11.064 Ergebnisse
1915Best.-Nr. 171490N.p.: N.p. 1915. Two vintage reference photographs from the 1915 silent film one showing Edward Martindel and Mary Pickford the other showing Martindel Pickford and Mildred Morris. Contemporary annotations in manuscript pencil on the versos. Years after abandoning his daughter to an orphanage a wealthy painter attempts a reconciliation. The original film premiered in 1915 directed by Allan Dwan but was destroyed in a fire shortly after its release and is today considered lost. The film was re-made with the same cast directed by John B. O'Brien and released in 1916. One 8.75 x 8 inches the other 10 x 8 inches. Good edgeworn with chips at two corners moderately toned. N.p. unknown
1925Best.-Nr. 171333Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1925. Two vintage reference photographs from the 1925 silent film both showing Ramon Novarro and a heavily bejeweled May McAvoy. Mimeo snipes on the versos. Jewish prince Ben-Hur is sent to prison at the behest of his childhood friend Messala as a result of a mishap during a Roman parade. Through sheer will the prince endures prison and once released vows revenge on his childhood friend. The most expensive silent film made with a budget of $3.9 million and the second of five adaptations of Lew Wallace's 1880 novel. Shot on location in Italy and California. 10 x 8 inches. About Near Fine lightly toned. National Film Registry. Godard Histoires de cinema. Metro-Goldwyn-Mayer [MGM] unknown
1924Best.-Nr. 171485Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1924. Vintage reference photograph from the 1924 film showing Zasu Pitts. Mimeo snipe on the verso. Based on the 1899 novel "McTeague" by Frank Norris. An impoverished miner-turned-dentist wins the lottery but the ensuing fortune threatens to ruin the lives of everyone it touches. Director Erich von Stroheim's masterpiece one of the first films to be shot entirely on location in San Francisco and Death Valley using what were then considered sophisticated and relatively new filming techniques such as montage editing and deep focus. Stroheim's first cut of the film was a mammoth 9.5 hour presentation edited down to two and a half hours against his wishes. All that survives today is a slightly choppy but coherent 240-minute version a careful restoration supplanted with still photographs that conveys to the viewer the unimaginable grandeur of the original. 8 x 10 inches. Very Good plus lightly toned and edgeworn. National Film Registry. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
1940Best.-Nr. 171479Los Angeles CA: RKO Radio Pictures 1940. Vintage studio still photograph from the 1941 film showing Orson Welles and Ruth Warrick surrounded by policemen. SIGNED by Warrick on the recto. Numeric stamp and annotations in manuscript pencil on the verso. Often considered to be one of the finest American films ever made the story of a reporter investigating the last words of wealthy newspaper magnate Charles Foster Kane. Welles' first feature film winner of an Academy Award and nominated for eight others including Best Picture. Shot on location in New York and California. 10 x 8 inches. Near Fine. Ebert I. Godard Histoires du cinema. Grant US. National Film Registry. Rosenbaum 1000. Schrader 6. Scorsese A Personal Journey Through American Movies. Selby US. Spicer US. RKO Radio Pictures unknown
1936Best.-Nr. 171495Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1936. Two vintage reference photographs from the 1936 film one double weight and showing Norma Shearer the other single weight and showing Basil Rathbone. MGM snipe and photographer's stamp on the verso of one photograph. Studio head Louis B. Mayer was reluctant to film a version of Shakespeare's classic tragedy but agreed after a 1934 Broadway revival was met with widespread success. Nominated for four Academy Awards including Best Picture and Best Actress for Shearer. 8 x 10 inches. Both Very Good evenly toned and one with moderate soil to the margins and a small chip to one corner. Metro-Goldwyn-Mayer [MGM] unknown
1915Best.-Nr. 171489Los Angeles: Jesse Lasky 1915. Vintage double weight studio still photograph from the 1915 silent film showing Cleo Ridgely and Marjorie Daw. Based on the 1906 play by James Forbes. A chorus girl's attempts to keep her younger sister away from the depravities of show business fall flat when the sister is given a part in a stage play by a womanizing theatre patron. Currently considered lost. 8 x 10 inches. Very Good plus moderately toned. Jesse Lasky unknown
