11 046 résultats
1984réf. 157842Beverly Hills CA: Orion 1984. Six vintage studio still photographs from the 1984 film. An extravagant production with a star-studded cast following the lives of musicians in the famed Jazz Age in Harlem who become involved in the dealings of local mobsters. Nominated for two Academy Awards. Set and shot on location in New York City. 10 x 8 inches. Near Fine. Orion unknown books
1984réf. 147764Beverly Hills CA: Orion Pictures Corporation 1984. Three vintage studio still photographs from the 1984 film. Inspired by James Haskins' 1977 photo history book about the famed Harlem club. An extravagant production with a star-studded cast the film follows the lives of musicians in the famed Jazz Age in Harlem who become embroiled with various local mobsters. Nominated for two Academy Awards. Set in and shot on location in New York City. 8 x 10 inches. Near Fine. Orion Pictures Corporation unknown books
1962réf. 167556Burbank CA: Warner Brothers 1962. Vintage studio still photograph of Grant Williams from the 1962 film. A violent ex-con embarks on a murder spree using his court-ordered weekly therapy sessions as his alibi. Actor Onslow Stevens' final film appearance. Screenplay by noted horror and mystery writer Robert Bloch. 8 x 10 inches. Near Fine. Warner Brothers unknown
1962réf. 167556Burbank CA: Warner Brothers 1962. Vintage studio still photograph of Grant Williams from the 1962 film. A violent ex-con embarks on a murder spree using his court-ordered weekly therapy sessions as his alibi. Actor Onslow Stevens' final film appearance. Screenplay by noted horror and mystery writer Robert Bloch. 8 x 10 inches. Near Fine. Warner Brothers unknown books
1951réf. 158754Rome: Titanus 1951. Vintage pressbook for the 1951 Italian film. Text and titles in Italian. An opera singer falls in love with a masked bandit known as the Count of Saint Elmo who robs the wealthy in order to fund his fight against the oppressive Italian government. Set in Sicily. 8.7 x 12.5 inches. Bi-fold. Near Fine with faint wear on the bottom edge. Titanus unknown
1951réf. 158754Rome: Titanus 1951. Vintage pressbook for the 1951 Italian film. Text and titles in Italian. An opera singer falls in love with a masked bandit known as the Count of Saint Elmo who robs the wealthy in order to fund his fight against the oppressive Italian government. Set in Sicily. 8.7 x 12.5 inches. Bi-fold. Near Fine with faint wear on the bottom edge. Titanus unknown books
1961réf. 148697Los Angeles: Paramount Pictures 1961. Vintage one sheet poster for the 1962 film. Based on the 1958 book by Alexander Klein. William Holden as an ex-American citizen living in Sweden who gets blackmailed into spying for the Allies during WWII. He is reluctant to help until his relationship with a beautiful German double agent causes him to rethink his decision. The great Klaus Kinski even makes a brief appearance. Set and shot on location in Denmark Sweden and Germany. 26.75 x 41 inches. Folded as issued. Very Good plus several pinholes primarily to margins. Paramount Pictures unknown books
réf. 146805N.p.: N.p. Unknown. Treatment script for an unproduced television film. Incomplete as issued. With a small handwritten label to the first leaf noting the name and address of screenwriter Martin Warner. A lonely widower finds new love with a vibrant retired school teacher aided by his well-intentioned but meddling apartment building neighbors. Set in Santa Monica California. White lacking titled wrappers. Title page present with credits for screenwriter Martin Warner. 45 leaves with last page of text numbered 44. Xerographic duplication rectos only. Pages Very Good with light rust to the first and last leaves likely from a paper clip bound with two gold brads. N.p. unknown
réf. 146805N.p.: N.p. Unknown. Treatment script for an unproduced television film. Incomplete as issued. With a small handwritten label to the first leaf noting the name and address of screenwriter Martin Warner. A lonely widower finds new love with a vibrant retired school teacher aided by his well-intentioned but meddling apartment building neighbors. Set in Santa Monica California. White lacking titled wrappers. Title page present with credits for screenwriter Martin Warner. 45 leaves with last page of text numbered 44. Xerographic duplication rectos only. Pages Very Good with light rust to the first and last leaves likely from a paper clip bound with two gold brads. N.p. unknown books
1957réf. 142595Moscow: Mosfilm 1957. Vintage oversize double weight photograph from the 1957 film. From the archives of French weekly "Tele Magazine" with two stamps on the verso one referencing its inclusion in issue 52 page 5 along with manuscript annotations regarding layout and the French title. Based on the 1956 play "Forever Alive" by Viktor Rozov who also wrote the screenplay about a young woman who must flee in the face of Nazi Germany's invasion of Russia while feeling guilty over her missing lover who unbeknownst to her has been killed in the war. Winner of the Palme d'Or the only Soviet film to do so while star Tatiana Samoylova would receive a Special Mention for her role becoming a European film icon in the process. 12 x 9.5 inches. Very Good with some light creasing. Criterion Collection 146. Mosfilm unknown
