10 264 résultats
1969réf. 148268Paris: Cocinor 1969. Collection of 17 vintage black-and-white French lobby cards from the 1969 film. As a theater group prepares for a production of Racine's "Andromanque" we follow the collapse of the marriage between Claire Bulle Ogier the actress and Sebastien Jean-Pierre Kalfon the director of the production. 11.75 x 9.5 inches. Very Good plus eleven with pinholes at corners. Rosenbaum 1000. Cocinor unknown
1974réf. 168102Paris: Gamma 1974. Vintage oversize borderless reference photograph from the 1974 French film. Mimeo snipe and Gamma stamp on the verso. Jacques Rivette's most critically acclaimed film about two young women who become involved in a series of hallucinatory time-bending events developing a strong friendship in the process. Shot on location in Paris. 8 x 11.75 inches. Near Fine. Criterion Collection 1069. Rosenbaum 1000. Gamma unknown books
1969réf. 148268Paris: Cocinor 1969. Collection of 17 vintage black-and-white French lobby cards from the 1969 film. As a theater group prepares for a production of Racine's "Andromanque" we follow the collapse of the marriage between Claire Bulle Ogier the actress and Sebastien Jean-Pierre Kalfon the director of the production. 11.75 x 9.5 inches. Very Good plus eleven with pinholes at corners. Rosenbaum 1000. Cocinor unknown books
1982réf. 139662Paris: Elephant 1982. Vintage borderless oversized reference photograph from the 1982 film depicting director Jacques Rouffio going over the script with actress Romy Schneider on the set. Scheider's final film before her untimely death. Based on the 1936 novel by Joseph Kessel. 12 x 7.75 inches. Fine. Elephant unknown
1982réf. 139662Paris: Elephant 1982. Vintage borderless oversized reference photograph from the 1982 film depicting director Jacques Rouffio going over the script with actress Romy Schneider on the set. Scheider's final film before her untimely death. Based on the 1936 novel by Joseph Kessel. 12 x 7.75 inches. Fine. Elephant unknown books
1958réf. 157095N.p.: N.p. 1958. Vintage reference photograph from the 1958 film showing director Jacques Tati and a camera operator filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulôt. In this chapter Hulôt strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 10 x 8 inches. Near Fine. N.p. unknown
1971réf. 149665N.p.: N.p. 1971. Vintage oversize borderless color reference photograph from the 1971 French film. The final film to feature Jacques Tati as the iconic lovable Monsieur Hulot following "Les Vacances de Monsieur Hulot" 1953 "Mon Oncle" 1958 and "Playtime" 1967. This feature finds Hulot as a naive but intrepid Parisian automobile designer whose plan to show off his newly created camper car at an auto show in Amsterdam is waylaid by a plethora of roadway obstacles including Dutch customs a car accident and a slow-moving mechanic. Set and shot on location in Paris and the Netherlands. 11.75 x 9.5 inches. Near Fine. N.p. unknown
1958réf. 157095N.p.: N.p. 1958. Vintage reference photograph from the 1958 film showing director Jacques Tati and a camera operator filming an outdoors scene. National Film Archive stamp on the verso along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Tati's second of four films featuring the inimitable Monsieur Hulôt. In this chapter Hulôt strays from his rather ordinary Paris neighborhood and into a modern suburban one where technological chaos reigns. Nominated for the Palme d'Or at Cannes and winner of the Jury Special Prize and winner of an Academy Award for Best Foreign Language Film. Set in the Parisian suburbs. 10 x 8 inches. Near Fine. N.p. unknown books
1971réf. 149665N.p.: N.p. 1971. Vintage oversize borderless color reference photograph from the 1971 French film. The final film to feature Jacques Tati as the iconic lovable Monsieur Hulot following "Les Vacances de Monsieur Hulot" 1953 "Mon Oncle" 1958 and "Playtime" 1967. This feature finds Hulot as a naive but intrepid Parisian automobile designer whose plan to show off his newly created camper car at an auto show in Amsterdam is waylaid by a plethora of roadway obstacles including Dutch customs a car accident and a slow-moving mechanic. Set and shot on location in Paris and the Netherlands. 11.75 x 9.5 inches. Near Fine. N.p. unknown books
