11,160 results
1961ref. 163707N.p.: Topaz Film Corporation 1961. Vintage two-color banner poster for US release of the 1960 British film originally released in the UK as "Too Hot to Handle." Uncommon in this format. Jayne Mansfield stars as showgirl Midnight Franklin headliner at the Pink Flamingo club in Soho run by her tough guy boyfriend Johnny Solos. When Johnny starts getting threats and demands for protection money from a rival club owner he fights back. Featuring famously risqué musical numbers featuring Mansfield in see-through clothing some frames from which were published in Playboy magazine and were visually altered for the US release to meet censor requirements. 118.5 x 24 inches. Very Good plus with some rubbing to the lower left and upper right causing modest color loss. Bright and unfaded. Grant UK. Topaz Film Corporation unknown
1961ref. 163707N.p.: Topaz Film Corporation 1961. Vintage two-color banner poster for US release of the 1960 British film originally released in the UK as "Too Hot to Handle." Uncommon in this format. Jayne Mansfield stars as showgirl Midnight Franklin headliner at the Pink Flamingo club in Soho run by her tough guy boyfriend Johnny Solos. When Johnny starts getting threats and demands for protection money from a rival club owner he fights back. Featuring famously risqué musical numbers featuring Mansfield in see-through clothing some frames from which were published in Playboy magazine and were visually altered for the US release to meet censor requirements. 118.5 x 24 inches. Very Good plus with some rubbing to the lower left and upper right causing modest color loss. Bright and unfaded. Grant UK. Topaz Film Corporation unknown books
1977ref. 161031N.p.: N.p. 1977. Revised Draft script for the 1978 film copy belonging to unidentified cast or crew member George Santander with the manuscript ink annotation of "Geo. Santander" and the manuscript marker annotation of copy number "96" on the front wrapper with manuscript ink and red pencil annotations on 15 pages and four groupings of two and three pages bound with paperclips on pages 36 through 46. Loosely based on the 1974 off-Broadway play "Sgt. Pepper's Lonely Hearts Club Band on the Road" with a book by Robin Wagner and Tom O'Horgan and directed by O'Horgan. The Beatles' legendary 1967 masterwork is turned into a 1970s film musical represented by a star-studded ensemble with appearances by Donald Pleasence George Burns the only actor with speaking lines not accompanied by song Steve Martin Alice Cooper Jack Bruce Keith Carradine Carol Channing Donovan Leif Garrett Etta James Dr. John and music groups Aerosmith as the "Future Villain Band" and Earth Wind and Fire. The Fab Four are conceptually represented by Peter Frampton and the Bee Gees. White titled wrappers. Title page present dated July 21 1977 noted as REVISED DRAFT. 77 leaves with last page of text numbered 75. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Carlson Destroy All Movies. McPadden Heavy Metal Movies. N.p. unknown
1977ref. 161031N.p.: N.p. 1977. Revised Draft script for the 1978 film copy belonging to unidentified cast or crew member George Santander with the manuscript ink annotation of "Geo. Santander" and the manuscript marker annotation of copy number "96" on the front wrapper with manuscript ink and red pencil annotations on 15 pages and four groupings of two and three pages bound with paperclips on pages 36 through 46. Loosely based on the 1974 off-Broadway play "Sgt. Pepper's Lonely Hearts Club Band on the Road" with a book by Robin Wagner and Tom O'Horgan and directed by O'Horgan. The Beatles' legendary 1967 masterwork is turned into a 1970s film musical represented by a star-studded ensemble with appearances by Donald Pleasence George Burns the only actor with speaking lines not accompanied by song Steve Martin Alice Cooper Jack Bruce Keith Carradine Carol Channing Donovan Leif Garrett Etta James Dr. John and music groups Aerosmith as the "Future Villain Band" and Earth Wind and Fire. The Fab Four are conceptually represented by Peter Frampton and the Bee Gees. White titled wrappers. Title page present dated July 21 1977 noted as REVISED DRAFT. 77 leaves with last page of text numbered 75. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. Carlson Destroy All Movies. McPadden Heavy Metal Movies. N.p. unknown books
