11.064 risultati
1976rif. 167119N.p.: N.p. 1976. Five vintage oversize borderless color reference photographs from the 1976 Italian sex comedy film. Mimeo snipes on the versos. A wealthy industrialist is betrayed by his gold-digging young wife resulting in his confinement to a mental institution-where he unexpectedly finds true love! 11.75 x 9.5 inches. Very Good plus. N.p. unknown books
1962rif. 139131France Italy: Cineriz 1962. Archive of press material related to the 1961 French-Italian film. Includes film production-related material like shooting schedules and synopses a cinema magazine reviewing the film and several leaves of correspondence addressed from various members of film production to Maryse Martin Martres a prolific French actress who was also involved in press relations in France. Brief annotations in manuscript ink throughout. More than 150 leaves of correspondence and notes. A glimpse inside the behind-the-scenes process of French press and the attention paid to prolific French figures of cinema notably René Clair. Maryse Martin whose film credits include "The Happy Road" 1957 "Bonjour Tristesse 1958 and several films each for directors Jacqueline Audry Maurice Labro and Jean Gourguet was a popular "B" actress who played supporting roles in over 40 films. She presumably worked for a press agency involved in publication of film reviews press kits photographs and more. Several letters are represented addressed to and from Maryse from persons like Gay-Lussac Gordon Reid A. Sergio Berrocal George L. George Monsieur Bergougnous Monsieur Lourau J.D. van Leeuwen Edmundo Duran members of UniFrance Film Alessandro Ferrau R. Betmalle Clare Simpson Pierre Lazareff Francois Timmory I. Dally and even René Clair's secretary. A businessman Noiret wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. Shot on location throughout France. All material Very Good overall housed in Martin's file folder with the film title in manuscript ink. Cineriz unknown
1962rif. 139131France Italy: Cineriz 1962. Archive of press material related to the 1961 French-Italian film. Includes film production-related material like shooting schedules and synopses a cinema magazine reviewing the film and several leaves of correspondence addressed from various members of film production to Maryse Martin Martres a prolific French actress who was also involved in press relations in France. Brief annotations in manuscript ink throughout. More than 150 leaves of correspondence and notes. A glimpse inside the behind-the-scenes process of French press and the attention paid to prolific French figures of cinema notably René Clair. Maryse Martin whose film credits include "The Happy Road" 1957 "Bonjour Tristesse 1958 and several films each for directors Jacqueline Audry Maurice Labro and Jean Gourguet was a popular "B" actress who played supporting roles in over 40 films. She presumably worked for a press agency involved in publication of film reviews press kits photographs and more. Several letters are represented addressed to and from Maryse from persons like Gay-Lussac Gordon Reid A. Sergio Berrocal George L. George Monsieur Bergougnous Monsieur Lourau J.D. van Leeuwen Edmundo Duran members of UniFrance Film Alessandro Ferrau R. Betmalle Clare Simpson Pierre Lazareff Francois Timmory I. Dally and even René Clair's secretary. A businessman Noiret wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. Shot on location throughout France. All material Very Good overall housed in Martin's file folder with the film title in manuscript ink. Cineriz unknown books
1967rif. 146012Culver City CA: Columbia Pictures 1967. Vintage borderless photograph of Robert Blake and Scott Wilson from the 1967 film. Crop annotations in manuscript pencil and the stamp of photographer Michel Ciment stamp on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Very Good plus some light creasing and edgewear. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. Columbia Pictures unknown
1962rif. 149573Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Vintage reference photograph of actors Paul Newman and Shirley Knight examining film negatives with cinematographer Milton R. Krasner looking on. With a mimeo snipe on the verso. Based on Tennessee Williams' 1959 play wherein a failed Hollywood actor and gigolo returns to his small hometown accompanied by an older faded movie star hoping to win back his former girlfriend. Nominated for three Academy Awards winning one for Best Supporting Actor for Ed Begley. Set in St. Cloud Mississippi. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1962rif. 149573Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Vintage reference photograph of actors Paul Newman and Shirley Knight examining film negatives with cinematographer Milton R. Krasner looking on. With a mimeo snipe on the verso. Based on Tennessee Williams' 1959 play wherein a failed Hollywood actor and gigolo returns to his small hometown accompanied by an older faded movie star hoping to win back his former girlfriend. Nominated for three Academy Awards winning one for Best Supporting Actor for Ed Begley. Set in St. Cloud Mississippi. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1967rif. 146012Culver City CA: Columbia Pictures 1967. Vintage borderless photograph of Robert Blake and Scott Wilson from the 1967 film. Crop annotations in manuscript pencil and the stamp of photographer Michel Ciment stamp on the verso. Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 10 x 8 inches. Very Good plus some light creasing and edgewear. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. Columbia Pictures unknown books
