Linda Fiorentino, David Caruso (starring); William Friedkin (director); Joe Eszterhas (screenwriter)ABAA
11 160 résultats
1995réf. 167992Hollywood: Paramount Pictures 1995. Vintage studio still photograph from the 1995 neo-noir film. An assistant district attorney investigates the murder of a prominent businessman who is found skinned to death with an antique hatchet later uncovering incriminating photographs linking the man to a sex work ring. Shot on location in San Francisco. 10 x 8 inches. Very Good plus. Paramount Pictures unknown books
1996réf. 168116Santa Monica: Home Box Office HBO / Max 1996. Vintage reference photograph from a HBO re-release of the 1995 neo-noir film. HBO label affixed to the verso. An assistant district attorney investigates the murder of a prominent businessman who is found skinned to death with an antique hatchet later uncovering incriminating photographs linking the man to a sex work ring. Shot on location in San Francisco. 10 x 8 inches. Near Fine. Home Box Office [HBO] / Max unknown books
1976réf. 140020London: ITC Entertainment 1976. Collection of 6 vintage full-color lobby cards from the 1976 film. Exploiting corruption within the law enforcement system of the Midwest the Roger Corman-produced film has long been a cult cornerstone and favorite of modern directors like Quentin Tarantino. Dinah Mimieux is an associate for a Los Angeles advertising agency but quits her job after catching her boyfriend being unfaithful and she leaves in a car for New York. Along the way she picks up two hitchhikers who rob and assault her stealing her purse and car. After she is arrested and thrown in jail where she is raped by the guard who receives a fatal vengeful blow from Dinah and meets a thief named Coley Jones. Together they escape and meet their destiny in a "Bonnie and Clyde" fashion. 11 x 14 inches. Light corner bumps else Near Fine. Scarce. ITC Entertainment unknown books
1976réf. 140020London: ITC Entertainment 1976. Collection of 6 vintage full-color lobby cards from the 1976 film. Exploiting corruption within the law enforcement system of the Midwest the Roger Corman-produced film has long been a cult cornerstone and favorite of modern directors like Quentin Tarantino. Dinah Mimieux is an associate for a Los Angeles advertising agency but quits her job after catching her boyfriend being unfaithful and she leaves in a car for New York. Along the way she picks up two hitchhikers who rob and assault her stealing her purse and car. After she is arrested and thrown in jail where she is raped by the guard who receives a fatal vengeful blow from Dinah and meets a thief named Coley Jones. Together they escape and meet their destiny in a "Bonnie and Clyde" fashion. 11 x 14 inches. Light corner bumps else Near Fine. Scarce. ITC Entertainment unknown
1953réf. 160824Glendale CA: Allied Artists 1953. Vintage insert poster for the 1953 film. Loosely based on chapters 9 through 11 of Mark Twain's semi-autobiographical "Roughing It." Mark Stevens is lawman and killer Jack Slade who's committed himself to ridding society of outlaws after seeing his father gunned down at age thirteen. Followed by the 1955 sequel "The Return of Jack Slade" directed by Harold D. Schuster and starring John Ericson and Mari Blanchard. 14 x 35.75 inches folded as issued. Very Good plus with a faint crease to the top right corner some light rubbing and tiny chipping to the lower left margin. Allied Artists unknown books
1953réf. 160824Glendale CA: Allied Artists 1953. Vintage insert poster for the 1953 film. Loosely based on chapters 9 through 11 of Mark Twain's semi-autobiographical "Roughing It." Mark Stevens is lawman and killer Jack Slade who's committed himself to ridding society of outlaws after seeing his father gunned down at age thirteen. Followed by the 1955 sequel "The Return of Jack Slade" directed by Harold D. Schuster and starring John Ericson and Mari Blanchard. 14 x 35.75 inches folded as issued. Very Good plus with a faint crease to the top right corner some light rubbing and tiny chipping to the lower left margin. Allied Artists unknown
1971réf. 159212Culver City CA: Columbia Pictures 1971. Vintage studio still photograph of Geraldine Page from the 1972 film. After being released from prison a man tries to return to his old life as a rodeo cowboy although finds that he has missed out on the better years of his career. Set in the American West shot in California and Oklahoma. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1971réf. 142063Culver City CA: Columbia Pictures 1971. Vintage photograph from the 1971 film. Cliff Robertson wrote directed and starred in this modern western about a man recently released for a ten year stretch in prison trying to return to his old life as a rodeo cowboy after missing out on the prime of his career. Set in the American West shot in California and Oklahoma. 4 x 5 inches. Near Fine. Columbia Pictures unknown books