1972ref. 144513Los Angeles: American International Pictures AIP 1972. Draft script for the 1972 film. With actor Betty Anne Rees' first name and phone number in manuscript ink on the front wrapper. Karen Claudia Jennings quits her job at a cannery and joins a roller derby team. She quickly clashes with Mickey Betty Anne Rees the star skater and stirs jealousy amongst the whole team as she dominates the rink. Following in the wake of the successful roller derby film "Kansas City Bomber" released earlier the same year starring Raquel Welch. Shot on location in Los Angeles. Blue titled wrappers. Title page present with credits for screenwriters Howard R. Cohen and Vernon Zimmerman. 100 leaves with last page of text numbered 92. Mechanical duplication rectos only with pink revision pages throughout dated 9/17. Pages Very Good plus wrapper Near Fine bound with two gold brads. American International Pictures [AIP] unknown
1972ref. 144513Los Angeles: American International Pictures AIP 1972. Draft script for the 1972 film. With actor Betty Anne Rees' first name and phone number in manuscript ink on the front wrapper. Karen Claudia Jennings quits her job at a cannery and joins a roller derby team. She quickly clashes with Mickey Betty Anne Rees the star skater and stirs jealousy amongst the whole team as she dominates the rink. Following in the wake of the successful roller derby film "Kansas City Bomber" released earlier the same year starring Raquel Welch. Shot on location in Los Angeles. Blue titled wrappers. Title page present with credits for screenwriters Howard R. Cohen and Vernon Zimmerman. 100 leaves with last page of text numbered 92. Mechanical duplication rectos only with pink revision pages throughout dated 9/17. Pages Very Good plus wrapper Near Fine bound with two gold brads. American International Pictures [AIP] unknown books
1981ref. 160661N.p.: N.p. 1981. Collection of ten vintage borderless color reference photographs from the 1981 film including six in black-and-white and four in color. Black-and-white photographs with mimeo snipes on the verso. Loosely based on the classic 1866 novella. In nineteenth-century London a party guest turns up dead at a respectable couple's engagement gathering leading the remaining guests into a whirlpool of sex and debauchery in pursuit of the culprit. 9.5 x 7 inches. About Fine. N.p. unknown
1981ref. 160661N.p.: N.p. 1981. Collection of ten vintage borderless color reference photographs from the 1981 film including six in black-and-white and four in color. Black-and-white photographs with mimeo snipes on the verso. Loosely based on the classic 1866 novella. In nineteenth-century London a party guest turns up dead at a respectable couple's engagement gathering leading the remaining guests into a whirlpool of sex and debauchery in pursuit of the culprit. 9.5 x 7 inches. About Fine. N.p. unknown books
1979ref. 151554Los Angeles: Twentieth Century-Fox 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed outer folder containing 13 black and white photographs housed in a brown paper envelope and 13 gatherings of promotional reading material. Based on F.W. Murnau's 1922 film. The third collaboration between director Werner Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. Shot on location in Mexico the Czech Republic the Netherlands and Germany. Folder photographs and promotional material Near Fine. BFI 2030. Ebert IV. Twentieth Century-Fox unknown
1979ref. 151554Los Angeles: Twentieth Century-Fox 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed outer folder containing 13 black and white photographs housed in a brown paper envelope and 13 gatherings of promotional reading material. Based on F.W. Murnau's 1922 film. The third collaboration between director Werner Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. Shot on location in Mexico the Czech Republic the Netherlands and Germany. Folder photographs and promotional material Near Fine. BFI 2030. Ebert IV. Twentieth Century-Fox unknown books
1967ref. 149499London: Contemporary Films 1967. Eight vintage reference photographs from the UK release of the 1967 French anthology film. With printed mimeo snipes in English affixed to the verso. Also included with the set is a two-page mimeographally duplicated press pamphlet in English. An anti-war anthology documentary film by seven prominent French directors expressing support for the North Vietnamese army during the Vietnam War. Shot in New York City. 10 x 8 inches. Very Good or better. Contemporary Films unknown
1967ref. 149499London: Contemporary Films 1967. Eight vintage reference photographs from the UK release of the 1967 French anthology film. With printed mimeo snipes in English affixed to the verso. Also included with the set is a two-page mimeographally duplicated press pamphlet in English. An anti-war anthology documentary film by seven prominent French directors expressing support for the North Vietnamese army during the Vietnam War. Shot in New York City. 10 x 8 inches. Very Good or better. Contemporary Films unknown books