1974rif. 142679Culver City CA: Columbia Pictures 1974. Draft script for the 1979 film here under the working title "The Ravagers." Copy belonging to uncredited producer Walter Mirisch with his name in blue manuscript ink on the title page and with a manuscript note in the same blue ink paper-clipped on the front wrapper. Based on the 1966 novel "Path to Savagery" by Robert Edmond Alter. A grim "Mad Max" style film set post-World War III nuclear holocaust in which Richard Harris plays a man whose wife was raped and murdered by a brutal gang and who eventually seeks a home where he may live in peace. Shot on location in Alabama. Olive green titled wrappers dated October 14 1974. Title page present with credits for screenwriter Donald S. Sanford and novelist Robert Edmond Alter. 104 leaves with last page of text numbered 102. Xerographically reproduced. Pages Fine wrapper about Fine bound internally with two gold brads. Columbia Pictures unknown
1974rif. 142679Culver City CA: Columbia Pictures 1974. Draft script for the 1979 film here under the working title "The Ravagers." Copy belonging to uncredited producer Walter Mirisch with his name in blue manuscript ink on the title page and with a manuscript note in the same blue ink paper-clipped on the front wrapper. Based on the 1966 novel "Path to Savagery" by Robert Edmond Alter. A grim "Mad Max" style film set post-World War III nuclear holocaust in which Richard Harris plays a man whose wife was raped and murdered by a brutal gang and who eventually seeks a home where he may live in peace. Shot on location in Alabama. Olive green titled wrappers dated October 14 1974. Title page present with credits for screenwriter Donald S. Sanford and novelist Robert Edmond Alter. 104 leaves with last page of text numbered 102. Xerographically reproduced. Pages Fine wrapper about Fine bound internally with two gold brads. Columbia Pictures unknown books
1975rif. 160522N.p.: N.p. 1975. Two vintage borderless reference photographs from the 1975 British film. Annotations in manuscript ink on the verso. A group of silent film actors struggling to survive the transition to sound film decide to start making adult films. John Bynum's directorial debut filmed entirely in real time on a single set. 8 x 10 inches. About Fine. N.p. unknown
1975rif. 160522N.p.: N.p. 1975. Two vintage borderless reference photographs from the 1975 British film. Annotations in manuscript ink on the verso. A group of silent film actors struggling to survive the transition to sound film decide to start making adult films. John Bynum's directorial debut filmed entirely in real time on a single set. 8 x 10 inches. About Fine. N.p. unknown books
1979rif. 168998Paris: Sygma 1979. Vintage oversize borderless photograph of Richard Gere and Paul Schrader from the set of the 1980 film with Sygma stamps and printed French and English mimeo snipes on the verso. A slick Los Angeles prostitute enjoys a lavish lifestyle funded by a stable of rich older female clients. When one of his clients is found murdered his world begins to crumble. Paul Schrader's third film as director and screenwriter and one of four films Schrader refers to as his "double bookends" "Taxi Driver" 1976 bookended by "Light Sleeper" 1992 and "American Gigolo" bookended by "The Walker" 2007. Set in Los Angeles shot on location throughout California. 8 x 11.75 inches. Near Fine. Spicer US Neo-Noir. Sygma unknown
1979rif. 168998Paris: Sygma 1979. Vintage oversize borderless photograph of Richard Gere and Paul Schrader from the set of the 1980 film with Sygma stamps and printed French and English mimeo snipes on the verso. A slick Los Angeles prostitute enjoys a lavish lifestyle funded by a stable of rich older female clients. When one of his clients is found murdered his world begins to crumble. Paul Schrader's third film as director and screenwriter and one of four films Schrader refers to as his "double bookends" "Taxi Driver" 1976 bookended by "Light Sleeper" 1992 and "American Gigolo" bookended by "The Walker" 2007. Set in Los Angeles shot on location throughout California. 8 x 11.75 inches. Near Fine. Spicer US Neo-Noir. Sygma unknown books
1973rif. 127868N.p.: N.p. 1973. Vintage Cuban poster for the Cuban release of the 1968 film designed by Eduardo Muñoz Bachs. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about a newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead that are not so much cameos as they are part of movie's atmosphere. Entered into competition at Cannes in 1968 before that year's festival was canceled. Eduardo Muñoz Bachs was a revered Cuban artist best known for his over 2000 movie poster designs. His work also encompassed comics children's book illustration and animation. Bachs is also noted for having designed the first poster for the Instituto Cubano de Arte e Industria Cinematograficos ICAIC founded shortly after the Cuban Revolution to produce and promote Cuban films. 20 x 30 inches. Very Good plus with faint rubbing and a spot of scratching to the upper mid center. Rosenbaum 1000. N.p. unknown
1959rif. 149880London: British Lion 1959. Three vintage reference photographs from the 1959 short film. With printed mimeo snipes affixed to the verso. A surreal slapstick sketch comedy film filmed over 2 days on a shoestring budget of approximately 70 British pounds. Considered influential on mid-century British comedy particularly Monty Python's Flying Circus and a purported favorite of The Beatles. Two photographs approximately 10 x 8 inches one photograph 8.25 x 6.5 inches. Very Good plus lightly creased. British Lion unknown