1957réf. 142595Moscow: Mosfilm 1957. Vintage oversize double weight photograph from the 1957 film. From the archives of French weekly "Tele Magazine" with two stamps on the verso one referencing its inclusion in issue 52 page 5 along with manuscript annotations regarding layout and the French title. Based on the 1956 play "Forever Alive" by Viktor Rozov who also wrote the screenplay about a young woman who must flee in the face of Nazi Germany's invasion of Russia while feeling guilty over her missing lover who unbeknownst to her has been killed in the war. Winner of the Palme d'Or the only Soviet film to do so while star Tatiana Samoylova would receive a Special Mention for her role becoming a European film icon in the process. 12 x 9.5 inches. Very Good with some light creasing. Criterion Collection 146. Mosfilm unknown books
1966réf. 137871Paris: Parc Film 1966. Archive of 46 vintage reference stills for the 1966 French film. Each photograph numbered using two different numbering systems in manuscript marker and pencil. A single photograph shows director Varda with Catherine Deneuve on the set. A writer and his pregnant wife mute from a car accident move to a remote village while he works on a novel. Fantasy and reality fact and fiction begin to blend together as he transforms the villagers into characters in his story. In his 1969 review Roger Ebert called The Creatures "a complex and nearly hypnotic study of the way fact is made into fiction. It seems to operate on many levels but in fact it operates on only one illustrating how fantasy reality and style are simultaneously kept suspended in the mind of a creative writer." Three photographs 10.75 x 8 inches. Very Good plus with light scratches. Remaining photographs 4.75 x 3.5 inches. A few photographs lightly worn else Near Fine overall. Parc Film unknown
1966réf. 137871Paris: Parc Film 1966. Archive of 46 vintage reference stills for the 1966 French film. Each photograph numbered using two different numbering systems in manuscript marker and pencil. A single photograph shows director Varda with Catherine Deneuve on the set. A writer and his pregnant wife mute from a car accident move to a remote village while he works on a novel. Fantasy and reality fact and fiction begin to blend together as he transforms the villagers into characters in his story. In his 1969 review Roger Ebert called The Creatures "a complex and nearly hypnotic study of the way fact is made into fiction. It seems to operate on many levels but in fact it operates on only one illustrating how fantasy reality and style are simultaneously kept suspended in the mind of a creative writer." Three photographs 10.75 x 8 inches. Very Good plus with light scratches. Remaining photographs 4.75 x 3.5 inches. A few photographs lightly worn else Near Fine overall. Parc Film unknown books
1952réf. 132886Burbank CA: Warner Brothers 1952. Vintage hand-tinted still photograph from the 1952 UK release of the 1952 US film. Burt Lancaster stars as a pirate who gets involved in a revolution in the Caribbean in the late 1700s. A swashbuckler with enough swordplay and acrobatics to satisfy even the most discerning enthusiast. A story set in the Caribbean shot on location in Italy. 8 x 10 inches. Faint creases to one corner else Near Fine. Warner Brothers unknown books
1982réf. 153824N.p.: N.p. 1982. Draft script for an unproduced film. Laid in with the script is a three-page autograph note discussing the script's plot. In the Virgin Islands in the 18th century a prominent doctor is given a valuable crucifix to protect his employer the governor of Jamaica unaware that the artifact is highly desired by a nefarious supernatural being for its mystical properties. Set in the Virgin Islands. Black untitled wrappers. Title page present dated 1982 with credits for screenwriter Michael H. Krohn. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown
1982réf. 153824N.p.: N.p. 1982. Draft script for an unproduced film. Laid in with the script is a three-page autograph note discussing the script's plot. In the Virgin Islands in the 18th century a prominent doctor is given a valuable crucifix to protect his employer the governor of Jamaica unaware that the artifact is highly desired by a nefarious supernatural being for its mystical properties. Set in the Virgin Islands. Black untitled wrappers. Title page present dated 1982 with credits for screenwriter Michael H. Krohn. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with a silver prong. N.p. unknown books
1928réf. 167295Los Angeles: Metro-Goldwyn-Mayer MGM 1928. Vintage reference photograph from the 1928 silent film showing the infamous "office set" with dozens of identical desks in a largely windowless room. Provenance label mimeo snipe and annotations in manuscript ink on the verso. A bleak populist film heavily influenced by German cinema and nominated for several awards at the very first Academy Awards ceremony including Best Director for King Vidor. Shot on location throughout New York and in Los Angeles. 10 x 7.25 inches. Very Good moderately edgeworn with old cello tape at the corners and center bottom edge. National Film Registry. Godard Histoires du cinema. Rosenbaum 1000. Schrader 44. Scorsese A Personal Journey Through American Movies. Metro-Goldwyn-Mayer [MGM] unknown
