11.047 risultati
1954rif. 153634N.p.: N.p. 1954. Archive of five vintage borderless oversize photographs of director Alfred Hitchcock with various cast and crew members on the set of the 1954 film noir. Manuscript ink and pencil annotations to the verso including layout annotations "FILE" stamps and the stamp of photographer Sanford H. Roth. Four photographs with printed mimeo snipes affixed to the verso and four photographs with manuscript annotations noting their appearance in the May 24 1954 issue of Life magazine. Brooklyn-born photojournalist Sanford Roth was best known for his portrait photography capturing intimate and now iconic images of artists and actors throughout his decades-long career including Marc Chagall Joan Crawford Albert Einstein Henri Matisse and Elizabeth Taylor among many others. Based on the 1952 play by Frederick Knott who also wrote the screenplay about a tennis player who arranges to have his wife framed for murder after discovering her infidelity. The only Hitchcock film to be shot in 3D although the format would ultimately be discarded for theatrical release and the first of three Hitchcock films to feature actress Grace Kelly followed by "Rear Window" 1954 and "To Catch a Thief" 1955. One photograph features Hitchcock leaning over a giant rotary dial a prop made as a result of Warner Brothers' proprietary 3D camera rig. Hitchcock wanted the first shot of the film to feature a finger pressing the letter M on a rotary dial telephone but the specialized 3D camera was unable to focus the close-up correctly leading the director to order a giant finger made from wood and a proportionally large dial in order to achieve the effect. Four photographs 10 x 13.5 inches one photograph 9.5 x 13.5 inches. Lightly edgeworn else generally Near Fine. Grant US. Selby US. Spicer US. N.p. unknown
1967rif. 135332France: N.p. 1967. Two vintage borderless black-and-white reference still photographs from the 1967 Italian-French-German film. From the archives of French film historian Maurice Bessy 1910-1993. Bessy's rubber stamp and name label on the verso of one still with brief annotations in manuscript ink on the versos of both stills. Featured in one still is director Duvivier and actor Sergio Fantoni both engaging in a spirited conversation. In the other Duvivier stands above a bandaged Alain Delon in his hospital bed surrounded by members of the crew. Based on the 1962 novel "Manie de la persecution" by Louis C. Thomas. After a near fatal car crash resulting in a coma Pierre Delon awakens to a new life. Attempting to search for his true identity after suffering amnesia coming ever closer to finding the truth and ever closer to unspeakable danger. Julian Duvivier's final film. One still 7 x 9.5 inches one 8 x 11.75 inches. About Near Fine overall. N.p. unknown books
1955rif. 161300N.p.: N.p. 1955. Vintage reference photograph from the UK release of the 1955 French film noir. Printed mimeo snipe affixed to the verso. Based on the 1952 novel "Celle qui n'etait plus" by Pierre Boileau and Thomas Narcejac. The wife and mistress of a cruel brutish school principal orchestrate the perfect murder but their plans are thrown into confusion when his body disappears. Set in Saint-Cloud Hauts-de-Seine and shot on location in Yvelines Deux-Sevres and Hauts-de-Seine France. 10 x 8 inches. Very Good plus lightly curled. Criterion Collection 35. Grant France. Selby Masterwork. Spicer France. Vogel Film as a Subversive Art. N.p. unknown books
1967rif. 135332France: N.p. 1967. Two vintage borderless black-and-white reference still photographs from the 1967 Italian-French-German film. From the archives of French film historian Maurice Bessy 1910-1993. Bessy's rubber stamp and name label on the verso of one still with brief annotations in manuscript ink on the versos of both stills. Featured in one still is director Duvivier and actor Sergio Fantoni both engaging in a spirited conversation. In the other Duvivier stands above a bandaged Alain Delon in his hospital bed surrounded by members of the crew. Based on the 1962 novel "Manie de la persecution" by Louis C. Thomas. After a near fatal car crash resulting in a coma Pierre Delon awakens to a new life. Attempting to search for his true identity after suffering amnesia coming ever closer to finding the truth and ever closer to unspeakable danger. Julian Duvivier's final film. One still 7 x 9.5 inches one 8 x 11.75 inches. About Near Fine overall. N.p. unknown
1955rif. 161300N.p.: N.p. 1955. Vintage reference photograph from the UK release of the 1955 French film noir. Printed mimeo snipe affixed to the verso. Based on the 1952 novel "Celle qui n'etait plus" by Pierre Boileau and Thomas Narcejac. The wife and mistress of a cruel brutish school principal orchestrate the perfect murder but their plans are thrown into confusion when his body disappears. Set in Saint-Cloud Hauts-de-Seine and shot on location in Yvelines Deux-Sevres and Hauts-de-Seine France. 10 x 8 inches. Very Good plus lightly curled. Criterion Collection 35. Grant France. Selby Masterwork. Spicer France. Vogel Film as a Subversive Art. N.p. unknown
1964rif. 158708London: Planet Films 1964. Draft script for the 1965 British horror film. A cult of satanic worshippers led by a magnetic 400-year-old vampire prey on the Romani living in a small town in Brittany. OCLC locates no holdings. Shot on location in Finistère France and in Buckinghamshire England. Red titled wrappers. Title page present dated April 1964 with credit for screenwriter Lyn Fairhurst. 94 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. Planet Films unknown books
