11.049 risultati
1928rif. 132454London: Fritz Lang Film / UFA / W and F. 1928. Vintage UK program for the 1928 German film released in the UK as "The Spy." Lang's followup to "Metropolis" and penultimate silent film an underrated spy versus spy thriller containing some of the most virtuosic set pieces of the director's career including a spectacular train crash at the film's climax. 9.5 x 12 inches 12 pages side stapled in card wrappers. Wrappers Very Good plus overall interior bright and Near Fine. Fritz Lang Film / UFA / W and F. unknown
1928rif. 132454London: Fritz Lang Film / UFA / W and F. 1928. Vintage UK program for the 1928 German film released in the UK as "The Spy." Lang's followup to "Metropolis" and penultimate silent film an underrated spy versus spy thriller containing some of the most virtuosic set pieces of the director's career including a spectacular train crash at the film's climax. 9.5 x 12 inches 12 pages side stapled in card wrappers. Wrappers Very Good plus overall interior bright and Near Fine. Fritz Lang Film / UFA / W and F. unknown books
1963rif. 146931Culver City CA: Columbia Pictures 1963. Two vintage oversize borderless double weight photographs of Janet Leigh and Dick Van Dyke rehearsing on the set of the 1963 film. Mimeo snipe "ORIGINAL A RENDRE PARIMAGE" "COPYRIGHT CAMERA PRESS LTD." and a struck through with manuscript pencil "Holmes-Lebel" stamps on the verso. One contains an "impress" sticker on verso. Based on the 1960 Tony Award winning stage musical of the same name with a book by Michael Stewart lyrics by Lee Adams and music by Charles Strouse. Unsuccessful songwriter Albert Peterson Van Dyke is convinced he can make his fortune and marry girlfriend Rosie Leigh if he can get recently drafted Rock and Roll star Conrad Birdie Jessie Pearson on the Ed Sullivan show to kiss high school girl Kim MacAfee Ann Margret goodbye. Nominated for 2 Academy Awards. 1 - 9 x 12 inches 1 - 10 x 12 inches. Very Good plus edgewear and creasing to far corners. Godard Histoires du cinema. Columbia Pictures unknown
1963rif. 146931Culver City CA: Columbia Pictures 1963. Two vintage oversize borderless double weight photographs of Janet Leigh and Dick Van Dyke rehearsing on the set of the 1963 film. Mimeo snipe "ORIGINAL A RENDRE PARIMAGE" "COPYRIGHT CAMERA PRESS LTD." and a struck through with manuscript pencil "Holmes-Lebel" stamps on the verso. One contains an "impress" sticker on verso. Based on the 1960 Tony Award winning stage musical of the same name with a book by Michael Stewart lyrics by Lee Adams and music by Charles Strouse. Unsuccessful songwriter Albert Peterson Van Dyke is convinced he can make his fortune and marry girlfriend Rosie Leigh if he can get recently drafted Rock and Roll star Conrad Birdie Jessie Pearson on the Ed Sullivan show to kiss high school girl Kim MacAfee Ann Margret goodbye. Nominated for 2 Academy Awards. 1 - 9 x 12 inches 1 - 10 x 12 inches. Very Good plus edgewear and creasing to far corners. Godard Histoires du cinema. Columbia Pictures unknown books
1995rif. 166472Santa Monica: Beacon Communications 1995. Draft script for the 1997 film. Communists hijack Air Force One with the First Lady and her daughter onboard forcing the president to decide whether he will break his vow never to capitulate to terrorist demands or sacrifice the lives of his family. Nominated for two Academy Awards. Shot on location in Washington DC throughout California and in Cleveland and Mansfield Ohio in the US and in Moscow Russia. Self wrappers. Title page present dated August 22 1995 with credit for screenwriter Andrew W. Marlowe. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages Very Good plus bound with three gold brads. Beacon Communications unknown
1995rif. 166472Santa Monica: Beacon Communications 1995. Draft script for the 1997 film. Communists hijack Air Force One with the First Lady and her daughter onboard forcing the president to decide whether he will break his vow never to capitulate to terrorist demands or sacrifice the lives of his family. Nominated for two Academy Awards. Shot on location in Washington DC throughout California and in Cleveland and Mansfield Ohio in the US and in Moscow Russia. Self wrappers. Title page present dated August 22 1995 with credit for screenwriter Andrew W. Marlowe. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages Very Good plus bound with three gold brads. Beacon Communications unknown books
