11 072 résultats
1936réf. 148629Los Angeles: Paramount Pictures 1936. Release Dialogue script for the 1936 film with annotation in manuscript red pencil striking "Release" and replacing it with "Censorship" with one other annotation striking Paramount Pictures directives at bottom of front wrapper in manuscript pencil. Two "Master File" stamps surrounding production number stamp "1177" on upper right and Paramount "File Copy" stamp on front wrapper. Script divided into eight reels. Nature reporter Orville Shanks' Charles Ruggles editor Lyle Talbot orders him to spice up his column "Our Wild Friends" by making it a gossip column Orville's wife Melba Alice Brady does so using animals as cover for actual townsfolk and the column becomes a hit. Self wrappers noted as RELEASE DIALOGUE SCRIPT on the front wrapper rubber-stamped copy No. 23 and production No. 1177 with credits for screenwriter Dore Schary and story by John F. Larkin. 145 leaves with last page of text numbered 8-13. Mimeograph duplication rectos only. Pages Near Fine bound with three gold brads. Paramount Pictures unknown
1936réf. 164479Culver City CA: Columbia Pictures 1936. Two vintage publicity photographs from the 1936 film one showing Bing Crosby milking a cow and one showing Crosby with Amalgamated Theatres representative Sidney Davis on the set. Both photographs with a stamp crediting photographer Ray Jones and mimeo snipe on the versos. Not to be confused with 1981 film directed by Herbert Ross and starring Steve Martin and Bernadette Peters. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the 1913 novel "The Peacock Feather" by Katharine Leslie Moore. A wrongly imprisoned singer promises a fellow inmate he will help the family of his victim when released. He subsequently delays his own dreams of being a gondolier in Venice in order to help the young girl and her grandfather. Nominated for an Academy Award. 8 x 10 inches. Very Good plus. Columbia Pictures unknown
1936réf. 148629Los Angeles: Paramount Pictures 1936. Release Dialogue script for the 1936 film with annotation in manuscript red pencil striking "Release" and replacing it with "Censorship" with one other annotation striking Paramount Pictures directives at bottom of front wrapper in manuscript pencil. Two "Master File" stamps surrounding production number stamp "1177" on upper right and Paramount "File Copy" stamp on front wrapper. Script divided into eight reels. Nature reporter Orville Shanks' Charles Ruggles editor Lyle Talbot orders him to spice up his column "Our Wild Friends" by making it a gossip column Orville's wife Melba Alice Brady does so using animals as cover for actual townsfolk and the column becomes a hit. Self wrappers noted as RELEASE DIALOGUE SCRIPT on the front wrapper rubber-stamped copy No. 23 and production No. 1177 with credits for screenwriter Dore Schary and story by John F. Larkin. 145 leaves with last page of text numbered 8-13. Mimeograph duplication rectos only. Pages Near Fine bound with three gold brads. Paramount Pictures unknown books
1936réf. 164479Culver City CA: Columbia Pictures 1936. Two vintage publicity photographs from the 1936 film one showing Bing Crosby milking a cow and one showing Crosby with Amalgamated Theatres representative Sidney Davis on the set. Both photographs with a stamp crediting photographer Ray Jones and mimeo snipe on the versos. Not to be confused with 1981 film directed by Herbert Ross and starring Steve Martin and Bernadette Peters. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Based on the 1913 novel "The Peacock Feather" by Katharine Leslie Moore. A wrongly imprisoned singer promises a fellow inmate he will help the family of his victim when released. He subsequently delays his own dreams of being a gondolier in Venice in order to help the young girl and her grandfather. Nominated for an Academy Award. 8 x 10 inches. Very Good plus. Columbia Pictures unknown books
réf. 10441in 12 broché à l’italienne, couverture illustrée en couleur, Histoire et aventures de deux vaillantes souris. Frontispice en couleurs, titre illustré, 53 pages, 41 illustrations dans le texte, 1 hors-texte en couleurs, plus couverture et titre de E. GIRE. La nouvelle édition Collection CHICHE 1945. Très bon état