1971réf. 142061Culver City CA: Columbia Pictures 1971. Four vintage studio still photographs from the 1971 film including one behind the scenes photograph of Robertson at a frog jumping contest. Also included is a single small promotional still. Cliff Robertson wrote directed and starred in this modern western about a man recently released for a ten year stretch in prison trying to return to his old life as a rodeo cowboy after missing out on the prime of his career. Set in the American West shot in California and Oklahoma. 8 x 10 inches. Generally about Near Fine. Promotional still 4 x 5 inches. Near Fine. Columbia Pictures unknown books
1986réf. 146118Los Angeles: RLC/Finnegan 1986. Shooting script for the television film here under the working title "Hoover" first aired on Showtime on January 11 1987. A biopic documenting the rise to power and final years of J. Edgar Hoover the long-standing and controversial director of the Federal Bureau of Investigation. Loosely based on William C. Sullivan's 1979 memoir "The Bureau: My Thirty Years in Hoover's FBI." Set in Washington DC Gray titled wrappers. Title page present dated March 14 1986 noted as SHOOTING DRAFT with credits for director and screenwriter Robert Collins. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some foxing and light fading to the extremities bound with two gold brads. RLC/Finnegan unknown books
1986réf. 146118Los Angeles: RLC/Finnegan 1986. Shooting script for the television film here under the working title "Hoover" first aired on Showtime on January 11 1987. A biopic documenting the rise to power and final years of J. Edgar Hoover the long-standing and controversial director of the Federal Bureau of Investigation. Loosely based on William C. Sullivan's 1979 memoir "The Bureau: My Thirty Years in Hoover's FBI." Set in Washington DC Gray titled wrappers. Title page present dated March 14 1986 noted as SHOOTING DRAFT with credits for director and screenwriter Robert Collins. 117 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine with some foxing and light fading to the extremities bound with two gold brads. RLC/Finnegan unknown
1937réf. 168078France: Forrester-Parant 1937. Vintage double weight photograph from the 1938 film showing a group of soldiers many with facial disfigurements. French annotations in manuscript pencil and ink on the verso along with a provenance label. Both a remake and sequel to director Abel Gance's 1919 film of the same name born out of his anger and frustration in watching Europe descend into the Second World War as much as the original was born out of his horror with the First. 9.25 x 7 inches. Near Fine. Godard Histoires du cinema. Forrester-Parant unknown books
1937réf. 168078France: Forrester-Parant 1937. Vintage double weight photograph from the 1938 film showing a group of soldiers many with facial disfigurements. French annotations in manuscript pencil and ink on the verso along with a provenance label. Both a remake and sequel to director Abel Gance's 1919 film of the same name born out of his anger and frustration in watching Europe descend into the Second World War as much as the original was born out of his horror with the First. 9.25 x 7 inches. Near Fine. Godard Histoires du cinema. Forrester-Parant unknown
1984réf. 146966N.p.: N.p. 1984. Treatment script for an unproduced film. Fiercely competitive rivals at an industrial plant pass time by playing games of backgammon. Lacking titled wrappers housed in a transparent yellow plastic folder. Title page present dated April 14 1984 with credits for screenwriters Susan R. Friedman Anthony Lawless and Jim Johnson. 10 leaves with last page of text numbered 9. Xerographic duplication rectos only. Pages Very Good plus unbound. N.p. unknown books
1984réf. 146966N.p.: N.p. 1984. Treatment script for an unproduced film. Fiercely competitive rivals at an industrial plant pass time by playing games of backgammon. Lacking titled wrappers housed in a transparent yellow plastic folder. Title page present dated April 14 1984 with credits for screenwriters Susan R. Friedman Anthony Lawless and Jim Johnson. 10 leaves with last page of text numbered 9. Xerographic duplication rectos only. Pages Very Good plus unbound. N.p. unknown
1977réf. 149252N.p.: Skyhawk Properties 1977. Vintage one sheet poster for the 1974 film released in the UK as "Percy's Progress" and in the US as "It's Not the Size that Counts." Sequel to the 1971 British comedy "Percy" directed by Ralph Thomas starring Hywel Bennett Denholm Elliott Elke Sommer and Britt Ekland. Percy Edward Anthony is renowned as the man who had the world's first penis transplant. When a chemical is accidentally released into the world's water supply rendering all men impotent Percy on a boat at sea and drinking only champagne is the last man on earth who can achieve an erection. 27 x 41 inches. Very Good plus some splitting at the folds small rough tear to bottom right border and annotation of title in manuscript ink on lower right of margin. Skyhawk Properties unknown books
