10.190 Ergebnisse
1972Best.-Nr. 170776N.p.: N.p. 1972. Eight vintage borderless reference photographs from the seminal 1972 hardcore film. Based on the anonymous short story of the same title circulated throughout the US in the 1950s and 1960s by means of carbon copy. One of of the first American hardcore pictures to receive widespread distribution in the US and one of the first heterosexual pornographic films to feature an interracial sex scene. A breakthrough role for actress Marilyn Chambers who would go on to become one of the first icons in the adult film industry and even worked briefly in mainstream cinema. 7 x 5 inches. Near Fine. N.p. unknown books
1962Best.-Nr. 126547Los Angeles: Twentieth Century-Fox 1962. First Draft script for the 1963 film. A nuanced "invasion from Mars" film that borrows cleverly from both "Invasion of the Body Snatchers" aliens use human beings as physical hosts and Val Lewton threat of a creature but creature is only implied not shown. An unusually heavy emphasis on dread atmosphere and characterization makes this one of the most overlooked "adult" science fiction films of the 1960s. Black three-ring binder noted as "DAY MARS INVADED EARTH" on the front wrapper with a credit for screenwriter Spalding as "Spaulding". Title page present with the title "SPACERAID 63" with a credit for screenwriter Spalding production No. 6277 dated June 22 1962. 96 leaves Multilith duplication with blue revision pages throughout dated 6/28/62. Pages Near Fine with a few small creases binder wrapper Near Fine with a bit of wrinkling on the front title label. Twentieth Century-Fox unknown
1962Best.-Nr. 126547Los Angeles: Twentieth Century-Fox 1962. First Draft script for the 1963 film. A nuanced "invasion from Mars" film that borrows cleverly from both "Invasion of the Body Snatchers" aliens use human beings as physical hosts and Val Lewton threat of a creature but creature is only implied not shown. An unusually heavy emphasis on dread atmosphere and characterization makes this one of the most overlooked "adult" science fiction films of the 1960s. Black three-ring binder noted as "DAY MARS INVADED EARTH" on the front wrapper with a credit for screenwriter Spalding as "Spaulding". Title page present with the title "SPACERAID 63" with a credit for screenwriter Spalding production No. 6277 dated June 22 1962. 96 leaves Multilith duplication with blue revision pages throughout dated 6/28/62. Pages Near Fine with a few small creases binder wrapper Near Fine with a bit of wrinkling on the front title label. Twentieth Century-Fox unknown books
1927Best.-Nr. 141367Russia: Mezhrabpom-Rus 1927. Vintage German program for the 1926 Russian silent film. Photo-illustrated throughout. The only cinema paper dating from the decade of release we have encountered for the film. Based on the 1906 novel by Maxim Gorky about a woman's struggle to free her son from a Czarist prison camp during the Russian Revolution of 1905. The first film in Pudovkin's "revolutionary trilogy" followed by "The End of St. Petersburg" 1927 and "Storm Over Asia" 1928 and a key film in the development of montage techniques in film although in contrast to his colleague Eisenstein Pudovkin tended to use montage to capture individual character rather than mass movements. Six pages in self wrappers. Manuscript pencil annotations on the front wrapper. Presenting as Very Good with light chipping and a few short closed tears. Disbound binding repaired with cello tape. Mezhrabpom-Rus unknown
1927Best.-Nr. 141367Russia: Mezhrabpom-Rus 1927. Vintage German program for the 1926 Russian silent film. Photo-illustrated throughout. The only cinema paper dating from the decade of release we have encountered for the film. Based on the 1906 novel by Maxim Gorky about a woman's struggle to free her son from a Czarist prison camp during the Russian Revolution of 1905. The first film in Pudovkin's "revolutionary trilogy" followed by "The End of St. Petersburg" 1927 and "Storm Over Asia" 1928 and a key film in the development of montage techniques in film although in contrast to his colleague Eisenstein Pudovkin tended to use montage to capture individual character rather than mass movements. Six pages in self wrappers. Manuscript pencil annotations on the front wrapper. Presenting as Very Good with light chipping and a few short closed tears. Disbound binding repaired with cello tape. Mezhrabpom-Rus unknown books
1941Best.-Nr. 147912Burbank CA: Warner Brothers 1941. Collection of 28 vintage double weight keybook photographs from the 1941 film. With mimeo snipes to the verso identifying actors in each photograph. Likely unique. Based on Jack London's 1904 novel following three fugitives who are rescued from the ocean and subsequently imprisoned by a cruel mariner who refuses to let them off the ship. 11 x 8 inches. Very Good with light toning and fading overall some with faint foxing to the verso and light edgewear. Warner Brothers unknown
