11 160 résultats
1952réf. 157989N.p.: N.p. 1952. Vintage reference photograph from the 1952 film showing actor and director Charlie Chaplin in costume as a clown. From the archive of film historian and author Joel Finler. Autobiographically reflective of screen icon Charlie Chaplin's fears of being left behind in the fading vaudeville and silent film era depicting the final years of a washed-up stage clown who briefly maintains an impossible relationship with a young dancer representative of a new generation of performers. The first and only time that Chaplin and fellow silent film star Buster Keaton would appear onscreen together and the only Chaplin picture to win an Academy Award albeit for the original score of the 1972 re-release. 10 x 8 inches with wide margins image measuring 5 x 6.25 inches. Very Good plus lightly toned. Criterion Collection 756. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
1952réf. 157989N.p.: N.p. 1952. Vintage reference photograph from the 1952 film showing actor and director Charlie Chaplin in costume as a clown. From the archive of film historian and author Joel Finler. Autobiographically reflective of screen icon Charlie Chaplin's fears of being left behind in the fading vaudeville and silent film era depicting the final years of a washed-up stage clown who briefly maintains an impossible relationship with a young dancer representative of a new generation of performers. The first and only time that Chaplin and fellow silent film star Buster Keaton would appear onscreen together and the only Chaplin picture to win an Academy Award albeit for the original score of the 1972 re-release. 10 x 8 inches with wide margins image measuring 5 x 6.25 inches. Very Good plus lightly toned. Criterion Collection 756. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown books
1966réf. 166074N.p.: N.p. 1966. Vintage reference photograph from the 1966 British film showing Charlotte Rampling and Alan Bates. Based on the 1965 novel by Margaret Forster a portrait of 1960s Swinging London about a young woman who is torn between romances with her father's employer and the boyfriend of her pregnant flatmate. 10 x 8 inches. Near Fine. N.p. unknown
1966réf. 166074N.p.: N.p. 1966. Vintage reference photograph from the 1966 British film showing Charlotte Rampling and Alan Bates. Based on the 1965 novel by Margaret Forster a portrait of 1960s Swinging London about a young woman who is torn between romances with her father's employer and the boyfriend of her pregnant flatmate. 10 x 8 inches. Near Fine. N.p. unknown books
1937réf. 159946Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1937. Vintage publicity photograph from the 1937 film showing actor Clark Gable. Metro-Goldwyn-Mayer stamp on the verso. From the archive of film historian and author Joel Finler. A dramatization of the life of Irish politician Charles Stewart Parnell focusing on his relationship with a married woman which complicates his struggle to secure Home Rule for Ireland. 8 x 10 inches. Very Good plus lightly worn at the corners. Metro-Goldwyn-Mayer [MGM] unknown
1937réf. 159946Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1937. Vintage publicity photograph from the 1937 film showing actor Clark Gable. Metro-Goldwyn-Mayer stamp on the verso. From the archive of film historian and author Joel Finler. A dramatization of the life of Irish politician Charles Stewart Parnell focusing on his relationship with a married woman which complicates his struggle to secure Home Rule for Ireland. 8 x 10 inches. Very Good plus lightly worn at the corners. Metro-Goldwyn-Mayer [MGM] unknown books
1978réf. 161333N.p.: N.p. 1978. Vintage borderless reference photograph from the 1978 film showing director Claudia Weill with actress Melanie Mayron on the set. Annotations in manuscript ink on the verso. From the archive of film historian and author Joel Finler. A young single photographer struggles to maintain her friendship with her former roommate after the woman marries and moves out of their longtime shared apartment. Weill's first feature film a warm and incisive depiction of life as a woman in New York in the late 1970s described by Stanley Kubrick in 1980 as "one of the very rare American films that I would compare with the serious intelligent sensitive writing and filmmaking that you find in the best directors in Europe. It wasn't a success I don't know why; it should have been." Shot on location in New York. 10 x 8 inches. Fine. National Film Registry. Criterion Collection 1055. N.p. unknown
1978réf. 161333N.p.: N.p. 1978. Vintage borderless reference photograph from the 1978 film showing director Claudia Weill with actress Melanie Mayron on the set. Annotations in manuscript ink on the verso. From the archive of film historian and author Joel Finler. A young single photographer struggles to maintain her friendship with her former roommate after the woman marries and moves out of their longtime shared apartment. Weill's first feature film a warm and incisive depiction of life as a woman in New York in the late 1970s described by Stanley Kubrick in 1980 as "one of the very rare American films that I would compare with the serious intelligent sensitive writing and filmmaking that you find in the best directors in Europe. It wasn't a success I don't know why; it should have been." Shot on location in New York. 10 x 8 inches. Fine. National Film Registry. Criterion Collection 1055. N.p. unknown books
