MARIJACLivre Rare Book
11.058 Ergebnisse
Best.-Nr. 9290in 12 broché à l’italienne couverture illustrée en couleurs de MARIJAC, 20 pages Editions SEPA.13/7 /1945 Z29 S.O.S- Steve Evans –. Très bon état
Best.-Nr. 9292in 12 broché à l’italienne couverture illustrée en couleurs de MARIJAC, 20 pages Editions SEPA 12/1945.Face au monstre. Steve Evans –Jim et Jo les joyeux marins. Petit frottement au deuxième plat état
Best.-Nr. 9293in 12 broché à l’italienne couverture illustrée en couleurs de MARIJAC, 20 pages Editions SEPA 4/1946.les chasseurs de tête-Steve Evans –Rouletabosse par MARIN. Très bon état
Best.-Nr. 9294in 12 broché à l’italienne couverture illustrée en couleurs de MARIJAC, 20 pages Editions SEPA .Chasse à l’homme au pays des Jivaros. Steve Evans –Rouletabosse par MARIN. Très bon état
Best.-Nr. 9295in 12 broché à l’italienne couverture illustrée en couleurs de MARIJAC, 20 pages Editions SEPA . Prisonnier des pirhanas. Steve Evans –Rouletabosse et fend la bise par MARIN. Très bon état
Best.-Nr. 8560Œuvre originale en couleurs tirée à 750 exemplaires ainsi de 50HC signés au crayon par VANCE.Dargaud-Vance /Van Hamme Bleu cobalt 1992.Petite pliure angle inférieur droit sinon bon exemplaire
Best.-Nr. 7900in 12 broché,faux-titre,frontispice,titre,212 pages,29 dessins pris sur le vif,dans le texte et hors-texte de Jean GUERIN.Edition Bernard Grasset 2 décembre 1936,petites traces de manipulation,sans gravité.Edition originale
Best.-Nr. CIN005C341998 / 190 pages. Broché Editions Petites bibliothèque des Cahiers du Cinéma.
Best.-Nr. 5562Fort in 8 reliure éditeur pleine toile rouge éditeur,titre doré au dos et sur le premier plat,films, studios,agents,publicités,nombreuses photos d’artistes des cette époque,en fin de volume Simone SIGNORET,Charles VANEL,Daniel GELIN,Maria CASARES etc.Très bon état
Best.-Nr. 4212In 12 carré broché,faux-titre,titre,158 pages, illustrations photographiques hors-texte tirées du film de Marcel PAGNOL,éditions Marcel Pagnol 1937,collection les films qu’on peut lire.Un petit manque en marge supérieure page 147 à la fin
Best.-Nr. 4163le livre tiré du film scénario et dialogues de Jacques BECKER, Maurice GRIFFE et Françoise GIROUD in 12 broché, couverture illustrée avec titre, titre en long,au dos.78 pages,illustrations photographiques plein page tirées du film.World Film publication France.Collection livre du film sans date 1947. avec Roger PIGAULT,Claire MAFFEI,Noël ROQUEVERT,Gérard OURY,Annette POIVRE etc…petites taches claires à la dernière page.Peu courant
Best.-Nr. 4119in 12 carré,broché.Couverture rempliée,faux-titre, frontispice d’après un portrait inédit dessiné et gravé sur bois par Andréa Szekely de DOBA,124 pages,1 feuillet de sommaire,illustrations hors-texte de Sacha Guitry.Fac-similé de lettres,textes de René BENJAMIN,G.de PAWLOWSKI, Henri DUVERNOIS,René BIZET,Albert DUBEUX,Sacha GUITRY; éditions de la Revue Le Capitole 20 juillet 1926. Exemplaire numéroté sur papier vélin,petites rousseurs en marge extérieure du premier plat
Best.-Nr. 129in 12 broché,pièce en quatre actes,quinze illustrations hors texte de Jean COCTEAU en fin de volume,grasset éditeur 1934. Edition originale sur alfa.Proche de l'état de neuf.
