11.049 Ergebnisse
1973Best.-Nr. 151980London: Galactacus Productions 1973. Draft script for the 1973 film. Laid in with the script are two letters addressed to casting agent Paul Kohner from producer Antony Rufus Isaacs introducing the script and suggesting the part of Grabinski for actor Charles Bronson as well as a four-page typed synopsis of the script. Based on the 1955 novel by Jean-Paul Clebert. On D-Day a group of prisoners-of-war take shelter from the bombardment inside a German bunker but find themselves permanently trapped underground when the entrances are blocked. Set in Germany shot on location in Guernsey in the Channel Islands. Black untitled wrappers with a die-cut title window in the British style. Title page present undated with credits for screenwriter John Gould and novelist Jean-Pierre Clebert. 141 leaves with last page of text numbered 140. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads. Galactacus Productions unknown books
1988Best.-Nr. 161011Los Angeles: A.I.P. Productions 1988. Draft script for the 1990 film copy belonging to actor Aldo Ray with the manuscript ink annotation of his signature on the title page and copied annotations on one page. A group of outcast US Army soldiers who care more about partying than soldiering are chosen to represent their base for annual war games and pit off against a group of sultry female soldiers and the Red Vipers a vicious group of elite solders with the brass all betting against them including General Makepeace played by Aldo Ray. Shot on location in Corona California. Front wrapper integral with the title page dated 1988 with credits for screenwriters Jeff Mandel Michael Bogert and Peter Yuval. 100 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Very Good plus with light soiling to the first and last leaves bound with three gold brads. A.I.P. Productions unknown
1988Best.-Nr. 161011Los Angeles: A.I.P. Productions 1988. Draft script for the 1990 film copy belonging to actor Aldo Ray with the manuscript ink annotation of his signature on the title page and copied annotations on one page. A group of outcast US Army soldiers who care more about partying than soldiering are chosen to represent their base for annual war games and pit off against a group of sultry female soldiers and the Red Vipers a vicious group of elite solders with the brass all betting against them including General Makepeace played by Aldo Ray. Shot on location in Corona California. Front wrapper integral with the title page dated 1988 with credits for screenwriters Jeff Mandel Michael Bogert and Peter Yuval. 100 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Very Good plus with light soiling to the first and last leaves bound with three gold brads. A.I.P. Productions unknown books
1982Best.-Nr. 166419Los Angeles: Avon Productions 1982. Draft script for the 1982 horror-pornographic film with manuscript annotations by screenwriter-director Phil Prince throughout. Six of the eight leaves on "Avon Theatre" stationery a sub-name of "Avon Productions" the studio associated with most of Phil Prince's work as a director and screenwriter. A group of young women gather for a slumber party where each tells a story about their wildest sexual experience. Title page integral with the first page of narrative text. No wrapper as issued undated. 18 leaves with last page of text numbered 18. Xerographic duplication rectos only. Pages Near Fine staple bound at the top left corner. Avon Productions unknown
1982Best.-Nr. 166419Los Angeles: Avon Productions 1982. Draft script for the 1982 horror-pornographic film with manuscript annotations by screenwriter-director Phil Prince throughout. Six of the eight leaves on "Avon Theatre" stationery a sub-name of "Avon Productions" the studio associated with most of Phil Prince's work as a director and screenwriter. A group of young women gather for a slumber party where each tells a story about their wildest sexual experience. Title page integral with the first page of narrative text. No wrapper as issued undated. 18 leaves with last page of text numbered 18. Xerographic duplication rectos only. Pages Near Fine staple bound at the top left corner. Avon Productions unknown books
1964Best.-Nr. 154245N.p.: N.p. 1964. Seven vintage reference photographs from the 1964 independent film. Philip Kaufman's directorial debut a humorous then-present-day retelling of the biblical story of Elijah starring many local actors from the improvisational Chicago comedy troupe The Second City as well as author Nelson Algren appearing as himself. Shot on location in Chicago. 10 x 8 inches. Near Fine. N.p. unknown
1964Best.-Nr. 154245N.p.: N.p. 1964. Seven vintage reference photographs from the 1964 independent film. Philip Kaufman's directorial debut a humorous then-present-day retelling of the biblical story of Elijah starring many local actors from the improvisational Chicago comedy troupe The Second City as well as author Nelson Algren appearing as himself. Shot on location in Chicago. 10 x 8 inches. Near Fine. N.p. unknown books