1987réf. 149949Burbank CA: Warner Brothers 1987. Revised First Draft script for an unproduced film. With manuscript ink annotations throughout most editorial in nature. Loosely based on Clifford D. Simak's 1963 novel which follows a Civil War veteran who is chosen by an alien to monitor an intergalactic way station in exchange for immortality. Set in Pennsylvania. Lavender titled wrappers. Title page present dated July 31 1987 noted as FIRST DRAFT REVISION with credits for director Joe Dante screenwriter Bruce Joel Rubin and novelist Clifford D. Simak. 123 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown
1987réf. 149949Burbank CA: Warner Brothers 1987. Revised First Draft script for an unproduced film. With manuscript ink annotations throughout most editorial in nature. Loosely based on Clifford D. Simak's 1963 novel which follows a Civil War veteran who is chosen by an alien to monitor an intergalactic way station in exchange for immortality. Set in Pennsylvania. Lavender titled wrappers. Title page present dated July 31 1987 noted as FIRST DRAFT REVISION with credits for director Joe Dante screenwriter Bruce Joel Rubin and novelist Clifford D. Simak. 123 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Warner Brothers unknown books
1980réf. 162331N.p.: N.p. 1980. Vintage borderless reference photograph from the set of the 1980 Italian film showing director Dario Argento talking with actress Eleonora Giorgi between takes while crew members adjust her makeup. The second installment in Argento's "Three Mothers" trilogy preceded by "Suspiria" 1977 and followed by "Mother of Tears" 2007. Partially derived from Thomas De Quincey's 1845 prose poetry essay collection "Suspiria de Profundis" the trilogy was inspired by De Quincey's concept of three "Ladies of Sorrow": an all-powerful triumvirate of ancient witches and Satanists. 10 x 8 inches. Fine. N.p. unknown
1980réf. 162331N.p.: N.p. 1980. Vintage borderless reference photograph from the set of the 1980 Italian film showing director Dario Argento talking with actress Eleonora Giorgi between takes while crew members adjust her makeup. The second installment in Argento's "Three Mothers" trilogy preceded by "Suspiria" 1977 and followed by "Mother of Tears" 2007. Partially derived from Thomas De Quincey's 1845 prose poetry essay collection "Suspiria de Profundis" the trilogy was inspired by De Quincey's concept of three "Ladies of Sorrow": an all-powerful triumvirate of ancient witches and Satanists. 10 x 8 inches. Fine. N.p. unknown books
1975réf. 169540N.p.: N.p. 1975. Four vintage borderless reference photographs from the 1975 film. Snipes in German affixed to the verso noting the film's German release title "Parasiten-Mörder." A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location in a single high-rise building at Nuns' Island. 7 x 5 inches. Near Fine. Arrow 1497. Canuxploitation Complete. N.p. unknown
1976réf. 163767Saint-Ouen France: Société Nouvelle de Doublage SND 1976. Vintage press kit for the 1976 French release of the 1975 Canadian film. White pocketed folder containing three black-and-white photographs 13 leaves of promotional reading material six color lobby cards and a German promotional leaflet. A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location at Nuns' Island. Folder photographs and promotional material Near Fine. Arrow 1497. Canuxploitation Complete. Société Nouvelle de Doublage [SND] unknown
1975réf. 169540N.p.: N.p. 1975. Four vintage borderless reference photographs from the 1975 film. Snipes in German affixed to the verso noting the film's German release title "Parasiten-Mörder." A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location in a single high-rise building at Nuns' Island. 7 x 5 inches. Near Fine. Arrow 1497. Canuxploitation Complete. N.p. unknown books
1976réf. 163767Saint-Ouen France: Société Nouvelle de Doublage SND 1976. Vintage press kit for the 1976 French release of the 1975 Canadian film. White pocketed folder containing three black-and-white photographs 13 leaves of promotional reading material six color lobby cards and a German promotional leaflet. A high-rise apartment building is infected by a parasite that turns its victims into sex-crazed maniacs with the infection spreading at the slightest touch. An early influential entry in the body horror canon. Shot on location at Nuns' Island. Folder photographs and promotional material Near Fine. Arrow 1497. Canuxploitation Complete. Société Nouvelle de Doublage [SND] unknown books
1995réf. 155633N.p.: N.p. 1995. Vintage reference photograph of actors Morgan Freeman and Brad Pitt talking with producer Arnold Kopelson between takes on the set of the 1995 film. Two detectives-one younger and inexperienced the other older and ready to retire-track down a serial killer who bases his murders on the seven deadly sins. Director David Fincher's breakthrough film. Shot on location throughout California. 10 x 6.5 inches. Fine. Ebert IV. Grant US. Silver and Ward Neo-Noir. N.p. unknown
