11,064 results
1976ref. 148485Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1976. Collection of eleven vintage reference photographs from the 1976 film. With mimeo snipes to the verso. Based on the 1967 novel. A key science fiction film and a huge box-office success reinvigorating the genre on the screen and paving the way for "Star Wars" the following year. Winner of the Academy Award for Special Achievement and nominated for two others including Best Cinematography. Shot on location in Dallas Fort Worth and Houston Texas. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1914ref. 160375New York: World Film Corporation 1914. Vintage program for the 1914 lost silent film printed for the Grand Theatre of Butler Pennsylvania printed on the verso with a dramatic pictorial center spread featuring two World Film Corporation elephant logos. Silent film star Clara Kimball Young's first film with World Film Corporation re-released in 1916 with new intertitles under the title "Without a Soul" both now lost. A variation of both Robert Louis Stevenson's "Strange Case of Dr. Jeckyll and Mr. Hyde" and Mary Shelley's "Frankenstein" wherein the caring and dutiful daughter Lola Young killed in a street accident is revived by her scientist father using an electric-ray machine he invented only to find she's returned as a soulless and heartless creature of the flesh. 5.5 x 8 inches Bi-fold. Very Good plus with a vertical crease with light foxing and toning at the crease and small closed tears at the top of the crease on both leaves. World Film Corporation unknown
1961ref. 151020N.p.: N.p. 1961. Vintage oversize borderless double weight reference photograph of Anouk Aimee from the 1961 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome" and provenance label of "de Selva - Tapabor" on verso. Jacques Demy's tribute to Max Ophuls with title and character inspired by Josef von Sternberg's "Der Blaue Engel" 1930 starring Marlene Dietrich. Roland Cassard is a bored layabout until he has a chance encounter with Lola a girl he dated in his teens before the war. Roland finds a renewed purpose in life realizing he is still in love with Lola now a cabaret dancer and mother who hopes her son's father her true love may still return. Shot on location in Nantes France. 8.75 x 12 inches. Very Good plus with some edge and corner wear. Criterion Collection 714. Rosenbaum 1000. N.p. unknown
1961ref. 151020N.p.: N.p. 1961. Vintage oversize borderless double weight reference photograph of Anouk Aimee from the 1961 film. Provenance stamp of film scholar and author "Jean-Pierre Berthome" and provenance label of "de Selva - Tapabor" on verso. Jacques Demy's tribute to Max Ophuls with title and character inspired by Josef von Sternberg's "Der Blaue Engel" 1930 starring Marlene Dietrich. Roland Cassard is a bored layabout until he has a chance encounter with Lola a girl he dated in his teens before the war. Roland finds a renewed purpose in life realizing he is still in love with Lola now a cabaret dancer and mother who hopes her son's father her true love may still return. Shot on location in Nantes France. 8.75 x 12 inches. Very Good plus with some edge and corner wear. Criterion Collection 714. Rosenbaum 1000. N.p. unknown books
1914ref. 160375New York: World Film Corporation 1914. Vintage program for the 1914 lost silent film printed for the Grand Theatre of Butler Pennsylvania printed on the verso with a dramatic pictorial center spread featuring two World Film Corporation elephant logos. Silent film star Clara Kimball Young's first film with World Film Corporation re-released in 1916 with new intertitles under the title "Without a Soul" both now lost. A variation of both Robert Louis Stevenson's "Strange Case of Dr. Jeckyll and Mr. Hyde" and Mary Shelley's "Frankenstein" wherein the caring and dutiful daughter Lola Young killed in a street accident is revived by her scientist father using an electric-ray machine he invented only to find she's returned as a soulless and heartless creature of the flesh. 5.5 x 8 inches Bi-fold. Very Good plus with a vertical crease with light foxing and toning at the crease and small closed tears at the top of the crease on both leaves. World Film Corporation unknown books