1965rif. 161670N.p.: Planet Film Distributors 1965. British front-of-house card from the 1965 British film. Provenance stamp on the verso on two labels obscuring a previous provenance stamp. A secret vampire cult which has a headquarters under a graveyard in the small village of Brittany searches for human sacrifices. Shot on location in Finistere France. 8 x 10 inches. Very Good plus with light creasing edgewear and faint toning at the extremities. Planet Film Distributors unknown books
1965rif. 161670N.p.: Planet Film Distributors 1965. British front-of-house card from the 1965 British film. Provenance stamp on the verso on two labels obscuring a previous provenance stamp. A secret vampire cult which has a headquarters under a graveyard in the small village of Brittany searches for human sacrifices. Shot on location in Finistere France. 8 x 10 inches. Very Good plus with light creasing edgewear and faint toning at the extremities. Planet Film Distributors unknown
1964rif. 158708London: Planet Films 1964. Draft script for the 1965 British horror film. A cult of satanic worshippers led by a magnetic 400-year-old vampire prey on the Romani living in a small town in Brittany. OCLC locates no holdings. Shot on location in Finistère France and in Buckinghamshire England. Red titled wrappers. Title page present dated April 1964 with credit for screenwriter Lyn Fairhurst. 94 leaves with last page of text numbered 93. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. Planet Films unknown
1966rif. 154165Los Angeles: American International Pictures AIP 1966. Draft script for the 1967 film. Copy belonging to actor Dick Miller with his name on the title page and his manuscript ink and pencil annotations throughout. Miller was initially cast in the role of Leroy although a motorcycle crash during filming left him with several broken ribs leading to his replacement by actor George Sims. From the estate of Dick Miller. Violence threatens to erupt in a small town when a gang of former Hell's Angels bikers are wrongfully accused of sexually assaulting a teenage girl. One of a handful of films in which actor John Cassavetes agreed to star in order to secure financing for his independent 1968 film "Faces." Shot on location throughout Arizona. Red titled American International Pictures wrappers. Title page present dated 12-7-66 with credits for screenwriter Charles B. Griffith. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only with blue revision pages throughout dated 12-7-66. Pages Near Fine wrapper Near Fine bound with two gold brads. McPadden Heavy Metal Movies. American International Pictures [AIP] unknown books
1966rif. 154165Los Angeles: American International Pictures AIP 1966. Draft script for the 1967 film. Copy belonging to actor Dick Miller with his name on the title page and his manuscript ink and pencil annotations throughout. Miller was initially cast in the role of Leroy although a motorcycle crash during filming left him with several broken ribs leading to his replacement by actor George Sims. From the estate of Dick Miller. Violence threatens to erupt in a small town when a gang of former Hell's Angels bikers are wrongfully accused of sexually assaulting a teenage girl. One of a handful of films in which actor John Cassavetes agreed to star in order to secure financing for his independent 1968 film "Faces." Shot on location throughout Arizona. Red titled American International Pictures wrappers. Title page present dated 12-7-66 with credits for screenwriter Charles B. Griffith. 105 leaves with last page of text numbered 104. Mimeograph duplication rectos only with blue revision pages throughout dated 12-7-66. Pages Near Fine wrapper Near Fine bound with two gold brads. McPadden Heavy Metal Movies. American International Pictures [AIP] unknown
1985rif. 149448France: JLG Films 1985. Vintage black-and-white borderless reference photograph of director Jean-Luc Godard and actors Claude Brasseur Nathalie Baye and Johnny Hallyday playing pool on the set of the 1985 film. Two detectives staying at a Parisian hotel investigate a murder which occurred two years prior. Released the same year as Godard's highly and pointlessly controversial film "Je Vous Salue Marie." Shot on location in Paris. 9.5 x 7 inches. Near Fine. Godard Histoires du cinema. Carlson and Connolly Destroy All Movies. JLG Films unknown books
1985rif. 149448France: JLG Films 1985. Vintage black-and-white borderless reference photograph of director Jean-Luc Godard and actors Claude Brasseur Nathalie Baye and Johnny Hallyday playing pool on the set of the 1985 film. Two detectives staying at a Parisian hotel investigate a murder which occurred two years prior. Released the same year as Godard's highly and pointlessly controversial film "Je Vous Salue Marie." Shot on location in Paris. 9.5 x 7 inches. Near Fine. Godard Histoires du cinema. Carlson and Connolly Destroy All Movies. JLG Films unknown
