9 121 résultats
1958réf. 161683N.p.: Films Around the World 1958. Vintage studio still photograph from the US release of the 1956 French/Italian film. Hélène a well off and devoted social worker convinces her family to take in Christine a young girl in distress. After Christine is kicked out for something she didn't do Hélène falls under the influence of Monsieur Roger a pimp who intends to force Hélène into prostitution. 8 x 10 inches. Very Good plus with a crease and a tiny chip to the bottom right corner. Films Around the World unknown
1969réf. 149345N.p.: Clesi Cinematografica 1969. Vintage borderless reference photograph from the 1969 film showing actors Catherine Spaak and Claudia Cardinale. With the stamp of photographer Glauco Cortini to the verso along with a manuscript ink annotation identifying the actors. A woman's obsession with finding a husband ruins her friendship with her best friend and roommate. Set and shot on location in Rome. 12 x 8 inches. Near Fine. Clesi Cinematografica unknown
1969réf. 157981London: Contemporary 1969. Two vintage reference photographs from the UK release of the 1969 Japanese film. Printed mimeo snipes affixed to the verso. A young woman with a passion for stealing books is caught by a bookstore clerk and soon begins the two begin an erotic relationship. Set and shot on location in Tokyo's Shinjuku District. 10 x 8 inches. Near Fine. Vogel Film as a Subversive Art. Contemporary unknown
1964réf. 161672N.p.: N.p. 1964. Vintage studio still photograph of Paula Stewart from the 1964 film. Joanne Dagne Crane is a young bride-to-be who finds her fiancee's diary a diary that includes lurid tales of his sexual exploits. Starring Dom DeLuise in his second movie credit. Shot on location in New York. 8 x 10 inches. Near Fine. N.p. unknown
1958réf. WRCLIT67377Culver City: The Selznick Studio 1958. 76 leaves. Quarto. Mimeographed typescript printed on rectos. Bradbound in stencil-printed wrappers. Some bleeding offset from red wrappers to facing leaves and minor tidemark along extreme lower edge of a few leaves but very good. A post-production dialogue continuity of Hecht's adaptation of Hemingway's novel. It was the novel's second screen adaptation to reach production. Charles Vidor directed Rock Hudson and Jennifer Jones starred. Script in this format are literal records of the dialogue as it appeared in the final release. Duplicate from the Selznick Archives. The Selznick Studio] unknown books
1946réf. WRCLIT67391Culver City: RKO / Selznick 1946. 18777810961212 leaves foliated in reel format. Large quarto legal format. Mimeographed typescript printed on rectos only. Punched and bradbound in upper margin. Some soft corner creases otherwise near fine. A combined continuity script for Hitchcock's 1946 film based on a screenplay by Ben Hecht based on a story by John Taintor Foote with uncredited contributions by Clifford Odets and Hitchcock. The cast included Cary Grant Ingrid Bergman and Claude Rains. Hecht's script was nominated for an Oscar. This post-production script which is a quite literal record of the film as released predates the film's premiere by nearly a month. Duplicate from the Selznick archive. RKO / Selznick unknown books
1954réf. 145765Glendale CA: Allied Artists 1954. Shooting script for the 1955 film noir here under the working title "Code 3" with the working title crossed through on the front wrapper and "Dial Red O" written above it twice once in holograph pencil and once in holograph ink. Copy belonging to an uncredited crew member with annotations throughout in red pencil primarily noting locations or props. The first in a series of five noir entries made between 1955-1957 featuring Bill Elliott as a detective lieutenant in the L.A. Sheriff's department. In the first two films in the series including this one the character's name is Andy Flynn and for the remaining three films his name was changed to Andy Doyle as it turned out there was an actual officer named Andy Flynn working in L.A. law enforcement at the time. One of the best examples of the well crafted low-budget crime films produced by Allied Artists the B-movie studio that emerged from the Poverty Row studio Monogram Pictures in 1952. Printed beige titled wrapper with credits for director and screenwriter Dan Ullman and a Sunset Script Service stamp on the verso of the rear wrapper. Distribution page present with receipt removed dated October 29 1954. 104 leaves with last leaf of text numbered 99. Mimeograph duplication with Blue revision pages throughout dated 11-2-54. Pages Near Fine wrapper Very Good Plus bound with two gold brads. Grant US. Martin 103. Selby US. Spicer US. Allied Artists unknown books
