11 072 résultats
1985réf. 148063London: British Broadcasting Corporation BBC 1985. Two vintage reference photographs from the 1985 television movie originally aired in the UK on November 10 1985 on BBC and in the US on March 29 1986 on PBS. Based on the 1967 play by Noel Coward about the struggle for control between a young playwright overseeing the production of his first play and a temperamental older actress cast in the lead. Set in London and shot on location at the Lyric Theatre in London. 8 x 10 inches. Very Good with light soil. British Broadcasting Corporation [BBC] unknown books
1950réf. 155092London: J. Arthur Rank 1950. Vintage borderless reference photograph of producer J. Arthur Rank talking with actor and screenwriter Noel Coward on the set of the 1950 film. Printed mimeo snipe affixed to the verso along with the stamp of J. Arthur Rank Organization. Based on Coward's 1936 one-act play about a psychiatrist who falls in love with his wife's much younger friend leading to his growing despair and eventual suicide. 7.5 x 9.5 inches. Faintly toned else Near Fine. J. Arthur Rank unknown books
1959réf. 165054N.p.: N.p. 1959. Vintage borderless reference photograph from the 1959 film showing actor Noel Coward on the set. Annotations in manuscript ink and pencil and provenance label on the verso. The third and final collaboration between Reed and author Graham Greene with Alec Guinness starring as a spy caught in the midst of an espionage mechanism far beyond his control. A film that predicted the onslaught of British and American espionage films and television that would follow in the 1960s. 9.5 x 7 inches. Very Good plus. N.p. unknown books
1960réf. 139082Paris: Societe Nouvelle Pathe Cinema 1960. Original French petite small poster for the 1960 film. Set during WWII Candide Cassell is an orphaned Westphalian who falls in love with the baron's daughter Cunegonde Lavi and is thrown out of the house when the baron discovers them kissing. Candide is drafted and captured by the Nazis but escapes and joins the International Red Cross. His improbable adventures take himto the revolutions of South America the tribes of Borneo Moscow and to racially charged New York. 16 x 27 inches folded once as issued. Good with edge tears creases and chips light foxing. Scarce. Societe Nouvelle Pathe Cinema unknown books
1936réf. 171495Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1936. Two vintage reference photographs from the 1936 film one double weight and showing Norma Shearer the other single weight and showing Basil Rathbone. MGM snipe and photographer's stamp on the verso of one photograph. Studio head Louis B. Mayer was reluctant to film a version of Shakespeare's classic tragedy but agreed after a 1934 Broadway revival was met with widespread success. Nominated for four Academy Awards including Best Picture and Best Actress for Shearer. 8 x 10 inches. Both Very Good evenly toned and one with moderate soil to the margins and a small chip to one corner. Metro-Goldwyn-Mayer [MGM] unknown
1926réf. 171413Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Vintage reference photograph from the 1926 silent film showing Norma Shearer cuddling with a small dog. Mimeo snipe on the verso. The first of seven films made in the US by Danish director Benjamin Christensen about a young trapeze artist who falls in love with a petty criminal. 10 x 8 inches. Very Good plus moderately toned with a diagonal crease to the bottom left corner. Metro-Goldwyn-Mayer [MGM] unknown
1926réf. 171413Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Vintage reference photograph from the 1926 silent film showing Norma Shearer cuddling with a small dog. Mimeo snipe on the verso. The first of seven films made in the US by Danish director Benjamin Christensen about a young trapeze artist who falls in love with a petty criminal. 10 x 8 inches. Very Good plus moderately toned with a diagonal crease to the bottom left corner. Metro-Goldwyn-Mayer [MGM] unknown books
1936réf. 171495Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1936. Two vintage reference photographs from the 1936 film one double weight and showing Norma Shearer the other single weight and showing Basil Rathbone. MGM snipe and photographer's stamp on the verso of one photograph. Studio head Louis B. Mayer was reluctant to film a version of Shakespeare's classic tragedy but agreed after a 1934 Broadway revival was met with widespread success. Nominated for four Academy Awards including Best Picture and Best Actress for Shearer. 8 x 10 inches. Both Very Good evenly toned and one with moderate soil to the margins and a small chip to one corner. Metro-Goldwyn-Mayer [MGM] unknown books
