11.049 risultati
1957rif. 162245Beverly Hills CA: United Artists 1957. Eight vintage photographs from the 1957 film including one reference photograph and seven studio still photographs. One of the great antiwar films based on the 1935 novel by Humphrey Cobb about a group of French soldiers who are charged with cowardice after refusing to complete a suicidal attack during World War I. 8 x 10 inches. Good with moderate fading and cracking to the finish throughout and several with chips and bruises at the edges. National Film Registry. Criterion Collection 538. United Artists unknown books
1972rif. 70572Los Angeles: Betnic Productions Inc 1972. Wraps. Very good. Revised Draft of this unproduced screenplay. Veteran producer Frank P. Rosenberg hired Ernest Tidyman 1928-84 to adapt Jeanne Rejaunier's best-selling novel which deals with the glamourous sometimes sleazy life of topflight New York fashion models. Tidyman began work on the project in 1970 immediately prior to writing the screenplays for Shaft 1971 based on his 1970 novel and French Connection 1971 which established him as one of the top screenwriters in the business. The production was ultimately abandoned. However this draft includes casting notes with potential candidates for each role listed in order of preference - for instance the actresses targeted for the role of Charlene include Eleanor Parker Bette Davis Joan Crawford Susan Hayward Ava Gardner Rita Hayworth Anne Baxter and Angela Lansbury - as well as brief bios of the preferred producer Gordon Oliver director Gordon Douglas and production manager Nate Barrager. Green titled vinyl wrappers noted as "Revised Draft" on the title page which is dated November 8 1972 and includes credits for Tidyman Rejaunier and Betnic Productions. 169 mimeographed pages with the last page numbered 154. The contents are crisp and clean. Some very light edgewear to the wrappers which are bound with two brads with the remnants of a paper label to the spine; otherwise very good. Scarce OCLC locates no copies. Betnic Productions Inc unknown
1972rif. 34881972 aucune reliure 25 x 16,9 cm et 25 x 16,8, tirages gélatino-argentiques d'époque, sans autre mention qu'un "F" au verso de la main du tireur.
1970rif. 153963N.p.: N.p. 1970. Two vintage borderless reference photographs from the 1970 film both attributed to the film's photographer Chris Marker. One photograph shows director Costa-Gavras the other a crew member with a clapboard. Based on the 1968 memoirs of Czechoslovak communist Artur London a defendant in the violent antisemitic show trial against 14 members of the Communist Party of Czechoslovakia in 1952. Reference photographs taken by Costa-Gavras' friend and colleague Chris Marker who would go on to become an important figure in the French New Wave in his own right directing "A Grin Without a Cat" 1977 and "Sans Soleil" 1983. Shot on location in Nord Alpes-Maritimes and Pas-de-Calais France. 9 x 6.25 inches. About Fine. Criterion Collection 759. N.p. unknown
1970rif. 153963N.p.: N.p. 1970. Two vintage borderless reference photographs from the 1970 film both attributed to the film's photographer Chris Marker. One photograph shows director Costa-Gavras the other a crew member with a clapboard. Based on the 1968 memoirs of Czechoslovak communist Artur London a defendant in the violent antisemitic show trial against 14 members of the Communist Party of Czechoslovakia in 1952. Reference photographs taken by Costa-Gavras' friend and colleague Chris Marker who would go on to become an important figure in the French New Wave in his own right directing "A Grin Without a Cat" 1977 and "Sans Soleil" 1983. Shot on location in Nord Alpes-Maritimes and Pas-de-Calais France. 9 x 6.25 inches. About Fine. Criterion Collection 759. N.p. unknown books
1976rif. 152868N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing actress Jane Birkin nude on a bathroom floor. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 9 x 6.5 inches. Near Fine. N.p. unknown
1976rif. 152868N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing actress Jane Birkin nude on a bathroom floor. A tomboyish waitress at a truck stop develops a crush on a gay garbage truck driver and in spite of all odds they begin a relationship. Serge Gainsbourg's directorial debut. 9 x 6.5 inches. Near Fine. N.p. unknown books