1955réf. 132576London: Twentieth Century-Fox 1955. Eight vintage full-color British front-of-house cards from the UK release of the 1955 US film. Before Sheree North there was Betty Grable the owner of the most beautiful legs in Hollywood but both musical darlings star in this comedy about two dancing girls who hide at Bristol College while they attempt to locate the killer of a fellow performer. Marilyn Monroe was originally cast as "Curly" but refused the role and Sheree North landed the part. Grable's final acting role. 8 x 10 inches. A hint of toning and a tiny edge tear here and there else Near Fine. Twentieth Century-Fox unknown
1957réf. 157302Los Angeles: Twentieth Century-Fox 1957. Vintage reference photograph from the 1957 film showing actors Dan Dailey and Ginger Rogers filming a scene with a camera crew in the foreground. Studio stamp specific to the film's German release on the verso. Based on the 1953 play by Edward Chodorov about a wealthy New York psychiatrist who begins to suspect his fiancée of infidelity after hearing about her from several of his patients. Set in New York. 10 x 8 inches. Very Good plus with light creasing at the corners. Twentieth Century-Fox unknown
1960réf. 149022Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Vintage one sheet poster for the 1960 Italian-American film. Based on the 1953 novel "The Fair Bride" by Bruce Marshall. Arturo Carrera Dirk Bogarde resigns from Catholic priesthood because of the church's support for the Nationalist rebels in the Spanish Civil War. When Loyalists begin attacking churches and clerics Arturo tries to hide with the help of a prostitute Soedad Ava Gardner and war correspondent Hawthorne Joseph Cotton. Set in 1936 Spain shot on location in Viterbo Sicily and Rome Italy. 27 x 41 inches. Folded as issued. Good only with some small chips along the bottom edge a chip in the middle of the title and two closed tears. See image. Metro-Goldwyn-Mayer [MGM] unknown books
1955réf. 132576London: Twentieth Century-Fox 1955. Eight vintage full-color British front-of-house cards from the UK release of the 1955 US film. Before Sheree North there was Betty Grable the owner of the most beautiful legs in Hollywood but both musical darlings star in this comedy about two dancing girls who hide at Bristol College while they attempt to locate the killer of a fellow performer. Marilyn Monroe was originally cast as "Curly" but refused the role and Sheree North landed the part. Grable's final acting role. 8 x 10 inches. A hint of toning and a tiny edge tear here and there else Near Fine. Twentieth Century-Fox unknown books
1957réf. 157302Los Angeles: Twentieth Century-Fox 1957. Vintage reference photograph from the 1957 film showing actors Dan Dailey and Ginger Rogers filming a scene with a camera crew in the foreground. Studio stamp specific to the film's German release on the verso. Based on the 1953 play by Edward Chodorov about a wealthy New York psychiatrist who begins to suspect his fiancée of infidelity after hearing about her from several of his patients. Set in New York. 10 x 8 inches. Very Good plus with light creasing at the corners. Twentieth Century-Fox unknown books
1984réf. 147207N.p.: N.p. 1984. Draft script for an unproduced film. With a few copied manuscript annotations but without copied hole shadows thus made from a master. Laid in with the script is a business card for screenwriter Ragnar Lasse Henriksen. Bound in after the script are seven pages in Swedish addressing a proposed budget for the film. Based on noted Norwegian author Odd Eidem's 1978 travelogue "Cruise" about Eidem's travels and various encounters in Jamaica Haiti and Trinidad. Set in Montego Bay Port-au-Prince and Port of Spain. Non-standard yellow transparent front wrapper and red rear wrapper. Title page present dated 84 with credits for screenwriter RAGNAR LASSE HENRIKSEN. 70 leaves with last page of text numbered 59. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a red Velo binding. N.p. unknown
