11 045 résultats
1948réf. 158749N.p.: Continental Distributing 1948. Vintage pressbook for the US release of the 1948 French film. A meek Parisian tax collector sets off on a madcap hunt for his aunt's lost corpse in order to claim his inheritance leading to his inadvertent involvement in the French criminal underground. 10 x 14 inches. Bi-fold with a second horizontal fold and a single laid-in leaf as issued. Near Fine. Continental Distributing unknown
1948réf. 158749N.p.: Continental Distributing 1948. Vintage pressbook for the US release of the 1948 French film. A meek Parisian tax collector sets off on a madcap hunt for his aunt's lost corpse in order to claim his inheritance leading to his inadvertent involvement in the French criminal underground. 10 x 14 inches. Bi-fold with a second horizontal fold and a single laid-in leaf as issued. Near Fine. Continental Distributing unknown books
1969réf. 161645N.p.: Forbes Unistar 1969. Three vintage studio still photographs from the 1969 film. Two photographs with provenance stamps on the versos and each with a label obscuring a previous provenance stamp. Outrageous Argentinian sexploitation film wherein a mad doctor based on instructions from a talking brain kidnaps couples having sex and injects them with a drug to enhance their sexual abilities-all so he can then extract from them a resulting fluid which prevents him from transforming into a monster. Set in and shot on location in Buenos Aires. 8 x 10 inches. Light edgewear else Near Fine. Forbes Unistar unknown
1970réf. 150612Los Angeles: Fanfare Films 1970. Eight vintage black and white studio still photographs from the 1970 film. In the year 2177 the world has been overtaken by an all-powerful dominating computer and all films with the exception of sex tapes naturally have been banned. 10 x 8 inches. Near Fine. Fanfare Films unknown
1969réf. 161645N.p.: Forbes Unistar 1969. Three vintage studio still photographs from the 1969 film. Two photographs with provenance stamps on the versos and each with a label obscuring a previous provenance stamp. Outrageous Argentinian sexploitation film wherein a mad doctor based on instructions from a talking brain kidnaps couples having sex and injects them with a drug to enhance their sexual abilities-all so he can then extract from them a resulting fluid which prevents him from transforming into a monster. Set in and shot on location in Buenos Aires. 8 x 10 inches. Light edgewear else Near Fine. Forbes Unistar unknown books
1970réf. 150612Los Angeles: Fanfare Films 1970. Eight vintage black and white studio still photographs from the 1970 film. In the year 2177 the world has been overtaken by an all-powerful dominating computer and all films with the exception of sex tapes naturally have been banned. 10 x 8 inches. Near Fine. Fanfare Films unknown books
1968réf. 161646N.p.: American Film Distributing 1968. Vintage studio still photograph from the 1968 film. Provenance stamp on the verso. One of two sequels along with the 1968 film "The Kiss of Her Flesh" to exploitation maestro Michael Findlay's 1967 breakthrough "The Touch of Her Flesh." Strip club owner Steve a killer of strippers seeks revenge after catching his stripper wife with another man. Set in and shot on location in New York. 8 x 10 inches. Very Good plus with light creasing at the extremities. American Film Distributing unknown
1962réf. 167544Various cities: Columbia Pictures / Hammer Films 1962. Vintage lobby card for the Spanish-language release of the 1962 British horror film. In turn-of-the-century Egypt a mummy revives and begins to kill the Egyptologists responsible for its discovery. The second film in Hammer's Mummy franchise following the studio's better-remembered 1959 film "The Mummy" released as a double feature with "The Gorgon." 14 x 11 inches. Very Good plus with pinholes at the corners. Johnson and Del Vecchio 244-246. Columbia Pictures / Hammer Films unknown
1961réf. 167579Universal City: Universal-International Pictures / Hammer Films 1961. Vintage studio still photograph from the US release of the 1961 British film showing Oliver Reed in costume as Leon Corledo the werewolf. Based on Guy Endore's 1933 novel "The Werewolf Of Paris." Reed's first starring role in a feature film and the first werewolf film to be shot in color. Released as a double feature with another Hammer film "Shadow of the Cat" 1961. Set in Spain and shot on location in Buckinghamshire and Surrey England. 10 x 8 inches. Very Good plus with pinholes at the margins. Johnson and Del Vecchio. Universal-International Pictures / Hammer Films unknown
1968réf. 161646N.p.: American Film Distributing 1968. Vintage studio still photograph from the 1968 film. Provenance stamp on the verso. One of two sequels along with the 1968 film "The Kiss of Her Flesh" to exploitation maestro Michael Findlay's 1967 breakthrough "The Touch of Her Flesh." Strip club owner Steve a killer of strippers seeks revenge after catching his stripper wife with another man. Set in and shot on location in New York. 8 x 10 inches. Very Good plus with light creasing at the extremities. American Film Distributing unknown books
