10.190 Ergebnisse
1956Best.-Nr. 166264London: London Independent Producers 1956. Third Draft script for the 1957 British film copy belonging to Art Director George Provis with his name written on the titled label on the front wrapper with manuscript pencil and ink annotations throughout including rough pencil prop and set sketches on the versos of eight pages. Here under the working title "A Novel Affair" which was used as the title for the US release of the film. Laid in are over 30 production documents including: 17 pages of handwritten Prop Lists eleven dated from May to July 1956. Two pages of rough pencil sketches including several story boards with two film clippings attached by paperclip each containing 3 full frames. Three letters to Provis two autograph letters signed dating from May and June 1956 and one typed letter signed from February 1956. As well as Shooting Schedules Set Lists Locations lists and additional Prop Lists. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Novelist Judith Wynter Margaret Leighton gets inspiration for her new novel when her wheelchair-bound husband Ralph Richardson hires a new Italian chauffeur CarloCarlo Giustini. When Carlo reads her lurid tale of adultery and murder the husband mistakenly concludes that she is actually madly in love with Carlo. Green generic file wrappers with a title label noted as 3rd Draft Screenplay on the title label dated 23-4-1956. Title page present noted as Third Draft of Screenplay with credits for screenwriters Muriel and Sydney Box. 97 leaves with last page of text numbered 96. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a prong binding. London Independent Producers unknown
1956Best.-Nr. 166264London: London Independent Producers 1956. Third Draft script for the 1957 British film copy belonging to Art Director George Provis with his name written on the titled label on the front wrapper with manuscript pencil and ink annotations throughout including rough pencil prop and set sketches on the versos of eight pages. Here under the working title "A Novel Affair" which was used as the title for the US release of the film. Laid in are over 30 production documents including: 17 pages of handwritten Prop Lists eleven dated from May to July 1956. Two pages of rough pencil sketches including several story boards with two film clippings attached by paperclip each containing 3 full frames. Three letters to Provis two autograph letters signed dating from May and June 1956 and one typed letter signed from February 1956. As well as Shooting Schedules Set Lists Locations lists and additional Prop Lists. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Novelist Judith Wynter Margaret Leighton gets inspiration for her new novel when her wheelchair-bound husband Ralph Richardson hires a new Italian chauffeur CarloCarlo Giustini. When Carlo reads her lurid tale of adultery and murder the husband mistakenly concludes that she is actually madly in love with Carlo. Green generic file wrappers with a title label noted as 3rd Draft Screenplay on the title label dated 23-4-1956. Title page present noted as Third Draft of Screenplay with credits for screenwriters Muriel and Sydney Box. 97 leaves with last page of text numbered 96. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with a prong binding. London Independent Producers unknown books
1983Best.-Nr. 160523New York: Horizon Films 1983. Vintage studio still photograph of Sandy McLeod shot by and credited at the right margin to Nan Goldin from the 1983 film. Shown is actress Sandy McLeod in seeming triplicate. Goldin also has a brief role in the film. A striking image. An aspiring writer takes a job as a ticket-taker at an adult film theatre in Times Square soon finding herself drawn into the seedy world of the theatre's customers. The film drew together a veritable who's who of New York underground regulars with a screenplay by Kathy Acker music by John Lurie cinematography by frequent Jarmusch collaborator Tom de Cillo and still photography by Nan Goldin. Set and shot on location in New York. 8 x 10 inches. Near Fine. Horizon Films unknown books
1998Best.-Nr. 167720Culver City CA: Columbia Pictures 1998. Revised Draft script for the 1999 film. Copy belonging to an unidentified crew member presumably a makeup artist based on the annotations in pink highlighter on several pages. A neo-noir thriller about a private eye who falls into the seedy world of snuff films and hardcore fetish pornography. Shot on location in New York and Miami. Self wrappers. Title page present dated January 5 1998 with credit for screenwriter Andrew Kevin Walker. 154 leaves with last page of text numbered 130. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between January 6 and 29 1998. Pages Near Fine bound with two gold brads. Columbia Pictures unknown
1998Best.-Nr. 167720Culver City CA: Columbia Pictures 1998. Revised Draft script for the 1999 film. Copy belonging to an unidentified crew member presumably a makeup artist based on the annotations in pink highlighter on several pages. A neo-noir thriller about a private eye who falls into the seedy world of snuff films and hardcore fetish pornography. Shot on location in New York and Miami. Self wrappers. Title page present dated January 5 1998 with credit for screenwriter Andrew Kevin Walker. 154 leaves with last page of text numbered 130. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between January 6 and 29 1998. Pages Near Fine bound with two gold brads. Columbia Pictures unknown books