1969ref. 152346N.p.: N.p. 1969. Six vintage borderless satin-finish photographs from the 1969 film. Woody Allen's directorial debut the film that set the template for Allen's 1970s work. Allen stars as Virgil Starkwell a terribly inept bank robber whose life is told documentary-style with an FBI voiceover as well as interviews with his family and friends. Set and shot on location in San Francisco and inside the walls of San Quentin State Prison. 7 x 9.5 inches. Near Fine. N.p. unknown
1969ref. 145850Burbank CA: Palomar Pictures 1969. Vintage borderless double weight photograph of Woody Allen's mug shot from the 1969 film. Woody Allen's first film as a director one of the great American comedies the film that set the template for Allen's 1970s work. Set in and shot in San Francisco and inside the walls of San Quentin State Prison. 9.25 x 7 inches. Near Fine. Palomar Pictures unknown
1965ref. 154957Beverly Hills CA: United Artists 1965. Vintage borderless reference photograph of actor-screenwriter Woody Allen from the 1965 film. With manuscript pencil annotations on the verso and the stamp of photographer Louis Goldman along with Goldman's signature just below his stamp. Allen's film debut as both actor and screenwriter about a soon-to-be-married womanizer as he attempts to adjust to a monogamous life with help from his neurotic psychoanalyst. Set and shot on location in Paris Sevres and Chaumontel France. 10 x 8 inches. About Near Fine. United Artists unknown
1969ref. 145850Burbank CA: Palomar Pictures 1969. Vintage borderless double weight photograph of Woody Allen's mug shot from the 1969 film. Woody Allen's first film as a director one of the great American comedies the film that set the template for Allen's 1970s work. Set in and shot in San Francisco and inside the walls of San Quentin State Prison. 9.25 x 7 inches. Near Fine. Palomar Pictures unknown books
1969ref. 152346N.p.: N.p. 1969. Six vintage borderless satin-finish photographs from the 1969 film. Woody Allen's directorial debut the film that set the template for Allen's 1970s work. Allen stars as Virgil Starkwell a terribly inept bank robber whose life is told documentary-style with an FBI voiceover as well as interviews with his family and friends. Set and shot on location in San Francisco and inside the walls of San Quentin State Prison. 7 x 9.5 inches. Near Fine. N.p. unknown books
1965ref. 154957Beverly Hills CA: United Artists 1965. Vintage borderless reference photograph of actor-screenwriter Woody Allen from the 1965 film. With manuscript pencil annotations on the verso and the stamp of photographer Louis Goldman along with Goldman's signature just below his stamp. Allen's film debut as both actor and screenwriter about a soon-to-be-married womanizer as he attempts to adjust to a monogamous life with help from his neurotic psychoanalyst. Set and shot on location in Paris Sevres and Chaumontel France. 10 x 8 inches. About Near Fine. United Artists unknown books
1974ref. 158144N.p.: N.p. 1974. Six vintage borderless reference photographs and two contact sheets from the 1974 French sexploitation film. Contact sheets with twelve images each. While housesitting for her cousin a young girl is kidnapped by a vengeful sadomasochistic sex cult. An early adult film by noted French director Jean Rollin. Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s. Contact sheets 9.5 x 7.25 inches. Three photographs 7 x 5 inches three photographs 9.5 x 7 inches. Generally Very Good plus to Good with some moderate fading and edgewear. Bier 1669. Hinds 196. N.p. unknown
1974ref. 158144N.p.: N.p. 1974. Six vintage borderless reference photographs and two contact sheets from the 1974 French sexploitation film. Contact sheets with twelve images each. While housesitting for her cousin a young girl is kidnapped by a vengeful sadomasochistic sex cult. An early adult film by noted French director Jean Rollin. Jean Michel Rollin Roth Le Gentil more commonly known as Jean Rollin had gained notoriety and some scandal with his early French vampire films "Le Viol du Vampire" 1968 "La Vampier Nue" 1970 "Le Frisson des Vampires" 1970 and "Requiem pour un Vampire" 1971. When beginning production on his first non-vampire film "La Rose de Fer" 1973 he found himself in need of funding and began making adult sex films which he continued to direct under a variety of pseudonyms through the mid-1980s. Contact sheets 9.5 x 7.25 inches. Three photographs 7 x 5 inches three photographs 9.5 x 7 inches. Generally Very Good plus to Good with some moderate fading and edgewear. Bier 1669. Hinds 196. N.p. unknown books