1940Best.-Nr. 171677Los Angeles: Paramount Pictures 1940. Vintage reference photograph of director Preston Sturges smiling with Hungarian-American actor Steffi Duna on the set of the 1940 film. Mimeo snipe on the verso referring to the film by its working title "Down Went McGinty" along with the rubber stamp of Paramount photographer G.E. Richardson. Sturges had become a very successful Hollywood screenwriter by the late 1930s and with his screenplay for "The Biography of a Bum" wanted so much to direct the film that he offered to do the job for free. With very few exceptions notably Charlie Chaplin the notion of an established studio writer directing a film was nearly unheard of in Hollywood where writers were typically not even allowed on the set. Only the irresistible cheapness of Sturges' offer made it possible for the film to get made. Over the six year period during which the script remained unproduced the title changed to "The Vagrant" then "Down with McGinty" then finally just prior to production to "The Great McGinty." It was not only a success but won Sturges an Oscar for Best Screenwriter. More importantly he was allowed to continue as a writer-director with a magnificent career that included one classic after another including "Sullivan's Travels" "The Lady Eve" "Unfaithfully Yours" "The Palm Beach Story" and "Hail the Conquering Hero." 7.5 x 9.5 inches. Very Good plus lightly worn at the corners. Paramount Pictures unknown
1987Best.-Nr. 170424Los Angeles: Island Pictures 1987. Seven vintage studio still photographs from the 1987 film. One with a provenance label on the verso. An irritable pimp an out-of-work disc jockey and a lackadaisical Italian tourist find themselves in an unlikely trio when they are sentenced to share a prison cell where they decide to escape together into the Louisiana bayou. Set and shot on location in Slidell and New Orleans Louisiana. 10 x 8 inches. Fine. Criterion Collection 166. Rosenbaum 1000. Island Pictures unknown
1926Best.-Nr. 171469Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Three vintage reference photographs from the 1926 silent film: one showing Greta Garbo alone one showing Ricardo Cortez alone and one showing Garbo and Cortez in an embrace. Based on Vicente Blasco Ibàñez's 1900 novella "Entre naranjos." Garbo's second American film appearance and first starring role launching her Hollywood acting career and paving the way for her third American film "Flesh and the Devil" the movie that would make her an international star. 8 x 10 inches. Generally Very Good plus two lightly toned and one with a chip at one corner. Metro-Goldwyn-Mayer [MGM] unknown
1969Best.-Nr. 131243N.p.: Cinema V. 1969. Original silkscreen poster designed by legendary title and poster artist Saul Bass for the US release of the 1968 French film "Alexandre le bienheaureux." Printed at the Art Krebs Screen Studios in Los Angeles and used for the film's premiere at the legendary Cinema II Theater in New York City. Bass' initial design proposals were in general too radical for film studios to consider for advertisement and were invariably altered to suit commercial needs. He produced silkscreens of his original designs himself in non-numbered editions of 50 to 200. These posters were then given to fellow artists friends museums and design magazines and never offered directly for sale by Bass. 25 x 33 inches. About Fine with a light crease to the upper left corner. Cinema V. unknown
1990Best.-Nr. 171474Hollywood CA: Stephen J. Cannell Productions 1990. Revised Draft script for Season 7 Episode 6 of the 1984-1991 television series here under working title "When the Shark Bites" originally aired October 31 1990 on NBC. Series following two rule-breaking cops forced together as partners by their superiors. In this episode the police Captain attempts to protect his father after discovering his connections to the mob. Set in and shot on location in Los Angeles. Blue titled self wrappers lacking rear wrapper production No. 5707 dated September 14 1990 with credits for screenwriter Simon Muntner and director Peter Crane. Title page integral with front wrapper. 62 leaves with last page of text numbered "47/48". Xerographic duplication rectos only with revision pages throughout dated 09/14/90. Pages Fine wrapper Fine bound with two gold brads. Stephen J. Cannell Productions unknown
