vintage black-and-white borderless still photograph of Godard and Macha Meril on the set of the 1961 film. With the Paris stamp of photographer Claude Schwartz on the verso. 9 x 6 inches. Near Fine. Criterion Collection 238. N.p. unknown books
1969réf. 149696London: Institute of Contemporary Arts 1969. Two vintage double weight reference photographs from the 1969 French film. With printed mimeo snipes for the film's British release affixed to the verso. A man and a woman meet to discuss the Vietnam War student protests the changing relationship between the US and France and other current events of the 1960s interspersed with news clips music and narration by director Jean-Luc Godard. 8.5 x 6.5 inches. Near Fine. Institute of Contemporary Arts unknown books
1973réf. 140845Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Draft script for the 1973 film. With a single notation to the title page in manuscript ink indicating this copy is from Barry Levinson. Based on the 1955 novel "Le Blockhaus" by Jean-Paul Clebert the story follows a mixed-group of forced laborers held by German forces taking shelter in a German bunker on D-Day. However due to the heavy shelling they are entombed in the blockhouse. Fortunately it is a storehouse as well so the prisoners have food to last them for years but unfortunately they are permanently trapped in there. The film deals with how they lived in their underground prison and their eventual deaths. Set in Normandy shot on location in Guernsey Channel Islands. Blue blank wrappers with die cut title window in the British style. Title page present with credits for screenwriter John Gould and author Jean-Paul Clebert. 141 leaves with last page of text numbered 140. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Metro-Goldwyn-Mayer [MGM] unknown
1973réf. 140845Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Draft script for the 1973 film. With a single notation to the title page in manuscript ink indicating this copy is from Barry Levinson. Based on the 1955 novel "Le Blockhaus" by Jean-Paul Clebert the story follows a mixed-group of forced laborers held by German forces taking shelter in a German bunker on D-Day. However due to the heavy shelling they are entombed in the blockhouse. Fortunately it is a storehouse as well so the prisoners have food to last them for years but unfortunately they are permanently trapped in there. The film deals with how they lived in their underground prison and their eventual deaths. Set in Normandy shot on location in Guernsey Channel Islands. Blue blank wrappers with die cut title window in the British style. Title page present with credits for screenwriter John Gould and author Jean-Paul Clebert. 141 leaves with last page of text numbered 140. Mechanical duplication. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Metro-Goldwyn-Mayer [MGM] unknown books
1970réf. 171748Paris: Valoria Films 1970. Vintage borderless composite reference photograph from the 1970 film the top image showing François Truffaut examining his ankle and shoe the bottom image showing Jean-Pierre Leaud doing the same. Stamp specific to the film's French release on the verso along with provenance stamps and layout annotations in manuscript pencil. The penultimate film in François Truffaut's five-film series about the character Antoine Doinel. In this entry Doinel and his wife are expecting their first child when he begins an affair with a woman he meets in a business meeting at his new job. Shot on location in Paris. 5 x 7 inches. Very Good plus. Criterion Collection 187. Valoria Films unknown
1960réf. 149354Paris: Balzac 1960. Three vintage borderless reference photographs from the set of the 1960 French film showing director Jean-Pierre Mocky actors Juliette Mayniel Jean Kosta and other members of the cast and crew. With numbered stamps on the verso. A husband and wife decide to separate when they realize their relationship lacks sexual excitement after three years together. Shot on location in France. 6.75 x 5.5 inches. About Near Fine. Balzac unknown
1970réf. 171748Paris: Valoria Films 1970. Vintage borderless composite reference photograph from the 1970 film the top image showing François Truffaut examining his ankle and shoe the bottom image showing Jean-Pierre Leaud doing the same. Stamp specific to the film's French release on the verso along with provenance stamps and layout annotations in manuscript pencil. The penultimate film in François Truffaut's five-film series about the character Antoine Doinel. In this entry Doinel and his wife are expecting their first child when he begins an affair with a woman he meets in a business meeting at his new job. Shot on location in Paris. 5 x 7 inches. Very Good plus. Criterion Collection 187. Valoria Films unknown books
1960réf. 149354Paris: Balzac 1960. Three vintage borderless reference photographs from the set of the 1960 French film showing director Jean-Pierre Mocky actors Juliette Mayniel Jean Kosta and other members of the cast and crew. With numbered stamps on the verso. A husband and wife decide to separate when they realize their relationship lacks sexual excitement after three years together. Shot on location in France. 6.75 x 5.5 inches. About Near Fine. Balzac unknown books
1978réf. 149428Los Angeles: Cinema Shares International 1978. Vintage borderless matte reference photograph from the 1977 film. With a printed mimeo snipe on the verso along with a provenance stamp. An exploitative horror film late on the coattails of cautionary drug movies of the 1960s about a string of violent murders in Los Angeles linked to a dangerous LSD strain called "Blue Sunshine." Set and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Thrower Nightmare USA. Cinema Shares International unknown