1969Best.-Nr. 136136Burbank CA: Walt Disney Productions 1969. Revised Final Draft script for the 1970 Disney film. Based on a story by Marty Roth executive story editor for the television series "The Dukes of Hazzard" 1979-1985. Coast Guard Ensign Garland Morse falls in love with sailing instructor Kate Powers but his bumbling leaves her disenchanted until they team up to recover stolen jewels before a team of thieves led by Simmons Silvers can find them. Set in California shot there on location. Gray titled wrappers noted as Final Screenplay on the front wrapper production No. 0107 dated July 23 1969 with credits for story writer Roth and screenwriter Julian. 152 leaves with last page of text numbered 166. Mechanical duplication with green blue white and pink revision pages throughout dated variously between 7/18/69 and 9/28/69. Near Fine overall bound with three gold brads. Walt Disney Productions unknown
1969Best.-Nr. 136136Burbank CA: Walt Disney Productions 1969. Revised Final Draft script for the 1970 Disney film. Based on a story by Marty Roth executive story editor for the television series "The Dukes of Hazzard" 1979-1985. Coast Guard Ensign Garland Morse falls in love with sailing instructor Kate Powers but his bumbling leaves her disenchanted until they team up to recover stolen jewels before a team of thieves led by Simmons Silvers can find them. Set in California shot there on location. Gray titled wrappers noted as Final Screenplay on the front wrapper production No. 0107 dated July 23 1969 with credits for story writer Roth and screenwriter Julian. 152 leaves with last page of text numbered 166. Mechanical duplication with green blue white and pink revision pages throughout dated variously between 7/18/69 and 9/28/69. Near Fine overall bound with three gold brads. Walt Disney Productions unknown books
1941Best.-Nr. 134898Culver City CA: RKO Radio Pictures 1941. Two vintage borderless black-and-white reference still photographs from the 1941 film. Both stills with annotations on the verso one with an RKO Radio Pictures rubber stamp. The first still shows a young Kane Orson Welles at a celebration for the inauguration of his newspaper "The Inquirer." The second still shows Kane as an older man reviewing finances with his advisors. Stills are 9.5 x 7 inches. Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. RKO Radio Pictures unknown
1947Best.-Nr. 135591Culver City CA: Columbia Pictures 1947. Vintage press photograph of Rita Hayworth Orson Welles and the film's still photographer Robert Coburn on the set of 1947 film noir. Mimeograph snipe on the verso notes that here Welles and Coburn are discussing the Jean Louis clothing designs for the film with Ms. Hayworth. Shot by Van Pelt with his stamp on the verso. 8 x 10 inches. In an archival mat. Near Fine. Columbia Pictures unknown
1941Best.-Nr. 134898Culver City CA: RKO Radio Pictures 1941. Two vintage borderless black-and-white reference still photographs from the 1941 film. Both stills with annotations on the verso one with an RKO Radio Pictures rubber stamp. The first still shows a young Kane Orson Welles at a celebration for the inauguration of his newspaper "The Inquirer." The second still shows Kane as an older man reviewing finances with his advisors. Stills are 9.5 x 7 inches. Near Fine. National Film Registry. Ebert I. Godard Histoires du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. RKO Radio Pictures unknown books
1947Best.-Nr. 135591Culver City CA: Columbia Pictures 1947. Vintage press photograph of Rita Hayworth Orson Welles and the film's still photographer Robert Coburn on the set of 1947 film noir. Mimeograph snipe on the verso notes that here Welles and Coburn are discussing the Jean Louis clothing designs for the film with Ms. Hayworth. Shot by Van Pelt with his stamp on the verso. 8 x 10 inches. In an archival mat. Near Fine. Columbia Pictures unknown books
1968Best.-Nr. 145862Hollywood: M.J. Frankovich Productions 1968. Final Draft script for the 1969 film. Single manuscript notation on the title page. The story of two West Coast couples as they navigate the changing social and sexual climate of the late 1960s. Nominated for four Academy Awards including Best Original Screenplay. Set and shot on location in Nevada and California. Yellow titled wrappers. Title page present dated September 5 1968 noted as FINAL DRAFT with credits for screenwriters Paul Mazursky and Larry Tucker. 150 leaves with last page of text numbered 139. Mimeograph duplication rectos only with blue and yellow revision pages throughout dated variously between September 9 1968 and October 17 1968. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. M.J. Frankovich Productions unknown books
1961Best.-Nr. 140972London: Romulus 1961. Draft script for the 1962 film. Copy belonging to producer James H. Ware with his name and annotations in manuscript ink and pencil throughout. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the novel of the same name also by James Barlow Graham Weir is an alcoholic schoolteacher who can not advance in his career due to his refusal to fight in the Second World War. He is working at a school where the teens do not like to be there and he is having a fallout with his wife all while a young student begins to have a crush on him leading to him catching a false sexual molestation charge. Set in London shot on location in Ireland. Blue titled wrappers. Title page present dated November 17 1961. 168 leaves with last page of text numbered 171. Mimeograph duplication with pink revision pages throughout. Pages Very Good plus wrapper Very Good plus bound internally with three silver brads. Romulus unknown