1969rif. 149604Los Angeles: Paramount Pictures 1969. Three vintage borderless reference photographs from the 1969 film a highlight of early New Hollywood cinema. One shows actor Harold Blankenship the other with actors Robert Forster Peter Bonerz and Janet Langhart. One with a printed mimeo snipe affixed to the verso along with the stamp of Paramount Pictures the other with the stamp of Israel Film Archive on the verso. A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative. Featuring early music by Frank Zappa's band Mothers of Invention and addressing underlying social issues of race gender and poverty the film frankly depicted much of the growing countercultural movement of the late 1960s even going so far as to use real-life footage of civil disobedience occurring in 1968 Chicago. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. One photograph 10 x 8 inches one photograph 9.5 x 7.25 inches. Near Fine. Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown
1969rif. 149604Los Angeles: Paramount Pictures 1969. Three vintage borderless reference photographs from the 1969 film a highlight of early New Hollywood cinema. One shows actor Harold Blankenship the other with actors Robert Forster Peter Bonerz and Janet Langhart. One with a printed mimeo snipe affixed to the verso along with the stamp of Paramount Pictures the other with the stamp of Israel Film Archive on the verso. A hardened and dubiously ethical television cameraman finds out he is being watched by the FBI amidst the tumultuous protests taking place around the 1968 Democratic National Convention. Highly influential for its groundbreaking use of factual historical events interspersed with fictional narrative. Featuring early music by Frank Zappa's band Mothers of Invention and addressing underlying social issues of race gender and poverty the film frankly depicted much of the growing countercultural movement of the late 1960s even going so far as to use real-life footage of civil disobedience occurring in 1968 Chicago. Due to its startlingly political narrative as well as nudity and language the film was originally given an X rating by the MPAA though by 1970 this would be downgraded to an R. One photograph 10 x 8 inches one photograph 9.5 x 7.25 inches. Near Fine. Criterion Collection 658. Spicer US Neo-Noir. Paramount Pictures unknown books
1960rif. 149725N.p.: N.p. 1960. Vintage oversize borderless reference photograph from the 1960 French film showing actors Charles Vanel and Brigitte Bardot. With manuscript pencil and ink annotations on the verso regarding layout along with the stamp of Parimage agency and ICI Paris. A young woman finds herself standing trial for the murder of her lover forcing her to reflect on her memories of their turbulent relationship. Set in Paris. 11 x 7 inches. Very Good plus with a few touch-ups on the recto for press use. N.p. unknown
1960rif. 149725N.p.: N.p. 1960. Vintage oversize borderless reference photograph from the 1960 French film showing actors Charles Vanel and Brigitte Bardot. With manuscript pencil and ink annotations on the verso regarding layout along with the stamp of Parimage agency and ICI Paris. A young woman finds herself standing trial for the murder of her lover forcing her to reflect on her memories of their turbulent relationship. Set in Paris. 11 x 7 inches. Very Good plus with a few touch-ups on the recto for press use. N.p. unknown books
1932rif. 149643N.p.: N.p. 1932. Two vintage reference photographs from the 1932 film showing actors Paul Muni George Raft Karen Morley Purnell Pratt and others. Based on the 1930 book by Armitage Trail which was in turn based on the true exploits of notorious Prohibition-era mob boss and bootlegger Al Capone. Along with "Public Enemy" released only a few months prior generally considered to be the quintessential American gangster film one that Capone himself came to embrace and even screen in his home. Set in Chicago. Both photos 10 x 8 inches. Near Fine and Very Good plus respectively. First photo Muni and Morley dancing has two short closed tears at the top edge repaired with conservator's tape on the verso. National Film Registry. Rosenbaum 1000. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Penzler 101. Grant US. N.p. unknown
1932rif. 149643N.p.: N.p. 1932. Two vintage reference photographs from the 1932 film showing actors Paul Muni George Raft Karen Morley Purnell Pratt and others. Based on the 1930 book by Armitage Trail which was in turn based on the true exploits of notorious Prohibition-era mob boss and bootlegger Al Capone. Along with "Public Enemy" released only a few months prior generally considered to be the quintessential American gangster film one that Capone himself came to embrace and even screen in his home. Set in Chicago. Both photos 10 x 8 inches. Near Fine and Very Good plus respectively. First photo Muni and Morley dancing has two short closed tears at the top edge repaired with conservator's tape on the verso. National Film Registry. Rosenbaum 1000. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Penzler 101. Grant US. N.p. unknown books