1972Best.-Nr. C102028London: Josef Shaftel Productions 1972. First Edition. Wraps. Very Good. First Edition. Wraps. Alice's adventures in Wonderland: Final shooting script by William Sterling copy belonging to actor Mike Elles playing Guinea Pig Two; with his signature on the title page. Typed 159 page script presented in a black card binder with title window/ Original Programme of the 'Royal Premiere in the Gracious Presence of Her Majesty The Queen in aid of The Gurkha Welfare Appeal Odeon Marble Arch 4th December 1972. Small 4to. Original publisher's wraps in old gold lettered Black and Orange with background illustrations of the traditional characters from the book. Contents Include Frontispiece photograph of HM Queen Elizabeth II; information on The Gurkha Welfare Appeal Premiere Committee with Patron Admiral of the Fleet The Earl Mountbatten of Burma and many period advertisements which add graphic interest; 32 Page souvenir booklet with Cast List Technical Credits and copious colour production photographs. Loosely inserted black and white stills photographs x 5 featuring the Guinea Pigs; Newspaper review clippings x 3 by Giles Brandreth and Lida Handsley with a feature on Fiona Fullerton 'The Girl Lord Snowdon Discovered.' / Production flyer for the Premiere promoting The Gurkha Welfare Appeal and a colour production illustration of Fiona Fullerton as Alice surrounded by a cast of characters/ Josef Shaftel Productions 'Script Amendments and Deletions' 24 March 1972 issued to all concerned from Rene DuPont/ Six typed Call Sheets No.s 13452734 giving scene details with artists and characters involved. Very good. Josef Shaftel Productions paperback
1988Best.-Nr. C1001381988. First Edition. Wraps. Paperback . Very Good. First Edition. Wraps. pp 58. Foolscap printed recto only. Metal stapled top inside corner. Typescript style. Last page summarises Don Macpherson's screenwriting and TV career inc 'Absolute Beginners' up to 1988. The novel where 'R and R' is short for Rest and Recreation is set over 36 hours and seems to have different versions of the truth as seen by different characters and hallucinatory episodes- 'blackly comic'. It was planned to be 25 chapters. It is noted on the front page that Macpherson's agent was Sue Rodgers / Duncan Heath Associates Wardour Street London W1. No copies noted anywhere presumably never published possibly never finished. Very good. paperback
1972Best.-Nr. 132510Culver City CA: Columbia Pictures 1972. Draft script for the 1973 film. Copy belonging to actress Tresa Hughes with her annotations and yellow revision leaves throughout. Rita a middle aged New York City homemaker finds herself in an emotional crisis which forces her to re-examine her life as well as her relationships with her mother her eye doctor husband her alienated daughter and estranged son. Hughes was nominated for a Tony award for Best Actress for her role in the 1961 production of "The Devil's Advocate." Black titled wrappers with credits for screenwriter Stern. Title page present with credits for screenwriter Stern. 112 leaves mimeograph duplication with yellow revision pages throughout all dated 10/6/72. Pages Near Fine wrapper Very Good bound with two gold screw brads. Columbia Pictures unknown
1984Best.-Nr. 171314Los Angeles CA: Orion Television Productions 1984. First Draft script for Season 4 Episode 18 of the 1981-1988 television series. Originally aired February 25 1985 on CBS. Internal wrapper inscribed in manuscript ink by actress Sharon Gless. With manuscript ink annotation of the name of an unknown cast or crew member on the front internal wrapper and on the recto of the last page of narrative text. Series following two women police women one single and one married. In this episode one of the women ponders retirement following a breast surgery and one has her corvette stolen. Set in Manhattan. Untitled brown external wrappers with manuscript ink annotation. Green titled internal wrappers. Title page present dated December 10 1984 noted as First Draft with credits for screenwriter Georgia Jeffries. 56 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Fine external wrapper Very Good plus wrapper Fine bound internally with three silver brads. Orion Television Productions unknown
