11.064 risultati
1968rif. 169572N.p.: N.p. 1968. Four vintage studio still photographs from the 1968 film all showing actress Leigh Taylor-Young. Dissatisfied with his life and impending marriage a mid-thirties attorney gets high and runs off with a young hippie only to discover he's still unhappy. The title of the film is a reference to "Alice B. Toklas brownies" a slang term for pot brownies. 8 x 10 inches. Near Fine. N.p. unknown
1968rif. 169572N.p.: N.p. 1968. Four vintage studio still photographs from the 1968 film all showing actress Leigh Taylor-Young. Dissatisfied with his life and impending marriage a mid-thirties attorney gets high and runs off with a young hippie only to discover he's still unhappy. The title of the film is a reference to "Alice B. Toklas brownies" a slang term for pot brownies. 8 x 10 inches. Near Fine. N.p. unknown books
1991rif. 151433N.p.: N.p. 1991. Fourth Draft script for the 1992 film here under the working title "The Year of the Comet." An international chase ensues in pursuit of the most valuable bottle of wine in history bottled in the year of the Great Comet of 1811. Shot on location in France Scotland and England. Self front wrapper integral with title page dated February '91 noted as Fourth draft with credits for screenwriter William Goldman. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine back wrapper Very Good plus with light dampstains on bottom left bound with two gold brads. N.p. unknown
1991rif. 151433N.p.: N.p. 1991. Fourth Draft script for the 1992 film here under the working title "The Year of the Comet." An international chase ensues in pursuit of the most valuable bottle of wine in history bottled in the year of the Great Comet of 1811. Shot on location in France Scotland and England. Self front wrapper integral with title page dated February '91 noted as Fourth draft with credits for screenwriter William Goldman. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Near Fine back wrapper Very Good plus with light dampstains on bottom left bound with two gold brads. N.p. unknown books
1963rif. 149379N.p.: N.p. 1963. Vintage borderless reference photograph of Orson Welles from the 1963 film. Italian "ROGOPAG / LA RIOTTA" stamp on verso. An anthology film of four short films titled after the names of the four directors: "Illibatezza" directed by Roberto Rossellini "Il Nuovo Mondo" directed by Jean-Luc Godard "La Ricotta" directed by Pier Paolo Pasolini and "Il Pollo Ruspante" directed by Ugo Gregoretti Pasolini's scathing comic rebuke on social inequality and religious hypocrisy wherein a lavish film production of the crucifixion of Christ in a poor region outside Rome finds the extra playing the "good thief" Stracci Mario Cipriani quite literally starving during the production trying everything to get some food all while being berated by the bombastic insufferable director Orson Welles. The film resulted in Pasolini being convicted of blasphemy and the film being banned in Italy. Pasolini was sentenced to a four month prison term which he avoided by paying a fine. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. Criterion Collection 236. N.p. unknown
1969rif. 167091N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actors Silvana Mangano and Terence Stamp in an intimate moment. Stamp of photographer Angelo Frontoni on the verso. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle quartet preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9.25 x 6.75 inches. Near Fine. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown
1963rif. 149379N.p.: N.p. 1963. Vintage borderless reference photograph of Orson Welles from the 1963 film. Italian "ROGOPAG / LA RIOTTA" stamp on verso. An anthology film of four short films titled after the names of the four directors: "Illibatezza" directed by Roberto Rossellini "Il Nuovo Mondo" directed by Jean-Luc Godard "La Ricotta" directed by Pier Paolo Pasolini and "Il Pollo Ruspante" directed by Ugo Gregoretti Pasolini's scathing comic rebuke on social inequality and religious hypocrisy wherein a lavish film production of the crucifixion of Christ in a poor region outside Rome finds the extra playing the "good thief" Stracci Mario Cipriani quite literally starving during the production trying everything to get some food all while being berated by the bombastic insufferable director Orson Welles. The film resulted in Pasolini being convicted of blasphemy and the film being banned in Italy. Pasolini was sentenced to a four month prison term which he avoided by paying a fine. 9.5 x 7 inches. Near Fine. Rosenbaum 1000. Criterion Collection 236. N.p. unknown books
1969rif. 167091N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actors Silvana Mangano and Terence Stamp in an intimate moment. Stamp of photographer Angelo Frontoni on the verso. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle quartet preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9.25 x 6.75 inches. Near Fine. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown books
1965rif. 151530Lausanne: Majestic Films 1965. Vintage borderless reference photograph of Pierre Etaix on the set of the 1965 film. "Majestic Films S.A." and "Yoyo" stamps on verso. After losing everything in the stock market crash of 1929 a millionaire Etaix finds happiness his lost love Auger and the son he never knew he had by joining the circus. Nominated for the Palme d'Or. Shot on location in Morbihan Bas-Rhin and Yvelines France. 7 x 5 inches. Near Fine. Criterion Collection 655. Majestic Films unknown