1966réf. 137064Los Angeles: Twentieth Century-Fox 1966. First Draft script for an unproduced film called "The Operators" written by novelist Norman Bogner and set in London in the 1960s. A crime-based drama about ex-cons and their cons. Brief notation in manuscript ink on two pages. Bogner's other credits include "Privelege" 1967 screenwriter his only film "Emerald Soup" 1963 television series story editor the "Armchair" theatre television series 1965-1966 and "Seventh Avenue" 1977 television series based on his novel. Blue titled wrappers noted as FIRST DRAFT on the front wrapper dated November 30 1966. Title page present dated November 30 1966 noted as First Draft with a credit for screenwriter Bogner. 127 leaves with last page of text numbered 126. Mimeographic duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown
1966réf. 137064Los Angeles: Twentieth Century-Fox 1966. First Draft script for an unproduced film called "The Operators" written by novelist Norman Bogner and set in London in the 1960s. A crime-based drama about ex-cons and their cons. Brief notation in manuscript ink on two pages. Bogner's other credits include "Privelege" 1967 screenwriter his only film "Emerald Soup" 1963 television series story editor the "Armchair" theatre television series 1965-1966 and "Seventh Avenue" 1977 television series based on his novel. Blue titled wrappers noted as FIRST DRAFT on the front wrapper dated November 30 1966. Title page present dated November 30 1966 noted as First Draft with a credit for screenwriter Bogner. 127 leaves with last page of text numbered 126. Mimeographic duplication. Pages Near Fine wrapper Very Good plus bound internally with two gold brads. Twentieth Century-Fox unknown books
1965réf. 173033Burbank CA: Walt Disney Productions 1965. Vintage keybook British front-of-house card from the 1966 Disney television film. Aired in two parts as Season 12 episodes 20 and 21 from "The Magical World of Disney" 1954-1997 on February 27 1966 and March 6 1966 on NBC. A student at the Royal Danish Ballet works to become a professional ballerina despite her mother's objections. Set in and shot on location in Copenhagen Denmark. 8 x 10 inches. Near Fine. Walt Disney Productions unknown books
1953réf. 152341N.p.: N.p. 1953. Vintage reference photograph from the 1953 film showing actress Cyd Charisse dancing near a "magically" suspended sword. With a date stamp and manuscript pencil and ink annotations to the verso. Based on the 1954 short story collection "The Mexican Village" by Josefina Niggli. Three couples from feuding Mexican villages face discrimination and difficulty in marriage. Set and shot on location in Mexico City Cuernavaca Tetecala and Tepoztln. 8 x 10 inches. Very Good plus lightly creased to the edges. N.p. unknown
1953réf. 152341N.p.: N.p. 1953. Vintage reference photograph from the 1953 film showing actress Cyd Charisse dancing near a "magically" suspended sword. With a date stamp and manuscript pencil and ink annotations to the verso. Based on the 1954 short story collection "The Mexican Village" by Josefina Niggli. Three couples from feuding Mexican villages face discrimination and difficulty in marriage. Set and shot on location in Mexico City Cuernavaca Tetecala and Tepoztln. 8 x 10 inches. Very Good plus lightly creased to the edges. N.p. unknown books
1960réf. 151134London: J. Arthur Rank 1960. Draft script for the pilot episode of the 1961-1964 television series originally aired on ATV on September 9 1961. Based on the 1959 book by John Gosling. The series followed an elite division of Scotland Yard nicknamed the "Ghost Squad" generally sent to investigate unusual cases which fell outside the scope of normal police work. In this first entry a squad operator is sent to investigate a criminal ring smuggling gold from Hong Kong to Karachi. Red titled wrappers noted as DRAFT OF PILOT SCRIPT on the front wrapper dated 14th June 1960. Title page present dated June 1960 noted as DRAFT OF PILOT SCRIPT. 55 leaves with last page of text numbered 54. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine lightly faded to the binding and top edge of the front wrapper side stitched. J. Arthur Rank unknown
