11 049 résultats
1962réf. 159186Los Angeles: Twentieth Century-Fox 1962. Vintage borderless reference photographs from the 1962 film. With mimeo snipes affixed to the verso and provenance stamps on the verso. Based on the 1959 play by Jean-Paul Sartre. A dying man invites his family to his home where they discover dark secrets about his past. Set in Germany shot on location in Hamburg Germany. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown
1963réf. 159197Los Angeles: Twentieth Century-Fox 1963. Vintage studio still photograph from the 1962 film. With provenance stamp on the verso. Based on the 1959 play by Jean-Paul Sartre. A dying man invites his family to his home where they discover dark secrets about his past. Set in Germany shot on location in Hamburg Germany. 8 x 10 inches. Very Good with some pin holes along the edges. Twentieth Century-Fox unknown books
1962réf. 159186Los Angeles: Twentieth Century-Fox 1962. Vintage borderless reference photographs from the 1962 film. With mimeo snipes affixed to the verso and provenance stamps on the verso. Based on the 1959 play by Jean-Paul Sartre. A dying man invites his family to his home where they discover dark secrets about his past. Set in Germany shot on location in Hamburg Germany. 10 x 8 inches. Near Fine. Twentieth Century-Fox unknown books
1970réf. 153963N.p.: N.p. 1970. Two vintage borderless reference photographs from the 1970 film both attributed to the film's photographer Chris Marker. One photograph shows director Costa-Gavras the other a crew member with a clapboard. Based on the 1968 memoirs of Czechoslovak communist Artur London a defendant in the violent antisemitic show trial against 14 members of the Communist Party of Czechoslovakia in 1952. Reference photographs taken by Costa-Gavras' friend and colleague Chris Marker who would go on to become an important figure in the French New Wave in his own right directing "A Grin Without a Cat" 1977 and "Sans Soleil" 1983. Shot on location in Nord Alpes-Maritimes and Pas-de-Calais France. 9 x 6.25 inches. About Fine. Criterion Collection 759. N.p. unknown
1970réf. 153963N.p.: N.p. 1970. Two vintage borderless reference photographs from the 1970 film both attributed to the film's photographer Chris Marker. One photograph shows director Costa-Gavras the other a crew member with a clapboard. Based on the 1968 memoirs of Czechoslovak communist Artur London a defendant in the violent antisemitic show trial against 14 members of the Communist Party of Czechoslovakia in 1952. Reference photographs taken by Costa-Gavras' friend and colleague Chris Marker who would go on to become an important figure in the French New Wave in his own right directing "A Grin Without a Cat" 1977 and "Sans Soleil" 1983. Shot on location in Nord Alpes-Maritimes and Pas-de-Calais France. 9 x 6.25 inches. About Fine. Criterion Collection 759. N.p. unknown books
1970réf. 151976Rome: Mars Film 1970. Vintage borderless reference photograph of Jean-Louis Trintignant and Stefania Sandrelli from the 1970 film. Stamp of photographer Angelo Novi on verso. An intricate and incisive examination of the psychological tribulations of a man who will do anything to be "normal." Marcello Clerici Trintignant a young and upper-middle class Italian joins Mussolini's Organization for Vigilance and Repression of Anti-Fascism and his first assignment is to assassinate his former teacher a political dissident now residing in France with his attractive young wife. Under the guise of taking his new bride Gulia on a honeymoon Marcello travels to France to complete his mission. Lauded for its fantastic cinematography and expressionistic style often compared stylistically to early German Expressionist works such as Leni Riefenstahl's "Triumph of the Will" or Fritz Lang's "Metropolis." 9.5 x 7.25 inches. Near Fine. Arrow Academy 709. Schrader's Canon Fodder 14. Grant Italy. Mars Film unknown
1970réf. 151976Rome: Mars Film 1970. Vintage borderless reference photograph of Jean-Louis Trintignant and Stefania Sandrelli from the 1970 film. Stamp of photographer Angelo Novi on verso. An intricate and incisive examination of the psychological tribulations of a man who will do anything to be "normal." Marcello Clerici Trintignant a young and upper-middle class Italian joins Mussolini's Organization for Vigilance and Repression of Anti-Fascism and his first assignment is to assassinate his former teacher a political dissident now residing in France with his attractive young wife. Under the guise of taking his new bride Gulia on a honeymoon Marcello travels to France to complete his mission. Lauded for its fantastic cinematography and expressionistic style often compared stylistically to early German Expressionist works such as Leni Riefenstahl's "Triumph of the Will" or Fritz Lang's "Metropolis." 9.5 x 7.25 inches. Near Fine. Arrow Academy 709. Schrader's Canon Fodder 14. Grant Italy. Mars Film unknown books