1958rif. 146435Burbank CA: Walt Disney Productions 1958. Final Shooting script for the first half of the 1958 film thus incomplete as issued dated April 9 1958. With lead actor Sal Mineo's name in manuscript ink on two revision leaves and his character's name in pencil on the front wrapper. Laid in is a small leaf with manuscript ink notations including the name of director Lou Foster actors Fess Parker and Jerome Courtland and characters White Bull and Captain Keogh. Parker was originally hired for the role of Keogh but refused second billing and was replaced by Philip Carey. Jerome Courtland played the role of Lieutenant Henry Nowlan in the film. Based on David Appel's 1951 novel "Comanche: Story of America's Most Heroic Horse" about the bond between a young Sioux boy and the titular horse who end up on opposite sides of the Battle of Little Big Horn. Set in Montana Territory and shot on location in Oregon. Tan titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper rubber-stamped copy No. 112 and production No. 5812 dated APRIL 9 1958 with credits for director and screenwriter LEWIS FOSTER. Title page present dated April 9 1958 noted as FINAL SHOOTING SCRIPT with credits for director and screenwriter LEWIS FOSTER. 70 leaves with last page of text numbered 69. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 4/10/58 and 5/15/58. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walt Disney Productions unknown
1958rif. 146435Burbank CA: Walt Disney Productions 1958. Final Shooting script for the first half of the 1958 film thus incomplete as issued dated April 9 1958. With lead actor Sal Mineo's name in manuscript ink on two revision leaves and his character's name in pencil on the front wrapper. Laid in is a small leaf with manuscript ink notations including the name of director Lou Foster actors Fess Parker and Jerome Courtland and characters White Bull and Captain Keogh. Parker was originally hired for the role of Keogh but refused second billing and was replaced by Philip Carey. Jerome Courtland played the role of Lieutenant Henry Nowlan in the film. Based on David Appel's 1951 novel "Comanche: Story of America's Most Heroic Horse" about the bond between a young Sioux boy and the titular horse who end up on opposite sides of the Battle of Little Big Horn. Set in Montana Territory and shot on location in Oregon. Tan titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper rubber-stamped copy No. 112 and production No. 5812 dated APRIL 9 1958 with credits for director and screenwriter LEWIS FOSTER. Title page present dated April 9 1958 noted as FINAL SHOOTING SCRIPT with credits for director and screenwriter LEWIS FOSTER. 70 leaves with last page of text numbered 69. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 4/10/58 and 5/15/58. Pages Near Fine wrapper Very Good plus bound with three gold brads. Walt Disney Productions unknown books
1959rif. 158799N.p.: N.p. 1959. Five vintage oversize double weight reference photographs from the 1959 film. Two photographs with the stamp of the Lérida Ministry of Information of Spain on the verso and all five with annotations in manuscript ink regarding cropping and identifying the film. Two photographs with titles tipped on the recto one crediting director Alain Resnais. Resnais' meditation on memory history and forgetfulness proved to be a major catalyst for the Rive Gauche movement earning Resnais a Palme d'Or nomination and screenwriter Marguerite Duras an Academy Award nomination. Set in Hiroshima shot on location in Hiroshima Japan and Nievre France. 12 x 9.5 inches. Poor with moderate wear and pinholes at the corners and light creasing overall. N.p. unknown
1959rif. 158799N.p.: N.p. 1959. Five vintage oversize double weight reference photographs from the 1959 film. Two photographs with the stamp of the Lérida Ministry of Information of Spain on the verso and all five with annotations in manuscript ink regarding cropping and identifying the film. Two photographs with titles tipped on the recto one crediting director Alain Resnais. Resnais' meditation on memory history and forgetfulness proved to be a major catalyst for the Rive Gauche movement earning Resnais a Palme d'Or nomination and screenwriter Marguerite Duras an Academy Award nomination. Set in Hiroshima shot on location in Hiroshima Japan and Nievre France. 12 x 9.5 inches. Poor with moderate wear and pinholes at the corners and light creasing overall. N.p. unknown books
1961rif. 148730New York: Janus Films 1961. Three vintage studio still photographs from the 1958 film. Based on the 1948 novel by Jerzy Andrzejewski. The last film in the "war" trilogy that began Polish director Wajda's career as a director preceded by "Pokolenie" 1955 and "Kanal" 1957. A strong anti-war statement framed in the personae of two men given orders - from the part of the resistance that opposes the new Communist regime and on the last day of World War II in Poland - to murder a leading communist. One of Wajda's favorite performers and a friend Zbigniew Cybulski plays the man who eventually pulls the trigger and kills the communist leader with unexpected results. 8 x 10 inches. Near Fine. Rosenbaum 1000. Criterion Collection 282. Janus Films unknown