1977Best.-Nr. 171038N.p.: N.p. 1977. Vintage borderless reference photograph from the 1977 film showing André Dussollier and Anémone covered in wires. A slapstick satire of modernism and government control about a French couple who are chosen by the Ministry of the Future to be the country's "model couple" and used as test subjects for the creation of a new updated city by the year 2000. 5 x 7 inches. Very Good plus moderately toned. N.p. unknown
1969Best.-Nr. 171039N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing Alfred Hitchcock sitting in his director's chair on the tarmac at the Paris airport Orly Val-de-Marne France. Layout annotations in manuscript pencil on the verso. Based on the 1967 novel by Leon Uris about a French agent who helps the United States uncover the presence of Russian missiles in Cuba. 9.5 x 7.25 inches. Near Fine. N.p. unknown
1968Best.-Nr. 171040N.p.: N.p. 1968. Two vintage borderless reference photographs of Dalton Trumbo on the set of the 1968 film. Based on the 1966 Pulitzer Prize-winning novel by Bernard Malamud. A poor Jewish man assumes the identity of a gentile after moving from the country to Kiev in order to secure a job working for a drunken prejudiced man. When the man is wrongfully accused of murder he winds up having to go to prison to avoid stigmatizing the entire Jewish community. Nominated for an Academy Award for Alan Bates. Set in Czarist Russia shot on location in Hungary 9 x 7 inches. About Near Fine. N.p. unknown
1970Best.-Nr. 171299N.p.: N.p. 1970. Two vintage borderless reference photographs from the 1970 film one showing actress Ann-Margret and the other showing her on the set with director Stanley Kramer and actor Anthony Quinn. A liberal-minded college professor at a west coast university is appointed president of the school after a group of radical student activists compel the former president to resign. 10 x 8 inches. Near Fine. N.p. unknown
1972Best.-Nr. 171323Aurora: CVD Studios 1972. Final script for the 1973 Western comedy film. Working copy belonging to actor Lee Meriwether with her first name in manuscript ink to the top right corner of the front wrapper and her annotations on several script leaves marking dialogue. With three leaves relating to credits laid into the front of the script and a hand-drawn get-well card laid into the script's rear. Lee Meriwether is best remembered today for her performance as Catwoman in "Batman: The Movie" 1966 and for her recurring performance as Betty Jones in the 1970s crime television series "Barnaby Jones." She also made significant appearances in nearly 200 television series notably "Dr. Kildare" 1965 "The Time Tunnel" 1967 "Star Trek" 1969 and "Mission: Impossible" 1970. She also appeared in nearly three dozen feature films including "Angel in My Pocket" 1969 and "The Undefeated" 1969. Two brothers ride into a Colorado mining town searching for a quick buck only to discover the mines rich in molybdenum. Lee Meriwether is best remembered today for her performance as Catwoman in "Batman: The Movie" 1966 and for her recurring performance as Betty Jones in the 1970s crime television series "Barnaby Jones." Shot on location in Cañon City Colorado. Generic blue CVD Studios wrappers. Title page present noted as Final dated September 21 1972 with credit for screenwriter Marion Hargrove. 127 leaves with last page of text numbered 126. Mimeograph duplication rectos only with blue revision pages throughout dated September 29 1972. Pages Very Good plus wrapper Very Good plus bound with two gold brads. CVD Studios unknown
1973Best.-Nr. 170446Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Collection of 18 vintage reference photographs from the 1975 film including 17 bordered photographs and one borderless double weight photograph. Eight with mimeo snipes on the verso. A very nearly experimental Western made by Sam Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of Western revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. Shot on location in Durango Mexico. 10 x 8 inches. Generally Very Good plus or better. Metro-Goldwyn-Mayer [MGM] unknown
