11 160 résultats
1961réf. 153855N.p.: N.p. 1961. Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. A divisive film viewed by critics as either an ambiguous surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961réf. 153966N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with manuscript ink and pencil annotations. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961réf. 153855N.p.: N.p. 1961. Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. A divisive film viewed by critics as either an ambiguous surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961réf. 153966N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with manuscript ink and pencil annotations. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1968réf. 162398Montreal: Prima Film 1968. Three vintage borderless reference photographs from the 1968 French-Czechoslovak film including one double weight and two single weight. Vanessa Redgrave & Joshua Logan on set of Camelot 1967. Double weight photograph with layout annotations in manuscript pencil and ink on the recto single weight photographs with Canadian distribution stamps on the versos. Double weight photograph shows director Alain Robbe-Grillet talking with actress Sylvie Bréal on the set. An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. Two 9.5 x 6.75 inches one 6 x 10 inches. Near Fine. Prima Film unknown
1968réf. 162398Montreal: Prima Film 1968. Three vintage borderless reference photographs from the 1968 French-Czechoslovak film including one double weight and two single weight. Vanessa Redgrave & Joshua Logan on set of Camelot 1967. Double weight photograph with layout annotations in manuscript pencil and ink on the recto single weight photographs with Canadian distribution stamps on the versos. Double weight photograph shows director Alain Robbe-Grillet talking with actress Sylvie Bréal on the set. An experimental film addressing post-traumatic stress disorder and postwar Europe about a man who insists on providing varying contradictory accounts of his activities during the war. Two 9.5 x 6.75 inches one 6 x 10 inches. Near Fine. Prima Film unknown books
1980réf. 153848N.p.: N.p. 1980. Vintage reference photograph from the 1980 film showing actress Debbie Harry playfully "drumming" empty beer bottles while Meat Loaf looks on to her left. From the archive of film historian and author Joel Finler. A rowdy beer distributor from Texas gets roped into becoming a roadie for a touring rock band. Featuring numerous cameos by real-life bands including Blondie Utopia Alice Cooper Asleep at the Wheel Hank Williams Jr. and Roy Orbison. Meat Loaf's first starring role. Shot on location in New York Texas and California. 5 x 3.5 inches. Near Fine. Carlson and Connolly Destroy All Movies. McPadden Heavy Metal Movies. N.p. unknown
1980réf. 153848N.p.: N.p. 1980. Vintage reference photograph from the 1980 film showing actress Debbie Harry playfully "drumming" empty beer bottles while Meat Loaf looks on to her left. From the archive of film historian and author Joel Finler. A rowdy beer distributor from Texas gets roped into becoming a roadie for a touring rock band. Featuring numerous cameos by real-life bands including Blondie Utopia Alice Cooper Asleep at the Wheel Hank Williams Jr. and Roy Orbison. Meat Loaf's first starring role. Shot on location in New York Texas and California. 5 x 3.5 inches. Near Fine. Carlson and Connolly Destroy All Movies. McPadden Heavy Metal Movies. N.p. unknown books
1964réf. 157639N.p.: Cambist Films 1964. Three vintage studio still photographs of Libertad Leblanc from the 1964 film. A young would-be nightclub singer discovers that her new performing contract is controlled by a violent drug baron. Set and shot on location in Buenos Aires and Venezuela. 10 x 8 inches. NEear Fine. Cambist Films unknown
1964réf. 157639N.p.: Cambist Films 1964. Three vintage studio still photographs of Libertad Leblanc from the 1964 film. A young would-be nightclub singer discovers that her new performing contract is controlled by a violent drug baron. Set and shot on location in Buenos Aires and Venezuela. 10 x 8 inches. NEear Fine. Cambist Films unknown books