1961rif. 148730New York: Janus Films 1961. Three vintage studio still photographs from the 1958 film. Based on the 1948 novel by Jerzy Andrzejewski. The last film in the "war" trilogy that began Polish director Wajda's career as a director preceded by "Pokolenie" 1955 and "Kanal" 1957. A strong anti-war statement framed in the personae of two men given orders - from the part of the resistance that opposes the new Communist regime and on the last day of World War II in Poland - to murder a leading communist. One of Wajda's favorite performers and a friend Zbigniew Cybulski plays the man who eventually pulls the trigger and kills the communist leader with unexpected results. 8 x 10 inches. Near Fine. Rosenbaum 1000. Criterion Collection 282. Janus Films unknown books
1964rif. 150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With manuscript pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. 11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown
1964rif. 150332N.p.: N.p. 1964. Vintage oversize borderless black and white photograph of actor Omar Sharif playfully clicking his heels in the air between takes while filming on location in Austria for the 1964 film. With manuscript pencil and ink annotations on the verso along with a PIX Agency stamp crediting photographer Denis Cameron. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A romantic comedy anthology about the varied owners of an idiosyncratic yellow Rolls-Royce from its first owners a British aristocrat and his unfaithful wife to its last a socialite who accidentally becomes involved in the Nazi invasion of Ljubljana. Set and shot on location in London and Hertfordshire in England Naples Florence and Tuscany in Italy and Austria. 11.25 x 14 inches. Near Fine with brief wear to the corners. N.p. unknown books
1974rif. 142572Beverly Hills CA: EK / United Artists 1974. Early Draft British script for the 1974 British heist film. Based on Gerald Browne's 1972 novel adapted by Charles Grodin. Howard Chesser Grodin is a diamond merchant supervising the cutting of a large and rare diamond. When the diamond is stolen he is blackmailed and pulled into a jewel heist at 11 Harrowhouse. Set in London shot there on location and in Warwickshire England. Burnt orange titled wrappers. Title page present noted as Revised Screenplay with credits for screenwriter Bloom. 130 leaves with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. Lee The Heist Film. EK / United Artists unknown
1974rif. 142572Beverly Hills CA: EK / United Artists 1974. Early Draft British script for the 1974 British heist film. Based on Gerald Browne's 1972 novel adapted by Charles Grodin. Howard Chesser Grodin is a diamond merchant supervising the cutting of a large and rare diamond. When the diamond is stolen he is blackmailed and pulled into a jewel heist at 11 Harrowhouse. Set in London shot there on location and in Warwickshire England. Burnt orange titled wrappers. Title page present noted as Revised Screenplay with credits for screenwriter Bloom. 130 leaves with last page of text numbered 129. Mechanical duplication. Pages and wrapper Near Fine bound with two gold brads. Lee The Heist Film. EK / United Artists unknown books
1980rif. 138127New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. Filmways Pictures unknown
1980rif. 138127New York: Filmways Pictures 1980. Revised Draft script for the 1981 film. Included is a second script a revised draft in wrappers containing the latest revisions and two shooting schedules one detailing shooting dates beginning Week Three and one detailing dates beginning about Week Nine. Notations throughout both scripts in manuscript ink and pencil. Based on screenwriter Tesich's own coming-of-age in Indiana in the 1960s. Danilo Wason Georgia Thelen David Huddleston and Tom Metzler are four friends growing up in a 1960s industrial town. Told through a series of vignettes in the eyes of Danilo the film chronicles each friend as they come to accept that their lives may have become something they never thought possible. Shot on location in Indiana Illinois and Pennsylvania. One of director Penn's final and lesser known films after "The Missouri Breaks" 1976 and before "Target" 1985. First script without wrappers or title page a rainbow copy with several sets of revision pages pink yellow goldenrod blue gray green dated variously between 7/7/80 and 8/29/80. Second script in blue Studio Duplicating Service wrappers with no title page a revised draft dated 8/29/80 throughout. Shooting schedules corner-stapled. All items Very Good plus overall. Filmways Pictures unknown books