1941Best.-Nr. 147912Burbank CA: Warner Brothers 1941. Collection of 28 vintage double weight keybook photographs from the 1941 film. With mimeo snipes to the verso identifying actors in each photograph. Likely unique. Based on Jack London's 1904 novel following three fugitives who are rescued from the ocean and subsequently imprisoned by a cruel mariner who refuses to let them off the ship. 11 x 8 inches. Very Good with light toning and fading overall some with faint foxing to the verso and light edgewear. Warner Brothers unknown books
1964Best.-Nr. 148821N.p.: Cinema V. 1964. Four vintage borderless double weight reference photographs two vintage reference photographs and one vintage studio still photograph from the 1964 film. Several with manuscript annotations regarding layout and provenance stamps to the verso and two with stamped snipes. An African American railroad worker attempts to maintain his dignity and self-respect in the face of small-town racism and a troubled familial past. While initially the film faced a limited release due to its complex portrayal of southern prejudice and class divides it has since become regarded as an important example of neorealistic American cinema and was selected for preservation in the National Film Registry in 1993. Set outside Birmingham Alabama and shot on location in Atlantic City and Cape May New Jersey. 8 x 10 inches. Very Good plus some with light edgewear and very faint soil. National Film Registry. Criterion Collection. Cinema V. unknown
1964Best.-Nr. 148821N.p.: Cinema V. 1964. Four vintage borderless double weight reference photographs two vintage reference photographs and one vintage studio still photograph from the 1964 film. Several with manuscript annotations regarding layout and provenance stamps to the verso and two with stamped snipes. An African American railroad worker attempts to maintain his dignity and self-respect in the face of small-town racism and a troubled familial past. While initially the film faced a limited release due to its complex portrayal of southern prejudice and class divides it has since become regarded as an important example of neorealistic American cinema and was selected for preservation in the National Film Registry in 1993. Set outside Birmingham Alabama and shot on location in Atlantic City and Cape May New Jersey. 8 x 10 inches. Very Good plus some with light edgewear and very faint soil. National Film Registry. Criterion Collection. Cinema V. unknown books
2023Best.-Nr. 170403N.p.: N.p. 2023. Draft script for the 2023 film. Inspired by the 1968 photo book by Danny Lyon about the members of the Vandals Motorcycle Club a lightly fictionalized version of the real-life Outlaws Motorcycle Club. Housed in a black three-ring binder as issued and used. Title page present dated 4/15/23 with credits for Lyon and director-screenwriter Jeff Nichols. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Fine. N.p. unknown
2023Best.-Nr. 170403N.p.: N.p. 2023. Draft script for the 2023 film. Inspired by the 1968 photo book by Danny Lyon about the members of the Vandals Motorcycle Club a lightly fictionalized version of the real-life Outlaws Motorcycle Club. Housed in a black three-ring binder as issued and used. Title page present dated 4/15/23 with credits for Lyon and director-screenwriter Jeff Nichols. 116 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Fine. N.p. unknown books
1962Best.-Nr. 144275Paris: France Cinema 1962. 75 original black-and-white film still photographs for the 1962 French-Italian film here under the original French title. Starring actress Saval is prominently featured as is costar Poiret with metal crutches in tow and actress Maillan. Several images show members of the crew during filming rainy scenes cars and large cameras. All with numerical annotations in manuscript pencil on the versos. Housed in an original French Gevaert photo paper box. Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. 5 x 7 inches borderless. Very Good plus overall with slight curling and foxing to photos box lightly rubbed. France Cinema unknown
1962Best.-Nr. 142876Paris: France Cinema 1962. Archive of 224 vintage borderless single weight keybook contact sheets and film stills amounting to nearly 2000 numbered images for the 1962 French-Italian film here under the original French title. The entire film is represented in minute detail along with test shots set design shots and many candid off-camera shots from the set. Brief cropping and numerical annotations in pencil throughout. Housed in original mailing envelope noting on the front in manuscript red ink "Cinedis" and "C.Hesse" the film distributor and still photographer and "A refreuda" in manuscript red pencil. 153 photographs are keybook contact sheets nearly all with 12 images per photograph several with 36 each image with a series number and photos crediting at the top the photo laboratory Tele-Photo production studio France Cinema film title and photographer Hesse Beauvarlet. Remaining photographs are borderless film stills. Both photographers are credited on the keybook photos but went uncredited at the film's release. The archive also extensively features actress Dany Saval in film scenes answering the phone in heated moments with male cast members including some stunningly low-lit images that echo film noir themes showcasing the variety of hair and clothing styles seen on Saval throughout the film. Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. Keybook photos range from 8.25 x 10.75 to 9.25 x 11.75 inches three slightly smaller all but ten are 2-hole punched; film stills 7 x 9.25 inches. Very Good overall with moderate curling light edgewear a handful with slight discoloration. France Cinema unknown