1954réf. 145765Glendale CA: Allied Artists 1954. Shooting script for the 1955 film noir here under the working title "Code 3" with the working title crossed through on the front wrapper and "Dial Red O" written above it twice once in manuscript pencil and once in manuscript ink. Copy belonging to an uncredited crew member with annotations throughout in red pencil primarily noting locations or props. The first in a series of five noir entries made between 1955-1957 featuring Bill Elliott as a detective lieutenant in the L.A. Sheriff's department. In the first two films in the series including this one the character's name is Andy Flynn and for the remaining three films his name was changed to Andy Doyle as it turned out there was an actual officer named Andy Flynn working in L.A. law enforcement at the time. One of the best examples of the well crafted low-budget crime films produced by Allied Artists the B-movie studio that emerged from the Poverty Row studio Monogram Pictures in 1952. Printed beige titled wrapper with credits for director and screenwriter Dan Ullman and a Sunset Script Service stamp on the verso of the rear wrapper. Distribution page present with receipt removed dated October 29 1954. 104 leaves with last leaf of text numbered 99. Mimeograph duplication with Blue revision pages throughout dated 11-2-54. Pages Near Fine wrapper Very Good Plus bound with two gold brads. Grant US. Martin 103. Selby US. Spicer US. Allied Artists unknown
1954réf. 160547London: Pictorial Press 1954. Vintage reference photograph of director Alfred Hitchcock drawing between takes on the set of the 1954 film. Printed mimeo snipe and stamps of Pictorial Press on the verso along with annotations in manuscript pencil relating to cropping. Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. 10 x 8 inches. Very Good plus lightly worn at the corners. Grant US. Selby US. Spicer US. Pictorial Press unknown
1954réf. 153634N.p.: N.p. 1954. Archive of five vintage borderless oversize photographs of director Alfred Hitchcock with various cast and crew members on the set of the 1954 film noir. Manuscript ink and pencil annotations to the verso including layout annotations "FILE" stamps and the stamp of photographer Sanford H. Roth. Four photographs with printed mimeo snipes affixed to the verso and four photographs with manuscript annotations noting their appearance in the May 24 1954 issue of Life magazine. Brooklyn-born photojournalist Sanford Roth was best known for his portrait photography capturing intimate and now iconic images of artists and actors throughout his decades-long career including Marc Chagall Joan Crawford Albert Einstein Henri Matisse and Elizabeth Taylor among many others. Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. One photograph features Hitchcock leaning over a giant rotary dial a prop made as a result of Warner Brothers' proprietary 3D camera rig. Hitchcock wanted the first shot of the film to feature a finger pressing the letter M on a rotary dial telephone but the specialized 3D camera was unable to focus the close-up correctly leading the director to order a giant finger made from wood and a proportionally large dial in order to achieve the effect. Four photographs 10 x 13.5 inches one photograph 9.5 x 13.5 inches. Lightly edgeworn else generally Near Fine. Grant US. Selby US. Spicer US. N.p. unknown
1967réf. 135332France: N.p. 1967. Two vintage borderless black-and-white reference still photographs from the 1967 Italian-French-German film. From the archives of Maurice Bessy 1910-1993 a French film historian novelist and screenwriter "Deadlier Than the Male" 1956 and a handful of films 1939-1950. Bessy's rubber stamp and name label on the verso of one still with brief annotations in holograph ink on the versos of both stills. Featured in one still is director Duvivier and actor Sergio Fantoni both engaging in what appears to be a spirited conversation. In the next still Duvivier shoots a bandaged Delon in his hospital bed surrounded by members of the crew. Based on the 1962 book "Manie de la persecution" by Louis C. Thomas. After a near fatal car crash resulting in a coma Pierre Delon awakens to a new life. Attempting to search for his true identity after suffering amnesia coming ever closer to finding the truth and ever closer to unspeakable danger. Director Duvivier's final film. One still 7 x 9.5 inches one 8 x 11.75 inches. Moderate crease and edge creases to the larger still else Near Fine overall. N.p. unknown books