1953rif. 130748Los Angeles: Twentieth Century-Fox 1953. Revised Shooting Final script for the 1954 film. Actor Van Heflin's copy. Includes a 10-page shooting schedule. Loosely based on the St. Albans Raid the northernmost land action of the American Civil War. The film took great liberties changing both the time and motivation for the raid. In the film a group of Confederate POWs escape across the US-Canada border to plan an attack on St. Albans Vermont. They send ahead of them a spy who begins to question the ethics of their mission. Goldenrod titled wrappers noted as Revised Shooting Final on the front wrapper dated December 10 1953. Distribution page present with receipt removed. Title page present dated December 10 1953 noted as Revised Shooting Final with credit for screenwriter Boehm. 116 leaves Multilith duplication with blue revision pages throughout dated variously between 12-12-53 and 1-6-54. Pages Fine wrapper Fine bound with two gold brads. Shooting Schedule: 10 leaves with annotations. Near Fine. Twentieth Century-Fox unknown
1953rif. 130748Los Angeles: Twentieth Century-Fox 1953. Revised Shooting Final script for the 1954 film. Actor Van Heflin's copy. Includes a 10-page shooting schedule. Loosely based on the St. Albans Raid the northernmost land action of the American Civil War. The film took great liberties changing both the time and motivation for the raid. In the film a group of Confederate POWs escape across the US-Canada border to plan an attack on St. Albans Vermont. They send ahead of them a spy who begins to question the ethics of their mission. Goldenrod titled wrappers noted as Revised Shooting Final on the front wrapper dated December 10 1953. Distribution page present with receipt removed. Title page present dated December 10 1953 noted as Revised Shooting Final with credit for screenwriter Boehm. 116 leaves Multilith duplication with blue revision pages throughout dated variously between 12-12-53 and 1-6-54. Pages Fine wrapper Fine bound with two gold brads. Shooting Schedule: 10 leaves with annotations. Near Fine. Twentieth Century-Fox unknown books
1952rif. 149504Stockholm: Svensk Filmindustri 1952. Eight vintage reference photographs seven borderless from the 1952 Swedish film. Three with mimeo snipes on the verso and all with manuscript ink and pencil annotations as well as the stamp of Svensk Filmindustri. While vacationing at a summer home four sisters-in-law tell each other stories from their respective marriages ranging from illicit affairs to elopement to immaculate conception. Shot on location in Stockholm Sweden and Paris. Six photographs 7.5 x 6 inches one photograph 4.5 x 5.5 inches and one photograph 5.5 x 4.25 inches. Near Fine. Svensk Filmindustri unknown
1963rif. 149582London: Gala Film Distributors 1963. Eight vintage series contact print photographs from the 1963 film. Three images per print amounting to 24 complete images. Two estranged sisters Ester and Anna and Anna's 10-year-old son travel to an unnamed Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka. The third in a series of thematically related films by Bergman following "Through a Glass Darkly" 1961 and "Winter Light" 1963. Set and shot on location in Dalarnas Ian Sweden. 3.75 x 8.75 inches. Very Good plus. Criterion Collection 211. Ebert III. Gala Film Distributors unknown
1952rif. 149504Stockholm: Svensk Filmindustri 1952. Eight vintage reference photographs seven borderless from the 1952 Swedish film. Three with mimeo snipes on the verso and all with manuscript ink and pencil annotations as well as the stamp of Svensk Filmindustri. While vacationing at a summer home four sisters-in-law tell each other stories from their respective marriages ranging from illicit affairs to elopement to immaculate conception. Shot on location in Stockholm Sweden and Paris. Six photographs 7.5 x 6 inches one photograph 4.5 x 5.5 inches and one photograph 5.5 x 4.25 inches. Near Fine. Svensk Filmindustri unknown books
1963rif. 149582London: Gala Film Distributors 1963. Eight vintage series contact print photographs from the 1963 film. Three images per print amounting to 24 complete images. Two estranged sisters Ester and Anna and Anna's 10-year-old son travel to an unnamed Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka. The third in a series of thematically related films by Bergman following "Through a Glass Darkly" 1961 and "Winter Light" 1963. Set and shot on location in Dalarnas Ian Sweden. 3.75 x 8.75 inches. Very Good plus. Criterion Collection 211. Ebert III. Gala Film Distributors unknown books