1961Best.-Nr. 140972London: Romulus 1961. Draft script for the 1962 film. Copy belonging to producer James H. Ware with his name and annotations in manuscript ink and pencil throughout. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the novel of the same name also by James Barlow Graham Weir is an alcoholic schoolteacher who can not advance in his career due to his refusal to fight in the Second World War. He is working at a school where the teens do not like to be there and he is having a fallout with his wife all while a young student begins to have a crush on him leading to him catching a false sexual molestation charge. Set in London shot on location in Ireland. Blue titled wrappers. Title page present dated November 17 1961. 168 leaves with last page of text numbered 171. Mimeograph duplication with pink revision pages throughout. Pages Very Good plus wrapper Very Good plus bound internally with three silver brads. Romulus unknown books
1967Best.-Nr. 138750Rome: Arco Films 1967. Vintage borderless photograph from the set of the 1967 Italian film. Director Pier Paolo Pasolini is seen behind the camera shooting Silvia Mangana and Franco Citti. Short typescript description in Italian and Roma Press rubber stamp on the verso. A sparse intensely personal modern adaptation of the Oedipus Rex tale in which a man and woman have a child and the man becomes jealous of his wife's attentions to his son. The film's setting then changes back to antiquity where the legend largely follows its original course suggesting we may not be as emotionally removed from ancient times as we may believe. Set in modern and ancient Italy shot on location in Italy. 8 x 12 inches. Near Fine. Masters of Cinema 39. Rosenbaum 1000. Arco Films unknown
1966Best.-Nr. 151544Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini along with his script supervisor on the set of the 1966 film. Italian "Uccellacci e Uccellini" stamp photographer "Divo Cavicchioli" stamp and provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. An old man played by the famous Italian performer Toto and his son Ninetto Davoli are walking along the road and are joined by a talking philosopher crow whom we are told in an intertitle is a left-wing intellectual and may be a Marxist. Nominated for the Palm d'Or. Set in and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. 7.25 x 9.5 inches. Near Fine. Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown
1967Best.-Nr. 138750Rome: Arco Films 1967. Vintage borderless photograph from the set of the 1967 Italian film. Director Pier Paolo Pasolini is seen behind the camera shooting Silvia Mangana and Franco Citti. Short typescript description in Italian and Roma Press rubber stamp on the verso. A sparse intensely personal modern adaptation of the Oedipus Rex tale in which a man and woman have a child and the man becomes jealous of his wife's attentions to his son. The film's setting then changes back to antiquity where the legend largely follows its original course suggesting we may not be as emotionally removed from ancient times as we may believe. Set in modern and ancient Italy shot on location in Italy. 8 x 12 inches. Near Fine. Masters of Cinema 39. Rosenbaum 1000. Arco Films unknown books
1966Best.-Nr. 151544Rome: Arco Films 1966. Vintage borderless reference photograph of Pier Paolo Pasolini along with his script supervisor on the set of the 1966 film. Italian "Uccellacci e Uccellini" stamp photographer "Divo Cavicchioli" stamp and provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. An old man played by the famous Italian performer Toto and his son Ninetto Davoli are walking along the road and are joined by a talking philosopher crow whom we are told in an intertitle is a left-wing intellectual and may be a Marxist. Nominated for the Palm d'Or. Set in and shot on location in Assisi Fiumicino Rome Tuscania and Viterbo Italy. 7.25 x 9.5 inches. Near Fine. Godard Histoires du Cinema. Rosenbaum 1000. Arco Films unknown books
1956Best.-Nr. 140428France / Italy: Les Films Ariane 1956. Collection of over 80 vintage borderless single weight candid and glamor photographs and film negatives black-and-white and color and color transparencies for the 1956 French-Italian film. Most of the images are glamour portraits of the film's leading women: Dany Carrel Nicole Courcel Giorgia Moll and Beatrice Altariba. Several color transparencies show Brigitte Bardot whose sister Mijanou starred in the film leaving a small airplane with her male companion. Several photos rubber-stamped with various photographer names and agencies including Esther Kiss Rene Hollinger and L. Markine. Housed in a vintage French Crumiere brand photo paper box. A remake of Jacques Deval's 1936 film of the same name about a women's boarding house and the group of women forced to band together because of a housing shortage. Released during the heyday of American exploitation films about women's prisons all-girl boarding schools and girl gangs. Photographs range from 7.25 x 9.25 inches to 3 x 4 inches with most being smaller developed photos from medium-format transparencies negatives and transparencies include 15 frames on 35mm strips 6 mounted medium format color transparencies 5 medium format color transparencies and 39 medium format negatives. Negatives with light rubbing. Very Good plus overall. Box split at corners foxing Good. Les Films Ariane unknown
