11.048 risultati
1950rif. 156145N.p.: N.p. 1950. Vintage program for the 1950 German film seen here under the working title "Das vierte Gebot." Text and titles in German. Based on the 1880s play by Ludwig Anzengruber. A formerly prosperous craftsman finds his trade increasingly irrelevant as industrialization hits Europe. 7.25 x 10.5 inches. Bi-fold. About Near Fine. N.p. unknown books
1954rif. 156142N.p.: Prisma 1954. Vintage program for the 1954 German film. Text and titles in German. A bag of compromising correspondence disappears in a small town leading a local sculptor to use the opportunity to play a prank. Shot on location in Limburg an der Lahn. 7.25 x 10.5 inches. Bi-fold. Near Fine. Prisma unknown books
1954rif. 156142N.p.: Prisma 1954. Vintage program for the 1954 German film. Text and titles in German. A bag of compromising correspondence disappears in a small town leading a local sculptor to use the opportunity to play a prank. Shot on location in Limburg an der Lahn. 7.25 x 10.5 inches. Bi-fold. Near Fine. Prisma unknown
1955rif. 156159N.p.: N.p. 1955. Vintage program for the 1955 West German film. Text and titles in German. A young woman who runs a hotel falls in love with a doctor who has recently returned from being a prisoner of war but his dedication to his work threatens to tear them apart. Shot on location in Baden-Baden Munich and Vagen. 7.25 x 10.5 inches. Bi-fold. About Near Fine. N.p. unknown books
1955rif. 156159N.p.: N.p. 1955. Vintage program for the 1955 West German film. Text and titles in German. A young woman who runs a hotel falls in love with a doctor who has recently returned from being a prisoner of war but his dedication to his work threatens to tear them apart. Shot on location in Baden-Baden Munich and Vagen. 7.25 x 10.5 inches. Bi-fold. About Near Fine. N.p. unknown
1994rif. 160129Los Angeles: Twentieth Century-Fox 1994. Draft script for the 1995 film seen here under the working title "Simon Says: Die Hard III." The third film in the Die Hard series following "Die Hard" 1988 and "Die Hard 2" 1990 and preceding "Live Free or Die Hard" 2007 and "A Good Day to Die Hard" 2013. In this installment NYPD Lieutenant John McClane teams up with a local electrician to stop a mysterious terrorist from setting off bombs across New York city. Shot on location in New York South Carolina and Maryland. Orange titled Twentieth Century-Fox wrappers dated July 10 1994. Title page present dated July 10 1994 noted as Version 3.31 with credit for screenwriter Jonathan Hensleigh. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two silver brads. Twentieth Century-Fox unknown books
1994rif. 160129Los Angeles: Twentieth Century-Fox 1994. Draft script for the 1995 film seen here under the working title "Simon Says: Die Hard III." The third film in the Die Hard series following "Die Hard" 1988 and "Die Hard 2" 1990 and preceding "Live Free or Die Hard" 2007 and "A Good Day to Die Hard" 2013. In this installment NYPD Lieutenant John McClane teams up with a local electrician to stop a mysterious terrorist from setting off bombs across New York city. Shot on location in New York South Carolina and Maryland. Orange titled Twentieth Century-Fox wrappers dated July 10 1994. Title page present dated July 10 1994 noted as Version 3.31 with credit for screenwriter Jonathan Hensleigh. 120 leaves with last page of text numbered 119. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two silver brads. Twentieth Century-Fox unknown
1989rif. 146422Los Angeles: Twentieth Century-Fox 1989. Draft script for the 1990 film here under the working title "58 Minutes." Sequel to the 1988 action thriller based on the 1987 novel "58 Minutes" by Walter Wager. Two years after the Nakatomi Tower incident hard-nosed cop John McClane returns to save Dulles International Airport from grenade-wielding ex-military mercenaries. Set in Washington DC and shot on location in Colorado California and Michigan. Tan titled wrappers dated APRIL 24 1989. Title page present dated 4.24.89 noted as FIRST DRAFT with credits for screenwriter Doug Richardson and novelist Walter Wager. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with light rusting to the rear wrapper bound with two gold brads. Twentieth Century-Fox unknown books
1989rif. 146422Los Angeles: Twentieth Century-Fox 1989. Draft script for the 1990 film here under the working title "58 Minutes." Sequel to the 1988 action thriller based on the 1987 novel "58 Minutes" by Walter Wager. Two years after the Nakatomi Tower incident hard-nosed cop John McClane returns to save Dulles International Airport from grenade-wielding ex-military mercenaries. Set in Washington DC and shot on location in Colorado California and Michigan. Tan titled wrappers dated APRIL 24 1989. Title page present dated 4.24.89 noted as FIRST DRAFT with credits for screenwriter Doug Richardson and novelist Walter Wager. 122 leaves with last page of text numbered 121. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with light rusting to the rear wrapper bound with two gold brads. Twentieth Century-Fox unknown