1962réf. 167544Various cities: Columbia Pictures / Hammer Films 1962. Vintage lobby card for the Spanish-language release of the 1962 British horror film. In turn-of-the-century Egypt a mummy revives and begins to kill the Egyptologists responsible for its discovery. The second film in Hammer's Mummy franchise following the studio's better-remembered 1959 film "The Mummy" released as a double feature with "The Gorgon." 14 x 11 inches. Very Good plus with pinholes at the corners. Johnson and Del Vecchio 244-246. Columbia Pictures / Hammer Films unknown books
1961réf. 167579Universal City: Universal-International Pictures / Hammer Films 1961. Vintage studio still photograph from the US release of the 1961 British film showing Oliver Reed in costume as Leon Corledo the werewolf. Based on Guy Endore's 1933 novel "The Werewolf Of Paris." Reed's first starring role in a feature film and the first werewolf film to be shot in color. Released as a double feature with another Hammer film "Shadow of the Cat" 1961. Set in Spain and shot on location in Buckinghamshire and Surrey England. 10 x 8 inches. Very Good plus with pinholes at the margins. Johnson and Del Vecchio. Universal-International Pictures / Hammer Films unknown books
1957réf. 167566Glendale CA: Allied Artists 1957. Vintage studio still photograph from the 1957 film. While looking for a lost pilot in the Mexican jungle members of a search party begin finding giant mutated animals-and later discover that the pilot has mutated into a heavily disfigured 25-feet-tall monster. An early career release for noted B-film producer and director Bert I. Gordon best remembered today for his "giant monster" films. 10 x 8 inches. Very Good with six pinholes on the margins and a short closed tear at the center right. Allied Artists unknown books
1969réf. 167512N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing director Luchino Visconti as his cigarette ash dangles dangerously adjusting the bedding during a scene with actors Ingrid Thulin and Dirk Bogarde. A powerful corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy followed by "Death in Venice" 1971 and "Ludwig" 1973. Shot on location in Germany Austria and Italy. 10 x 8 inches. About Fine. N.p. unknown
1969réf. 150609Burbank CA: Warner Brothers / Seven Arts 1969. Five vintage black and white studio still photographs from the US release of the 1969 Italian-German film. A powerful corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy followed by "Death in Venice" 1971 and "Ludwig" 1973. Shot on location in Germany Austria and Italy. 10 x 8 inches. Very Good plus one with a small closed tear to the right edge. Warner Brothers / Seven Arts unknown
1969réf. 150609Burbank CA: Warner Brothers / Seven Arts 1969. Five vintage black and white studio still photographs from the US release of the 1969 Italian-German film. A powerful corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy followed by "Death in Venice" 1971 and "Ludwig" 1973. Shot on location in Germany Austria and Italy. 10 x 8 inches. Very Good plus one with a small closed tear to the right edge. Warner Brothers / Seven Arts unknown books
1969réf. 167512N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 film showing director Luchino Visconti as his cigarette ash dangles dangerously adjusting the bedding during a scene with actors Ingrid Thulin and Dirk Bogarde. A powerful corrupt industrialist family illustrates the transition of the German upper class from resentment to acceptance of the Nazi party. The first film in Visconti's German Trilogy followed by "Death in Venice" 1971 and "Ludwig" 1973. Shot on location in Germany Austria and Italy. 10 x 8 inches. About Fine. N.p. unknown books
1969réf. 145401Burbank CA: Warner Brothers 1969. Two vintage studio still photographs from the set of the 1969 film. One photo shown. Please inquire to see the other. A powerful industrialist family illustrates the German upper classes transition from resentment to acceptance of the Nazi party. Nominated for an Academy Award for best screenplay. Shot on location in Germany Austria and Italy. 9.5 x 8 inches. Near Fine. Warner Brothers unknown books
1955réf. 140173Los Angeles: Columbia Broadcasting System CBS 1955. Final Draft script for the Season 2 Episode 1 of the 1955 television program originally broadcast on October 15 1955 on CBS. Copy belonging to actor who played Johnny with his character's name on the front wrapper in manuscript pencil. With page numbers annotated in ink at the lower right corner of each page throughout. "The Damon Runyon Theater" presented dramatized versions of short stories by Damon Runyon. This particular episode deals with a boxing match. It was sponsored by Anheuser-Busch's beer Budweiser. Orange titled wrappers noted as Final Draft on the front wrapper rubber-stamped production No. 3924 dated June 15 1955. Title page present dated June 14 1955 noted as Final Draft with credits for screenwriter Jack Harvey. 43 leaves with last page of text numbered 41. Mechanical duplication. Pages Very Good plus wrapper Very Good bound with two gold brads. Columbia Broadcasting System [CBS] unknown