1932réf. 151808Los Angeles: Fox Film Corporation 1932. Final Shooting script for the 1932 film seen here under the working title "Divided By Two" which has been crossed out with the title "Handle With Care" written in manuscript ink just above. A single mother's peaceful family life is disturbed by her growing attraction to a handsome gangster. Green titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper dated 9/28/32 with credits for director David Butler and screenwriters Frank Craven and Sam Mintz. Title page present. 124 leaves with last page of text numbered K-3. Mimeograph duplication rectos only with white revision pages throughout dated 10-18-32. Pages Near Fine wrapper Very Good plus moderately edgeworn bound internally with three gold brads. Fox Film Corporation unknown
1932réf. 151808Los Angeles: Fox Film Corporation 1932. Final Shooting script for the 1932 film seen here under the working title "Divided By Two" which has been crossed out with the title "Handle With Care" written in manuscript ink just above. A single mother's peaceful family life is disturbed by her growing attraction to a handsome gangster. Green titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper dated 9/28/32 with credits for director David Butler and screenwriters Frank Craven and Sam Mintz. Title page present. 124 leaves with last page of text numbered K-3. Mimeograph duplication rectos only with white revision pages throughout dated 10-18-32. Pages Near Fine wrapper Very Good plus moderately edgeworn bound internally with three gold brads. Fox Film Corporation unknown books
1964réf. 160155Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Collection of eleven vintage studio still photographs from the 1964 film. Based on William Bradford Huie's 1959 novel. A biting antiwar satire which follows a laconic US Navy officer who falls in love with a British woman shortly before being sent off on a dangerous D-Day mission. Shot on location in London and Oxnard California. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1966réf. 155646N.p.: N.p. 1966. Vintage borderless reference photograph from the iconic 1966 British film showing actors Alan Bates and Lynn Redgrave. Printed label of The Salt Lake Tribune on the verso along with a Received stamp dated Feb 18 1967. Based on the 1965 novel by Margaret Forster a portrait of 1960s Swinging London about a young woman who is torn between romances with her father's employer and the boyfriend of her pregnant flatmate. Set in London. 9.5 x 7.5 inches. Very Good plus with a manuscript annotation in pencil on the bottom left corner of the recto. N.p. unknown
1966réf. 155646N.p.: N.p. 1966. Vintage borderless reference photograph from the iconic 1966 British film showing actors Alan Bates and Lynn Redgrave. Printed label of The Salt Lake Tribune on the verso along with a Received stamp dated Feb 18 1967. Based on the 1965 novel by Margaret Forster a portrait of 1960s Swinging London about a young woman who is torn between romances with her father's employer and the boyfriend of her pregnant flatmate. Set in London. 9.5 x 7.5 inches. Very Good plus with a manuscript annotation in pencil on the bottom left corner of the recto. N.p. unknown books
1966réf. 168483N.p.: N.p. 1966. Vintage borderless reference photograph from the 1966 film showing a sex scene between actors Jane Birkin and Gillian Hills with David Hemmings looking on on the right. Provenance stamps and annotations in manuscript pencil and ink on the verso. Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom featuring an international cast. The director's brash use of color set design nonstandard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay. Set and shot on location in London. 10 x 8 inches. Near Fine. Criterion Collection 865. Ebert I. Grant UK. N.p. unknown
1966réf. 168483N.p.: N.p. 1966. Vintage borderless reference photograph from the 1966 film showing a sex scene between actors Jane Birkin and Gillian Hills with David Hemmings looking on on the right. Provenance stamps and annotations in manuscript pencil and ink on the verso. Michelangelo Antonioni's first English-language film marking the beginning of the final phase of his work co-produced by companies in Italy the United States and the United Kingdom featuring an international cast. The director's brash use of color set design nonstandard editing techniques and typical emphasis of atmosphere over plot would carry over into the two major films that followed "Zabriskie Point" 1970 and "The Passenger" 1975. Winner of the Palme d'Or. Nominated for the Academy Awards for Best Director and Best Screenplay. Set and shot on location in London. 10 x 8 inches. Near Fine. Criterion Collection 865. Ebert I. Grant UK. N.p. unknown books
1968réf. 160678N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing actress Jane Fonda nude underneath a blanket of moss and feathers. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space shot on location in Rome. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown
1968réf. 160678N.p.: N.p. 1968. Vintage borderless reference photograph from the 1968 film showing actress Jane Fonda nude underneath a blanket of moss and feathers. Based on the adult comic book by Jean-Claude Forest published in the French magazine "V" in 1962 and 1964. Likely the campiest space-opera sex comedy in film history. Though not popular upon its release it was re-released to greater acclaim in 1977 and has since influenced countless fashion designers films and musicians including Duran Duran whose name is a play on that of the main villain. Set in outer space shot on location in Rome. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown books
1948réf. 151699N.p.: N.p. 1948. Vintage borderless reference photograph of director Jean Cocteau in conversation with actress Silvia Monfort while cinematographer Christian Matras looks on to the left. With the stamp of Le Parisien archive on the verso. Based on Cocteau's 1946 play. In nineteenth-century Europe a suicidal anarchist poet falls in love with the long-secluded queen who has been absent from the public eye for ten years due to her grief over her husband's death. Set in the fictional country of Krantz. 7 x 5.25 inches. Near Fine. N.p. unknown
1948réf. 151699N.p.: N.p. 1948. Vintage borderless reference photograph of director Jean Cocteau in conversation with actress Silvia Monfort while cinematographer Christian Matras looks on to the left. With the stamp of Le Parisien archive on the verso. Based on Cocteau's 1946 play. In nineteenth-century Europe a suicidal anarchist poet falls in love with the long-secluded queen who has been absent from the public eye for ten years due to her grief over her husband's death. Set in the fictional country of Krantz. 7 x 5.25 inches. Near Fine. N.p. unknown books
1962réf. 140952France: Les Films du Cyclope / Omnia Films 1962. Vintage photograph from the 1962 film showing Jean Renoir directing star Jean-Pierre Cassel and some supporting actors during an outdoor shot with the boom operator in the background. Manuscript pencil notation on the verso identifying the subjects and film. Based on Jacques Perret's 1947 novel a comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII and a companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. 10.75 x 8.25 inches. Light creasing to the borders Near Fine. Les Films du Cyclope / Omnia Films unknown
1951réf. 149591Beverly Hills CA: United Artists 1951. Vintage studio still photograph of director Jean Renoir and screenwriter Rumer Godden on the set of the 1951 film. Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. Shot on location in West Bengal India. 8 x 10 inches. Very Good plus. Ebert III. BFI 619. Criterion Collection 276. United Artists unknown
1962réf. 140952France: Les Films du Cyclope / Omnia Films 1962. Vintage photograph from the 1962 film showing Jean Renoir directing star Jean-Pierre Cassel and some supporting actors during an outdoor shot with the boom operator in the background. Manuscript pencil notation on the verso identifying the subjects and film. Based on Jacques Perret's 1947 novel a comedic account of a French aristocrat's repeated attempts to escape from a German POW camp during WWII and a companion piece to Renoir's earlier WWI set masterpiece "Le Grande Illusion" 1937. 10.75 x 8.25 inches. Light creasing to the borders Near Fine. Les Films du Cyclope / Omnia Films unknown books
1951réf. 149591Beverly Hills CA: United Artists 1951. Vintage studio still photograph of director Jean Renoir and screenwriter Rumer Godden on the set of the 1951 film. Based on Godden's 1946 novel. Renoir's first feature length film in color following an adolescent girl coming of age in British colonial India. Shot on location in West Bengal India. 8 x 10 inches. Very Good plus. Ebert III. BFI 619. Criterion Collection 276. United Artists unknown books
1933réf. 161157Paris: Franfilmdis 1933. Vintage oversize double weight studio still photograph for the landmark 1933 silent film. Provenance stamp on the verso. Although he only made four films before his death from tuberculosis at the age of 29 Jean Vigo would come to have an outsized influence on cinema particularly the French New Wave with François Truffaut in particular paying homage to Vigo's anarchic boarding school students in "Zero for Conduct" during the classroom and recess scenes in his 1959 film "The 400 Blows." 11.75 x 9.75 inches with wide bottom margins. Very Good plus lightly creased at the edges. Criterion Collection 578. Godard Histoires du cinema. Rosenbaum 1000. Franfilmdis unknown