1996rif. 132257Austria: Weiener Filmfinanzierungsfonds WFF 1996. Original A1 poster for the 1996 Austrian film. The film focuses on a handful of specific Viennese emigres one of whom is noted film historian Amos Vogel from whose collection this poster comes. Full provenance available. A documentary in which director Egon Humer visits twelve New Yorkers all former citizens of Austria who were driven by discriminatory decrees laws and open terror from their native land into exile. Among them were 130000 other Austrians mainly Jews who had also been left with no other option than to flee between 1938 and 1941 when the National Socialists rose to power. 23.25 x 32.75 inches rolled. A few short creases and light edge rubbing. Very Good plus overall. Weiener Filmfinanzierungsfonds [WFF] unknown books
1964rif. 161684N.p.: Audubon Films 1964. Vintage studio still photograph from the 1964 film. Provenance stamp on the verso. Director Radley Metzger's compilation of various erotic scenes from mainstream European films which include female nudity lesbianism and a 'duo love' dance sequence. 8 x 10 inches. Near Fine. Audubon Films unknown books
1969rif. 149345N.p.: Clesi Cinematografica 1969. Vintage borderless reference photograph from the 1969 film showing actors Catherine Spaak and Claudia Cardinale. With the stamp of photographer Glauco Cortini to the verso along with a manuscript ink annotation identifying the actors. A woman's obsession with finding a husband ruins her friendship with her best friend and roommate. Set and shot on location in Rome. 12 x 8 inches. Near Fine. Clesi Cinematografica unknown books
1969rif. 157981London: Contemporary 1969. Two vintage reference photographs from the UK release of the 1969 Japanese film. Printed mimeo snipes affixed to the verso. A young woman with a passion for stealing books is caught by a bookstore clerk and soon begins the two begin an erotic relationship. Set and shot on location in Tokyo's Shinjuku District. 10 x 8 inches. Near Fine. Vogel Film as a Subversive Art. Contemporary unknown books
1970rif. 160525Universal City: Universal Pictures 1970. Vintage borderless reference photograph of director Frank Perry talking with actors Richard Benjamin and Carrie Snodgress on the set of the 1970 film. Mimeo snipe on the verso along with a provenance stamp. Based on Sue Kaufman's 1967 novel about a New York housewife in an abusive relationship who begins an affair with a sadistic but successful writer who treats her as cruelly as her husband. Adapted for the screen by Eleanor Perry who worked almost exclusively with her husband Frank Perry. Set and shot on location in New York. 9.5 x 7.5 inches. About Fine. Universal Pictures unknown books
1958rif. 161683N.p.: Films Around the World 1958. Vintage studio still photograph from the US release of the 1956 French/Italian film. Hélène a well off and devoted social worker convinces her family to take in Christine a young girl in distress. After Christine is kicked out for something she didn't do Hélène falls under the influence of Monsieur Roger a pimp who intends to force Hélène into prostitution. 8 x 10 inches. Very Good plus with a crease and a tiny chip to the bottom right corner. Films Around the World unknown books
1964rif. 161672N.p.: N.p. 1964. Vintage studio still photograph of Paula Stewart from the 1964 film. Joanne Dagne Crane is a young bride-to-be who finds her fiancee's diary a diary that includes lurid tales of his sexual exploits. Starring Dom DeLuise in his second movie credit. Shot on location in New York. 8 x 10 inches. Near Fine. N.p. unknown books
1970rif. 160525Universal City: Universal Pictures 1970. Vintage borderless reference photograph of director Frank Perry talking with actors Richard Benjamin and Carrie Snodgress on the set of the 1970 film. Mimeo snipe on the verso along with a provenance stamp. Based on Sue Kaufman's 1967 novel about a New York housewife in an abusive relationship who begins an affair with a sadistic but successful writer who treats her as cruelly as her husband. Adapted for the screen by Eleanor Perry who worked almost exclusively with her husband Frank Perry. Set and shot on location in New York. 9.5 x 7.5 inches. About Fine. Universal Pictures unknown
1958rif. 161683N.p.: Films Around the World 1958. Vintage studio still photograph from the US release of the 1956 French/Italian film. Hélène a well off and devoted social worker convinces her family to take in Christine a young girl in distress. After Christine is kicked out for something she didn't do Hélène falls under the influence of Monsieur Roger a pimp who intends to force Hélène into prostitution. 8 x 10 inches. Very Good plus with a crease and a tiny chip to the bottom right corner. Films Around the World unknown
1969rif. 149345N.p.: Clesi Cinematografica 1969. Vintage borderless reference photograph from the 1969 film showing actors Catherine Spaak and Claudia Cardinale. With the stamp of photographer Glauco Cortini to the verso along with a manuscript ink annotation identifying the actors. A woman's obsession with finding a husband ruins her friendship with her best friend and roommate. Set and shot on location in Rome. 12 x 8 inches. Near Fine. Clesi Cinematografica unknown
1969rif. 157981London: Contemporary 1969. Two vintage reference photographs from the UK release of the 1969 Japanese film. Printed mimeo snipes affixed to the verso. A young woman with a passion for stealing books is caught by a bookstore clerk and soon begins the two begin an erotic relationship. Set and shot on location in Tokyo's Shinjuku District. 10 x 8 inches. Near Fine. Vogel Film as a Subversive Art. Contemporary unknown
