9 121 résultats
1999réf. 162695Culver City CA: Adelaide Productions 1999. Archive of material relating to Season 2 Episode 15 of the 1999-2000 primetime animated television series. Archive belonging to screenwriter and co-executive producer Stephen Sustarsic with his initials on the first leaf of the script. Archive includes on Table Draft script and four gatherings of xerographically duplicated draft materials relating to screenwriter meetings and story ideas dated variously between February 11 and 18 1999 as well as two gatherings of publicity material relating to ratings for the show. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. In this episode Dilbert unhappily attends the company picnic where he must play in the annual softball game between the engineers and the marketing division. Originally aired on July 11 2000 on UPN. Script: Self wrappers dated July 1 1999 on the front wrapper noted as TABLE DRAFT and episode No. 211 with credits for screenwriters Ron Nelson Mark Steen Scott Adams and Larry Charles. Title page integral with the front wrapper. 54 leaves with last page of text numbered 52. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. All other materials Near Fine. Adelaide Productions unknown
1999réf. 162699N.p.: N.p. 1999. Three gatherings of vintage treatment and draft material relating to the 1999-2000 primetime animated television series. Includes: 1. A gathering of brief treatments for episodes dated February 3 1999 and credited to screenwriters David Silverman and Stephen Sustarsic. 2. A treatment script for an unproduced episode entitled "The Dil 1.0" credited to Silverman and Sustarsic dated February 8 1999. 3. A five-page gathering of story ideas dated March 7 1999 credited to Silverman and Sustarsic. Based on the successful 1989-2023 comic strip by Scott Adams about the titular pessimistic white-collar engineer and his daily interactions with his idiotic boss and frustrated coworkers. All materials 8.5 x 11 inches bound with a single staple at the top left corners. Near Fine to Very Good plus. N.p. unknown
1955réf. 156160N.p.: Union Film 1955. Vintage program for the 1955 German film. Text and titles in German. Comic mishaps ensue when a small town innkeeper is mistaken for a wealthy princess particularly troubling for the innkeeper's daughter. Set in Sonnenthurn-Weißenfels and shot on location in Hainburg. 7.25 x 10.5 inches. Bi-fold. About Near Fine. Union Film unknown
1953réf. 132292Germany: P. R. Wilk Ffm 1953. Original German A1 poster circa 1953 for the 1951 French film. From the collection of noted film historian Amos Vogel. Full provenance available. Released in France as "L'auberge rouge" and based on the famous 1831 French serial murder case the film centers around a monk Fernandel and a group of travelers who take refuge at inn in the mountains. The inn's host confesses to the monk that he serves poisoned soup to his guests in order to rob their possessions and later dig their graves. The monk tries to save the guest's lives without violating the holy secrecy of the confession. An uncommon poster designed by Hans Hillmann widely acknowledged as one Germany's top graphic designers whose work consists of over 130 film posters and book designs. Hillmann was awarded in 1992 by the Art Director's Club in New York for illustration. Shipping billed at cost. Item can only be shipped within the US. 23 x 32.75 inches non-archivally mounted on board and framed. Very Good or better overall. P. R. Wilk, Ffm unknown books
1951réf. 156171N.p.: N.p. 1951. Vintage program for the 1952 German film. Text and titles in German. In 18th century Bavaria a woman gives birth to an illegitimate child but is shielded from becoming the subject of gossip in her small town by her aunt a winemaker. She later enjoys a romance with a soldier in the Austrian and Hungarian ranks. Shot on location in Munich Bad Tölz Innsbruck and Nymphenburg. 7.25 x 10.5 inches. Bi-fold. About Near Fine. N.p. unknown
1924réf. 141664Berlin: Film-Kurier 1924. Original German programs for duology "Die Nibelungen" one each for "Die Nibelungen: Siegfried" and "Die Nibelungen: Kriemhild's Revenge." Based on the thirteenth century epic poem "Nibelungenlied." Text in German. Film-Kurier was the first German film journal published daily beginning in 1919. Film-Kurier's classic era lasted until 1933 when its publisher Alfred Weiner had to flee Germany because of his Jewish origins. The issues from this era remain striking to this day because they were printed using a gravure reproduction process. Each day's issue would focus on a single film. 9 x 11.75 inches. Each program six pages folded loose leaves as issued. Very Good plus with a horizontal fold tiny pinholes to the corners and an occasional short closed tear. Masters of Cinema 46. Film-Kurier unknown books
1924réf. 139464Germany: Decla-Bioscop / UFA 1924. Vintage program for the German premiere of the films "Die Nibelungen: Siegfried" and "Die Nibelungen: Kriemhild's Revenge" on February 14 1924. Contains a brief essay by von Harbou and three additional short essays on the making of the film. Photo illustrated throughout with stills of characters from the films. Also included is a supplemental program for UFA theaters featuring another brief essay on the film by starring actor Rudolf Klein-Rogge information and photographs relating to UFA theaters and advertisements. Text of both items in German. Based on the thirteenth century epic poem "Nibelungenlied." Program: Near Fine in heavy paper wrappers and string binding. Elegant owner name to the front wrapper with a light diagonal crease to the same and light fading to the edges. Supplement program: Very Good in saddle stapled self wrappers top right corner clipped. Splitting to the spine with a light vertical fold crease and a couple of small chips. Rossler Filmfieber p. 51. Masters of Cinema 46. Decla-Bioscop / UFA unknown books