1978réf. 149428Los Angeles: Cinema Shares International 1978. Vintage borderless matte reference photograph from the 1977 film. With a printed mimeo snipe on the verso along with a provenance stamp. An exploitative horror film late on the coattails of cautionary drug movies of the 1960s about a string of violent murders in Los Angeles linked to a dangerous LSD strain called "Blue Sunshine." Set and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Thrower Nightmare USA. Cinema Shares International unknown books
1951réf. 149617N.p.: N.p. 1951. Vintage reference photograph of Maxwell Reed from the 1951 British film noir. Provenance stamp on the verso. Molly Natasha Parry a young actress is witness to a double murder by "The Dark Man" Reed and is stalked by the killer. Inspector Viner Edward Underdown assigned to the murders develops romantic feelings for Molly. Shot on location in Sussex and East Sussex England. 8 x 10 inches. Near Fine. Grant UK. Selby UK. Spicer UK. N.p. unknown
1951réf. 149617N.p.: N.p. 1951. Vintage reference photograph of Maxwell Reed from the 1951 British film noir. Provenance stamp on the verso. Molly Natasha Parry a young actress is witness to a double murder by "The Dark Man" Reed and is stalked by the killer. Inspector Viner Edward Underdown assigned to the murders develops romantic feelings for Molly. Shot on location in Sussex and East Sussex England. 8 x 10 inches. Near Fine. Grant UK. Selby UK. Spicer UK. N.p. unknown books
1984réf. 146940N.p.: N.p. 1984. First Draft script for the 1985 film. Text in English. Based on the 1960 German novel wherein a crew of bored sailors stationed on a floating lighthouse must suddenly fight to defend their vessel from a criminal trio seeking to overtake the ship. An early draft of the script written seven years before the film's release. Set and shot on location in Germany. Navy untitled wrappers. Title page present dated August 27 1984 noted as first draft with credits for screenwriter David Taylor and novelist Siegfried Lenz. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with slight yapping to the fore edge of the rear wrapper bound internally with three gold brads. N.p. unknown
1984réf. 146940N.p.: N.p. 1984. First Draft script for the 1985 film. Text in English. Based on the 1960 German novel wherein a crew of bored sailors stationed on a floating lighthouse must suddenly fight to defend their vessel from a criminal trio seeking to overtake the ship. An early draft of the script written seven years before the film's release. Set and shot on location in Germany. Navy untitled wrappers. Title page present dated August 27 1984 noted as first draft with credits for screenwriter David Taylor and novelist Siegfried Lenz. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with slight yapping to the fore edge of the rear wrapper bound internally with three gold brads. N.p. unknown books
1981réf. 170362London: ITC Films 1981. Vintage reference photograph from the 1981 film showing actress Jessica Lange. Mimeo snipe affixed to the verso. Based on the 1939 novel by James M. Cain. Along with "The Verdict" a film that brought writer David Mamet to the attention of the filmmaking world leading to his working not only as a screenwriter but an important director. 8 x 10 inches. Fine. Silver Classic Noir. Spicer US. ITC Films unknown
1981réf. 170362London: ITC Films 1981. Vintage reference photograph from the 1981 film showing actress Jessica Lange. Mimeo snipe affixed to the verso. Based on the 1939 novel by James M. Cain. Along with "The Verdict" a film that brought writer David Mamet to the attention of the filmmaking world leading to his working not only as a screenwriter but an important director. 8 x 10 inches. Fine. Silver Classic Noir. Spicer US. ITC Films unknown books
1991réf. 149341Los Angeles: Twentieth Century-Fox 1991. Vintage reference photograph of director-screenwriters Joel and Ethan Coen and actor John Turturro having a conversation between takes on the set of the 1991 film. One of the more ambitious films in the Coen brothers' oeuvre a nuanced comedy about Hollywood success and the interaction between intellectuals and "the common man." Based largely on the experiences of playwright and erstwhile screenwriter Clifford Odets. Winner of the Palme d'Or Best Actor and Best Director awards at the 1991 Cannes Film Festival and nominated for three Academy Awards in 1992. 10 x 8 inches. Near Fine. Grant US. Twentieth Century-Fox unknown
1991réf. 149341Los Angeles: Twentieth Century-Fox 1991. Vintage reference photograph of director-screenwriters Joel and Ethan Coen and actor John Turturro having a conversation between takes on the set of the 1991 film. One of the more ambitious films in the Coen brothers' oeuvre a nuanced comedy about Hollywood success and the interaction between intellectuals and "the common man." Based largely on the experiences of playwright and erstwhile screenwriter Clifford Odets. Winner of the Palme d'Or Best Actor and Best Director awards at the 1991 Cannes Film Festival and nominated for three Academy Awards in 1992. 10 x 8 inches. Near Fine. Grant US. Twentieth Century-Fox unknown books
1970réf. 141036N.p.: Faces Music 1970. Original borderless photograph of John Cassavetes behind the camera on the set of the 1970 film. "Husbands" was personal to Cassavetes who was struggling with the recent loss of his 30 year old brother. The film follows three middle aged men all very close in the aftermath of the death of their friend. Shot on location in England and New York. 8 x 10 inches. Near Fine. Faces Music unknown