1964rif. 161672N.p.: N.p. 1964. Vintage studio still photograph of Paula Stewart from the 1964 film. Joanne Dagne Crane is a young bride-to-be who finds her fiancee's diary a diary that includes lurid tales of his sexual exploits. Starring Dom DeLuise in his second movie credit. Shot on location in New York. 8 x 10 inches. Near Fine. N.p. unknown
1954rif. 145765Glendale CA: Allied Artists 1954. Shooting script for the 1955 film noir here under the working title "Code 3" with the working title crossed through on the front wrapper and "Dial Red O" written above it twice once in manuscript pencil and once in manuscript ink. Copy belonging to an uncredited crew member with annotations throughout in red pencil primarily noting locations or props. The first in a series of five noir entries made between 1955-1957 featuring Bill Elliott as a detective lieutenant in the L.A. Sheriff's department. In the first two films in the series including this one the character's name is Andy Flynn and for the remaining three films his name was changed to Andy Doyle as it turned out there was an actual officer named Andy Flynn working in L.A. law enforcement at the time. One of the best examples of the well crafted low-budget crime films produced by Allied Artists the B-movie studio that emerged from the Poverty Row studio Monogram Pictures in 1952. Printed beige titled wrapper with credits for director and screenwriter Dan Ullman and a Sunset Script Service stamp on the verso of the rear wrapper. Distribution page present with receipt removed dated October 29 1954. 104 leaves with last leaf of text numbered 99. Mimeograph duplication with Blue revision pages throughout dated 11-2-54. Pages Near Fine wrapper Very Good Plus bound with two gold brads. Grant US. Martin 103. Selby US. Spicer US. Allied Artists unknown books
1954rif. 145765Glendale CA: Allied Artists 1954. Shooting script for the 1955 film noir here under the working title "Code 3" with the working title crossed through on the front wrapper and "Dial Red O" written above it twice once in manuscript pencil and once in manuscript ink. Copy belonging to an uncredited crew member with annotations throughout in red pencil primarily noting locations or props. The first in a series of five noir entries made between 1955-1957 featuring Bill Elliott as a detective lieutenant in the L.A. Sheriff's department. In the first two films in the series including this one the character's name is Andy Flynn and for the remaining three films his name was changed to Andy Doyle as it turned out there was an actual officer named Andy Flynn working in L.A. law enforcement at the time. One of the best examples of the well crafted low-budget crime films produced by Allied Artists the B-movie studio that emerged from the Poverty Row studio Monogram Pictures in 1952. Printed beige titled wrapper with credits for director and screenwriter Dan Ullman and a Sunset Script Service stamp on the verso of the rear wrapper. Distribution page present with receipt removed dated October 29 1954. 104 leaves with last leaf of text numbered 99. Mimeograph duplication with Blue revision pages throughout dated 11-2-54. Pages Near Fine wrapper Very Good Plus bound with two gold brads. Grant US. Martin 103. Selby US. Spicer US. Allied Artists unknown
1954rif. 160547London: Pictorial Press 1954. Vintage reference photograph of director Alfred Hitchcock drawing between takes on the set of the 1954 film. Printed mimeo snipe and stamps of Pictorial Press on the verso along with annotations in manuscript pencil relating to cropping. Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. 10 x 8 inches. Very Good plus lightly worn at the corners. Grant US. Selby US. Spicer US. Pictorial Press unknown books
1954rif. 153634N.p.: N.p. 1954. Archive of five vintage borderless oversize photographs of director Alfred Hitchcock with various cast and crew members on the set of the 1954 film noir. Manuscript ink and pencil annotations to the verso including layout annotations "FILE" stamps and the stamp of photographer Sanford H. Roth. Four photographs with printed mimeo snipes affixed to the verso and four photographs with manuscript annotations noting their appearance in the May 24 1954 issue of Life magazine. Brooklyn-born photojournalist Sanford Roth was best known for his portrait photography capturing intimate and now iconic images of artists and actors throughout his decades-long career including Marc Chagall Joan Crawford Albert Einstein Henri Matisse and Elizabeth Taylor among many others. Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. One photograph features Hitchcock leaning over a giant rotary dial a prop made as a result of Warner Brothers' proprietary 3D camera rig. Hitchcock wanted the first shot of the film to feature a finger pressing the letter M on a rotary dial telephone but the specialized 3D camera was unable to focus the close-up correctly leading the director to order a giant finger made from wood and a proportionally large dial in order to achieve the effect. Four photographs 10 x 13.5 inches one photograph 9.5 x 13.5 inches. Lightly edgeworn else generally Near Fine. Grant US. Selby US. Spicer US. N.p. unknown books
