11 071 résultats
1967réf. 158495Beverly Hills CA: United Artists 1967. Vintage reference photograph from the 1967 film. United Artists stamp on the verso. Based on John Ball's 1965 novel. An African American police detective from Philadelphia is recruited to help solve a murder in a small bigoted Mississippi town. The film dealt skillfully with the topic of race relations in the South during the Civil Rights movement and included a controversial scene in which a white actor Larry Gates slaps Poitier in the face at which point Poitier slaps him right back. It was said you could determine the racial makeup of a theater by their verbal reaction to the scene: cheers for a predominantly Black audience or whispers for a predominantly white one. Winner of five Academy Awards including Best Picture and nominated for two others. Though set in the fictional town of Sparta Mississippi Poitier refused to travel below the Mason-Dixon Line so the film was shot largely in Illinois. 10 x 8 inches. Near Fine. National Film Registry. Penzler 101. United Artists unknown books
1967réf. 149503Beverly Hills CA: United Artists 1967. Three vintage borderless black-and-white photographs taken on the set of the 1967 film: 1 director Norman Jewison sitting alone 2 Jewison directing Rod Stieger and 3 Jewison directing a key early scene featuring actors Arthur Malet Sidney Poitier and Rod Steiger. With manuscript ink annotations regarding layout on the verso. From the collection of film historian and author Joel Finler. Based on John Ball's 1965 novel. An African American police detective from Philadelphia is recruited to help solve a murder in a small bigoted Mississippi town. The film dealt skillfully with the topic of race relations in the South during the Civil Rights movement and included a controversial scene in which a white actor Larry Gates slaps Poitier in the face at which point Poitier slaps him right back. It was said you could determine the racial makeup of a theater by their verbal reaction to the scene: cheers for a predominantly Black audience or whispers for a predominantly white one. Winner of five Academy Awards including Best Picture and nominated for two others. Though set in the fictional town of Sparta Mississippi Poitier refused to travel below the Mason-Dixon Line so the film was shot largely in Illinois. One photograph 7.5 x 10 inches one photograph 10 x 8 inches. Near Fine. National Film Registry. Penzler 101. United Artists unknown books
1966réf. 154331Beverly Hills CA: United Artists 1966. Vintage studio still photograph from the 1966 film showing actors Alan Arkin John Phillip Law Carl Reiner Eva Marie Saint Sheldon Collins and Andrea Dromm. A Soviet submarine accidentally runs aground on a small island off the coast of Massachusetts causing rumors to fly between the island villagers who suspect a covert attack. Nominated for four Academy Awards. Set in Massachusetts. 10 x 8 inches. Very Good plus with a small chip to the top right corner and a light horizontal crease to the bottom edge. United Artists unknown books
1971réf. 163342N.p.: N.p. 1971. Vintage double weight reference photograph from the 1971 film showing director Norman Jewison talking with actor Paul Mann on the set. Annotations in manuscript ink and Dutch agency label on the verso. Based on several stories from "Tevye the Dairyman" from Yiddish writer Sholom Aleichem and adapted from the 1964 stage musical about a poor Jewish milkman must come to terms with the modernity of the world outside of his orthodox traditions. Winner of three Academy Awards including Best Cinematography and Best Score; nominated for five others including Best Picture and Best Director. Set in Anatevka Russia filmed on location in Croatia and London. 10 x 8 inches. Near Fine. Hirschhorn p. 398. N.p. unknown books
1964réf. 135038Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1964. Collection of 4 black and white stills photographs from the 1964 film. 8 x 10 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1975réf. 135483Beverly Hills CA: United Artists 1975. Five vintage oversize borderless black-and-white double reference studio still photographs from the 1975 film. Based on the 1974 novel by William Harrison. 8 x 10 inches. Near Fine condition. United Artists unknown books
1968réf. 131321Beverly Hills CA: Mirisch Productions / United Artists 1968. Final Draft script for the 1969 film. Copy belonging to actress Merie Earle her first film credit and INSCRIBED on the front wrapper: "This was my first / "on location" picture / Everything was / "red carpet" I loved it / Merie Earle." Notations in manuscript red ink and pencil throughout at Earle's speaking parts as "Grandma." Merie Earle was a solid fixture on the television series "The Waltons" 1972-1979 as "Maude Gormley." Based on Ben Hecht's 1963 book about a young writer Bridges caught in political corruption in Chicago early 1900s. A grand cinematic tale nominated for art direction costume design and sound. Margot Kidder Lois Lane of "Superman" 1978 got her Hollywood start with this film as a prostitute who deflowers Bridges. Goldenrod titled wrappers noted as FINAL DRAFT on the front wrapper rubber-stamped copy No. 167 dated May 8 1968 with credits for producer-director Jewison. Title page present dated May 8 1968 noted as FINAL DRAFT with credits for screenwriter Ginnes and producer-director Jewison. 135 leaves mimeograph duplication with blue and white revision pages throughout dated either 7/8/68 or 7/11/68. Pages Very Good plus wrapper Very Good plus bound with two gold brads. Mirisch Productions / United Artists unknown books