1984réf. 147207N.p.: N.p. 1984. Draft script for an unproduced film. With a few copied manuscript annotations but without copied hole shadows thus made from a master. Laid in with the script is a business card for screenwriter Ragnar Lasse Henriksen. Bound in after the script are seven pages in Swedish addressing a proposed budget for the film. Based on noted Norwegian author Odd Eidem's 1978 travelogue "Cruise" about Eidem's travels and various encounters in Jamaica Haiti and Trinidad. Set in Montego Bay Port-au-Prince and Port of Spain. Non-standard yellow transparent front wrapper and red rear wrapper. Title page present dated 84 with credits for screenwriter RAGNAR LASSE HENRIKSEN. 70 leaves with last page of text numbered 59. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with a red Velo binding. N.p. unknown books
1946réf. 138606Paris: Ecran Francais 1946. Vintage program for the 1946 French film. INSCRIBED by director Claude Autant-Lara in manuscript ink: "Sylvie / seul et unique film a illegible poétique du cinéma français / A Claude Autant / avec toutes mes amitiés! / Claude Autant-Lara / Vichy illegible 1989" "Sylvie / one-and-only film illegible poetics of French film / from Claude Autant / with best wishes / Vichy illegible 1989". Based on the 1942 comic play by Alfred Adam. On the eve of his daughter's 16th birthday a father hires a man to dress as the ghost of the figure in her favorite painting. Two suitors also dress as ghosts to vie for her attention. All this commotion causes the real ghost to appear in order to help Sylvie sort everything out. 12.25 x 9.5 inches. Saddle stapled. Near Fine with cello tape reinforcements to the staples. Ecran Francais unknown
1946réf. 138606Paris: Ecran Francais 1946. Vintage program for the 1946 French film. INSCRIBED by director Claude Autant-Lara in manuscript ink: "Sylvie / seul et unique film a illegible poétique du cinéma français / A Claude Autant / avec toutes mes amitiés! / Claude Autant-Lara / Vichy illegible 1989" "Sylvie / one-and-only film illegible poetics of French film / from Claude Autant / with best wishes / Vichy illegible 1989". Based on the 1942 comic play by Alfred Adam. On the eve of his daughter's 16th birthday a father hires a man to dress as the ghost of the figure in her favorite painting. Two suitors also dress as ghosts to vie for her attention. All this commotion causes the real ghost to appear in order to help Sylvie sort everything out. 12.25 x 9.5 inches. Saddle stapled. Near Fine with cello tape reinforcements to the staples. Ecran Francais unknown books
1978réf. 164326N.p.: N.p. 1978. Vintage borderless oversize color reference photograph from the 1978 French sexploitation film. Annotations in manuscript ink on the verso. A vice squad determines to take down a drug and prostitution ring. Director Jacques Scandelari helmed a number of gay pornographic films under the pseudonym Marvin Merkins the most notable being the 1978 feature "New York City Inferno." 12 x 9.5 inches. Very Good. Bier 201. N.p. unknown
1978réf. 161000Lille: Transunivers-Films 1978. Two vintage oversize borderless color reference photographs from the 1978 French film. Stamps of Transunivers-Film on the versos. A vice squad pursues a drug and prostitution ring culminating in a takedown of a sadomasochistic club frequented by high-ranking government officials. 11.75 x 9.25 inches. Very Good with pinholes at the corners. Bier 201. Transunivers-Films unknown
1978réf. 164326N.p.: N.p. 1978. Vintage borderless oversize color reference photograph from the 1978 French sexploitation film. Annotations in manuscript ink on the verso. A vice squad determines to take down a drug and prostitution ring. Director Jacques Scandelari helmed a number of gay pornographic films under the pseudonym Marvin Merkins the most notable being the 1978 feature "New York City Inferno." 12 x 9.5 inches. Very Good. Bier 201. N.p. unknown books