1963réf. 142070Italy: Sancro Film 1963. Four vintage oversize borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism where a man marries a much younger woman the woman wanting nothing more than to have a child. The mental and physical strain of trying to please her drives the man to a heart attack and death. Nominated for a Palme d'Or at Cannes where Marina Vlady also won for Best Actress. 11.5 x 9.5 inches. Very Good plus. Sancro Film unknown
1963réf. 142070Italy: Sancro Film 1963. Four vintage oversize borderless reference photographs from the 1963 Italian film. With the stamps of photographer Velio Cioni and two press agencies on the verso. Two of the photographs show crew members putting the finishing touches on a mannequin of Jesus while director Ferreri looks on. A satire of masculinity and chauvinism where a man marries a much younger woman the woman wanting nothing more than to have a child. The mental and physical strain of trying to please her drives the man to a heart attack and death. Nominated for a Palme d'Or at Cannes where Marina Vlady also won for Best Actress. 11.5 x 9.5 inches. Very Good plus. Sancro Film unknown books
1982réf. 141646N.p.: N.p. 1982. Original Treatment script for an unproduced film. With 17 pages of information about Polish screenwriter Witold Orzechowski laid in including a background on his film career on the other side of the Iron Curtain and about his affiliation with the Solidarity political party. Orzechowski directed the first Eastern European cinematic adaptation of Joseph Conrad with the television movie "Her Return" 1975. Background information addressed to producer Paul Kohner. An unproduced film adaptation of Joseph Conrad's 1911 novel "Under Western Eyes" which many consider to be Conrad's response to Dostoyevsky's "Crime and Punishment" whom Conrad detested. The story generally deals with the life of an oft-downtrodden revolutionary told through the story of a language teacher living in Geneva. Set in St. Petersburg Russia and Geneva Switzerland. Red titled wrappers. Title page present noted as treatment with credits for screenwriter Witold Orzechowski and author Joseph Conrad. 19 leaves with last leaf of text numbered 18. Xerographic duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown
1982réf. 141646N.p.: N.p. 1982. Original Treatment script for an unproduced film. With 17 pages of information about Polish screenwriter Witold Orzechowski laid in including a background on his film career on the other side of the Iron Curtain and about his affiliation with the Solidarity political party. Orzechowski directed the first Eastern European cinematic adaptation of Joseph Conrad with the television movie "Her Return" 1975. Background information addressed to producer Paul Kohner. An unproduced film adaptation of Joseph Conrad's 1911 novel "Under Western Eyes" which many consider to be Conrad's response to Dostoyevsky's "Crime and Punishment" whom Conrad detested. The story generally deals with the life of an oft-downtrodden revolutionary told through the story of a language teacher living in Geneva. Set in St. Petersburg Russia and Geneva Switzerland. Red titled wrappers. Title page present noted as treatment with credits for screenwriter Witold Orzechowski and author Joseph Conrad. 19 leaves with last leaf of text numbered 18. Xerographic duplication. Pages Near Fine wrapper Near Fine bound internally with three silver brads. N.p. unknown books
1985réf. 146885Stockholm: Omega Film 1985. Draft script for the 2005 Swedish film. Text in English. A young man recalls the strange emotionally intense year he spent working as the sous chef in the claustrophobic galley of a ship headed for Cape Town. A very early draft of the script written twenty years before the film's release. Set and shot on location in Belgium Sweden Spain and South Africa. White lacking titled wrappers. Title page present dated 1985 with credits for director Mats Arehn and screenwriter Rolf Borjlind. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good lightly soiled and toned along the edges side stapled with five staples. Omega Film unknown
1985réf. 146885Stockholm: Omega Film 1985. Draft script for the 2005 Swedish film. Text in English. A young man recalls the strange emotionally intense year he spent working as the sous chef in the claustrophobic galley of a ship headed for Cape Town. A very early draft of the script written twenty years before the film's release. Set and shot on location in Belgium Sweden Spain and South Africa. White lacking titled wrappers. Title page present dated 1985 with credits for director Mats Arehn and screenwriter Rolf Borjlind. 128 leaves with last page of text numbered 126. Xerographic duplication rectos only. Pages Very Good lightly soiled and toned along the edges side stapled with five staples. Omega Film unknown books