1984Best.-Nr. 170425N.p.: Cinesthesia Productions 1984. Seven vintage photographs from the 1984 film including six studio stills and one reference photograph. One with a production company label on the verso and five with provenance labels to same. Director Jim Jarmusch's first effort "Permanent Vacation" 1980 was his final thesis at New York University's film school. As with the earliest films of Jean-Pierre Melville and David Lynch he then spent four years making "Stranger than Paradise" shooting as money allowed. The resulting film was the stunning breakthrough of an auteur who both understood his masters and paved the way for a new kind of cinema. 8 x 10 inches. Near Fine to Fine one with annotations in manuscript pencil to the margins. National Film Registry. Criterion Collection 400. Rosenbaum 1000. Cinesthesia Productions unknown
1940Best.-Nr. 171507Beverly Hills CA: United Artists 1940. Two vintage programs from the premiere of Charlie Chaplin's classic satire held in New York on October 15 1940. Includes a large-format 14-page illustrated program and smaller bi-fold black-and-white program. Color program with illustrations by noted artist Al Hirschfeld. Affixed to the title page of the color program are two ticket stubs for an October 30 1940 showing of the film at the Astor Theatre. The premiere was held at both the Astor and the Capitol Theatres in New York to accommodate high patron turnout. For his follow-up to his 1936 classic "Modern Times" Chaplin chose to do what only a handful of other films dared to do in 1940-make fun of Hitler. Though several of Chaplin's previous films had made use of music and sound effects and while Chaplin had sung briefly in "Modern Times" "The Great Dictator" marked the first time he spoke dialogue onscreen. Large-format program 9 x 10 inches saddle-stapled. Smaller program 6.25 x 9.5 inches bi-fold. Both programs Very Good plus to Near Fine with some light foxing toning and soil to the extremities. Criterion Collection 565. United Artists unknown
1971Best.-Nr. 170449N.p.: Cinerama 1971. Vintage borderless reference photograph from the 1971 film showing director Sam Peckinpah talking with Dustin Hoffman between takes. Provenance label on the verso. Based on Gordon M. Williams's 1969 novel. An American returns with his wife to her hometown in England only to run afoul of the locals with increasingly violent consequences. Controversial in its depiction of physical and sexual violence even within Sam Peckinpah's often controversial filmography the film is also frequently considered one of the director's best. Set in Dando Cornwall and shot on location in Cornwall and Middlesex England. 9.5 x 8.25 inches. About Near Fine. Criterion Collection 182. Grant US. Cinerama unknown
1973Best.-Nr. 170447Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1973. Vintage studio still color photograph from the 1975 film. Provenance label and annotations in manuscript pencil on the verso. A very nearly experimental Western made by Sam Peckinpah at his peak sufficiently strange to have remained of interest only to the most intense fans of Western revisionism. Comparable only to "McCabe and Mrs. Miller" 1971 and "The Shooting" 1966 in terms of sheer impressionism being laid upon the genre with iconic imagery and super-stylization in every frame. Shot on location in Durango Mexico. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1972Best.-Nr. 170451Los Angeles: First Artists / National General Pictures 1972. Vintage reference photograph from the 1972 film showing director Sam Peckinpah behind the camera. Mimeo snipe on the verso. A ballet of violence and to date easily the finest adaptation of a Jim Thompson novel ever produced. Other grand alliances made this one of the great crime films of the New American Cinema including a supremely confident Steve McQueen as an antihero and a young Walter Hill-who first encountered McQueen on the set of "Bullitt" four years prior-handling the screenplay. 8 x 10 inches. Light toning to margins else Near Fine. Grant US. Silver Classic Noir. Spicer US. First Artists / National General Pictures unknown
1969Best.-Nr. 171508Los Angeles: American International Pictures AIP 1969. Two vintage lobby cards for the 1969 film. Cher's first film appearance without her then-husband Sonny Bono about a free-spirited mercurial hippie hitchhiker. Shot on location in Phoenix Arizona. 14 x 11 inches. Near Fine. American International Pictures [AIP] unknown