1976réf. 152228Los Angeles: T.A.T Communications Company 1976. Second Draft script for season 2 episode 13 "J.C. and Julie Part 1" the first of a two part episode of the series which aired on January 4 1977 on CBS. In this episode Julie immerses herself in a newfound Christianity and drives her mother and sister crazy. Broadcast on CBS for nine seasons from 1975 to 1984 "One Day at a Time" created by married writing duo Whitney Blake and Allan Manings was based on Blake's life as a single mom raising children after her divorce from her first husband. Like many sitcoms developed by Norman Lear the show frequently tackled serious life and relationship issues. The show was remade in 2017 as a series for Netflix with a Latino cast starring Justina Machado Rita Moreno and Stephen Tobolowsky. Pink self-wrappers integral with title page noted as Second Draft on the front wrapper dated 11/2/76 with credits for screenwriter Joseph Bonaduce and director Herbert Kenwith. 43 leaves with last page of text numbered 39. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. T.A.T Communications Company unknown
1981réf. 164104Los Angeles: T.A.T Communications Company 1981. Second Draft ribbon copy typescript master script with manuscript white-out annotations on 25 pages for the season 7 episode 18 "Not So Dearly Beloved" episode of the acclaimed television sitcom which aired on May 15 1981 on CBS. Screenwriters David Silverman and Steve Sustarsic were best known for their work as animators and screenwriters for sitcom television. Broadcast on CBS for eleven seasons from 1975 to 1985 "The Jeffersons" created by Norman Lear was a spin-off of his watershed sitcom "All in the Family" and was one of the longest running series in television history the second-longest featuring a primarily African American cast and the first television series which prominently featured a married interracial couple. Sherman Hemsley stars as the irascible George Jefferson a successful African American entrepreneur who with the Emmy Award winning Isabel Sanford as his kind and level-headed wife Louise Weezy move to an ritzy Manhattan apartment with their college age son and wise-cracking maid. George invites his rude problem employee Wendell up to his apartment to fire him but shortly after Wendell arrives he collapses and dies of a stroke on George's sofa. Front wrapper integral with title page noted as SECOND DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 48 leaves with last page of text numbered 46. Ribbon copy typescript rectos only. Pages Near Fine unbound. T.A.T Communications Company unknown
1981réf. 164104Los Angeles: T.A.T Communications Company 1981. Second Draft ribbon copy typescript master script with manuscript white-out annotations on 25 pages for the season 7 episode 18 "Not So Dearly Beloved" episode of the acclaimed television sitcom which aired on May 15 1981 on CBS. Screenwriters David Silverman and Steve Sustarsic were best known for their work as animators and screenwriters for sitcom television. Broadcast on CBS for eleven seasons from 1975 to 1985 "The Jeffersons" created by Norman Lear was a spin-off of his watershed sitcom "All in the Family" and was one of the longest running series in television history the second-longest featuring a primarily African American cast and the first television series which prominently featured a married interracial couple. Sherman Hemsley stars as the irascible George Jefferson a successful African American entrepreneur who with the Emmy Award winning Isabel Sanford as his kind and level-headed wife Louise Weezy move to an ritzy Manhattan apartment with their college age son and wise-cracking maid. George invites his rude problem employee Wendell up to his apartment to fire him but shortly after Wendell arrives he collapses and dies of a stroke on George's sofa. Front wrapper integral with title page noted as SECOND DRAFT with credits for screenwriters David Silverman and Stephen Sustarsic. 48 leaves with last page of text numbered 46. Ribbon copy typescript rectos only. Pages Near Fine unbound. T.A.T Communications Company unknown books
