11.049 risultati
1973rif. 171988Various cities: Nederland Film / British Leyland 1973. Vintage program for the 1973 Dutch film. Issued by British Leyland automotive company in collaboration with Nederland Film with a contest advertised at the rear of the program. Text in Dutch. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Rutger Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. 6 x 9 inches. Seven pages. Very Good plus in side-stapled wrappers with last leaf partially detached from the binding. Nederland Film / British Leyland unknown
1972rif. 171980N.p.: N.p. 1972. Two vintage borderless reference photographs from the set of the 1972 film-one showing director Ingmar Bergman talking with actors Liv Ullmann and Ingrid Thulin between takes the other showing Bergman with cast and crew members in the projection room reviewing daily rushes. Both with the stamp of photographer Bo-Erik Gyberg on the verso. Included with the photographs is a nine-page copy of an English-language publicity article about Bergman and the film dated 1973 housed in an envelope with the label of Ernie Anderson Bergman's American talent agent with the Paul Kohner Agency affixed to the front. In her last days a woman dying of uterine cancer is moved to her childhood home where she is placed under the care of her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred Sweden. 7.25 x 9.5 inches. Lightly curled else Near Fine. Criterion Collection 101. Complete collation details available on request. N.p. unknown
1967rif. 170505Culver City CA: Columbia Pictures 1967. Vintage borderless studio still photograph from the 1967 film showing writer Truman Capote talking with director Richard Brooks and cinematographer Conrad Hall on location in Kansas. Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards. 7.5 x 10 inches. About Fine. National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. Columbia Pictures unknown
1974rif. 170507N.p.: N.p. 1974. Vintage reference photograph from the 1974 Italian film showing director Liliana Cavani and actor Charlotte Rampling on the set. Cavani's international breakthrough a deeply controversial film about a Holocaust survivor who renews her sadomasochistic sexual relationship with her Nazi captor after a chance encounter which threatens to expose his fellow former SS officers now living in secret in postwar Vienna. Shot on location in Vienna Austria and Rome Italy. 10 x 8 inches. Near Fine. Criterion Collection 59. Grant Italy. N.p. unknown
1973rif. 171998Burbank CA: Warner-Columbia Film 1973. Vintage pressbook for the initial German release of the 1973 Dutch film including a black-and-white booklet with advertising insert leaves and three vintage borderless reference photographs one showing Paul Verhoeven wearing a rain poncho during filming on location the other two showing Rutger Hauer and Monique van de Ven. Text in German. Based on Jan Wolkers' 1969 novel. A gifted but poor sculptor marries a beautiful wealthy young woman but their relationship is tumultuous and soon sours. Director Paul Verhoeven's second feature film the screen debuts of both Hauer and van de Ven and the most successful release in the history of Dutch cinema. Set and shot on location in Noord-Holland and Rotterdam Netherlands. Folder: 8.25 x 11.75 inches. Near Fine. Photographs: 7 x 9.5 inches. Very Good plus. Warner-Columbia Film unknown
1972rif. 171995N.p.: N.p. 1972. Vintage borderless double weight photograph of cast and crew members of the 1972 film including director Ingmar Bergman and all principal cast raising their glasses in a toast. In her last days a woman dying of uterine cancer is moved to her childhood home where she is placed under the care of her emotionally distant sisters and distraught maid. Bergman's abstracted portrait of his mother with each of the women in the film representing an aspect of her personality. Shot on location at Taxinge-Nasby Castle in Mariefred Sweden. 13.5 x 9.5 inches. Very Good plus with brief wear to the corners. Criterion Collection 101. Complete collation details available on request. N.p. unknown
1966rif. 148977Burbank CA: Warner Brothers 1966. Vintage one sheet poster for the 1966 film. Based on the 1964 hit Broadway play by Muriel Resnik. Ellen Gordon Jane Fonda is New York executive John Cleves' Jason Robards mistress who falls for Cleves' young out-of-town associate Cass Henderson Dean Jones when Cleves' secretary unknowingly sends him to the apartment where they have their trysts. The secretary then compounds the error by telling Cleves' wife Dorothy Rosemary Murphy about the apartment. Shot on location in New York City. 27 x 41 inches. Folded as issued one small closed tear else Near Fine. Warner Brothers unknown