1976ref. 166668N.p.: N.p. 1976. Nine vintage borderless reference photographs from the 1976 Italian film including one photograph of director Luchino Visconti on the set. Stamp of photographer Mario Tursi on the versos. Based on Gabriele d'Annunzio's 1892 novel "The Intruder" about an unfaithful aristocrat who falls back into love with his wife when he suspects her of cheating on him. Luchino Visconti's final directorial effort considered by many among his finest films released three months after his death. Set and shot on location in Rome and Lucca. 9.5 x 7.25 inches. Near Fine. Rosenbaum 1000. N.p. unknown
1976ref. 166668N.p.: N.p. 1976. Nine vintage borderless reference photographs from the 1976 Italian film including one photograph of director Luchino Visconti on the set. Stamp of photographer Mario Tursi on the versos. Based on Gabriele d'Annunzio's 1892 novel "The Intruder" about an unfaithful aristocrat who falls back into love with his wife when he suspects her of cheating on him. Luchino Visconti's final directorial effort considered by many among his finest films released three months after his death. Set and shot on location in Rome and Lucca. 9.5 x 7.25 inches. Near Fine. Rosenbaum 1000. N.p. unknown books
1973ref. 154638Los Angeles: ICM International Creative Management 1973. Draft Agency script for an unproduced film written by Paul Schrader. Undated but according to the 1979 James Monaco book "American Film Now: The People the Power the Money the Movies" written by Schrader in 1973. Schrader wrote the script to Martin Scorsese's acclaimed 1976 film "Taxi Driver" in fifteen days in 1972. The year following 1973 would be a very proflici period resulting in "The Yakuza" shot by Sydney Pollack in 1974 "Deja Vu" made as "Obsession" by Brian De Palma in 1976 "Rolling Thunder" made by John Flynn in 1977 and "Quebecois." Monaco notes in "American Film Now": "In seven years 1972-1978 Paul Schrader has written ten scripts all originals no adaptations each of them contrasting strongly with the dominant mood of the industry. All but one have been sold for better than satisfactory prices and six out of ten have been shot and released. Two have been major hits. Four were written in 1973." "Quebecois" was optioned to Lewis Allen but never went into production. The story of a modern day French-Italian gang war set in Montreal. Tan ICM Agency wrappers with white label on upper right with title and credits for screenwriter Paul Schrader. Title page present with credits for screenwriter Paul Schrader. 125 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two flat metal brads. ICM [International Creative Management] unknown
1973ref. 154638Los Angeles: ICM International Creative Management 1973. Draft Agency script for an unproduced film written by Paul Schrader. Undated but according to the 1979 James Monaco book "American Film Now: The People the Power the Money the Movies" written by Schrader in 1973. Schrader wrote the script to Martin Scorsese's acclaimed 1976 film "Taxi Driver" in fifteen days in 1972. The year following 1973 would be a very proflici period resulting in "The Yakuza" shot by Sydney Pollack in 1974 "Deja Vu" made as "Obsession" by Brian De Palma in 1976 "Rolling Thunder" made by John Flynn in 1977 and "Quebecois." Monaco notes in "American Film Now": "In seven years 1972-1978 Paul Schrader has written ten scripts all originals no adaptations each of them contrasting strongly with the dominant mood of the industry. All but one have been sold for better than satisfactory prices and six out of ten have been shot and released. Two have been major hits. Four were written in 1973." "Quebecois" was optioned to Lewis Allen but never went into production. The story of a modern day French-Italian gang war set in Montreal. Tan ICM Agency wrappers with white label on upper right with title and credits for screenwriter Paul Schrader. Title page present with credits for screenwriter Paul Schrader. 125 leaves with last page of text numbered 123. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two flat metal brads. ICM [International Creative Management] unknown books
1986ref. 165725N.p.: N.p. 1986. Draft script for the 1987 neo-noir film. Copy belonging to an unidentified crew member with his name on the title page and his annotations in manuscript ink throughout indicating props. Incomplete script ending on page 122. A police detective is called to protect a socialite when she becomes the key witness in a murder trial. Set and shot on location in New York City. Self wrappers. Title page present dated July 19 1987 noted as "Seltzer draft". 123 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Very Good plus bound with two gold brads. N.p. unknown