1943Best.-Nr. 171691N.p.: N.p. 1943. Two vintage working advertising proofs for the 1943 film both with copied layout annotations on the rectos. Based on Lillian Hellman's 1941 play. A German-born engineer and his family escape to the US after engaging in anti-Fascist activities in Europe. The screen rights for this World War II drama were attained by Jack L. Warner who saw its potential as a propaganda film. After a difficult production the film was released to positive reviews with Paul Lukas receiving the Academy Award for Best Actor. 9.75 x 22.25 inches and 7.5 x 11.5 inches. Very Good plus with three horizontal creases to the larger proof and two small pieces of cello tape to the top corners of the smaller proof. N.p. unknown
1944Best.-Nr. 171686N.p.: Donahue And Coe 1944. Vintage advertising proof for the 1944 film. Based on the 1943 book by Captain Ted W. Lawson and edited by Robert Considine an eyewitness account of the first American retaliatory strike against Japan four months after the Japanese attack on Pearl Harbor led by US Air Force Lieutenant Colonel James Doolittle. Set in Florida and shot on location in Florida and California. 8.5 x 11 inches. Very Good plus with tiny bruises to the four corners. Donahue And Coe unknown
1944Best.-Nr. 171690N.p.: Donahue And Coe 1944. Two vintage working advertising proofs for the 1944 film both with manuscript pencil annotations amending text and layout on the recto and two printer labels on the verso of the narrow proof. Based on the 1943 book by Captain Ted W. Lawson and edited by Robert Considine an eyewitness account of the first American retaliatory strike against Japan four months after the Japanese attack on Pearl Harbor led by US Air Force Lieutenant Colonel James Doolittle. Set in Florida and shot on location in Florida and California. 11.5 x 17 inches and 7.25 x 18 inches. Very Good plus with light creasing and faint overall rubbing and soiling. Donahue And Coe unknown
1999Best.-Nr. 171712Culver City CA: N.p. 1999. Two Draft scripts a Table Draft script dated July 30 1999 and a Record Draft script dated August 3 1999 for the 2000 episode of the 1999-2000 primetime animated television series which aired on UPN on July 25 2000. The Record Draft script copy belonging to screenwriter and co-executive producer Stephan Sustarsic with a label with his name printed on it on the front wrapper and copied annotations noting scene number throughout. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode the company comes under scrutiny for unethical business practices so employees are sent for mandatory ethics training. Management however who is responsible for the ethics violations of course does not have to attend. Table Draft: Front wrapper integral with title page dated July 30 1999 noted as TABLE DRAFT with credits for screenwriter Scott Adams. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Record Draft: Blue titled wrappers noted as RECORD DRAFT on the front wrapper dated August 3 1999 with credits for screenwriter Larry Charles. 46 leaves with last page of text numbered 44. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1994Best.-Nr. 162973New York: MTV 1994. Four draft scripts 6 treatment scripts and some ephemera related to an unproduced pilot episode of a television series set to air on MTV. Set to star former MTV VJ Ed Marqus this series would have followed a laid-back Pulitzer Prize winning journalist who takes a job teaching a journalism class at a stuffy private high school. Set in Chapel Hill North Carolina. Fourth Draft script: White titled self wrappers lacking rear wrapper noted as FOURTH DRAFT on the front wrapper dated March 1 1994 with credits for screenwriters David Silverman and Stephen Sustarsic. Title page integral with front wrapper. 53 leaves with last page of text numbered 53. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound in binder. Third Draft script: White titled self wrappers lacking rear wrapper noted as THIRD DRAFT on the front wrapper dated February 20 1994 with credits for screenwriters David Silverman and Stephen Sustarsic. Title page integral with front wrapper. 56 leaves with last page of text numbered 56. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound in binder. Draft script 1: White titled self wrappers lacking rear wrapper dated January 12 1994 with credits for screenwriters David Silverman and Stephen Sustarsic. Title page integral with front wrapper. 52 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound in binder. Draft script 2: White titled self wrappers lacking rear wrapper dated January 5 1994 with credits for screenwriters David Silverman and Stephen Sustarsic. Title page integral with front wrapper. 51 leaves with last page of text numbered 51. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound in binder. Treatment script 1: Lacking wrappers. 