1978réf. 161000Lille: Transunivers-Films 1978. Two vintage oversize borderless color reference photographs from the 1978 French film. Stamps of Transunivers-Film on the versos. A vice squad pursues a drug and prostitution ring culminating in a takedown of a sadomasochistic club frequented by high-ranking government officials. 11.75 x 9.25 inches. Very Good with pinholes at the corners. Bier 201. Transunivers-Films unknown books
1970réf. 140874N.p.: N.p. 1970. Draft script for an unproduced film. A Norwegian immigrant family in America struggles to survive in the Dakota Territory in 1973. Based on the 1924 novel by Ole Edvart Rolvaag. Although this version was unproduced the novel was later made into an opera. Set in Dakota Territory. White untitled wrappers. Title page present with credits for screenwriter Rodney Anderson and author O.E. Rolvaag. 146 leaves with last page of text numbered 141. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown
1970réf. 140874N.p.: N.p. 1970. Draft script for an unproduced film. A Norwegian immigrant family in America struggles to survive in the Dakota Territory in 1973. Based on the 1924 novel by Ole Edvart Rolvaag. Although this version was unproduced the novel was later made into an opera. Set in Dakota Territory. White untitled wrappers. Title page present with credits for screenwriter Rodney Anderson and author O.E. Rolvaag. 146 leaves with last page of text numbered 141. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. N.p. unknown books
1973réf. 162156N.p.: Elysee Films 1973. Vintage pressbook for the 1973 French erotic film. Text and titles in French. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A wealthy unhappily married woman falls in love with her husband's friend's beautiful companion. 9.5 x 12.75 inches. Bi-fold. Near Fine. Bier 656. Elysee Films unknown
1973réf. 162156N.p.: Elysee Films 1973. Vintage pressbook for the 1973 French erotic film. Text and titles in French. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A wealthy unhappily married woman falls in love with her husband's friend's beautiful companion. 9.5 x 12.75 inches. Bi-fold. Near Fine. Bier 656. Elysee Films unknown books
1992réf. 163994Los Angeles: Fostoria Film 1992. Draft script for an unproduced film. From the archive of crew member Chris Scher. Based on the 1984 novel by Olive Hershey. After discovering her husband's infidelity a 45-year-old housewife decides to hit the road as a trucker taking on a job transporting illegal immigrants over the Texas border. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present on Fostoria Film letterhead dated April 1992 with credits for Hershey and screenwriter Bruce Hansen on the front wrapper. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good plus slightly creased on the top left corner of the last ten leaves bound with three gold brads. Fostoria Film unknown
1992réf. 163994Los Angeles: Fostoria Film 1992. Draft script for an unproduced film. From the archive of crew member Chris Scher. Based on the 1984 novel by Olive Hershey. After discovering her husband's infidelity a 45-year-old housewife decides to hit the road as a trucker taking on a job transporting illegal immigrants over the Texas border. Chris Scher has worked in American films from 1994 to the present. She was a propmaker construction accountant/estimator/buyer and carpenter on over 20 movies including "The Last Seduction" 1994 "Pulp Fiction" 1994 "From Dusk Till Dawn" 1994 "The Horse Whisperer 1998 "Joy Ride" 2001 and others. She also performed the same work for prestige television dramas including "The Bridge" 2014 "Ozark" 2017 and "Yellowstone" 2018. Self wrappers. Title page present on Fostoria Film letterhead dated April 1992 with credits for Hershey and screenwriter Bruce Hansen on the front wrapper. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Very Good plus slightly creased on the top left corner of the last ten leaves bound with three gold brads. Fostoria Film unknown books
1974réf. 150799N.p.: Calneva International 1974. Five vintage studio still photographs from the 1974 adult film mounted as issued by the distributor on a presentation card. Cards 10 x 8 inches. Presentation card 14 x 11 inches. Lobby cards and presentation cards Very Good plus. Calneva International unknown