1965rif. 151530Lausanne: Majestic Films 1965. Vintage borderless reference photograph of Pierre Etaix on the set of the 1965 film. "Majestic Films S.A." and "Yoyo" stamps on verso. After losing everything in the stock market crash of 1929 a millionaire Etaix finds happiness his lost love Auger and the son he never knew he had by joining the circus. Nominated for the Palme d'Or. Shot on location in Morbihan Bas-Rhin and Yvelines France. 7 x 5 inches. Near Fine. Criterion Collection 655. Majestic Films unknown books
1975rif. 155772N.p.: Unia Films 1975. Five vintage borderless color snapshots from the 1975 French hardcore film. Stamps of Unia Films on the versos. The two adult sons of a small-town shopkeeper return to their hometown where they become involved in shady criminal dealings and many sexual encounters. Originally filmed as a softcore film with "hard" scenes added at a later point to appeal to the craze for hardcore sex scenes in France after Gaullist censorship was revoked in the early 1970s. 4.75 x 3.5 inches. Near Fine. Bier 1368. Unia Films unknown
1975rif. 155772N.p.: Unia Films 1975. Five vintage borderless color snapshots from the 1975 French hardcore film. Stamps of Unia Films on the versos. The two adult sons of a small-town shopkeeper return to their hometown where they become involved in shady criminal dealings and many sexual encounters. Originally filmed as a softcore film with "hard" scenes added at a later point to appeal to the craze for hardcore sex scenes in France after Gaullist censorship was revoked in the early 1970s. 4.75 x 3.5 inches. Near Fine. Bier 1368. Unia Films unknown books
1948rif. 135654Berlin: Nero AG 1948. Vintage black-and-white photograph of director Preston Sturges and actors Linda Darnell and Rex Harrison on the set of the 1948 film. 8 x 10 inches 20.5 x 25.5 inches. Near Fine. Criterion Collection 292. Nero AG unknown
1948rif. 135654Berlin: Nero AG 1948. Vintage black-and-white photograph of director Preston Sturges and actors Linda Darnell and Rex Harrison on the set of the 1948 film. 8 x 10 inches 20.5 x 25.5 inches. Near Fine. Criterion Collection 292. Nero AG unknown books
1972rif. 164302N.p.: N.p. 1972. Four vintage reference photographs from the 1972 German film. Three with printed mimeo snipes affixed to the versos. An exploration of 1950s Hollywood melodramas through the lens of 1970s Germany about the destructive skewed power dynamics between a twice-divorced fashion designer her live-in maid and her new lover. Set in Bremen shot on location in Worpswede Germany. Three photographs 5 x 7.5 inches one photograph 4.5 x 7 inches. Very Good plus. Arrow 12. Criterion Collection 740. N.p. unknown
1972rif. 164302N.p.: N.p. 1972. Four vintage reference photographs from the 1972 German film. Three with printed mimeo snipes affixed to the versos. An exploration of 1950s Hollywood melodramas through the lens of 1970s Germany about the destructive skewed power dynamics between a twice-divorced fashion designer her live-in maid and her new lover. Set in Bremen shot on location in Worpswede Germany. Three photographs 5 x 7.5 inches one photograph 4.5 x 7 inches. Very Good plus. Arrow 12. Criterion Collection 740. N.p. unknown books
1968rif. 141021London: The Rank Organization 1968. Draft script for the 1968 film. Laid in are two pages of corrections. With annotations in manuscript ink and pencil throughout. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on Jon Cleary's 1966 novel of the same title. The New South Wales police sergeant Scobie Malone is summoned for questioning and cooperation when the Australian High Commissioner is wanted in England for murder. Now he must uncover the truth as well protect the High Commissioner from assassination attempts. Set in London shot on location there as well as New South Wales Australia. Teal blank wrappers with die cut title window in the British style. Title page present dated October 20 1967 with credits for author Jon Cleary and screenwriter Wilfred Greatorex. 136 leaves with last page of text numbered 132. Mechanical duplication with pink revision pages throughout dated variously between November 15 1967 and January 8 1968. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. The Rank Organization unknown
1968rif. 141021London: The Rank Organization 1968. Draft script for the 1968 film. Laid in are two pages of corrections. With annotations in manuscript ink and pencil throughout. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on Jon Cleary's 1966 novel of the same title. The New South Wales police sergeant Scobie Malone is summoned for questioning and cooperation when the Australian High Commissioner is wanted in England for murder. Now he must uncover the truth as well protect the High Commissioner from assassination attempts. Set in London shot on location there as well as New South Wales Australia. Teal blank wrappers with die cut title window in the British style. Title page present dated October 20 1967 with credits for author Jon Cleary and screenwriter Wilfred Greatorex. 136 leaves with last page of text numbered 132. Mechanical duplication with pink revision pages throughout dated variously between November 15 1967 and January 8 1968. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. The Rank Organization unknown books