1962Best.-Nr. 144275Paris: France Cinema 1962. 75 original black-and-white film still photographs for the 1962 French-Italian film here under the original French title. Starring actress Saval is prominently featured as is costar Poiret with metal crutches in tow and actress Maillan. Several images show members of the crew during filming rainy scenes cars and large cameras. All with numerical annotations in manuscript pencil on the versos. Housed in an original French Gevaert photo paper box. Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. 5 x 7 inches borderless. Very Good plus overall with slight curling and foxing to photos box lightly rubbed. France Cinema unknown books
1962Best.-Nr. 142876Paris: France Cinema 1962. Archive of 224 vintage borderless single weight keybook contact sheets and film stills amounting to nearly 2000 numbered images for the 1962 French-Italian film here under the original French title. The entire film is represented in minute detail along with test shots set design shots and many candid off-camera shots from the set. Brief cropping and numerical annotations in pencil throughout. Housed in original mailing envelope noting on the front in manuscript red ink "Cinedis" and "C.Hesse" the film distributor and still photographer and "A refreuda" in manuscript red pencil. 153 photographs are keybook contact sheets nearly all with 12 images per photograph several with 36 each image with a series number and photos crediting at the top the photo laboratory Tele-Photo production studio France Cinema film title and photographer Hesse Beauvarlet. Remaining photographs are borderless film stills. Both photographers are credited on the keybook photos but went uncredited at the film's release. The archive also extensively features actress Dany Saval in film scenes answering the phone in heated moments with male cast members including some stunningly low-lit images that echo film noir themes showcasing the variety of hair and clothing styles seen on Saval throughout the film. Based on Annette Wademant's screenplay one of twelve written by Wademant for director Boisrond. Bernard Poiret is a new publisher who falls in love with Sophie Saval but their foolish love nearly destroys them and his job. Keybook photos range from 8.25 x 10.75 to 9.25 x 11.75 inches three slightly smaller all but ten are 2-hole punched; film stills 7 x 9.25 inches. Very Good overall with moderate curling light edgewear a handful with slight discoloration. France Cinema unknown books
1973Best.-Nr. 163968N.p.: N.p. 1973. Collection of 20 vintage oversize borderless reference photographs from the Canadian release of the 1972 French film including eleven in color and nine black-and-white. Canadian censorship label affixed to the rectos and a Québec censorship stamp dated 1973 on the versos. A woman begins her own affair in response to her adulterous husband but falls in love with her new partner and is ultimately forced to decide between the two men. Approximately 12 x 9.5 inches. Pinholes at the corners else Near Fine to Very Good plus. Not in Pitts. N.p. unknown
1973Best.-Nr. 163968N.p.: N.p. 1973. Collection of 20 vintage oversize borderless reference photographs from the Canadian release of the 1972 French film including eleven in color and nine black-and-white. Canadian censorship label affixed to the rectos and a Québec censorship stamp dated 1973 on the versos. A woman begins her own affair in response to her adulterous husband but falls in love with her new partner and is ultimately forced to decide between the two men. Approximately 12 x 9.5 inches. Pinholes at the corners else Near Fine to Very Good plus. Not in Pitts. N.p. unknown books
1964Best.-Nr. 152012Rome: Film Duemila 1964. Vintage borderless reference photograph of Monica Vitti and Richard Harris from the 1964 film. "Deserto Ross" stamp on verso. Antonioni's first color film and the last in a quartet of films made between 1959 and 1964 about women in modern culture preceded by "L'avventura" "La Notte" and L'Eclisse" and the lie of happiness and better living. This entry very much an antecedent to Todd Haynes' "Safe" 1995 focuses on Vitti a woman trying to survive in the modern world of cultural neurosis and existential doubt. Carlo Di Palma's cinematography remains legendary today for its stunningly colored industrial landscapes beautifully and yet indirectly evoking Vitti's unease alienation and vivid perceptions. Shot on location in Ravenna Sardinia and Rome Italy. 9.5 x 12 inches. Near Fine. BFI 1134. Criterion Collection 522. Godard Histoires du cinema. Rosenbaum 1000. Film Duemila unknown