1948rif. 142958New York: Columbia Broadcasting System CBS 1948. Treatment script for an unproduced film as well as a produced radio broadcast script for the May 25th1948 CBS radio adaptation. Manuscript ink on front wrapper noting title screenwriter Daniel Tardash and story based on the 1946 novel by Isak Dinesen writing under the pseudonym of Pierre Andrezel. Daniel Taradash would go on win an Academy Award for his 1954 adaptation of "From Here it Eternity." Set in 1840s France. Red untitled wrappers. Title page present noted as Treatment with credits for screenwriter Daniel Tardash. 98 leaves with last page of text numbered 57. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Columbia Broadcasting System [CBS] unknown
1948rif. 142958New York: Columbia Broadcasting System CBS 1948. Treatment script for an unproduced film as well as a produced radio broadcast script for the May 25th1948 CBS radio adaptation. Manuscript ink on front wrapper noting title screenwriter Daniel Tardash and story based on the 1946 novel by Isak Dinesen writing under the pseudonym of Pierre Andrezel. Daniel Taradash would go on win an Academy Award for his 1954 adaptation of "From Here it Eternity." Set in 1840s France. Red untitled wrappers. Title page present noted as Treatment with credits for screenwriter Daniel Tardash. 98 leaves with last page of text numbered 57. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Columbia Broadcasting System [CBS] unknown books
1968rif. 164198Universal City: Universal Pictures 1968. Vintage banner poster for US release of the 1967 Japanese-American kaiju film. Rare in this size format. The fourth film in the King Kong franchise. Loosely based on the animated Rankin/Bass' television series "The King Kong Show" the first anime-based series produced in Japan for an American company which was aired on ABC from 1966 through 1969 and the second and final Toho-produced film featuring King Kong preceded by the 1963 film "King Kong vs. Godzilla" until the 2021 film "Godzilla vs. Kong." A robot duplicate of King Kong Mechani-Kong is manufactured to dig for the highly radioactive Element X. When Mechani-Kong is unable to dig for the material the evil Doctor Who and Madame Piranha decide to kidnap the real Kong. 82 x 24 inches. Very Good with a chip missing at the top left corner several closed tears to the bottom right margin and cello and paper tape repairs to the verso of the bottom right. Colors bright and unfaded. Universal Pictures unknown
1968rif. 164198Universal City: Universal Pictures 1968. Vintage banner poster for US release of the 1967 Japanese-American kaiju film. Rare in this size format. The fourth film in the King Kong franchise. Loosely based on the animated Rankin/Bass' television series "The King Kong Show" the first anime-based series produced in Japan for an American company which was aired on ABC from 1966 through 1969 and the second and final Toho-produced film featuring King Kong preceded by the 1963 film "King Kong vs. Godzilla" until the 2021 film "Godzilla vs. Kong." A robot duplicate of King Kong Mechani-Kong is manufactured to dig for the highly radioactive Element X. When Mechani-Kong is unable to dig for the material the evil Doctor Who and Madame Piranha decide to kidnap the real Kong. 82 x 24 inches. Very Good with a chip missing at the top left corner several closed tears to the bottom right margin and cello and paper tape repairs to the verso of the bottom right. Colors bright and unfaded. Universal Pictures unknown books
1987rif. 152834N.p.: Taft Entertainment / Keith Barish Productions 1987. Second Draft script for the 1987 film. Based on the Pulitzer Prize winning 1983 novel by William Kennedy who also wrote the screenplay about an alcoholic drifter who returns to his hometown to meet his lover and drinking companion. Nominated for two Academy Awards. White titled wrappers. Title page present dated March 17 1987 noted as Second Draft with credit for Kennedy and director Hector Babenco. Taft Entertainment / Keith Barish Productions unknown
1987rif. 152834N.p.: Taft Entertainment / Keith Barish Productions 1987. Second Draft script for the 1987 film. Based on the Pulitzer Prize winning 1983 novel by William Kennedy who also wrote the screenplay about an alcoholic drifter who returns to his hometown to meet his lover and drinking companion. Nominated for two Academy Awards. White titled wrappers. Title page present dated March 17 1987 noted as Second Draft with credit for Kennedy and director Hector Babenco. Taft Entertainment / Keith Barish Productions unknown books
1967rif. 159120N.p.: N.p. 1967. Vintage oversize borderless color reference photograph from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 9.5 x 12 inches. Light wear at the corners else Near Fine. N.p. unknown