1995réf. 155633N.p.: N.p. 1995. Vintage reference photograph of actors Morgan Freeman and Brad Pitt talking with producer Arnold Kopelson between takes on the set of the 1995 film. Two detectives-one younger and inexperienced the other older and ready to retire-track down a serial killer who bases his murders on the seven deadly sins. Director David Fincher's breakthrough film. Shot on location throughout California. 10 x 6.5 inches. Fine. Ebert IV. Grant US. Silver and Ward Neo-Noir. N.p. unknown books
1970réf. 158722London: Mediarts 1970. Revised Draft script for the 1971 British film. Copy belonging to an unknown crew member with their annotations in manuscript ink on seven leaves noting deletions. Based on the 1958 radio drama by Giles Cooper about a boarding school teacher who begins to suspect his predecessor of having been murdered by the students. OCLC locates no holdings. AMPAS shows one holding. Set in Cornwall and shot on location in Llandudno Wales and in Sonning Berkshire. Missing front wrapper with pink rear wrapper. Title page present dated May 1970 noted as REVISED with credits for playwright Giles Cooper and screenwriter Simon Raven. 151 leaves with last page of text numbered 132. Xerographic duplication rectos only with blue revision pages laid in throughout dated August 7 1970. Pages Poor wrapper Poor with moderate dampstaining affecting the last 60 leaves and rear wrapper bound with a silver prong. Mediarts unknown
1970réf. 158722London: Mediarts 1970. Revised Draft script for the 1971 British film. Copy belonging to an unknown crew member with their annotations in manuscript ink on seven leaves noting deletions. Based on the 1958 radio drama by Giles Cooper about a boarding school teacher who begins to suspect his predecessor of having been murdered by the students. OCLC locates no holdings. AMPAS shows one holding. Set in Cornwall and shot on location in Llandudno Wales and in Sonning Berkshire. Missing front wrapper with pink rear wrapper. Title page present dated May 1970 noted as REVISED with credits for playwright Giles Cooper and screenwriter Simon Raven. 151 leaves with last page of text numbered 132. Xerographic duplication rectos only with blue revision pages laid in throughout dated August 7 1970. Pages Poor wrapper Poor with moderate dampstaining affecting the last 60 leaves and rear wrapper bound with a silver prong. Mediarts unknown books
1970réf. 160694N.p.: N.p. 1970. Vintage borderless reference photograph of David Lean and a camera crew filming on location for the 1970 film. Mimeo snipe on the verso. The year after the suppressed 1916 Easter Rising a young Irish woman is torn between a British officer she loves and the nationalists from her own home town. The third collaboration between director Lean and screenwriter Robert Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards including Best Cinematography and nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland and shot on location in County Kerry and County Clare Ireland and in Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown
1970réf. 160694N.p.: N.p. 1970. Vintage borderless reference photograph of David Lean and a camera crew filming on location for the 1970 film. Mimeo snipe on the verso. The year after the suppressed 1916 Easter Rising a young Irish woman is torn between a British officer she loves and the nationalists from her own home town. The third collaboration between director Lean and screenwriter Robert Bolt following "Lawrence of Arabia" 1962 and "Doctor Zhivago" 1965. Winner of two Academy Awards including Best Cinematography and nominated for two more. Set in an isolated village on the Dingle Peninsula in County Kerry Ireland and shot on location in County Kerry and County Clare Ireland and in Cape Town South Africa. 10 x 8 inches. Near Fine. N.p. unknown books
1980réf. 171010N.p.: N.p. 1980. Vintage reference photograph from the 1980 neo-noir film showing Debbie Harry and Everett McGill. Based on 1937 Cornell Woolrich story "Union City: The Corpse Next Door" about a married accountant who kills a vagrant in an obsessive fury. An early screen appearance by Harry preceding her better-known roles in "Videodrome" 1983 and "Hairspray" 1988. All photos 8 x 10 inches. About Near Fine. N.p. unknown
1980réf. 171010N.p.: N.p. 1980. Vintage reference photograph from the 1980 neo-noir film showing Debbie Harry and Everett McGill. Based on 1937 Cornell Woolrich story "Union City: The Corpse Next Door" about a married accountant who kills a vagrant in an obsessive fury. An early screen appearance by Harry preceding her better-known roles in "Videodrome" 1983 and "Hairspray" 1988. All photos 8 x 10 inches. About Near Fine. N.p. unknown books
1973réf. 161148Beverly Hills CA: Twentieth Century-Fox 1973. Vintage program for the 1973 film which premiered at The Regent Theater in Westwood Village in Los Angeles on October 3 1973. With his cowboy days suddenly behind him as the American West becomes tame Kid Blue decides to try his hand at a factory job. He finds the routine workday to be monotonous and soon drifts back to the life he knew. Set in Texas shot on location in Mexico. 5.5 x 8.5 inches. Bi-fold. Very Good plus with light edgewear and an annotation in manuscript ink on the upper left of the front wrapper. Twentieth Century-Fox unknown