1928réf. 167295Los Angeles: Metro-Goldwyn-Mayer MGM 1928. Vintage reference photograph from the 1928 silent film showing the infamous "office set" with dozens of identical desks in a largely windowless room. Provenance label mimeo snipe and annotations in manuscript ink on the verso. A bleak populist film heavily influenced by German cinema and nominated for several awards at the very first Academy Awards ceremony including Best Director for King Vidor. Shot on location throughout New York and in Los Angeles. 10 x 7.25 inches. Very Good moderately edgeworn with old cello tape at the corners and center bottom edge. National Film Registry. Godard Histoires du cinema. Rosenbaum 1000. Schrader 44. Scorsese A Personal Journey Through American Movies. Metro-Goldwyn-Mayer [MGM] unknown books
1959réf. 151413Burbank CA: Warner Brothers 1959. Estimating script for the 1960 film on yellow stock except title/distribution page white and second "This Script Is Not Final ." page pink copy belonging to uncredited crew member Nick Bova with name in manuscript ink on front wrapper and annotations in manuscript red pencil graphite pencil and ink throughout. Based on the 1960 novel by Hank Searls. The troubled and complicated lives of passengers and crew of a commercial airliner and a US Navy jet are examined as severe weather and a malfunctioning radio bring the two planes on an inextricable course toward collision. Shot on location in Washington DC and Naval Air Station North Island Coronado California. Beige titled wrappers noted as ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 60 dated June 5 1959. Title page integral with Distribution page receipt intact dated 6/5/59 noted as ESTIMATING. 128 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown
1959réf. 151413Burbank CA: Warner Brothers 1959. Estimating script for the 1960 film on yellow stock except title/distribution page white and second "This Script Is Not Final ." page pink copy belonging to uncredited crew member Nick Bova with name in manuscript ink on front wrapper and annotations in manuscript red pencil graphite pencil and ink throughout. Based on the 1960 novel by Hank Searls. The troubled and complicated lives of passengers and crew of a commercial airliner and a US Navy jet are examined as severe weather and a malfunctioning radio bring the two planes on an inextricable course toward collision. Shot on location in Washington DC and Naval Air Station North Island Coronado California. Beige titled wrappers noted as ESTIMATING SCRIPT on the front wrapper rubber-stamped copy No. 60 dated June 5 1959. Title page integral with Distribution page receipt intact dated 6/5/59 noted as ESTIMATING. 128 leaves with last page of text numbered 122. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. Warner Brothers unknown books
1957réf. 142608France Germany: Pathe Consortium Cinema 1957. Vintage borderless photograph from the 1957 film. With the stamp of French weekly "Tele Magazine" and manuscript annotations regarding layout on the verso. Based on the 1953 Tony Award winning play by Arthur Miller and the first of two film adaptations. The second came 43 years later and was written by Miller himself. 6.5 x 9.5 inches. Near Fine. Pathe Consortium Cinema unknown
1957réf. 142608France Germany: Pathe Consortium Cinema 1957. Vintage borderless photograph from the 1957 film. With the stamp of French weekly "Tele Magazine" and manuscript annotations regarding layout on the verso. Based on the 1953 Tony Award winning play by Arthur Miller and the first of two film adaptations. The second came 43 years later and was written by Miller himself. 6.5 x 9.5 inches. Near Fine. Pathe Consortium Cinema unknown books
1935réf. 151084N.p.: N.p. 1935. Two vintage reference photographs of Cecil B. DeMille on the set of the 1935 film one with Henry Wilcoxon and C. Aubrey Smith. Mimeo snipes printed on versos. DeMille's typically spectacular dramatization of the Third Crusade launched by King Richard the Lionheart in 1187 AD. Nominated for an Academy Award for Best Cinematography. 8 x 10.25 inches. Near Fine with light edgewear and creasing in margins. N.p. unknown
1935réf. 151084N.p.: N.p. 1935. Two vintage reference photographs of Cecil B. DeMille on the set of the 1935 film one with Henry Wilcoxon and C. Aubrey Smith. Mimeo snipes printed on versos. DeMille's typically spectacular dramatization of the Third Crusade launched by King Richard the Lionheart in 1187 AD. Nominated for an Academy Award for Best Cinematography. 8 x 10.25 inches. Near Fine with light edgewear and creasing in margins. N.p. unknown books
1948réf. 158749N.p.: Continental Distributing 1948. Vintage pressbook for the US release of the 1948 French film. A meek Parisian tax collector sets off on a madcap hunt for his aunt's lost corpse in order to claim his inheritance leading to his inadvertent involvement in the French criminal underground. 10 x 14 inches. Bi-fold with a second horizontal fold and a single laid-in leaf as issued. Near Fine. Continental Distributing unknown