1976réf. 152228Los Angeles: T.A.T Communications Company 1976. Second Draft script for season 2 episode 13 "J.C. and Julie Part 1" the first of a two part episode of the series which aired on January 4 1977 on CBS. In this episode Julie immerses herself in a newfound Christianity and drives her mother and sister crazy. Broadcast on CBS for nine seasons from 1975 to 1984 "One Day at a Time" created by married writing duo Whitney Blake and Allan Manings was based on Blake's life as a single mom raising children after her divorce from her first husband. Like many sitcoms developed by Norman Lear the show frequently tackled serious life and relationship issues. The show was remade in 2017 as a series for Netflix with a Latino cast starring Justina Machado Rita Moreno and Stephen Tobolowsky. Pink self-wrappers integral with title page noted as Second Draft on the front wrapper dated 11/2/76 with credits for screenwriter Joseph Bonaduce and director Herbert Kenwith. 43 leaves with last page of text numbered 39. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. T.A.T Communications Company unknown books
1967réf. 132479London: Warner-Pathe Distributors 1967. Vintage full-color British front-of-house card from the UK release of the 1966 US film. Set during the Korean War about an Italian nurse Lisi who falls in love with two fighter pilots Curtis and Scott. 8 x 10 inches. A vertical crease to the middle else Near Fine. Warner-Pathe Distributors unknown books
1990réf. 140789Los Angeles: Twentieth Century-Fox 1990. Draft script for the 1992 film. Based on the 1988 play of the same name also by Craig Lucas. A young pessimistic woman who is a communist also works as a bartender and gets married to a conservative young man who works at a Chicago publishing house. At their wedding an old man asks to kiss Rita and when he does his soul changes places with her and now Peter must see beyond the physical to the beautiful soul underneath for the old man to kiss Rita again and return to his own cancer-ridden body. Set in New York shot on location in Chicago and Highland Park Illinois and Jamaica. Green titled wrappers. Title page present dated September 18 1990 with credits for screenwriter Craig Lucas. 122 leaves with last page of text numbered 122. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown
1990réf. 140789Los Angeles: Twentieth Century-Fox 1990. Draft script for the 1992 film. Based on the 1988 play of the same name also by Craig Lucas. A young pessimistic woman who is a communist also works as a bartender and gets married to a conservative young man who works at a Chicago publishing house. At their wedding an old man asks to kiss Rita and when he does his soul changes places with her and now Peter must see beyond the physical to the beautiful soul underneath for the old man to kiss Rita again and return to his own cancer-ridden body. Set in New York shot on location in Chicago and Highland Park Illinois and Jamaica. Green titled wrappers. Title page present dated September 18 1990 with credits for screenwriter Craig Lucas. 122 leaves with last page of text numbered 122. Xerographic duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1967réf. 164352N.p.: Trans American Films 1967. Vintage one sheet poster for the 1967 "Mondo" documentary. A "Mondo" style documentary about teenage rebellion in the US UK France Italy Sweden and Japan with commentaries on a range of subjects including music fashion drugs bikers surfing prostitution and homosexuality. 27 x 41 inches. Folded as issued. Very Good plus with small closed tears at the top and bottom of the center vertical crease and starting to the center crease. Trans American Films unknown
1967réf. 164352N.p.: Trans American Films 1967. Vintage one sheet poster for the 1967 "Mondo" documentary. A "Mondo" style documentary about teenage rebellion in the US UK France Italy Sweden and Japan with commentaries on a range of subjects including music fashion drugs bikers surfing prostitution and homosexuality. 27 x 41 inches. Folded as issued. Very Good plus with small closed tears at the top and bottom of the center vertical crease and starting to the center crease. Trans American Films unknown books
1948réf. 155862Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1948. Vintage reference photograph from the 1948 musical film showing dancers Cyd Charisse and Dee Turnell en pointe. Mimeo snipe on the verso. A fictionalized musical retelling of the Broadway and Hollywood songwriting partnership of Richard Rodgers and Lorenz "Larry" Hart. 8 x 10 inches. Very Good plus with moderate wear and pinholes at the corners. Metro-Goldwyn-Mayer [MGM] unknown
1948réf. 155862Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1948. Vintage reference photograph from the 1948 musical film showing dancers Cyd Charisse and Dee Turnell en pointe. Mimeo snipe on the verso. A fictionalized musical retelling of the Broadway and Hollywood songwriting partnership of Richard Rodgers and Lorenz "Larry" Hart. 8 x 10 inches. Very Good plus with moderate wear and pinholes at the corners. Metro-Goldwyn-Mayer [MGM] unknown books
1941réf. 132078Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1941. Vintage black-and-white still photograph from the 1941 film. Mimeo blurb on the verso. A dramatic reform-school scenario involving a pastor and his exposing of a corrupt system. 8 x 10 inches. Very Good plus with light creasing and an owner stamp on the verso. Metro-Goldwyn-Mayer [MGM] unknown books