1936rif. 143033New York: Gaumont British Picture Corporation 1936. Draft script for the 1937 film. Specially bound copy bound in green cloth with title in gilt. An American gangster joins the British Army in order to evade the police. Released in Great Britain under the title O.H.M.S. which signifies "On His Majesty's Service." Military propaganda from Britain's War Office made with full Army Council cooperation. American director Raoul Walsh was chosen after his success with "What Price Glory" in 1926 which helped boost recruiting for the US Marine Corps. Set in New York and London shot on location in London. Green cloth covered boards with gilt titles with stamped production No. 69 in gilt. Title page present dated 31st July 1936 noted as screenplay. 116 leaves. Mimeograph duplication. Pages Near Fine with dampstaining on open edge binding Very Good plus. Gaumont British Picture Corporation unknown
1936rif. 143033New York: Gaumont British Picture Corporation 1936. Draft script for the 1937 film. Specially bound copy bound in green cloth with title in gilt. An American gangster joins the British Army in order to evade the police. Released in Great Britain under the title O.H.M.S. which signifies "On His Majesty's Service." Military propaganda from Britain's War Office made with full Army Council cooperation. American director Raoul Walsh was chosen after his success with "What Price Glory" in 1926 which helped boost recruiting for the US Marine Corps. Set in New York and London shot on location in London. Green cloth covered boards with gilt titles with stamped production No. 69 in gilt. Title page present dated 31st July 1936 noted as screenplay. 116 leaves. Mimeograph duplication. Pages Near Fine with dampstaining on open edge binding Very Good plus. Gaumont British Picture Corporation unknown books
1968rif. 170748N.p.: N.p. 1968. Vintage reference photograph from the 1968 film showing Raquel Welch in a headscarf and bikini. A mob boss works with a pair of kidnappers to pull off a huge heist bringing in a criminal mastermind to help run the operation. Set and shot on location in France and Italy. 8 x 10 inches. Near Fine. N.p. unknown
1968rif. 170748N.p.: N.p. 1968. Vintage reference photograph from the 1968 film showing Raquel Welch in a headscarf and bikini. A mob boss works with a pair of kidnappers to pull off a huge heist bringing in a criminal mastermind to help run the operation. Set and shot on location in France and Italy. 8 x 10 inches. Near Fine. N.p. unknown books
1967rif. 166208London: Caralan Productions 1967. Shooting Script for the 1968 film copy belonging to Art Director George Provis with his name on the first revision page page 4. The title page includes an ink annotation of the name "S. Siddall" Sid Siddall worked as a Property Master or a Production Buyer on British films and likely worked uncredited in the art department under Provis. Provenance available upon request. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1964 play by screenwriter Jack Roffey. Ray Milland appeared in the popular 1966 Broadway production of the play which originally opened on the West End in 1964 starring Michael Denison and decided to make a feature film from the play with himself directing in 1967. Although the film was completed in 1968 it wouldn't see a British release until 1970. Ray Milland stars as a barrister who after his daughter is killed in a hit and run accident is determined to find the driver and exact vengeance. After his neighbor is killed in a botched robbery Milland becomes a suspect when a letter is found implicating the neighbor in his daughter's death. Brown untitled wrappers. Title page present noted as Shooting Script with credits for screenwriter Jack Roffey. 140 leaves with last page of text numbered 132. Mimeograph duplication rectos only with pink and green revision pages throughout dated 6.9.67 and 14.9.67. Pages Near Fine wrapper Near FIne bound internally with two flat metal brads. Caralan Productions unknown
1967rif. 166208London: Caralan Productions 1967. Shooting Script for the 1968 film copy belonging to Art Director George Provis with his name on the first revision page page 4. The title page includes an ink annotation of the name "S. Siddall" Sid Siddall worked as a Property Master or a Production Buyer on British films and likely worked uncredited in the art department under Provis. Provenance available upon request. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1964 play by screenwriter Jack Roffey. Ray Milland appeared in the popular 1966 Broadway production of the play which originally opened on the West End in 1964 starring Michael Denison and decided to make a feature film from the play with himself directing in 1967. Although the film was completed in 1968 it wouldn't see a British release until 1970. Ray Milland stars as a barrister who after his daughter is killed in a hit and run accident is determined to find the driver and exact vengeance. After his neighbor is killed in a botched robbery Milland becomes a suspect when a letter is found implicating the neighbor in his daughter's death. Brown untitled wrappers. Title page present noted as Shooting Script with credits for screenwriter Jack Roffey. 140 leaves with last page of text numbered 132. Mimeograph duplication rectos only with pink and green revision pages throughout dated 6.9.67 and 14.9.67. Pages Near Fine wrapper Near FIne bound internally with two flat metal brads. Caralan Productions unknown books
1976rif. 167119N.p.: N.p. 1976. Five vintage oversize borderless color reference photographs from the 1976 Italian sex comedy film. Mimeo snipes on the versos. A wealthy industrialist is betrayed by his gold-digging young wife resulting in his confinement to a mental institution-where he unexpectedly finds true love! 11.75 x 9.5 inches. Very Good plus. N.p. unknown