1969Best.-Nr. 160975N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actress Silvana Mangano. With the stamps of photographer Angelo Frontoni and ABC on the verso along with annotations in manuscript pencil regarding layout. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9 x 7 inches. Very Good plus with light toning on the verso and faint tide marks on the top edge. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown
1969Best.-Nr. 160975N.p.: Aetos 1969. Vintage borderless reference photograph from the 1969 Italian film showing actress Silvana Mangano. With the stamps of photographer Angelo Frontoni and ABC on the verso along with annotations in manuscript pencil regarding layout. Over the course of several days a mysterious visitor seduces each member of a bourgeois Milanese family. The second film in director Pier Paolo Pasolini's Mythical Cycle preceded by "Oedipus Rex" 1967 and followed by "Porcile" and "Medea" both 1969. Set and shot on location in Rome and Milan. 9 x 7 inches. Very Good plus with light toning on the verso and faint tide marks on the top edge. Rosenbaum 1000. Godard Histoires du cinema. BFI 1166. Aetos unknown books
1940Best.-Nr. 148508Los Angeles: Paramount Pictures 1940. Vintage borderless photograph of Preston Sturges and Muriel Angelus on the set of the 1940 film. Mimeo snipe and "Paramount Photo by G.E. Richardson" stamp on verso. Sturges had become a very successful Hollywood screenwriter by the late 1930s and with his screenplay for "The Biography of a Bum" wanted so much to direct the film that he offered to do the job for free. With very few exceptions notably Charlie Chaplin the notion of an established studio writer directing a film was nearly unheard of in Hollywood where writers were typically not even allowed on the set. Only the irresistible cheapness of Sturges' offer made it possible for the film to get made. Over the six year period during which the script remained unproduced the title changed to "The Vagrant" then "Down with McGinty" then finally just prior to production to "The Great McGinty." It was not only a success but won Sturges an Oscar for Best Screenplay. More importantly he was allowed to continue as a writer-director with a magnificent career that included one classic after another including "Sullivan's Travels" "The Lady Eve" "Unfaithfully Yours" "The Palm Beach Story" and "Hail the Conquering Hero." 8 x 10 inches. Light edgewear and faint creasing else Near Fine. Paramount Pictures unknown
1940Best.-Nr. 148508Los Angeles: Paramount Pictures 1940. Vintage borderless photograph of Preston Sturges and Muriel Angelus on the set of the 1940 film. Mimeo snipe and "Paramount Photo by G.E. Richardson" stamp on verso. Sturges had become a very successful Hollywood screenwriter by the late 1930s and with his screenplay for "The Biography of a Bum" wanted so much to direct the film that he offered to do the job for free. With very few exceptions notably Charlie Chaplin the notion of an established studio writer directing a film was nearly unheard of in Hollywood where writers were typically not even allowed on the set. Only the irresistible cheapness of Sturges' offer made it possible for the film to get made. Over the six year period during which the script remained unproduced the title changed to "The Vagrant" then "Down with McGinty" then finally just prior to production to "The Great McGinty." It was not only a success but won Sturges an Oscar for Best Screenplay. More importantly he was allowed to continue as a writer-director with a magnificent career that included one classic after another including "Sullivan's Travels" "The Lady Eve" "Unfaithfully Yours" "The Palm Beach Story" and "Hail the Conquering Hero." 8 x 10 inches. Light edgewear and faint creasing else Near Fine. Paramount Pictures unknown books
1933Best.-Nr. 165076Paris: Films Sonores Tobis 1933. Collection of six vintage double weight photographs from the 1933 film. One with provenance stamps on the verso. A quintessential entry in René Clair's oeuvre about a young cab driver who falls in love with his neighbor with the couple forced to persevere in a world where all odds are against them. Five photographs approximately 9 x 7 inches one photograph 6.75 x 5 inches. Generally Near Fine five with neat pinholes at each corner. Films Sonores Tobis unknown
1961Best.-Nr. 144266France: Limot 1961. Archive of 86 original single weight photographs from the set of 1961 film. Members of the cast and crew are seen in action shots pinup images of actress Castel Bourvil mending fences and several images of the camera crew during filming. Sprawling landscapes gunfights in the town square and charming taproom images candidly showcase one of Clair's final films. Nearly all are rubber-stamped on the verso crediting photographer Limot and all with numerical annotations in manuscript pencil. Housed in an original French Kodak photo paper box. One photograph shown. Please inquire for others. A businessman Noiret wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. Shot on location throughout France. Photos 5 x 7 inches with a few trimmed slightly smaller and box slightly larger. Photos Near Fine with light curling and faint foxing and box Very Good Plus two splits to the lid. Limot unknown