1924réf. 171369N.p.: N.p. 1924. Vintage borderless reference photograph from the 1924 German silent film released in two parts in February and April of 1924. Based on the thirteenth century poem "Nibelungenlied." A five-hour epic co-written by director Fritz Land and his then-wife Thea von Harbou. 10 x 8 inches. Very Good plus with light creases at the bottom corners. N.p. unknown
1924réf. 141664Berlin: Film-Kurier 1924. Vintage German programs for the two-part film series "Die Nibelungen" including one for "Die Nibelungen: Siegfried" and one for "Die Nibelungen: Kriemhild's Revenge" produced by German film magazine "Film-Kurier." Text in German. Based on the thirteenth century epic poem "Nibelungenlied." "Film-Kurier" was the first German film journal published daily beginning in 1919. The journal's classic era lasted until 1933 when its publisher Alfred Weiner had to flee Germany due to his Jewish origins. The issues from this era remain striking to this day because they were printed using a gravure reproduction process. Each day's issue would focus on a single film. 9 x 11.75 inches. Each program six pages folded loose leaves as issued. Very Good plus with a horizontal fold tiny pinholes to the corners and an occasional short closed tear. Masters of Cinema 46. Film-Kurier unknown
1954réf. 156141N.p.: N.p. 1954. Vintage program for the 1954 German film. Text and titles in German. A German spy finds herself in debt to the man who saved her life during the Spanish Civil War years before leading her into the dangerous world of illegal weapons smuggling. 7.25 x 10.5 inches. Bi-fold. Near Fine. N.p. unknown
1951réf. 156170N.p.: N.p. 1951. Vintage program for the 1951 German film. Text and titles in German. An inventive small-town tailor rises to international success with his daring and unusual designs. 7.25 x 10.5 inches. Bi-fold. About Near Fine. N.p. unknown
1956réf. 156169N.p.: Farbfilm 1956. Vintage program for the 1956 Austrian film. Text and titles in German. Two landowning families plan to unite their estates through the marriage of their children but the eldest son loves the maid an orphaned woman named Maria. Shot on location in Heiligenblut am Großglockner and Virgen. 7.25 x 10.5 inches. Bi-fold. About Near Fine. Farbfilm unknown
1950réf. 156145N.p.: N.p. 1950. Vintage program for the 1950 German film seen here under the working title "Das vierte Gebot." Text and titles in German. Based on the 1880s play by Ludwig Anzengruber. A formerly prosperous craftsman finds his trade increasingly irrelevant as industrialization hits Europe. 7.25 x 10.5 inches. Bi-fold. About Near Fine. N.p. unknown
1954réf. 156142N.p.: Prisma 1954. Vintage program for the 1954 German film. Text and titles in German. A bag of compromising correspondence disappears in a small town leading a local sculptor to use the opportunity to play a prank. Shot on location in Limburg an der Lahn. 7.25 x 10.5 inches. Bi-fold. Near Fine. Prisma unknown
1955réf. 156159N.p.: N.p. 1955. Vintage program for the 1955 West German film. Text and titles in German. A young woman who runs a hotel falls in love with a doctor who has recently returned from being a prisoner of war but his dedication to his work threatens to tear them apart. Shot on location in Baden-Baden Munich and Vagen. 7.25 x 10.5 inches. Bi-fold. About Near Fine. N.p. unknown
1994réf. 152770N.p.: N.p. 1994. Revised First Draft script for the 1995 film here under the working title "Simon Says: Die Hard III." The third film in the Die Hard series following "Die Hard" 1988 and "Die Hard 2" 1990 and preceding "Live Free or Die Hard" 2007 and "A Good Day to Die Hard" 2013. In this installment NYPD Lieutenant John McClane Bruce Willis teams up with a local electrician Samuel L. Jackson to stop a mysterious terrorist from setting off bombs across New York city. Set in New York City shot on location there as well as South Carolina and Maryland. Self wrappers. Title page present dated March 29 1994 noted as FIRST DRAFT / REVISED with credits for screenwriter Jonathan Hensleigh. 128 leaves with last page of text numbered 127. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown books
1994réf. 160129Los Angeles: Twentieth Century-Fox 1994. Draft script for the 1995 film seen here under the working title "Simon Says: Die Hard III." The third film in the Die Hard series following "Die Hard" 1988 and "Die Hard 2" 1990 and preceding "Live Free or Die Hard" 2007 and "A Good Day to Die Hard" 2013. In this installment NYPD Lieutenant John McClane teams up with a local electrician to stop a mysterious terrorist from setting off bombs across New York city. Shot on location in New York South Carolina and Maryland. Orange titled Twentieth Century-Fox wrappers dated July 10 1994. Title page present dated July 10 1994 noted as Version 3.31 with credit for screenwriter Jonathan Hensleigh. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two silver brads. Twentieth Century-Fox unknown