1962ref. 149451Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Vintage oversize borderless reference photograph of director Stanley Kubrick and cinematographer Oswald Morris on the set of the 1962 film. With manuscript annotations on the verso regarding layout. A stunning image of both Kubrick and legendary cinematographer Morris. Morris' achievements apart from "Lolita" include "Oliver Twist 1948 "Moulin Rouge" 1952 "Moby Dick" 1956 "The Spy Who Came in from the Cold" 1965 "Fiddler on the Roof" 1971 and "The Man Who Would Be King" 1975. Kubrick's controversial adaptation of Vladimir Nabokov's 1955 masterpiece about a man's all-consuming and destructive romantic desire for a prepubescent girl. Shot on location in Albany and the Adirondacks in New York Newport and Westerly in Rhode Island and Buckinghamshire and Hertfordshire in England. 14 x 10.5 inches. Very Good plus with light wear and a shallow crease along the right edge. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Metro-Goldwyn-Mayer [MGM] unknown
1962ref. 149451Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1962. Vintage oversize borderless reference photograph of director Stanley Kubrick and cinematographer Oswald Morris on the set of the 1962 film. With manuscript annotations on the verso regarding layout. A stunning image of both Kubrick and legendary cinematographer Morris. Morris' achievements apart from "Lolita" include "Oliver Twist 1948 "Moulin Rouge" 1952 "Moby Dick" 1956 "The Spy Who Came in from the Cold" 1965 "Fiddler on the Roof" 1971 and "The Man Who Would Be King" 1975. Kubrick's controversial adaptation of Vladimir Nabokov's 1955 masterpiece about a man's all-consuming and destructive romantic desire for a prepubescent girl. Shot on location in Albany and the Adirondacks in New York Newport and Westerly in Rhode Island and Buckinghamshire and Hertfordshire in England. 14 x 10.5 inches. Very Good plus with light wear and a shallow crease along the right edge. Godard Histoires du cinema. Scorsese A Personal Journey Through American Movies. Metro-Goldwyn-Mayer [MGM] unknown books
1966ref. 161875N.p.: Times Films 1966. Vintage studio still photograph from the US release of the 1964 Brazilian film. Provenance stamp on a label on the verso obscuring a previous provenance stamp. Based on the 1960 novel "Asfalto Selvagem" by Nelson Rodrigues. Since childhood Lollipop has been in love with her orphaned cousin Silvio who was raised as a member of her family. When Silvio announces his engagement to Lollipop's cousin Leticia Lollipop decides to seduce Silvio at his engagement party. 8 x 10 inches. Very Good plus with several pinholes to the margins and a faint crease to the bottom right corner. Times Films unknown
1966ref. 161875N.p.: Times Films 1966. Vintage studio still photograph from the US release of the 1964 Brazilian film. Provenance stamp on a label on the verso obscuring a previous provenance stamp. Based on the 1960 novel "Asfalto Selvagem" by Nelson Rodrigues. Since childhood Lollipop has been in love with her orphaned cousin Silvio who was raised as a member of her family. When Silvio announces his engagement to Lollipop's cousin Leticia Lollipop decides to seduce Silvio at his engagement party. 8 x 10 inches. Very Good plus with several pinholes to the margins and a faint crease to the bottom right corner. Times Films unknown books
1962ref. 145078Universal City CA: Joel Productions 1962. Vintage studio still photograph from the set of the 1962 film. Shown are Kirk Douglas director David Miller cinematographer Philip Lathrop and other crew members. Based on Edward Abbey's 1956 novel "The Brave Cowboy." Drifter cowboy Jack Burns Kirk Douglas hears that his old friend Paul Bondi Michael Kane is serving time in jail. Burns gets himself arrested with the intention of helping Bondi escape with him. Once inside he finds that Bondi would rather serve his sentence than risk a longer one leading Burns to break out on his own. Shot on location in New Mexico. 8 x 10 inches. Near Fine. Joel Productions unknown