1955réf. 152124London: Contemporary Films 1955. Vintage studio still photograph from the UK release of the 1955 Polish film showing actors Tadeusz Lomnicki Urszula Modrzynska Tadeusz Janczar Ryszard Kotys and Roman Polanski. From the archive of film historian and author Joel Finler. Based on screenwriter Bohdan Czeszko's 1951 novel "Pokolenie." Andrzej Wajda's first film as director and the first entry in what would become known as his Three War Films trilogy set during World War II followed by "Kanal" 1956 and "Ashes and Diamonds" 1958. Set and shot on location in Warsaw. 10 x 8 inches. Very Good plus overall. Criterion Collection 283. Contemporary Films unknown
1955réf. 152124London: Contemporary Films 1955. Vintage studio still photograph from the UK release of the 1955 Polish film showing actors Tadeusz Lomnicki Urszula Modrzynska Tadeusz Janczar Ryszard Kotys and Roman Polanski. From the archive of film historian and author Joel Finler. Based on screenwriter Bohdan Czeszko's 1951 novel "Pokolenie." Andrzej Wajda's first film as director and the first entry in what would become known as his Three War Films trilogy set during World War II followed by "Kanal" 1956 and "Ashes and Diamonds" 1958. Set and shot on location in Warsaw. 10 x 8 inches. Very Good plus overall. Criterion Collection 283. Contemporary Films unknown books
1973réf. 161100N.p.: N.p. 1973. Two vintage borderless oversize color reference photographs from the 1973 film one showing two prisoners fighting the other showing two prisoners locked in a passionate embrace. Annotations in manuscript ink on the verso. A woman goes to prison in order to save her father who has been wrongly accused by a powerful drug cartel of stealing twenty kilos of heroin. 12 x 9.5 inches. Very Good plus lightly curled. N.p. unknown
1973réf. 161100N.p.: N.p. 1973. Two vintage borderless oversize color reference photographs from the 1973 film one showing two prisoners fighting the other showing two prisoners locked in a passionate embrace. Annotations in manuscript ink on the verso. A woman goes to prison in order to save her father who has been wrongly accused by a powerful drug cartel of stealing twenty kilos of heroin. 12 x 9.5 inches. Very Good plus lightly curled. N.p. unknown books
1970réf. 171299N.p.: N.p. 1970. Two vintage borderless reference photographs from the 1970 film one showing actress Ann-Margret and the other showing her on the set with director Stanley Kramer and actor Anthony Quinn. A liberal-minded college professor at a west coast university is appointed president of the school after a group of radical student activists compel the former president to resign. 10 x 8 inches. Near Fine. N.p. unknown
1970réf. 171299N.p.: N.p. 1970. Two vintage borderless reference photographs from the 1970 film one showing actress Ann-Margret and the other showing her on the set with director Stanley Kramer and actor Anthony Quinn. A liberal-minded college professor at a west coast university is appointed president of the school after a group of radical student activists compel the former president to resign. 10 x 8 inches. Near Fine. N.p. unknown books
1950réf. 131681De Grunwald Productions 1950. Draft British script for the 1951 UK film. With brief working manuscript annotations reference markings in blue manuscript ink throughout. Based on the play by James Bridie. A turbulent study of generations of family life focusing on clashes and romances of parents and children. Set in Scotland. Tall red wrappers with "Flesh and Blood / 1950" written in blue manuscript ink on the front wrapper. Title page present with credits for playwright Bridie and screenwriter de Grunwald. 124 leaves mimeograph duplication. Pages about Near Fine wrapper Very Good side stapled. De Grunwald Productions unknown
1950réf. 131681De Grunwald Productions 1950. Draft British script for the 1951 UK film. With brief working manuscript annotations reference markings in blue manuscript ink throughout. Based on the play by James Bridie. A turbulent study of generations of family life focusing on clashes and romances of parents and children. Set in Scotland. Tall red wrappers with "Flesh and Blood / 1950" written in blue manuscript ink on the front wrapper. Title page present with credits for playwright Bridie and screenwriter de Grunwald. 124 leaves mimeograph duplication. Pages about Near Fine wrapper Very Good side stapled. De Grunwald Productions unknown books