1989réf. 146487Los Angeles: Twentieth Century-Fox 1989. Shooting script for the 1990 film. With rainbow revision pages throughout. Sequel to the 1988 action thriller based on the unrelated 1987 novel "58 Minutes" by Walter Wager. Two years after the Nakatomi Tower incident hard-nosed cop John McClane returns to save Dulles International Airport from grenade-wielding ex-military mercenaries. Set in Washington DC and shot on location in Colorado California and Michigan. Red titled wrappers dated SEPTEMBER 26 1989. Title page present dated November 16 1989 noted as SHOOTING SCRIPT with credits for screenwriter Doug Richardson and revision credits to Steven E. de Souza. 139 leaves with last page of text numbered 125. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/25/89 and 3/20/90. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
1989réf. 146422Los Angeles: Twentieth Century-Fox 1989. Draft script for the 1990 film here under the working title "58 Minutes." Sequel to the 1988 action thriller based on the 1987 novel "58 Minutes" by Walter Wager. Two years after the Nakatomi Tower incident hard-nosed cop John McClane returns to save Dulles International Airport from grenade-wielding ex-military mercenaries. Set in Washington DC and shot on location in Colorado California and Michigan. Tan titled wrappers dated APRIL 24 1989. Title page present dated 4.24.89 noted as FIRST DRAFT with credits for screenwriter Doug Richardson and novelist Walter Wager. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with light rusting to the rear wrapper bound with two gold brads. Twentieth Century-Fox unknown
1996réf. 132257Austria: Weiener Filmfinanzierungsfonds WFF 1996. Original A1 poster for the 1996 Austrian film. The film focuses on a handful of specific Viennese emigres one of whom is noted film historian Amos Vogel from whose collection this poster comes. Full provenance available. A documentary in which director Egon Humer visits twelve New Yorkers all former citizens of Austria who were driven by discriminatory decrees laws and open terror from their native land into exile. Among them were 130000 other Austrians mainly Jews who had also been left with no other option than to flee between 1938 and 1941 when the National Socialists rose to power. 23.25 x 32.75 inches rolled. A few short creases and light edge rubbing. Very Good plus overall. Weiener Filmfinanzierungsfonds [WFF] unknown books
1968réf. 132251Heidelberg Germany: Constantin-Film 1968. Original German A1 poster for the 1968 German film. Artwork by Leduc. From the collection of noted film historian Amos Vogel. Full provenance available. An important work in the German avant garde cinema made in a collage style featuring newsreels and quotations from philosophers alongside the story of a failing circus whose owner Leni Hannelore Hoger who must decide whether her dream of a new kind of circus is too optimistic. The film is a symbolic representation of Kluge's own frustrations in trying to help stimulate the New German Cinema movement. 23.25 x 33 inches folded. Very Good or better overall. Constantin-Film unknown books
1969réf. 149345N.p.: Clesi Cinematografica 1969. Vintage borderless reference photograph from the 1969 film showing actors Catherine Spaak and Claudia Cardinale. With the stamp of photographer Glauco Cortini to the verso along with a holograph ink annotation identifying the actors. A woman's obsession with finding a husband ruins her friendship with her best friend and roommate. Set and shot on location in Rome. 12 x 8 inches. Near Fine. Clesi Cinematografica unknown books
1964réf. 150596N.p.: N.p. 1964. Two vintage borderless reference photographs from the set of the 1964 film one showing actress Jeanne Moreau embracing director Luis Bunuel the other showing Bunuel and Moreau in conversation between takes with a camera crew in the background. With a provenance stamp on the verso along with holograph pencil and ink annotations. Based on Octave Mirbeau's 1900 novel which follows a chambermaid in 1930s France whose Parisian beauty and sophistication at turns alienate and arouse the bourgeoisie members of the country house where she has recently found employment. Shot on location in Seine-Maritime Saint-Maurice and Essonne France. 7.25 x 9.5 inches. Near Fine. Criterion Collection 117. N.p. unknown books
1964réf. 139436Los Angeles: American International Pictures AIP 1964. Original one-sheet US poster for the 1964 film. Distributor rubber stamp on the verso. Joanne Crane is a young bride-to-be who finds her fiancee's diary a diary that includes lurid tales of his sexual exploits. One of his past triumphs an airline hostess re-emerges comes between the couple and eventually breaks up their engagement. Comedian Dom DeLuise has a small role in the film his second movie credit. 27 x 41 inches folded as issued. A few short closed tears else Near Fine. American International Pictures [AIP] unknown books
1970réf. 160525Universal City: Universal Pictures 1970. Vintage borderless reference photograph of director Frank Perry talking with actors Richard Benjamin and Carrie Snodgress on the set of the 1970 film. Mimeo snipe on the verso along with a provenance stamp. Based on Sue Kaufman's 1967 novel about a New York housewife in an abusive relationship who begins an affair with a sadistic but successful writer who treats her as cruelly as her husband. Adapted for the screen by Eleanor Perry who worked almost exclusively with her husband Frank Perry. Set and shot on location in New York. 9.5 x 7.5 inches. About Fine. Universal Pictures unknown