4 leaves. Xerographic duplication rectos only. Near Fine unbound. With manuscript ink annotations to each page. Treatment script 2: Lacking wrappers. 2 leaves. Xerographic duplication rectos only. Near Fine bound with staple at top left corner. Treatment script 3: Lacking wrappers. 3 leaves. Xerographic duplication rectos only. Near fine bound with staple at top left corner. With manuscript ink annotation to each page. Treatment script 4: Lacking wrappers. 8 leaves. Xerographic duplication rectos only. Near Fine bound with paperclip at top left corner. Treatment script 5: Lacking wrappers. 13 leaves. Xerographic duplication rectos only printed on gray stock. Near Fine unbound. Treatment script 6: Lacking wrappers. 8 leaves. Xerographic duplication rectos only. Very Good plus bound with paperclip at top left corner. 1 Deal proposal to screenwriter Stephen Sustarsic: 2 leaves Near Fine. Housed in a Major Clients Agency envelope Very Good plus with some tearing from opening and with manuscript ink annotation on the verso. 1 set of handwritten notes: 11 leaves rectos only unbound. Very Good plus. All materials housed in a generic three-ring binder. MTV unknown
1975Best.-Nr. 151589N.p.: Joseph Green Pictures 1975. Vintage press kit for the US release of the 1975 French film for use by distributors and the press containing two pressbooks 15 black and white photographs and a poster for the film. A married couple played by real-life husband and wife Paul Gegauff and Daniele Gegauff decide to spice up their sex lives by beginning an open relationship but the husband's jealousy soon pushes them both to a breaking point. Poster photographs and pressbooks Near Fine. Joseph Green Pictures unknown
2002Best.-Nr. 163347N.p.: Muddfilms 2002. Vintage press kit for the 2004 film. The press kit was produced in 2002 following the film's screening at the 2002 NoDance Film Festival in Park City Utah where the film won the "Best Director" jury prize. The press kit referred to as a "Media Pack" on the label on the enclosing folder includes a gathering of 24 pages which include film reviews synopses statements and bios of the cast and crew a two page review by Michael Edwards a March 2002 issue of "Entertainment Showcase" a CD of image files from the film six color promotional flyers and collages on photographic paper promoting the film and four flyers promoting the films screening at the 2002 NoDance Film Festival. A surprisingly disturbing and entertaining black comedy. Millard Mudd a struggling alcoholic cartoon writer with writer's block finds himself at the end of his rope until he accidentally hits a stray dog Lucky while out on a liquor run. While nursing Lucky back to health Lucky begins talking teaching Mudd how to craft award winning scripts and to kill. Folder and contents Near Fine overall. Muddfilms unknown
1969Best.-Nr. 164092N.p.: N.p. 1969. Archive of 339 contact sheets comprising over 6750 studio still and on-the-set images from renowned still photographer Muky from the 1969 film. The archive is bound in two three-ring binders each labeled with the title "Directed by Arthur Penn" and "Still Photographs by Muky" with the binders labeled "Volume 1" and "Volume 2" on the spine respectively. The contact sheets in the archive are nearly all mounted back-to-back and affixed to the left edge with binders tape each with a three-hole punch to the binders tape. Muky born Menyhert Munkacsi was a renowned photographer for over 60 years and one of the foremost still photographers in the movie industry for over 25 years. Beginning as a photographer for theatrical productions in Budapest Hungary Muky was hired by Warner Brothers in the mid 1930s. By the 1950's Muky was one of Hollywood's most well respected still photographers. After relocating to New York in the mid 1950s Muky became perhaps the best known film still photographer in New York. Among the films on which Muky worked include: "12 Angry Men" 1957 "The Apartment" 1960 "The Miracle Worker" 1962 "Midnight Cowboy" 1969 and "Dog Day Afternoon" 1975. Based on Guthrie's 1967 folk protest song a narrative loosely based on Guthrie's own experiences being jailed for littering and later using the record of his arrest to escape the Vietnam draft. Set and shot on location in New York and Massachusetts. 339 Contact Sheets 8.5 x 10 inches all but eleven mounted back-to-back. Near Fine overall. Two Binders 11 x 11.5 x 3.25 inches. Very Good plus with light overall rubbing. N.p. unknown