1971réf. 132231Germany: Atlas Films 1971. Original early 1970s German A1 poster for a re-release of the 1955 French film. From the collection of noted film historian Amos Vogel. Full provenance available. The greatest film that Alfred Hitchcock never made Henri-Georges Clouzot's Diabolique is set in a provincial boarding school run by headmaster Michel Delasalle Paul Meurisse. A ruthless Lothario he becomes the target of a murder plot concocted by his long-suffering invalid wife Christina Vera Clouzot the director's own spouse and his latest mistress an icy teacher played by Simone Signoret. A dark dank thriller with a much-imitated "shock" ending "Diabolique" is a masterpiece of Grand Guignol suspense. The simple murder plot goes haywire and Michel's corpse disappears prompting strange rumors of his reappearance which grow more and more substantial as the film careens wildly towards its breathless conclusion. 23 x 33 inches non-archivally mounted on board. Moderate rubbing and light staining solid Very Good overall. Shipping billed at cost. Item can only be shipped within the US. Buss French Film Noir. Criterion Collection 35. Grant France. Selby France Masterwork. Spicer France. Atlas Films unknown books
1967réf. 135332France: N.p. 1967. Two vintage borderless black-and-white reference still photographs from the 1967 Italian-French-German film. From the archives of French film historian Maurice Bessy 1910-1993. Bessy's rubber stamp and name label on the verso of one still with brief annotations in manuscript ink on the versos of both stills. Featured in one still is director Duvivier and actor Sergio Fantoni both engaging in a spirited conversation. In the other Duvivier stands above a bandaged Alain Delon in his hospital bed surrounded by members of the crew. Based on the 1962 novel "Manie de la persecution" by Louis C. Thomas. After a near fatal car crash resulting in a coma Pierre Delon awakens to a new life. Attempting to search for his true identity after suffering amnesia coming ever closer to finding the truth and ever closer to unspeakable danger. Julian Duvivier's final film. One still 7 x 9.5 inches one 8 x 11.75 inches. About Near Fine overall. N.p. unknown
1955réf. 161300N.p.: N.p. 1955. Vintage reference photograph from the UK release of the 1955 French film noir. Printed mimeo snipe affixed to the verso. Based on the 1952 novel "Celle qui n'etait plus" by Pierre Boileau and Thomas Narcejac. The wife and mistress of a cruel brutish school principal orchestrate the perfect murder but their plans are thrown into confusion when his body disappears. Set in Saint-Cloud Hauts-de-Seine and shot on location in Yvelines Deux-Sevres and Hauts-de-Seine France. 10 x 8 inches. Very Good plus lightly curled. Criterion Collection 35. Grant France. Selby Masterwork. Spicer France. Vogel Film as a Subversive Art. N.p. unknown
1965réf. 161670N.p.: Planet Film Distributors 1965. British front-of-house card from the 1965 British film. Provenance stamp on the verso on two labels obscuring a previous provenance stamp. A secret vampire cult which has a headquarters under a graveyard in the small village of Brittany searches for human sacrifices. Shot on location in Finistere France. 8 x 10 inches. Very Good plus with light creasing edgewear and faint toning at the extremities. Planet Film Distributors unknown
1964réf. 158708London: Planet Films 1964. Draft script for the 1965 British horror film. A cult of satanic worshippers led by a magnetic 400-year-old vampire prey on the Romani living in a small town in Brittany. OCLC locates no holdings. Shot on location in Finistère France and in Buckinghamshire England. Red titled wrappers. Title page present dated April 1964 with credit for screenwriter Lyn Fairhurst. 94 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. Planet Films unknown
1966réf. 154165Los Angeles: American International Pictures AIP 1966. Draft script for the 1967 film. Copy belonging to actor Dick Miller with his name on the title page and his manuscript ink and pencil annotations throughout. Miller was initially cast in the role of Leroy although a motorcycle crash during filming left him with several broken ribs leading to his replacement by actor George Sims. From the estate of Dick Miller. Violence threatens to erupt in a small town when a gang of former Hell's Angels bikers are wrongfully accused of sexually assaulting a teenage girl. One of a handful of films in which actor John Cassavetes agreed to star in order to secure financing for his independent 1968 film "Faces." Shot on location throughout Arizona. Red titled American International Pictures wrappers. Title page present dated 12-7-66 with credits for screenwriter Charles B. Griffith. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only with blue revision pages throughout dated 12-7-66. Pages Near Fine wrapper Near Fine bound with two gold brads. McPadden Heavy Metal Movies. American International Pictures [AIP] unknown