1962ref. 145078Universal City CA: Joel Productions 1962. Vintage studio still photograph from the set of the 1962 film. Shown are Kirk Douglas director David Miller cinematographer Philip Lathrop and other crew members. Based on Edward Abbey's 1956 novel "The Brave Cowboy." Drifter cowboy Jack Burns Kirk Douglas hears that his old friend Paul Bondi Michael Kane is serving time in jail. Burns gets himself arrested with the intention of helping Bondi escape with him. Once inside he finds that Bondi would rather serve his sentence than risk a longer one leading Burns to break out on his own. Shot on location in New Mexico. 8 x 10 inches. Near Fine. Joel Productions unknown books
1968ref. 162442N.p.: Sherpix 1968. Collection of 13 vintage studio still photographs from the 1968 film. Andy Warhol and Paul Morrissey's satirical take on Hollywood Westerns features five gay cowboys a rowdy ranch lady and her stoned nurse handsome drifter Julian and a drag queen sheriff. Set and shot on location in Arizona. 10 x 8 inches. Lightly toned on the edges else about Near Fine. Sherpix unknown
1968ref. 146006New York: Andy Warhol Film 1968. Vintage borderless photograph of Joe Dallesandro and Tom Hompertz from the 1968 film. Hilarious and tedious Andy Warhol and Paul Morrissey's satirical take on Hollywood Westerns features five gay cowboys including Dallesandro and Hompertz ranch lady Romana D'Alvarez Viva and her stoned nurse Taylor Mead handsome drifter Julian Tom Hompertz and a drag queen Sheriff Francis Francine. Set in and shot on location in Arizona. 9.5 x 7.25 inches. Near Fine some light creasing and light edgewear. Andy Warhol Film unknown
1968ref. 134291New York: Factory Films 1968. Two vintage black-and-white double weight still photographs from the 1968 film. Both photographs feature the film's lead actor Viva one a head shot that is a variant on the familiar image used on the cover of Viva's later autobiography "Superstar" the other a waist-up shot. 8 x 10 inches white border with film credits at the bottom margin of the recto along with mention of the film's first distributor Sherpix. Fine. Factory Films unknown
1968ref. 162442N.p.: Sherpix 1968. Collection of 13 vintage studio still photographs from the 1968 film. Andy Warhol and Paul Morrissey's satirical take on Hollywood Westerns features five gay cowboys a rowdy ranch lady and her stoned nurse handsome drifter Julian and a drag queen sheriff. Set and shot on location in Arizona. 10 x 8 inches. Lightly toned on the edges else about Near Fine. Sherpix unknown books
1968ref. 146006New York: Andy Warhol Film 1968. Vintage borderless photograph of Joe Dallesandro and Tom Hompertz from the 1968 film. Hilarious and tedious Andy Warhol and Paul Morrissey's satirical take on Hollywood Westerns features five gay cowboys including Dallesandro and Hompertz ranch lady Romana D'Alvarez Viva and her stoned nurse Taylor Mead handsome drifter Julian Tom Hompertz and a drag queen Sheriff Francis Francine. Set in and shot on location in Arizona. 9.5 x 7.25 inches. Near Fine some light creasing and light edgewear. Andy Warhol Film unknown books
1968ref. 134291New York: Factory Films 1968. Two vintage black-and-white double weight still photographs from the 1968 film. Both photographs feature the film's lead actor Viva one a head shot that is a variant on the familiar image used on the cover of Viva's later autobiography "Superstar" the other a waist-up shot. 8 x 10 inches white border with film credits at the bottom margin of the recto along with mention of the film's first distributor Sherpix. Fine. Factory Films unknown books
1971ref. 150085N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film. Two dated "L'Express" stamps two "Publiee" stamps with annotations in manuscript marker and a "Viva la Muerte" stamp on verso. Based on the 1959 novel "Baal Babilonia" by Fernando Arrabal. Arrabal's fierce directorial debut. A young boy of about ten Fando tries to make sense of his father's arrest and detainment having been accused of being a communist by Franco's Fascists who has his religious mother's sympathies and may have turned him in. Shot on location in Tunisia. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown
1971ref. 150085N.p.: N.p. 1971. Vintage borderless reference photograph from the 1971 film. Two dated "L'Express" stamps two "Publiee" stamps with annotations in manuscript marker and a "Viva la Muerte" stamp on verso. Based on the 1959 novel "Baal Babilonia" by Fernando Arrabal. Arrabal's fierce directorial debut. A young boy of about ten Fando tries to make sense of his father's arrest and detainment having been accused of being a communist by Franco's Fascists who has his religious mother's sympathies and may have turned him in. Shot on location in Tunisia. 8 x 10 inches. Near Fine. Vogel Film as a Subversive Art. N.p. unknown books
1959ref. 141486N.p.: Orion 1959. Six vintage reference photographs from the 1959 film. Mimeo snipes affixed to the versos of each still. Based on John Osborne's 1956 play of the same name. A superb set of uncommon images. Ripe with both class and sexual tension Tony Richardson's 1959 film portrays a marriage on the brink of collapse in claustrophobic quarters. In the vein of "Cat on a Hot Tin Roof" class resentment simmers beneath the surface of a relationship between a man and a woman. Shot on location in England. 8 x 10 inches. Very Good plus overall. Occasional dampstaining to the margins and versos. Ink notation to the verso of one image. Orion unknown
1959ref. 141486N.p.: Orion 1959. Six vintage reference photographs from the 1959 film. Mimeo snipes affixed to the versos of each still. Based on John Osborne's 1956 play of the same name. A superb set of uncommon images. Ripe with both class and sexual tension Tony Richardson's 1959 film portrays a marriage on the brink of collapse in claustrophobic quarters. In the vein of "Cat on a Hot Tin Roof" class resentment simmers beneath the surface of a relationship between a man and a woman. Shot on location in England. 8 x 10 inches. Very Good plus overall. Occasional dampstaining to the margins and versos. Ink notation to the verso of one image. Orion unknown books
1961ref. 158056N.p.: New Films 1961. Draft script for the 1961 film. Copy belonging to an unknown crew member with their annotations in manuscript ink on the title page. A teenager begins secretly watching his neighbors at night as a means of coping with his dysfunctional family life. Shot on location in Reseda California. Red titled wrappers. Title page present undated with credit for screenwriter Laurence E. Mascott. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only. Pages about Near Fine wrapper Near Fine bound with two gold brads. New Films unknown
1961ref. 158056N.p.: New Films 1961. Draft script for the 1961 film. Copy belonging to an unknown crew member with their annotations in manuscript ink on the title page. A teenager begins secretly watching his neighbors at night as a means of coping with his dysfunctional family life. Shot on location in Reseda California. Red titled wrappers. Title page present undated with credit for screenwriter Laurence E. Mascott. 131 leaves with last page of text numbered 129. Mimeograph duplication rectos only. Pages about Near Fine wrapper Near Fine bound with two gold brads. New Films unknown books
1961ref. 168159Los Angeles: Allied Artists 1961. Vintage studio still photograph from the 1961 film. A teenager begins secretly watching his neighbors at night as a means of coping with his dysfunctional family life. A teen exploitation film starring pop idol Paul Anka. Shot on location in Reseda California. 10 x 8 inches. Lightly toned on the margins else Near Fine. Allied Artists unknown books
1968ref. 152151N.p.: Family Films 1968. Third Draft script for the 1968 television film. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the front wrapper and his manuscript ink annotations throughout. With four pages of a shooting schedule bound in after the script. A religious exploration of several young adults' opinions about topical issues including the treatment of African Americans the Vietnam War and monogamous relationships. Brown titled wrappers. Title page present dated 4/5/68 noted as 3rd Draft with credits for screenwriter Frank Rhylick. 40 leaves with last page of text numbered 37. Mimeograph duplication rectos only with blue and yellow revision pages throughout dated variously between 4/5/68 and 4/15/68. Pages Near Fine wrapper Very Good plus bound with two gold brads. Family Films unknown