1989réf. 149674N.p.: N.p. 1989. Two vintage reference photographs from the set of the 1989 film one showing director Peter Greenaway and actors Alan Howard the lover and Helen Mirren the wife the other showing Greenaway with actor Richard Bohringer the cook. Each photograph with a printed mimeo label describing it and with identifying numbers 1 and 5 respectively each affixed to the verso. Director Peter Greenaway's most successful and also most controversial film following a gangster's sophisticated wife as she begins a doomed affair with a patron of her husband's high-class restaurant aided by the genteel head cook. The film garnered attention at the time of its release for its stylish but graphic violence decadent cinematography which was as with many films in Greenaway's oeuvre inspired by Flemish Baroque painting and explicit depictions and notions of sexuality. Set in the UK. One photograph 8 x 10 inches one photograph 10 x 8 inches. Fine. N.p. unknown
réf. 150817The Hague: Allarts 1988. Draft script for the 1988 film. Director Peter Greenaway's most successful and also most controversial film following a gangster's wife as she begins a doomed affair with a patron of her husband's high-class French restaurant aided by the genteel head cook. The film garnered attention at the time of its release for its stylish but graphic violence decadent cinematography which was as with many films in Greenaway's oeuvre inspired by Flemish Baroque painting and explicit sexuality. Set in the UK. Red titled wrappers with credits for director Peter Greenaway on the front wrapper. Title page present dated 1988 with credits for director Peter Greenaway. 160 leaves with last page of text numbered 148. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with perfect binding. Allarts unknown
réf. 150817The Hague: Allarts 1988. Draft script for the 1988 film. Director Peter Greenaway's most successful and also most controversial film following a gangster's wife as she begins a doomed affair with a patron of her husband's high-class French restaurant aided by the genteel head cook. The film garnered attention at the time of its release for its stylish but graphic violence decadent cinematography which was as with many films in Greenaway's oeuvre inspired by Flemish Baroque painting and explicit sexuality. Set in the UK. Red titled wrappers with credits for director Peter Greenaway on the front wrapper. Title page present dated 1988 with credits for director Peter Greenaway. 160 leaves with last page of text numbered 148. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with perfect binding. Allarts unknown books
1989réf. 149674N.p.: N.p. 1989. Two vintage reference photographs from the set of the 1989 film one showing director Peter Greenaway and actors Alan Howard the lover and Helen Mirren the wife the other showing Greenaway with actor Richard Bohringer the cook. Each photograph with a printed mimeo label describing it and with identifying numbers 1 and 5 respectively each affixed to the verso. Director Peter Greenaway's most successful and also most controversial film following a gangster's sophisticated wife as she begins a doomed affair with a patron of her husband's high-class restaurant aided by the genteel head cook. The film garnered attention at the time of its release for its stylish but graphic violence decadent cinematography which was as with many films in Greenaway's oeuvre inspired by Flemish Baroque painting and explicit depictions and notions of sexuality. Set in the UK. One photograph 8 x 10 inches one photograph 10 x 8 inches. Fine. N.p. unknown books
1963réf. 148665Denver CO: Wiseman Film Productions 1963. Vintage reference photograph from the seminal 1963 film. Based on the 1960 play by Warren Miller and Robert Rossen in turn based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke following "The Connection" 1961. Both films were statements on the limitations of cinema verite and while appearing improvisational were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman who would go on to become a legendary documentary filmmaker and was scored by noted jazz composer and pianist Mal Waldron with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 10 x 8 inches. Near Fine with light toning to the border. National Film Registry. Wiseman Film Productions unknown
1963réf. 170477N.p.: Cinema V. 1963. Two vintage reference photographs from the 1963 film both showing actor Hampton Clanton. Printed mimeo snipes and date stamps on the versos. Based on the 1960 play by Warren Miller and Robert Rossen which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke following "The Connection" 1961. Both films were statements on the limitations of cinema verite and while appearing improvisational were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman who would go on to become a legendary documentary filmmaker and was scored by noted jazz composer and pianist Mal Waldron with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 8 x 10 inches. Very Good plus. National Film Registry. Cinema V. unknown