1943rif. 152570Culver City CA: Columbia Pictures 1943. Vintage press photograph of actors Glenn Ford and Marguerite Chapman from the 1943 film. Printed mimeo snipe affixed to the verso. During WWII a new destroyer fails its sea trials and is assigned to mail runs but nevertheless is forced to engage in combat against Japanese planes and a submarine. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1943rif. 152570Culver City CA: Columbia Pictures 1943. Vintage press photograph of actors Glenn Ford and Marguerite Chapman from the 1943 film. Printed mimeo snipe affixed to the verso. During WWII a new destroyer fails its sea trials and is assigned to mail runs but nevertheless is forced to engage in combat against Japanese planes and a submarine. 8 x 10 inches. Near Fine. Columbia Pictures unknown
1969rif. 170392N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 French film showing director Marguerite Duras and actor Michael Lonsdale during filming on location. Stamp of photographer Michel Lioret on the verso. Based on the 1969 novel by Duras a dark psychological drama about four visitors to a rural French hotel. 7 x 5 inches. Near Fine. N.p. unknown books
1969rif. 150219N.p.: N.p. 1969. Vintage borderless reference photograph of Marguerite Duras on the set of the 1969 film. Credits printed on verso. Marguerite Duras' directorial debut based on her radical 1969 novel about two couples exploring the destructive potential of their desires their identities dissipating and merging at an isolated seaside resort where no other guests are seen only heard playing tennis surrounded by a dense forest. 5 x 7 inches. Near Fine. N.p. unknown books
1969rif. 170392N.p.: N.p. 1969. Vintage borderless reference photograph from the 1969 French film showing director Marguerite Duras and actor Michael Lonsdale during filming on location. Stamp of photographer Michel Lioret on the verso. Based on the 1969 novel by Duras a dark psychological drama about four visitors to a rural French hotel. 7 x 5 inches. Near Fine. N.p. unknown
1969rif. 150219N.p.: N.p. 1969. Vintage borderless reference photograph of Marguerite Duras on the set of the 1969 film. Credits printed on verso. Marguerite Duras' directorial debut based on her radical 1969 novel about two couples exploring the destructive potential of their desires their identities dissipating and merging at an isolated seaside resort where no other guests are seen only heard playing tennis surrounded by a dense forest. 5 x 7 inches. Near Fine. N.p. unknown
1943rif. 160278Burbank CA: Warner Brothers 1943. Vintage reference photograph from the 1943 film. A group of American soldiers are tasked with a secret mission to surveil the Japanese in preparation for a bombing of Tokyo. Set in the Pacific Ocean and at the Mare Island Naval Shipyard shot on location in Portuguese Bend California and at the US Naval Station on Mare Island California. 10.25 x 6.75 inches trimmed. Very good plus with some wear to the finish and creasing at the top and bottom right corners and along the left right and top edges. Warner Brothers unknown books
1985rif. 153201N.p.: N.p. 1985. Vintage borderless reference photograph from the set of the 1985 film showing director Susan Seidelman reviewing the script on location. A bored New Jersey housewife gets involved in the life of a free spirited New Yorker through a series of events involving farcical elements such as amnesia and mistaken identity. Madonna's first major screen role and a breakthrough turn for Rosanna Arquette. 9.5 x 7 inches. Near Fine. Carlson and Connolly Destroy All Movies. N.p. unknown books
1985rif. 153201N.p.: N.p. 1985. Vintage borderless reference photograph from the set of the 1985 film showing director Susan Seidelman reviewing the script on location. A bored New Jersey housewife gets involved in the life of a free spirited New Yorker through a series of events involving farcical elements such as amnesia and mistaken identity. Madonna's first major screen role and a breakthrough turn for Rosanna Arquette. 9.5 x 7 inches. Near Fine. Carlson and Connolly Destroy All Movies. N.p. unknown
rif. 149785N.p.: N.p. Unknown. Draft script for an unproduced film. With an annotation in manuscript ink on the title page noting the film's title and the name of screenwriter Ken Hyman. Two CIA agents tail a neo-Nazi murderer in West Berlin. Hyman was best known as a producer during the 1960s and 1970s. Set in West Berlin and Virginia. White untitled wrappers. Lacking title page. 135 leaves with last page of text numbered 134. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus lightly dampstained on the front wrapper and first several leaves bound with a silver prong. N.p. unknown books
1942rif. 162029N.p.: N.p. 1942. Vintage reference photograph from the 1942 film showing actor Errol Flynn in a leather aviator jacket. Photographer stamp on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A war film about a group of Allied aviators who must escape the Third Reich after being shot down near the Polish border and captured by the Germans. 8 x 10 inches. Very Good plus with creasing and a small splash on the recto and adhesive residue on the verso. N.p. unknown books
1942rif. 162029N.p.: N.p. 1942. Vintage reference photograph from the 1942 film showing actor Errol Flynn in a leather aviator jacket. Photographer stamp on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A war film about a group of Allied aviators who must escape the Third Reich after being shot down near the Polish border and captured by the Germans. 8 x 10 inches. Very Good plus with creasing and a small splash on the recto and adhesive residue on the verso. N.p. unknown