1981rif. 152195Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to an unknown crew member with their name in manuscript pencil to the top right corner of the front wrapper. A coming-of-age tale set in 1959 following a group of four friends in their early twenties struggling to adapt to life as adults. Set and shot on location in Baltimore. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 156 dated January 12 1981 with credits for director and screenwriter Barry Levinson. Title page present with credits for director and screenwriter Barry Levinson. 124 leaves with last page of text numbered 116. Xerographic duplication rectos only with blue revision pages throughout dated 2/23/81. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown
1981rif. 152195Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1981. Final Draft script for the 1982 film. Copy belonging to an unknown crew member with their name in manuscript pencil to the top right corner of the front wrapper. A coming-of-age tale set in 1959 following a group of four friends in their early twenties struggling to adapt to life as adults. Set and shot on location in Baltimore. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 156 dated January 12 1981 with credits for director and screenwriter Barry Levinson. Title page present with credits for director and screenwriter Barry Levinson. 124 leaves with last page of text numbered 116. Xerographic duplication rectos only with blue revision pages throughout dated 2/23/81. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1957rif. 133039N.p.: N.p. 1957. Oversize double weight photograph of screenwriter Ben Hecht standing with his boss producer and mogul extraordinaire David O. Selznick on a snow covered set in the Italian Alps during the 1957 filming of Selznick's "A Farewell to Arms." Based on the 1929 novel by Ernest Hemingway directed by Charles Vidor and starring Rock Hudson and Jennifer Jones. The second time the novel was filmed following the 1932 version directed by Frank Borzage and preceding a three part British television miniseries in 1966. 11 x 13.5 inches. Near Fine with a small corner crease at the bottom right. In a custom museum-quality frame archivally mounted with UV glass. N.p. unknown
1957rif. 133039N.p.: N.p. 1957. Oversize double weight photograph of screenwriter Ben Hecht standing with his boss producer and mogul extraordinaire David O. Selznick on a snow covered set in the Italian Alps during the 1957 filming of Selznick's "A Farewell to Arms." Based on the 1929 novel by Ernest Hemingway directed by Charles Vidor and starring Rock Hudson and Jennifer Jones. The second time the novel was filmed following the 1932 version directed by Frank Borzage and preceding a three part British television miniseries in 1966. 11 x 13.5 inches. Near Fine with a small corner crease at the bottom right. In a custom museum-quality frame archivally mounted with UV glass. N.p. unknown books
1991rif. 169054N.p.: Castle Rock Entertainment 1991. Rainbow Revision Shooting script for the 1992 film. Copy with the marker annotations of "Set Copy / Please Do Not Take" written on the front wrapper and a manuscript marker annotation of copy number "193" on the top of the title page. Billy Crystal's directorial debut about the rise and fall of a standup comedian named Buddy Young Jr. The film was adapted for the stage in 2021 with Crystal reprising his performance as Young. Beige untitled wrappers. Title page present dated September 26 1991 noted as SHOOTING SCRIPT with credits for screenwriters Billy Crystal Lowell Ganz and Babloo Mandel. 155 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue pink yellow green goldenrod and white revision pages throughout dated variously between 9/27/91 and 10/31/91. Pages Near Fine wrapper Near Fine bound with two gold brads. Castle Rock Entertainment unknown
1991rif. 169054N.p.: Castle Rock Entertainment 1991. Rainbow Revision Shooting script for the 1992 film. Copy with the marker annotations of "Set Copy / Please Do Not Take" written on the front wrapper and a manuscript marker annotation of copy number "193" on the top of the title page. Billy Crystal's directorial debut about the rise and fall of a standup comedian named Buddy Young Jr. The film was adapted for the stage in 2021 with Crystal reprising his performance as Young. Beige untitled wrappers. Title page present dated September 26 1991 noted as SHOOTING SCRIPT with credits for screenwriters Billy Crystal Lowell Ganz and Babloo Mandel. 155 leaves with last page of text numbered 121. Xerographic duplication rectos only with blue pink yellow green goldenrod and white revision pages throughout dated variously between 9/27/91 and 10/31/91. Pages Near Fine wrapper Near Fine bound with two gold brads. Castle Rock Entertainment unknown books