1970rif. 151201N.p.: N.p. 1970. Draft script for an unproduced film. A lawyer investigates the wrongful detainment of his partner by the police who he suspects has been held due to his political activities during a recent social unrest. Screenwriter Michael Sarne is best known for his work as a director including "Joanna" 1968 and "Myra Breckinridge" 1970 and as an actor most notably in "Intimidade" 1975 and "Eastern Promises" 2007. Set in South America. Red untitled wrappers with a die-cut title window in the British style. Title page present undated with credits for screenwriter Michael Sarne. 96 leaves with last page of text numbered 94. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with two silver brads. N.p. unknown
1940rif. 148596Culver City CA: Universal City Studios 1940. Temporary Complete script from an unproduced film by screenwriter Walter Reisch. Annotation of date "4-19-40" in manuscript pencil on affixed MGM Label with "Property of Universal City Studios" stamp below label. Reisch worked in Germany's leading film company Ufa during the late 1920s and early 1930s alongside another Viennese writer Billy Wilder as a screenwriter assistant director and cameraman as well as lyricist for operatic films. Forced to join the mass exodus from Germany during the rise of Nazism he moved to London writing and directing the 1936 comedy "Men Are Not Gods" starring Miriam Hopkins which attracted attention from Louis B. Mayer. From 1938 to 1948 Reisch worked at MGM as a script doctor and screenwriter on such films as Ernst Lubitsch's "Ninotchka" 1939 starring Geta Garbo and George Cukor's "Gaslight" 1944 starring Ingrid Bergman. The ingenious but disheveled naval officer Lieutenant Andrew Milford arrives in Sinapore in the US Submarine "Phoebe" for the inauguration of a British Naval Base finding himself enamored with the city and of Sue owner of a waterfront bar and restaurant who his pal Jack is also fond of. A dramatic romantic comedy with musical numbers. Set in Singapore. Blue titled wrappers noted as TEMPORARY COMPLETE on the front wrapper rubber-stamped copy No. 27 and production No. 6910 dated 3/1/40 with credits for screenwriter Walter Reisch. Title page integral with first page dated 3-1-40 with credits for screenwriter Walter Reisch. 101 leaves with last page of text numbered 101. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Universal City Studios unknown
1972rif. 167513N.p.: N.p. 1972. Vintage oversize borderless color reference photograph from the 1972 French film showing actress Zouzou. The sixth and final film in Éric Rohmer's "Six Moral Tales" series about a married businessman whose harmless fantasies threaten to spill over into reality when he encounters an old flame at his office. Set and shot on location in Paris. 12 x 9.25 inches. Near Fine. Criterion Collection 348. N.p. unknown
1967rif. 148982N.p.: Childhood Productions Inc 1967. Vintage one sheet poster for the US release of the 1955 German film. Based on the Italian fairy tale particularly the 1812 version found in Jacob and Wilhelm Grimm's "Grimms' Fairy Tales." A fanciful live-action rendition of the tale of the anthropomorphic cat Margitta Sonke who uses fools King Wonnebald F.W. Schroder-Schrom and his daughter Rosine Christa Oenicke into believing the miller's son Hans Harry Wustenhagen is Count Carabas and tricks the evil wizard Saufdichvoll Helmut Ziegner into giving his noble home a knight's castle to Hans. Shot on location at Burg Castle in North Rhine-Westphalia Germany. 27 x 41 inches. Folded as issued. Very Good pinholes to corners small splitting at crease several small closed tears and cello tape at extremities. Childhood Productions, Inc unknown
1960rif. 150871Hollywood: Paramount Pictures 1960. Post-production Release Dialogue screenplay for the 1960 film. Laid in with the script is a single revision page. Based on Hans Ruesch's 1953 novel "Top of the World." An Inuit hunter kills a white missionary after misinterpreting the man's intentions and is pursued by police through the Arctic. Set and shot on location in the Canadian Arctic. Tall white titled wrappers dated AUGUST 26 1960. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Very Good plus overall with light dampstaining to the top edges bound with two staples. Olive Films 1349. Rosenbaum 1000. Paramount Pictures unknown
1970rif. 141153N.p.: N.p. 1970. Draft script for an unproduced television episode. Screenwriter Donald S. Sandford was a prolific writer for both television and film including for the programs "Dr. Kildare" "Bonanza" and "Midway." Orange titled wrappers stamped copy No. 35. Title page present with credit for screenwriter Donald S. Sanford. 42 leaves with last page of text numbered 40. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1970rif. 149020N.p.: Columbia Pictures 1970. Vintage one sheet poster for the US release of the 1968 Italian film. Nature-boy shepherd Serafino Adriano Celentano inherits his aunt Gesuina's Nerina Montagnani fortune and proceeds to frivolously spend it on family and friends. After destroying a new convertible his uncle Agenore Saro Urzi files to have him declared mentally incompetent. Shot on location in Marche Lazio and Abruzzo Italy. 27 x 41 inches. Folded as issued. Very Good plus with small split in crease pinholes to top corners and manuscript annotation on verso visible on recto. Columbia Pictures unknown