1933Best.-Nr. 165076Paris: Films Sonores Tobis 1933. Collection of six vintage double weight photographs from the 1933 film. One with provenance stamps on the verso. A quintessential entry in René Clair's oeuvre about a young cab driver who falls in love with his neighbor with the couple forced to persevere in a world where all odds are against them. Five photographs approximately 9 x 7 inches one photograph 6.75 x 5 inches. Generally Near Fine five with neat pinholes at each corner. Films Sonores Tobis unknown books
1961Best.-Nr. 144266France: Limot 1961. Archive of 86 original single weight photographs from the set of 1961 film. Members of the cast and crew are seen in action shots pinup images of actress Castel Bourvil mending fences and several images of the camera crew during filming. Sprawling landscapes gunfights in the town square and charming taproom images candidly showcase one of Clair's final films. Nearly all are rubber-stamped on the verso crediting photographer Limot and all with numerical annotations in manuscript pencil. Housed in an original French Kodak photo paper box. One photograph shown. Please inquire for others. A businessman Noiret wants to buy land around the village of Cabosse claiming his desire for seclusion but with intentions to sell the water from the village fountain purportedly a fountain of youth. Shot on location throughout France. Photos 5 x 7 inches with a few trimmed slightly smaller and box slightly larger. Photos Near Fine with light curling and faint foxing and box Very Good Plus two splits to the lid. Limot unknown books
1972Best.-Nr. 140225Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1973 film. Copy belonging to uncredited cast member Merritt Blake with his name in manuscript ink on the front wrapper. Notably with a credit for screenwriter Eleanor Perry wife and frequent co-writer with her husband director Frank Perry. Jay Grobart Reynolds kills a man who raped and murdered his wife Cat Dancing. He is arrested but soon after is released and goes on a crime spree. He then meets Catherine Miles who is escaping her abusive husband and finds an unlikely mate. Shot on location in Arizona and Utah USA. Blue wrappers with a die-cut title window. Title page present dated October 31 1972 with credits for screenwriter Eleanor Perry and novelist Marilyn Durham. 159 leaves with last page of text numbered 158. Xerographic duplication with blue revision pages throughout dated variously between November 6 1972 and November 7 1972. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1972Best.-Nr. 140225Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1972. Draft script for the 1973 film. Copy belonging to uncredited cast member Merritt Blake with his name in manuscript ink on the front wrapper. Notably with a credit for screenwriter Eleanor Perry wife and frequent co-writer with her husband director Frank Perry. Jay Grobart Reynolds kills a man who raped and murdered his wife Cat Dancing. He is arrested but soon after is released and goes on a crime spree. He then meets Catherine Miles who is escaping her abusive husband and finds an unlikely mate. Shot on location in Arizona and Utah USA. Blue wrappers with a die-cut title window. Title page present dated October 31 1972 with credits for screenwriter Eleanor Perry and novelist Marilyn Durham. 159 leaves with last page of text numbered 158. Xerographic duplication with blue revision pages throughout dated variously between November 6 1972 and November 7 1972. Pages Near Fine wrapper Near Fine bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1988Best.-Nr. 166941N.p.: Showscan Film Corporation 1988. Revised Draft script for the 1989 joint French-US short film. Attached by staple to the top corner of the title page is a small hand-written note "Vicki" a phone number and "Call from Space office." Copy belonging to uncredited actor Nick Dimitri with two copies of a January 16 1989 call sheet laid in. The 29-minute short film was the first film shot using the "Showscan" process developed by Douglas Trumbull which is photographed and projected on 70mm film at 60 frames per second 2.5 times the standard film speed and was only screened twice in 1989 once at the "Big Bang Schtroumpf" amusement park now "Walygator Parc" in Maizières-les-Metz France and once at the Omnimax Theatre at Ceasars Palace Las Vegas. A film director Richard Brestoff and his nephew Bill Campbell an aspiring actor and eccentric inventor make a low-budget science fiction film when one of the nephew's inventions begins to bring visitors from the past and future into the present including Napoleon Archimedes and cavemen making what they believe may be one of the greatest movies ever made. Featuring a cameo from James Coburn as an irate studio head and the voice of Charlton Heston as an alien visitor. Director Richard Fleischer's final film. Shot on location in Simi Valley California. Front wrapper integral with the title page dated 1-6-89 noted as revised with credits for screenwriter Sarah Paris and story by Peter Beal and Sarah Paris. 29 leaves with last page of text numbered 26. Xerographic duplication rectos only with yellow green and goldenrod revision pages throughout dated variously between 12/22/88 and 1/6/89. Pages Near Fine bound with two gold brads. Showscan Film Corporation unknown