1963réf. 170476N.p.: Cinema V. 1963. Eight vintage studio still photographs from the 1963 film. Provenance labels on the versos. Based on the 1960 play by Warren Miller and Robert Rossen which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke following "The Connection" 1961. Both films were statements on the limitations of cinema verite and while appearing improvisational were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman who would go on to become a legendary documentary filmmaker and was scored by noted jazz composer and pianist Mal Waldron with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 10 x 8 inches. Very Good plus to Near Fine. National Film Registry. Cinema V. unknown
1963réf. 151321N.p.: N.p. 1963. Vintage reference photograph from the seminal 1963 film. Partial label on the verso. Based on the 1960 play by Warren Miller and Robert Rossen which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke following "The Connection" 1961. Both films were statements on the limitations of cinema verite and while appearing improvisational were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman who would go on to become a legendary documentary filmmaker and was scored by noted jazz composer and pianist Mal Waldron with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 5 x 8 inches trimmed irregularly with wide margins photograph measuring 3.75 x 4.75 inches. Near Fine. National Film Registry. N.p. unknown
1963réf. 170476N.p.: Cinema V. 1963. Eight vintage studio still photographs from the 1963 film. Provenance labels on the versos. Based on the 1960 play by Warren Miller and Robert Rossen which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke following "The Connection" 1961. Both films were statements on the limitations of cinema verite and while appearing improvisational were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman who would go on to become a legendary documentary filmmaker and was scored by noted jazz composer and pianist Mal Waldron with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 10 x 8 inches. Very Good plus to Near Fine. National Film Registry. Cinema V. unknown books
1963réf. 148665Denver CO: Wiseman Film Productions 1963. Vintage reference photograph from the seminal 1963 film. Based on the 1960 play by Warren Miller and Robert Rossen in turn based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke following "The Connection" 1961. Both films were statements on the limitations of cinema verite and while appearing improvisational were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman who would go on to become a legendary documentary filmmaker and was scored by noted jazz composer and pianist Mal Waldron with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 10 x 8 inches. Near Fine with light toning to the border. National Film Registry. Wiseman Film Productions unknown books
1963réf. 151321N.p.: N.p. 1963. Vintage reference photograph from the seminal 1963 film. Partial label on the verso. Based on the 1960 play by Warren Miller and Robert Rossen which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke following "The Connection" 1961. Both films were statements on the limitations of cinema verite and while appearing improvisational were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman who would go on to become a legendary documentary filmmaker and was scored by noted jazz composer and pianist Mal Waldron with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 5 x 8 inches trimmed irregularly with wide margins photograph measuring 3.75 x 4.75 inches. Near Fine. National Film Registry. N.p. unknown books
1963réf. 170477N.p.: Cinema V. 1963. Two vintage reference photographs from the 1963 film both showing actor Hampton Clanton. Printed mimeo snipes and date stamps on the versos. Based on the 1960 play by Warren Miller and Robert Rossen which was based on Miller's 1959 novel. The second feature to be directed by independent filmmaker Shirley Clarke following "The Connection" 1961. Both films were statements on the limitations of cinema verite and while appearing improvisational were in fact semi-documentaries with carefully scripted dialogue. Clarke aspired to make a non-judgmental film that resisted the moralizing prevalent in Hollywood "social issue" films. It was the first film to be produced by Frederick Wiseman who would go on to become a legendary documentary filmmaker and was scored by noted jazz composer and pianist Mal Waldron with performances by trumpeter Dizzy Gillespie. Set and shot on location in New York. 8 x 10 inches. Very Good plus. National Film Registry. Cinema V. unknown books