1968rif. 167502N.p.: N.p. 1968. Vintage reference photograph from the American release of the 1968 French film. American release information affixed to the verso. From the archive of film historian and author Joel Finler. A follow-up to director François Truffaut's 1959 film "The 400 Blows" continuing the story of Antoine Doinel who-now an adult-has been dishonorably discharged from the army. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 186. N.p. unknown
1967rif. 167511N.p.: N.p. 1967. Vintage reference photograph from the set of the 1967 French film showing Haydee Politoff and Patrick Bauchau preparing for a swim. Annotations in manuscript ink and pencil on the verso. From the archive of film historian and author Joel Finler. A love triangle develops between two best friends and the beautiful sexually open young woman who interrupts their vacation on the Riviera. The third film in Éric Rohmer's "Six Moral Tales" series made quickly and with very little budget due to delays in starting production of what was to be the next film in the series "My Night at Maud's" 1969. Shot on location in Cote d'Azur and Saint-Tropez France. 10 x 8 inches. About Near Fine. N.p. unknown
1965rif. 167499N.p.: N.p. 1965. Vintage reference photograph from the 1965 film showing actress Janine Magnan in her underwear. Annotations in manuscript ink and pencil on the verso. Five teenagers decide to leave school and study instead at a "school for criminals." Director Claude Lelouch's first commercial success. 10 x 8 inches. Very Good plus with light toning along three edges. N.p. unknown
1966rif. 167506London: Gala Film Distributors 1966. Vintage reference photograph from the UK release of the 1966 French film showing actors Catherine-Isabelle Duport and Marlène Jobert together in the bathroom. Mimeo snipe in English on the verso. A new relationship between a traditional young veteran and a beautiful pop star named Madeleine played by real-life ye-ye girl Chantal Goya becomes a menage-a-quatre when Madeleine's two roommates become involved. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 308. Rosenbaum 1000. Schrader 8. Vogel Film as a Subversive Art. Gala Film Distributors unknown
1967rif. 167505Los Angeles: Twentieth Century-Fox 1967. Vintage borderless reference photograph taken on the set of the 1967 film showing actress Candice Bergen touching up her makeup under the watchful eye of makeup artist Katia Stefanidou. Printed mimeo snipes affixed to the verso. A NATO plane carrying atomic weapons is forced to crash-land and abandon its cargo on a remote Greek island causing consternation and delight among the Greek locals who believe their island is being considered for a new resort development. Shot on location in Galaxidi Greece. 10 x 7.5 inches. Very Good plus. Twentieth Century-Fox unknown
1984rif. 171298N.p.: N.p. 1984. Draft script for Season 5 Episode 4 of the 1981-1987 television series. Originally aired October 25 1984 on NBC. Written by Mark Frost who went on to co-create "Twin Peaks" with David Lynch. Police procedural following officers in an understaffed precinct of an anonymous inner city patterned after Chicago with each episode taking place over the span of a single day. In this episode an officer's suicide is called into question when a sex worker he hired is also found dead. Brown generic manila wrappers with manuscript ink annotation on the front indicating the series and episode titles. Yellow titled internal wrappers rubber-stamped copy No. 4 and production No. 4405. Title page present dated July 16 1984 with credits for screenwriter Mark Frost. 64 leaves with last page of text numbered 61. Xerographic duplication rectos only. One page crease else Near Fine external wrapper Near Fine internal wrapper Near Fine bound with silver prong binding. N.p. unknown
2004rif. 171970Culver City CA: Columbia Pictures / Red Wagon Entertainment 2004. Revised Draft script for the 2005 film. Copy belonging to property master Emily Ferry with her annotations in manuscript ink throughout denoting scene changes. Based on the 1997 novel by Arthur Golden a historical drama about a Japanese girl who is sold by her impoverished family to an okiya where she trains to become a geisha. Nominated for six Academy Awards winning three including Best Cinematography. Self wrappers. Title page present dated September 4 2004 with credits for director Rob Marshall novelist Arthur Golden and screenwriters Robin Swicord Doug Wright Ron Bass and Akiva Goldsman. 132 leaves with last page of text numbered 131. Xerographic duplication rectos only. Pages Very Good title page present but detached from the binding with foxing to the first and last leaves and moderate creasing to the fore-edges bound with two gold brads. Columbia Pictures / Red Wagon Entertainment unknown