1960réf. 151134London: J. Arthur Rank 1960. Draft script for the pilot episode of the 1961-1964 television series originally aired on ATV on September 9 1961. Based on the 1959 book by John Gosling. The series followed an elite division of Scotland Yard nicknamed the "Ghost Squad" generally sent to investigate unusual cases which fell outside the scope of normal police work. In this first entry a squad operator is sent to investigate a criminal ring smuggling gold from Hong Kong to Karachi. Red titled wrappers noted as DRAFT OF PILOT SCRIPT on the front wrapper dated 14th June 1960. Title page present dated June 1960 noted as DRAFT OF PILOT SCRIPT. 55 leaves with last page of text numbered 54. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine lightly faded to the binding and top edge of the front wrapper side stitched. J. Arthur Rank unknown books
1978réf. 150564Beverly Hills CA: United Artists 1978. Collection of 12 vintage studio still photographs from the 1978 film. Loosely based on the exploits of Jimmy Hoffa the notorious boss of the Teamsters Union. In the 1930s a ruthless warehouse worker in Cleveland climbs his way to the top of a trucking union but his links to organized crime prove to be his downfall. Shot on location in South Yorkshire in the UK Mineral Point and Dodgeville in Wisconsin Dubuque in Iowa and Los Angeles in California. 10 x 8 inches. Near Fine. United Artists unknown
1971réf. 163342N.p.: N.p. 1971. Vintage double weight reference photograph from the 1971 film showing director Norman Jewison talking with actor Paul Mann on the set. Annotations in manuscript ink and Dutch agency label on the verso. Based on several stories from "Tevye the Dairyman" from Yiddish writer Sholom Aleichem and adapted from the 1964 stage musical about a poor Jewish milkman must come to terms with the modernity of the world outside of his orthodox traditions. Winner of three Academy Awards including Best Cinematography and Best Score; nominated for five others including Best Picture and Best Director. Set in Anatevka Russia filmed on location in Croatia and London. 10 x 8 inches. Near Fine. Hirschhorn p. 398. N.p. unknown
1968réf. 131321Beverly Hills CA: Mirisch Productions / United Artists 1968. Final Draft script for the 1969 film. Copy belonging to actress Merie Earle her first film credit and INSCRIBED on the front wrapper: "This was my first / "on location" picture / Everything was / "red carpet" I loved it / Merie Earle." Notations in manuscript red ink and pencil throughout at Earle's speaking parts as "Grandma." Merie Earle was a solid fixture on the television series "The Waltons" 1972-1979 as "Maude Gormley." Based on Ben Hecht's 1963 book about a young writer Bridges caught in political corruption in Chicago early 1900s. A grand cinematic tale nominated for art direction costume design and sound. Margot Kidder Lois Lane of "Superman" 1978 got her Hollywood start with this film as a prostitute who deflowers Bridges. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 167 dated May 8 1968 with credits for producer-director Jewison. Title page present dated May 8 1968 noted as FINAL DRAFT with credits for screenwriter Ginnes and producer-director Jewison. 135 leaves mimeograph duplication with blue and white revision pages throughout dated either 7/8/68 or 7/11/68. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Mirisch Productions / United Artists unknown
1967réf. 163763Beverly Hills CA: United Artists 1967. Collection including four vintage slides and four vintage color transparencies from the 1967 film. Based on John Ball's 1965 novel. An African American police detective from Philadelphia is recruited to help solve a murder in a small bigoted Mississippi town. The film dealt skillfully with the topic of race relations in the South during the Civil Rights movement and included a controversial scene in which a white actor Larry Gates slaps Poitier in the face at which point Poitier slaps him right back. It was said you could determine the racial makeup of a theater by their verbal reaction to the scene: cheers for a predominantly Black audience or whispers for a predominantly white one. Winner of five Academy Awards including Best Picture and nominated for two others. Though set in the fictional town of Sparta Mississippi Poitier refused to travel below the Mason-Dixon Line so the film was shot largely in Illinois. Transparencies 4 x 5 inches slides 2 x 2 inches. Near Fine. National Film Registry. Penzler 101. United Artists unknown