1964Best.-Nr. 152012Rome: Film Duemila 1964. Vintage borderless reference photograph of Monica Vitti and Richard Harris from the 1964 film. "Deserto Ross" stamp on verso. Antonioni's first color film and the last in a quartet of films made between 1959 and 1964 about women in modern culture preceded by "L'avventura" "La Notte" and L'Eclisse" and the lie of happiness and better living. This entry very much an antecedent to Todd Haynes' "Safe" 1995 focuses on Vitti a woman trying to survive in the modern world of cultural neurosis and existential doubt. Carlo Di Palma's cinematography remains legendary today for its stunningly colored industrial landscapes beautifully and yet indirectly evoking Vitti's unease alienation and vivid perceptions. Shot on location in Ravenna Sardinia and Rome Italy. 9.5 x 12 inches. Near Fine. BFI 1134. Criterion Collection 522. Godard Histoires du cinema. Rosenbaum 1000. Film Duemila unknown books
1976Best.-Nr. 144976Spain: Profilmes 1976. Collection of 25 vintage borderless photographs for the international release of the 1976 Spanish exploitation film. Also included in the original plain brown paper envelope and a glossy full-color two sided flyer for the film featuring a synopsis in English French and Spanish. Two friends travel to a remote village to investigate the mysterious death of a friend only to uncover a possible supernatural explanation in a young woman the villagers claim is a witch. Photographs 9.5 x 7 inches. Near Fine. Flyer 8.25 x 11.5 inches. Near Fine. Profilmes unknown
1976Best.-Nr. 144976Spain: Profilmes 1976. Collection of 25 vintage borderless photographs for the international release of the 1976 Spanish exploitation film. Also included in the original plain brown paper envelope and a glossy full-color two sided flyer for the film featuring a synopsis in English French and Spanish. Two friends travel to a remote village to investigate the mysterious death of a friend only to uncover a possible supernatural explanation in a young woman the villagers claim is a witch. Photographs 9.5 x 7 inches. Near Fine. Flyer 8.25 x 11.5 inches. Near Fine. Profilmes unknown books
1976Best.-Nr. 146019N.p.: Filmes Cinematografica 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf Lajos Balazsovits as a pan-sexual bored by his wife cavorting with beautiful aristocratic lovers of both sexes on his sprawling rural estate. Ordered by his father Emperor Franz Josef to leave the estate Rudolf refuses and organizes a celebration which becomes a tragic orgy. Nominated for the 1976 Palme d'Or. Shot on location in Croatia. 9.5 x 7 inches. Near Fine some light creasing. Filmes Cinematografica unknown
1976Best.-Nr. 146019N.p.: Filmes Cinematografica 1976. Collection of 3 vintage borderless photographs from the 1976 film. Grazia Neri stamps on the verso. Jancso's "Private Vices Public Pleasures" is loosely based on the death of Crown Prince Rudolf of Austria believed having killed himself after shooting his lover in a suicide pact in 1882. Jancso's film presents Rudolf Lajos Balazsovits as a pan-sexual bored by his wife cavorting with beautiful aristocratic lovers of both sexes on his sprawling rural estate. Ordered by his father Emperor Franz Josef to leave the estate Rudolf refuses and organizes a celebration which becomes a tragic orgy. Nominated for the 1976 Palme d'Or. Shot on location in Croatia. 9.5 x 7 inches. Near Fine some light creasing. Filmes Cinematografica unknown books
1971Best.-Nr. 148498Universal City: Universal Pictures 1971. Vintage borderless photograph of James Taylor and director Monte Hellman on the set of the 1971 film. Mimeo snipe on verso. After cutting his teeth under the tutelage of guerilla filmmaker Roger Corman Monte Hellman made two landmark and still rarely screened existential Westerns with Jack Nicholson as producer and star. But it was with "Two-Lane Blacktop" the first screenplay by noted novelist Rudolph Wurlitzer that maverick director Monte Hellman helmed his first masterpiece and a cornerstone of the New Hollywood movement. Shot on location in Arizona Tennessee Oklahoma California Arkansas and New Mexico. 7.5 x 9.5 inches. Near Fine. National Film Registry. Rosenbaum 1000. Criterion Collection 414. Eureka MOC 26. Universal Pictures unknown
1971Best.-Nr. 148498Universal City: Universal Pictures 1971. Vintage borderless photograph of James Taylor and director Monte Hellman on the set of the 1971 film. Mimeo snipe on verso. After cutting his teeth under the tutelage of guerilla filmmaker Roger Corman Monte Hellman made two landmark and still rarely screened existential Westerns with Jack Nicholson as producer and star. But it was with "Two-Lane Blacktop" the first screenplay by noted novelist Rudolph Wurlitzer that maverick director Monte Hellman helmed his first masterpiece and a cornerstone of the New Hollywood movement. Shot on location in Arizona Tennessee Oklahoma California Arkansas and New Mexico. 7.5 x 9.5 inches. Near Fine. National Film Registry. Rosenbaum 1000. Criterion Collection 414. Eureka MOC 26. Universal Pictures unknown books