1985réf. 144485France: JLG Films 1985. Vintage borderless photograph of director Jean-Luc Godard on the set of the 1985 film. With an agency stamp typed description and holograph annotations on the verso. Released the same year as Godard's highly and pointlessly controversial picture "Je Vous Salue Marie" "Hail Mary". Set in a hotel in Paris the plot follows a trio's attempt to solve a murder that occurred at the location two years prior. Nominated for the Palme d'Or award at the Cannes Film Festival. Shot on location in Paris. 9.5 x 7 inches. Near Fine. Carlson and Connolly Destroy All Movies. Godard Histoires du cinema. JLG Films unknown books
1985réf. 149448France: JLG Films 1985. Vintage black-and-white borderless reference photograph of director Jean-Luc Godard and actors Claude Brasseur Nathalie Baye and Johnny Hallyday playing pool on the set of the 1985 film. Two detectives staying at a Parisian hotel investigate a murder which occurred two years prior. Released the same year as Godard's highly and pointlessly controversial film "Je Vous Salue Marie." Shot on location in Paris. 9.5 x 7 inches. Near Fine. Godard Histoires du cinema. Carlson and Connolly Destroy All Movies. JLG Films unknown books
1963réf. 141456Tokyo: Nikkatsu 1963. Draft script for the 1963 film. Text in Japanese. Based on the novel by Haruhiko Oyabu. A police detective tracking down stolen weapons stumbles upon an underworld feud and turns the tide of the conflict into a full scale massacre. White titled perfect bound wrappers. Title page present. 37 leaves with last page of text numbered 36. Mechanical duplication. Pages Near Fine wrapper Very Good plus. Nikkatsu unknown books
1985réf. 149448France: JLG Films 1985. Vintage black-and-white borderless reference photograph of director Jean-Luc Godard and actors Claude Brasseur Nathalie Baye and Johnny Hallyday playing pool on the set of the 1985 film. Two detectives staying at a Parisian hotel investigate a murder which occurred two years prior. Released the same year as Godard's highly and pointlessly controversial film "Je Vous Salue Marie." Shot on location in Paris. 9.5 x 7 inches. Near Fine. Godard Histoires du cinema. Carlson and Connolly Destroy All Movies. JLG Films unknown
1943réf. 152570Culver City CA: Columbia Pictures 1943. Vintage press photograph of actors Glenn Ford and Marguerite Chapman from the 1943 film. Printed mimeo snipe affixed to the verso. During WWII a new destroyer fails its sea trials and is assigned to mail runs but nevertheless is forced to engage in combat against Japanese planes and a submarine. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1969réf. 170392N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 French film showing director Marguerite Duras and actor Michael Lonsdale during filming on location. Stamp of photographer Michel Lioret on the verso. Based on the 1969 novel by Duras a dark psychological drama about four visitors to a rural French hotel. 7 x 5 inches. Near Fine. N.p. unknown
1969réf. 150219N.p.: N.p. 1969. Vintage borderless reference photograph of Marguerite Duras on the set of the 1969 film. Credits printed on verso. Marguerite Duras' directorial debut based on her radical 1969 novel about two couples exploring the destructive potential of their desires their identities dissipating and merging at an isolated seaside resort where no other guests are seen only heard playing tennis surrounded by a dense forest. 5 x 7 inches. Near Fine. N.p. unknown
1985réf. 139974Beverly Hills CA: Orion Pictures 1985. Vintage US one sheet poster for the 1985 US film. Madonna's first major screen role for which "The New Yorker's" Pauline Kael praised her as "an indolent trampy goddess." A film about a bored housewife and her fascination with a bohemian drifter whose life she follows voyeuristically through the latter's frequent personal adds. When a particular add leads her to Battery park she becomes mixed up in a case of mistaken identity prompted by amnesia. The film was inspired in part by Jacques Rivette's 1974 seminal classic "Celine et Julie vont en bateau." Shot on location in New Jersey and New York City. 27 x 41 inches folded. Near Fine. Orion Pictures unknown books