2000réf. 171952Los Angeles: Twentieth Century-Fox 2000. Draft script for the 2000 comedy film. Two deadbeat stoners wake up from a long night of partying and embark on a journey to find their car whose cargo includes anniversary gifts for their girlfriends. Self wrappers. Title page present dated February 25 2000 with credit for screenwriter Philip Stark. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown
2000réf. 171952Los Angeles: Twentieth Century-Fox 2000. Draft script for the 2000 comedy film. Two deadbeat stoners wake up from a long night of partying and embark on a journey to find their car whose cargo includes anniversary gifts for their girlfriends. Self wrappers. Title page present dated February 25 2000 with credit for screenwriter Philip Stark. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1967réf. 159923Los Angeles: Twentieth Century-Fox 1967. Two vintage reference photographs of actor Albert Finney Audrey Hepburn and director Stanley Donen on the set of the 1967 film. Stamp of photographer Pierluigi on the verso. One photograph shows Hepburn and Finney with Donen on a ship between takes while the other shows Hepburn and Finney cutting into Donen's birthday cake frosted with the names of Donen's films "Charade" "Funny Face" and "Two for the Road". A husband and wife examine their twelve-year relationship while on a road trip through rural France. 10.5 x 8.25 inches. Near Fine. Eureka 107. Twentieth Century-Fox unknown
1967réf. 159923Los Angeles: Twentieth Century-Fox 1967. Two vintage reference photographs of actor Albert Finney Audrey Hepburn and director Stanley Donen on the set of the 1967 film. Stamp of photographer Pierluigi on the verso. One photograph shows Hepburn and Finney with Donen on a ship between takes while the other shows Hepburn and Finney cutting into Donen's birthday cake frosted with the names of Donen's films "Charade" "Funny Face" and "Two for the Road". A husband and wife examine their twelve-year relationship while on a road trip through rural France. 10.5 x 8.25 inches. Near Fine. Eureka 107. Twentieth Century-Fox unknown books
1969réf. 171030Paris: Jet Film / Two World Enterprises / Les Films du Losange 1969. Vintage press kit for the 1969 film including five studio still photographs and a bound gathering of publicity material. Text in English. A German college graduate and an American expatriate hitchhike from Paris to Ibiza where the bliss of island life quickly gives way to heroin addiction and hedonism. Soundtrack by Pink Floyd. Set and shot on location in Paris and Ibiza. Photographs Near Fine promotional material Very Good plus perfect-bound in wrappers with front wrapper partially detached from the binding. BFI 1040. Jet Film / Two World Enterprises / Les Films du Losange unknown
1969réf. 171030Paris: Jet Film / Two World Enterprises / Les Films du Losange 1969. Vintage press kit for the 1969 film including five studio still photographs and a bound gathering of publicity material. Text in English. A German college graduate and an American expatriate hitchhike from Paris to Ibiza where the bliss of island life quickly gives way to heroin addiction and hedonism. Soundtrack by Pink Floyd. Set and shot on location in Paris and Ibiza. Photographs Near Fine promotional material Very Good plus perfect-bound in wrappers with front wrapper partially detached from the binding. BFI 1040. Jet Film / Two World Enterprises / Les Films du Losange unknown books
1975réf. 164090Beverly Hills CA: Bryanston Pictures 1975. Vintage 45 RPM vinyl record of two radio spot announcements for the 1975 film. A satirical crime film written and directed by legendary controversial animator Ralph Bakshi blending live action and animation about three anthropomorphic "Uncle Remus" characters-Br'er Rabbit Br'er Fox and Br'er Bear-who rise to the top of a crime syndicate in Harlem. Originally subjected to widespread protest due to its provocative racial content and subsequently given a limited release by Bryanston the film has since been reevaluated and is today considered Bakshi's masterpiece. 7 inches. Near Mint in a Mint white paper sleeve. Parish and Hill Black Crime Films. Howard Blaxploitation: The Essential Reference Guide. Bryanston Pictures unknown