1955réf. 140173Los Angeles: Columbia Broadcasting System CBS 1955. Final Draft script for the Season 2 Episode 1 of the 1955 television program originally broadcast on October 15 1955 on CBS. Copy belonging to actor who played Johnny with his character's name on the front wrapper in manuscript pencil. With page numbers annotated in ink at the lower right corner of each page throughout. "The Damon Runyon Theater" presented dramatized versions of short stories by Damon Runyon. This particular episode deals with a boxing match. It was sponsored by Anheuser-Busch's beer Budweiser. Orange titled wrappers noted as Final Draft on the front wrapper rubber-stamped production No. 3924 dated June 15 1955. Title page present dated June 14 1955 noted as Final Draft with credits for screenwriter Jack Harvey. 43 leaves with last page of text numbered 41. Mechanical duplication. Pages Very Good plus wrapper Very Good bound with two gold brads. Columbia Broadcasting System [CBS] unknown books
1969réf. 150225N.p.: N.p. 1969. Vintage borderless double weight satin-finish black and white photograph from the 1969 film one showing actors Robert Stephens Geraldine McEwan and Laurence Olivier the other showing Olivier alone. With a photographer's stamp on the verso noted only as "Dominic" along with a library stamp. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A filmed version of the National Theatre Company play originally directed by Glen Byam Shaw which was based in turn on the 1900 play by August Strindberg. In their isolated home on the coast of Sweden an aging mentally ill ex-military captain engages in vicious battles of will with his wife a former actress whose marriage ended her career. Set in Sweden. One photograph 8 x 9.5 inches one photograph 7.5 x 10 inches. Near Fine. N.p. unknown
1969réf. 150225N.p.: N.p. 1969. Vintage borderless double weight satin-finish black and white photograph from the 1969 film one showing actors Robert Stephens Geraldine McEwan and Laurence Olivier the other showing Olivier alone. With a photographer's stamp on the verso noted only as "Dominic" along with a library stamp. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. A filmed version of the National Theatre Company play originally directed by Glen Byam Shaw which was based in turn on the 1900 play by August Strindberg. In their isolated home on the coast of Sweden an aging mentally ill ex-military captain engages in vicious battles of will with his wife a former actress whose marriage ended her career. Set in Sweden. One photograph 8 x 9.5 inches one photograph 7.5 x 10 inches. Near Fine. N.p. unknown books
1967réf. 130772Burbank CA: National Broadcasting Company NBC 1967. Final Draft script for episode 19 of the 1967-1968 television anthology show. Actor Van Heflin's copy with the name of his character in manuscript ink on the front wrapper and manuscript annotations on nearly every page. "The Danny Thomas Hour" ran for one season on NBC as an anthology show with Thomas presenting dramas comedies and musical variety shows. In "Fear the Chain" Van Heflin plays a deserter from the German army trying to reach Switzerland. Goldenrod titled wrappers with annotations in manuscript ink and pencil. Title page present dated April 20 1967 noted as Final Draft with credit for screenwriter Bercovici. 66 leaves mechanical duplication with blue and goldenrod revision pages throughout dated variously between 5-18-67 and 5-29-67. Pages Near Fine wrapper Near Fine bound with two gold brads. National Broadcasting Company [NBC] unknown
1967réf. 130772Burbank CA: National Broadcasting Company NBC 1967. Final Draft script for episode 19 of the 1967-1968 television anthology show. Actor Van Heflin's copy with the name of his character in manuscript ink on the front wrapper and manuscript annotations on nearly every page. "The Danny Thomas Hour" ran for one season on NBC as an anthology show with Thomas presenting dramas comedies and musical variety shows. In "Fear the Chain" Van Heflin plays a deserter from the German army trying to reach Switzerland. Goldenrod titled wrappers with annotations in manuscript ink and pencil. Title page present dated April 20 1967 noted as Final Draft with credit for screenwriter Bercovici. 66 leaves mechanical duplication with blue and goldenrod revision pages throughout dated variously between 5-18-67 and 5-29-67. Pages Near Fine wrapper Near Fine bound with two gold brads. National Broadcasting Company [NBC] unknown books
1923réf. 158259N.p.: Daniel Carson Goodman 1923. Vintage reference photograph from the 1923 film showing actress Mildred Harris performing with other dancers in a cabaret scene. Annotations in manuscript ink and pencil on the verso. A dancer wrongfully accuses one of her young suitors of killing her lover a boxer. Clara Bow's fourth film appearance. Currently considered a lost film. 10 x 8 inches. About Near Fine. Daniel Carson Goodman unknown