1956Best.-Nr. 140428France / Italy: Les Films Ariane 1956. Collection of over 80 vintage borderless single weight candid and glamor photographs and film negatives black-and-white and color and color transparencies for the 1956 French-Italian film. Most of the images are glamour portraits of the film's leading women: Dany Carrel Nicole Courcel Giorgia Moll and Beatrice Altariba. Several color transparencies show Brigitte Bardot whose sister Mijanou starred in the film leaving a small airplane with her male companion. Several photos rubber-stamped with various photographer names and agencies including Esther Kiss Rene Hollinger and L. Markine. Housed in a vintage French Crumiere brand photo paper box. A remake of Jacques Deval's 1936 film of the same name about a women's boarding house and the group of women forced to band together because of a housing shortage. Released during the heyday of American exploitation films about women's prisons all-girl boarding schools and girl gangs. Photographs range from 7.25 x 9.25 inches to 3 x 4 inches with most being smaller developed photos from medium-format transparencies negatives and transparencies include 15 frames on 35mm strips 6 mounted medium format color transparencies 5 medium format color transparencies and 39 medium format negatives. Negatives with light rubbing. Very Good plus overall. Box split at corners foxing Good. Les Films Ariane unknown books
1965Best.-Nr. 151461N.p.: N.p. 1965. Four vintage reference photographs from the 1965 film. A blind musician Ray Charles playing himself helps a blind boy and his down-on-their-luck family including the boy's overprotective mother and her hard-drinking composer boyfriend. Shot on location in Paris and London. 10 x 8 inches. Near Fine. N.p. unknown
1965Best.-Nr. 151461N.p.: N.p. 1965. Four vintage reference photographs from the 1965 film. A blind musician Ray Charles playing himself helps a blind boy and his down-on-their-luck family including the boy's overprotective mother and her hard-drinking composer boyfriend. Shot on location in Paris and London. 10 x 8 inches. Near Fine. N.p. unknown books
1961Best.-Nr. 140159France: N.p. 1961. Archive of 91 vintage candid photographs featuring director René Clair and members of the cast and crew at release parties for the 1961 film. Clair is seen with fans giving a speech signing autographs conducting a recorded interview and cavorting with stars of the film like Colette Castel Alfred Adam and Annie Fratellini. The festivities seem to take place in a large music hall with musicians and traditional instruments appearing in a few photos. Bourvil is also present in two contact prints seen traveling cavorting with Clair getting a shave and playing bocce. Several with brief numerical annotations in manuscript pencil and a few double weight photographs with rubberstamps crediting photographer Martin on the versos. A businessman Noiret wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. Shot on location throughout France. Photos range from 4.5 x 7 inches to 8 x 10.5 inches most are 7.25 x 9.25 inches with 87 frames on 35mm and medium-format negative strips. Very Good plus overall with light curling and foxing negatives lightly rubbed. N.p. unknown
1961Best.-Nr. 140159France: N.p. 1961. Archive of 91 vintage candid photographs featuring director René Clair and members of the cast and crew at release parties for the 1961 film. Clair is seen with fans giving a speech signing autographs conducting a recorded interview and cavorting with stars of the film like Colette Castel Alfred Adam and Annie Fratellini. The festivities seem to take place in a large music hall with musicians and traditional instruments appearing in a few photos. Bourvil is also present in two contact prints seen traveling cavorting with Clair getting a shave and playing bocce. Several with brief numerical annotations in manuscript pencil and a few double weight photographs with rubberstamps crediting photographer Martin on the versos. A businessman Noiret wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. Shot on location throughout France. Photos range from 4.5 x 7 inches to 8 x 10.5 inches most are 7.25 x 9.25 inches with 87 frames on 35mm and medium-format negative strips. Very Good plus overall with light curling and foxing negatives lightly rubbed. N.p. unknown books
1989Best.-Nr. 146422Los Angeles: Twentieth Century-Fox 1989. Draft script for the 1990 film here under the working title "58 Minutes." Sequel to the 1988 action thriller based on the 1987 novel "58 Minutes" by Walter Wager. Two years after the Nakatomi Tower incident hard-nosed cop John McClane returns to save Dulles International Airport from grenade-wielding ex-military mercenaries. Set in Washington DC and shot on location in Colorado California and Michigan. Tan titled wrappers dated APRIL 24 1989. Title page present dated 4.24.89 noted as FIRST DRAFT with credits for screenwriter Doug Richardson and novelist Walter Wager. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with light rusting to the rear wrapper bound with two gold brads. Twentieth Century-Fox unknown books