1957réf. 144985Beverly Hills CA: Russ-Field Productions 1957. Vintage photograph of actors Una Merkel Ralph Meeker and members of the crew on the set of the 1957 film. With manuscript annotations on the verso. Laurel Srevens Jane Russel an actress is kidnapped by a couple of inexperienced crooks Mike Valla Ralph Meeker and "Dandy" Keenan Wynn on the night of the premier of her film "The Kidnapped Bride." Laurel worries that the kidnapping will appear to be a publicity stunt and damage her career so she begins to aide them in the crime. 10 x 8 inches. Lightly faded else Very Good plus overall with a crease at one corner. Russ-Field Productions unknown books
1973réf. 141398N.p.: N.p. 1973. Revised Draft script for an unproduced film. Laid in is a letter discussing credits. Based on screenwriter Norman Thaddeus Vane's 1973 novel a fictionalized account of the Native American chieftain Geronimo and the band of twenty-five he led into the Arizona caves in order to avoid capture by American troops. Set in Arizona. Brown titled wrappers. Title page present dated 1973 noted as REVISED Screenplay with credit for screenwriter Norman Thaddeus Vane. 143 leaves with last page of text numbered 140. Xerographic duplication rectos only with blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two silver brads. N.p. unknown
1973réf. 141398N.p.: N.p. 1973. Revised Draft script for an unproduced film. Laid in is a letter discussing credits. Based on screenwriter Norman Thaddeus Vane's 1973 novel a fictionalized account of the Native American chieftain Geronimo and the band of twenty-five he led into the Arizona caves in order to avoid capture by American troops. Set in Arizona. Brown titled wrappers. Title page present dated 1973 noted as REVISED Screenplay with credit for screenwriter Norman Thaddeus Vane. 143 leaves with last page of text numbered 140. Xerographic duplication rectos only with blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two silver brads. N.p. unknown books
1969réf. 136136Burbank CA: Walt Disney Productions 1969. Revised Final Draft script for the 1970 Disney film. Based on a story by Marty Roth executive story editor for the television series "The Dukes of Hazzard" 1979-1985. Coast Guard Ensign Garland Morse falls in love with sailing instructor Kate Powers but his bumbling leaves her disenchanted until they team up to recover stolen jewels before a team of thieves led by Simmons Silvers can find them. Set in California shot there on location. Gray titled wrappers noted as Final Screenplay on the front wrapper production No. 0107 dated July 23 1969 with credits for story writer Roth and screenwriter Julian. 152 leaves with last page of text numbered 166. Mechanical duplication with green blue white and pink revision pages throughout dated variously between 7/18/69 and 9/28/69. Near Fine overall bound with three gold brads. Walt Disney Productions unknown
1969réf. 136136Burbank CA: Walt Disney Productions 1969. Revised Final Draft script for the 1970 Disney film. Based on a story by Marty Roth executive story editor for the television series "The Dukes of Hazzard" 1979-1985. Coast Guard Ensign Garland Morse falls in love with sailing instructor Kate Powers but his bumbling leaves her disenchanted until they team up to recover stolen jewels before a team of thieves led by Simmons Silvers can find them. Set in California shot there on location. Gray titled wrappers noted as Final Screenplay on the front wrapper production No. 0107 dated July 23 1969 with credits for story writer Roth and screenwriter Julian. 152 leaves with last page of text numbered 166. Mechanical duplication with green blue white and pink revision pages throughout dated variously between 7/18/69 and 9/28/69. Near Fine overall bound with three gold brads. Walt Disney Productions unknown books
1936réf. 148629Los Angeles: Paramount Pictures 1936. Release Dialogue script for the 1936 film with annotation in manuscript red pencil striking "Release" and replacing it with "Censorship" with one other annotation striking Paramount Pictures directives at bottom of front wrapper in manuscript pencil. Two "Master File" stamps surrounding production number stamp "1177" on upper right and Paramount "File Copy" stamp on front wrapper. Script divided into eight reels. Nature reporter Orville Shanks' Charles Ruggles editor Lyle Talbot orders him to spice up his column "Our Wild Friends" by making it a gossip column Orville's wife Melba Alice Brady does so using animals as cover for actual townsfolk and the column becomes a hit. Self wrappers noted as RELEASE DIALOGUE SCRIPT on the front wrapper rubber-stamped copy No. 23 and production No. 1177 with credits for screenwriter Dore Schary and story by John F. Larkin. 145 leaves with last page of text numbered 8-13. Mimeograph duplication rectos only. Pages Near Fine bound with three gold brads. Paramount Pictures unknown