1973rif. 127868N.p.: N.p. 1973. Vintage Cuban poster for the Cuban release of the 1968 film designed by Eduardo Muñoz Bachs. Based on the 1966 novel "Me and the Arch Kook Petulia" by John Haase about a newlywed socialite who relentlessly pursues a physician for an affair. Shot on location during the Summer of Love in San Francisco with appearances by Janis Joplin and The Grateful Dead that are not so much cameos as they are part of movie's atmosphere. Entered into competition at Cannes in 1968 before that year's festival was canceled. Eduardo Muñoz Bachs was a revered Cuban artist best known for his over 2000 movie poster designs. His work also encompassed comics children's book illustration and animation. Bachs is also noted for having designed the first poster for the Instituto Cubano de Arte e Industria Cinematograficos ICAIC founded shortly after the Cuban Revolution to produce and promote Cuban films. 20 x 30 inches. Very Good plus with faint rubbing and a spot of scratching to the upper mid center. Rosenbaum 1000. N.p. unknown books
1959rif. 149880London: British Lion 1959. Three vintage reference photographs from the 1959 short film. With printed mimeo snipes affixed to the verso. A surreal slapstick sketch comedy film filmed over 2 days on a shoestring budget of approximately 70 British pounds. Considered influential on mid-century British comedy particularly Monty Python's Flying Circus and a purported favorite of The Beatles. Two photographs approximately 10 x 8 inches one photograph 8.25 x 6.5 inches. Very Good plus lightly creased. British Lion unknown books
1998rif. 141593Santa Monica: Artisan Entertainment 1998. Draft script for the 1999 film. With a single notation in manuscript ink on the front wrapper. Based on the 1958 novel by Richard Matheson. A man is hypnotized by his sister-in-law leading to haunted visions and the complete breakdown of his family life. Set in Chicago shot on location there. Yellow titled self wrappers dated August 14 1998 with credits for screenwriter David Koepp and author Richard Matheson. Title page integral with front wrapper. 116 leaves with last page of text numbered 113. Xerographic duplication with yellow and pink revision pages throughout dated variously between September 9 1998 and September 18 1998. Pages Near Fine wrapper Near Fine bound with two gold brads. Artisan Entertainment unknown
1998rif. 141593Santa Monica: Artisan Entertainment 1998. Draft script for the 1999 film. With a single notation in manuscript ink on the front wrapper. Based on the 1958 novel by Richard Matheson. A man is hypnotized by his sister-in-law leading to haunted visions and the complete breakdown of his family life. Set in Chicago shot on location there. Yellow titled self wrappers dated August 14 1998 with credits for screenwriter David Koepp and author Richard Matheson. Title page integral with front wrapper. 116 leaves with last page of text numbered 113. Xerographic duplication with yellow and pink revision pages throughout dated variously between September 9 1998 and September 18 1998. Pages Near Fine wrapper Near Fine bound with two gold brads. Artisan Entertainment unknown books
1958rif. 139533Culver City CA: Columbia Pictures 1958. Vintage oversize double weight borderless still photograph from the 1958 film of a stone faced David Niven and smiling Deborah Kerr water skiiing on a break from filming on the French Riviera. Based on the 1954 novel by Francoise Sagan. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp and a lengthily manuscript description of the scene on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 14 x 9.5. Near Fine with light edgewear. Columbia Pictures unknown
1961rif. 139506Universal City CA: Universal Pictures 1961. Vintage oversize double weight borderless still photograph from the 1961 musical film based on both the 1958 Rodgers and Hammerstein musical and the 1957 novel by C.Y. Lee. Nominated for five Academy Awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13.5 x 9.5 inches. Near Fine with a shallow diagonal crease to one corner. Hirschhorn p. 373. Universal Pictures unknown
1981rif. 139508Universal City CA: Universal Pictures 1981. Vintage oversize double weight borderless still photograph from the 1981 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13.25 x 9.25 inches. Near Fine. Universal Pictures unknown
1970rif. 139510Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage oversize double weight borderless still photograph from the 1970 film showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 9.25 x 13.25 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1981rif. 139508Universal City CA: Universal Pictures 1981. Vintage oversize double weight borderless still photograph from the 1981 film. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 13.25 x 9.25 inches. Near Fine. Universal Pictures unknown books
1970rif. 139510Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1970. Vintage oversize double weight borderless still photograph from the 1970 film showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more as well as ten BAFTA awards. Shot struck and mounted by the film's still photographer Bob Willoughby with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles photographer Robert Willoughby began working for magazines such as "Life" "Look" and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums including The National Portrait Galleries in Washington DC and London the Bibliotheque Nationale de France The Museum of Modern Art and The Tate Modern. 9.25 x 13.25 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