1972Best.-Nr. 171708N.p.: N.p. 1972. A small archive of production and personal documents from the 1972 film belonging to Executive Producer John H. Burrows. Burrows was a noted film and television producer who began his career as a film distributor in the 1950s after his father George Burrows then President of Allied Artists got him in to the industry. Beginning as an associate producer for the film "Torpedo Alley" 1952 Burrows has since garnered over 50 credits in over 50 years in film and television and is best known as a production manager and producer for "A Nightmare on Elm Street" 1984 "Pump Up the Volume" 1990 and "The Watcher" 2000 among many others. The archive includes: A handwritten four page opening credit list noting credit order and proportional text size dated "1/14/72." Five copies of press releases for the film from Crown International Pictures publicist Donald J. Haley announcing commencement of pre-production and shooting to begin on January 3 1971 two noting shooting on location in Florida and one noting Burrows as executive producer and his arrival in Miami. Four with manuscript marker annotations of press release dates two dated "11/12/71" one "11/26" and one "11/29." Three pages of crew members' skill set and credits on "Film Equipment Rentals Inc." of Miami Florida letterhead for: Jack Johnson "Props--Special Effects" credited in the film as "Property Master" Walter Morris Jr. "Lighting Director" credited in the film as "Gaffer" and Roberta Rose "Production Assistant--Auditor--Secretary uncredited. One autograph letter signed to Burrows from his wife "Nan" Naomi Burroughs one note signed from "Nan" and three pages of drawings from their young son noted in the letter housed in the original envelope post-marked "Dec 15 1971." And a small gathering of documents from Burrows' travel in Florida including: a Miami / Fort Lauderdale Area AAA map a National Airlines Quick Reference Schedule for Miami / Miami Beach dated October 31 1971 a Diners Club receipt for a meal at "Gallaghers" in Miami a hand-written note of various names numbers and addresses a business card for certified public account Nazar H. Ashjian Jr. and a printed listing of locations for the Miami adult bookseller "The Atheneum Inc." The archive also includes two later outliers: a "Zeus God of Gods Productions" envelope post-marked "8 Oct 1982" addressed to Burroughs at Pan Pacific Productions containing a typed memo signed from from a Judy Powell and a note on "Zeus God of Gods Productions" letterhead from film producer "D. Constantine Conte" and a circa early 1980s copy of director Michael Lindsay-Hogg's directorial credits on William Morris Agency letterhead. Shell-shocked Native American Tim Ochopee a Vietnam veteran discovers his father has been murdered and seeks retribution with the help of his best friend a snake named Stanley and Stanley's brood. Set in the Florida Everglades shot on location in Everglades National Park and Homosassa Springs Wildlife State Park Florida. Credit List Press Releases and "Film Equipment Rentals Inc." crew list 8.5 x11 inches. Very Good plus to Near Fine overall with the "Film Equipment Rentals Inc." list and the Opening Credit List saddle stapled with a single staple to the top left corner. Other ephemera Very Good plus to Near Fine overall. Thrower Nightmare USA. N.p. unknown
1999Best.-Nr. 171716Culver City CA: N.p. 1999. Two Draft scripts a Table Draft script dated August 6 1999 and a Record Draft script dated August 12 1999 for the 2000 episode of the 1999-2000 primetime animated television series which aired on UPN on July 18 2000. Copies belonging to screenwriter and co-executive producer Stephan Sustarsic with labels with his name printed on it on the front wrappers. The Record Draft script with copied annotations noting scene numbers throughout. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dogbert writes a best-selling book "Chronic Cubicle Syndrome" which the boss sees as an opportunity to promote a new product. Table Draft script: Front wrapper integral with title page dated August 6 1999 noted as TABLE DRAFT with credits for screenwriter Larry Charles. 47 leaves with last page of text numbered 45. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Record Draft script: Blue titled wrappers noted as RECORD DRAFT on the front wrapper dated August 12 1999 with credits for screenwriters Ron Nelson and Mark Steen and story and rewrite credits for Larry Charles. 57 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