1967réf. 158495Beverly Hills CA: United Artists 1967. Vintage reference photograph from the 1967 film. United Artists stamp on the verso. Based on John Ball's 1965 novel. An African American police detective from Philadelphia is recruited to help solve a murder in a small bigoted Mississippi town. The film dealt skillfully with the topic of race relations in the South during the Civil Rights movement and included a controversial scene in which a white actor Larry Gates slaps Poitier in the face at which point Poitier slaps him right back. It was said you could determine the racial makeup of a theater by their verbal reaction to the scene: cheers for a predominantly Black audience or whispers for a predominantly white one. Winner of five Academy Awards including Best Picture and nominated for two others. Though set in the fictional town of Sparta Mississippi Poitier refused to travel below the Mason-Dixon Line so the film was shot largely in Illinois. 10 x 8 inches. Near Fine. National Film Registry. Penzler 101. United Artists unknown
1967réf. 149503Beverly Hills CA: United Artists 1967. Three vintage borderless black-and-white photographs taken on the set of the 1967 film: 1 director Norman Jewison sitting alone 2 Jewison directing Rod Stieger and 3 Jewison directing a key early scene featuring actors Arthur Malet Sidney Poitier and Rod Steiger. With manuscript ink annotations regarding layout on the verso. From the collection of film historian and author Joel Finler. Based on John Ball's 1965 novel. An African American police detective from Philadelphia is recruited to help solve a murder in a small bigoted Mississippi town. The film dealt skillfully with the topic of race relations in the South during the Civil Rights movement and included a controversial scene in which a white actor Larry Gates slaps Poitier in the face at which point Poitier slaps him right back. It was said you could determine the racial makeup of a theater by their verbal reaction to the scene: cheers for a predominantly Black audience or whispers for a predominantly white one. Winner of five Academy Awards including Best Picture and nominated for two others. Though set in the fictional town of Sparta Mississippi Poitier refused to travel below the Mason-Dixon Line so the film was shot largely in Illinois. One photograph 7.5 x 10 inches one photograph 10 x 8 inches. Near Fine. National Film Registry. Penzler 101. United Artists unknown
1975réf. 169560Beverly Hills CA: United Artists 1975. Vintage borderless satin-finish reference photograph from the 1975 film showing director Norman Jewison and actor James Caan on the set between takes. Mimeo snipe affixed to the verso. Based on the 1974 novel by William Harrison who wrote the screenplay. A dystopian sports film in which the world has been overtaken by a corporatocracy with the titular "rollerball" an ultra-violent sports game used to placate the population. 8 x 10 inches. Near Fine condition. United Artists unknown
1964réf. 135038Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Collection of 4 black and white stills photographs from the 1964 film. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1975réf. 169560Beverly Hills CA: United Artists 1975. Vintage borderless satin-finish reference photograph from the 1975 film showing director Norman Jewison and actor James Caan on the set between takes. Mimeo snipe affixed to the verso. Based on the 1974 novel by William Harrison who wrote the screenplay. A dystopian sports film in which the world has been overtaken by a corporatocracy with the titular "rollerball" an ultra-violent sports game used to placate the population. 8 x 10 inches. Near Fine condition. United Artists unknown books
1978réf. 150564Beverly Hills CA: United Artists 1978. Collection of 12 vintage studio still photographs from the 1978 film. Loosely based on the exploits of Jimmy Hoffa the notorious boss of the Teamsters Union. In the 1930s a ruthless warehouse worker in Cleveland climbs his way to the top of a trucking union but his links to organized crime prove to be his downfall. Shot on location in South Yorkshire in the UK Mineral Point and Dodgeville in Wisconsin Dubuque in Iowa and Los Angeles in California. 10 x 8 inches. Near Fine. United Artists unknown books