1980réf. 151097Culver City CA: Columbia Pictures 1980. Vintage press kit for the 1980 film. Full-color illustrated pocketed folder containing 13 black and white photographs housed in a brown paper envelope and 2 gatherings of promotional reading material. A mathematics professor in Chicago travels to New York to attend her widowed father's wedding where she falls in love with her stepmother's married adult son. Folder photographs and promotional material Near Fine. Columbia Pictures unknown books
1980réf. 151097Culver City CA: Columbia Pictures 1980. Vintage press kit for the 1980 film. Full-color illustrated pocketed folder containing 13 black and white photographs housed in a brown paper envelope and 2 gatherings of promotional reading material. A mathematics professor in Chicago travels to New York to attend her widowed father's wedding where she falls in love with her stepmother's married adult son. Folder photographs and promotional material Near Fine. Columbia Pictures unknown
1973réf. 162757N.p.: N.p. 1973. Final Draft script for the 1974 television movie originally aired on February 22 1974 on CBS. Loosely based on the 1970 autobiography of famed baseball player Roy Campanella who rose to fame in the Major League with the Brooklyn Dodgers. Blue titled front wrapper missing rear wrapper. Title page present dated 9/12/73 noted as FINAL DRAFT with credits for Campanella and screenwriter Steve Gethers. 108 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1973réf. 162757N.p.: N.p. 1973. Final Draft script for the 1974 television movie originally aired on February 22 1974 on CBS. Loosely based on the 1970 autobiography of famed baseball player Roy Campanella who rose to fame in the Major League with the Brooklyn Dodgers. Blue titled front wrapper missing rear wrapper. Title page present dated 9/12/73 noted as FINAL DRAFT with credits for Campanella and screenwriter Steve Gethers. 108 leaves with last page of text numbered 107. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1939réf. 160979Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1939. Vintage publicity photograph from the 1939 film showing James Stewart standing on a scale sporting a safari costume. Mimeo snipe on the verso. One of Ben Hecht's most brilliant and underrated screenplays. A novice private eye is unjustly fingered alongside his wealthy client in a murder case. Claudette Colbert's first film for MGM. 8 x 10 inches. Very Good lightly age toned and curled. Metro-Goldwyn-Mayer [MGM] unknown books
1939réf. 160626Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1939. Vintage publicity photograph of James Stewart and Claudette Colbert from the 1939 film. Printed mimeo snipe and MGM label on the verso. From the archive of film historian and author Joel Finler. One of Ben Hecht's most brilliant and underrated screenplays. A novice private eye is unjustly fingered alongside his wealthy client in a murder case. Colbert's first film for MGM. 9.25 x 7.25 inches. Very Good plus lightly age toned. Metro-Goldwyn-Mayer [MGM] unknown books
1939réf. 160979Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1939. Vintage publicity photograph from the 1939 film showing James Stewart standing on a scale sporting a safari costume. Mimeo snipe on the verso. One of Ben Hecht's most brilliant and underrated screenplays. A novice private eye is unjustly fingered alongside his wealthy client in a murder case. Claudette Colbert's first film for MGM. 8 x 10 inches. Very Good lightly age toned and curled. Metro-Goldwyn-Mayer [MGM] unknown
1939réf. 160626Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1939. Vintage publicity photograph of James Stewart and Claudette Colbert from the 1939 film. Printed mimeo snipe and MGM label on the verso. From the archive of film historian and author Joel Finler. One of Ben Hecht's most brilliant and underrated screenplays. A novice private eye is unjustly fingered alongside his wealthy client in a murder case. Colbert's first film for MGM. 9.25 x 7.25 inches. Very Good plus lightly age toned. Metro-Goldwyn-Mayer [MGM] unknown
1964réf. 161853N.p.: S.F. Film Distributors 1964. Vintage studio still photograph of Margaret Nolan from the US release of the 1964 British film. With provenance stamps on the verso. Vicki and Vera take their friend Carol on a tour around Windsor before introducing her to their nudist club. Shot on location in Windsor England. 8 x 10 inches. Near Fine. S.F. Film Distributors unknown books