1988Best.-Nr. 166941N.p.: Showscan Film Corporation 1988. Revised Draft script for the 1989 joint French-US short film. Attached by staple to the top corner of the title page is a small hand-written note "Vicki" a phone number and "Call from Space office." Copy belonging to uncredited actor Nick Dimitri with two copies of a January 16 1989 call sheet laid in. The 29-minute short film was the first film shot using the "Showscan" process developed by Douglas Trumbull which is photographed and projected on 70mm film at 60 frames per second 2.5 times the standard film speed and was only screened twice in 1989 once at the "Big Bang Schtroumpf" amusement park now "Walygator Parc" in Maizières-les-Metz France and once at the Omnimax Theatre at Ceasars Palace Las Vegas. A film director Richard Brestoff and his nephew Bill Campbell an aspiring actor and eccentric inventor make a low-budget science fiction film when one of the nephew's inventions begins to bring visitors from the past and future into the present including Napoleon Archimedes and cavemen making what they believe may be one of the greatest movies ever made. Featuring a cameo from James Coburn as an irate studio head and the voice of Charlton Heston as an alien visitor. Director Richard Fleischer's final film. Shot on location in Simi Valley California. Front wrapper integral with the title page dated 1-6-89 noted as revised with credits for screenwriter Sarah Paris and story by Peter Beal and Sarah Paris. 29 leaves with last page of text numbered 26. Xerographic duplication rectos only with yellow green and goldenrod revision pages throughout dated variously between 12/22/88 and 1/6/89. Pages Near Fine bound with two gold brads. Showscan Film Corporation unknown books
1965Best.-Nr. 151229N.p.: N.p. 1965. Vintage borderless reference photograph from the set of the 1965 film showing actresses Lucy Bartlett and Charlotte Rampling in between takes wearing matching wetsuits. Based on Ann Jellicoe's 1962 play. An awkward young man seeks out the help of his slick womanizing flatmate in learning how to seduce women but trouble arises when they both set their marks on the same girl. Although nominally a comedy a film that bears far more similarity to a kitchen sink drama due largely to its polarizing final act. Winner of the Palme d'Or. Set and shot on location in London. 9.5 x 7 inches. Near Fine. N.p. unknown
1965Best.-Nr. 151229N.p.: N.p. 1965. Vintage borderless reference photograph from the set of the 1965 film showing actresses Lucy Bartlett and Charlotte Rampling in between takes wearing matching wetsuits. Based on Ann Jellicoe's 1962 play. An awkward young man seeks out the help of his slick womanizing flatmate in learning how to seduce women but trouble arises when they both set their marks on the same girl. Although nominally a comedy a film that bears far more similarity to a kitchen sink drama due largely to its polarizing final act. Winner of the Palme d'Or. Set and shot on location in London. 9.5 x 7 inches. Near Fine. N.p. unknown books
1959Best.-Nr. 170456N.p.: N.p. 1959. Vintage reference photograph from the 1959 film showing rock-and-roll icons Ritchie Valens and Jimmy Clanton chatting over a record player. Provenance label on the verso. Valens' only film appearance released months after his death in a plane crash alongside Buddy Holly and The Big Bopper and the final film of American disc jockey Alan Freed. Freed would later become embroiled in a "payola" controversy that would end his career. 10 x 8 inches. Very Good plus. N.p. unknown
1959Best.-Nr. 170456N.p.: N.p. 1959. Vintage reference photograph from the 1959 film showing rock-and-roll icons Ritchie Valens and Jimmy Clanton chatting over a record player. Provenance label on the verso. Valens' only film appearance released months after his death in a plane crash alongside Buddy Holly and The Big Bopper and the final film of American disc jockey Alan Freed. Freed would later become embroiled in a "payola" controversy that would end his career. 10 x 8 inches. Very Good plus. N.p. unknown books
1974Best.-Nr. 150503N.p.: N.p. 1974. Vintage borderless reference photograph of director Robert Bresson and still photographer Jacques Henri Lartigue on the set of the 1974 film with cinematographer Pasqualino de Santis just visible at the top left corner. With a provenance stamp on the verso along with manuscript ink annotations. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.25 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1974Best.-Nr. 150503N.p.: N.p. 1974. Vintage borderless reference photograph of director Robert Bresson and still photographer Jacques Henri Lartigue on the set of the 1974 film with cinematographer Pasqualino de Santis just visible at the top left corner. With a provenance stamp on the verso along with manuscript ink annotations. Bresson's bloody take on the King Arthur legend was an expansion of the aesthetic he had already developed where the violence that was once implied became a reality-though certainly still quite surreal. Shot on location in Noirmoutier-en-L'Ile France. 9.25 x 7 inches. Near Fine. Rosenbaum 1000. N.p. unknown books