1971rif. 171973N.p.: N.p. 1971. Second Draft script for the 1972 film here under the working title "A Perfect Day for Raspberry Ripple." Single annotation in manuscript ink to page 53 circling the page number. Based on Rebecca Morris' 1967 short story "The Good Humor Man" about a young woman who must put her life back together after her husband a college professor leaves her for one of his students. A feminist-minded drama in the vein of "Alice Doesn't Live Here Anymore" and "An Unmarried Woman." Shot on location in San Francisco. Red titled wrappers. Title page present dated August 27 1971 noted as Second Draft with credits for Morris and screenwriter David Seltzer. 133 leaves with last page of text numbered 132. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with three gold brads. N.p. unknown
1983rif. 171974N.p.: N.p. 1983. Second Draft script for the 1983 film. Copy belonging to Supervising Property Master Emily Ferry with her name in manuscript ink on the title page. Internally duplicated copy made during shooting with copied hole punches. A dramatization of the early days of the US space program focusing on the Mercury Seven astronauts selected for the first American human flight into space. Based on the 1979 book by Tom Wolfe and basis for a documentary film and a television series both released in 2020. Nominated for eight Academy Awards winning four. Beige three-ring card binder with manuscript title label affixed to the front wrapper. Title page present undated noted as Second Draft with credits for Wolfe and screenwriter Philip Kaufman. 121 leaves with last page of text numbered 120. Early Xerographic duplication rectos only. Pages Very Good plus binder Very Good title page detached from the binding and lightly foxed. National Film Registry. Ebert II. N.p. unknown
1993rif. 171219N.p.: N.p. 1993. Final Draft script for Season 2 Episode 16 of the 1992-1995 television series. Originally aired January 24 1994 on CBS. With three photocopied production documents bound in the front of the script. Workplace sitcom taking place at a bar whose owner has a difficult relationship with a local columnist. In this episode the owner tries to prove to her columnist that women are discriminated against by salespeople. Winner of two Emmy Awards. Green titled wrappers noted as FINAL DRAFT on the front wrapper production No. 1215 dated December 16 1993 with credits for screenwriters Marc Flanagan and Stephen Nathan. Title page integral with front wrapper. 63 leaves with last page of text numbered 45. Xerographic duplication rectos only with yellow revision pages throughout dated 12/16/93. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
rif. 172081Honolulu HI: Lost Productions 2004. Rainbow Revision Second Draft script for the 2004 pilot of the 2004-2010 ABC television series aired on September 22 2004. Copy belonging to Property Master Peter C. Clarke with his name in manuscript ink on the title page and highlighted name on various memos and with manuscript ink and marker annotations on 26 pages noting props. Every leaf watermarked with the number "914" and bound in a generic three-ring binder with a list of Lost Productions contacts laid in under the clear plastic on the front wrapper. Bound in following the script are 70 leaves of contact lists memorandums a petty cash reimbursement form and shooting schedules and laid in the front binder flap are four pages of memos dated April 7 2004 a pink shooting schedule dated March 19 2004 two pages of maps and directions and an letter of gratitude to the cast and crew following the shoot from creators and screenwriters J.J. Abrams "J.J." and Damon Lindelof "Damon" Producer Sarah Caplan "Sarah" and Executive Producer Bryan Burk "Bryan" housed in a Koi Restaurant envelope labeled "Peter Clarke / Props." Considered by many to one of the greatest television series of all time the science fiction adventure drama created by Jeffrey Lieber Abrams and Lindelof premiered with the pilot found here on ABC on September 22 2004 and aired for six seasons of 121 episodes before ending on May 23 2010. The series won a Primetime Emmy Award for Outstanding Drama Series in 2005. 48 survivors of a Oceanic Flight 815 find themselves stranded on a mysterious remote island in the South Pacific and find their lives intertwined in a fight for survival. Shot on location in O'ahu Hawaii. Untitled generic white binder with a "Lost Productions Inc." contact list laid in clear plastic on the front wrapper. Title page present dated March 3 2004 noted as SECOND DRAFT with credits for screenwriters J.J. Abrams and Damon Lindelof. 107 leaves with last page of text numbered 95 with 70 pages of production documents bound in following script. Xerographic duplication rectos only with blue pink yellow green and goldenrod revision pages throughout dated variously between 3/9/2004 and 4/19/2004. Pages Near Fine binder Near Fine overall. Lost Productions unknown
