11,064 results
1993ref. 171219N.p.: N.p. 1993. Final Draft script for Season 2 Episode 16 of the 1992-1995 television series. Originally aired January 24 1994 on CBS. With three photocopied production documents bound in the front of the script. Workplace sitcom taking place at a bar whose owner has a difficult relationship with a local columnist. In this episode the owner tries to prove to her columnist that women are discriminated against by salespeople. Winner of two Emmy Awards. Green titled wrappers noted as FINAL DRAFT on the front wrapper production No. 1215 dated December 16 1993 with credits for screenwriters Marc Flanagan and Stephen Nathan. Title page integral with front wrapper. 63 leaves with last page of text numbered 45. Xerographic duplication rectos only with yellow revision pages throughout dated 12/16/93. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1967ref. 163332N.p.: N.p. 1967. Three vintage reference photographs from the 1967 Yugoslav film all three showing actress Eva Ras. One with a printed mimeo snipe affixed to the verso and all three with the stamps of photographer Michel Ciment. A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. 10 x 8 inches. Near Fine. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 164292N.p.: N.p. 1967. Four vintage reference photographs from the 1967 Yugoslavian film all showing actress Eva Ras. Two with a printed French mimeo snipes affixed to the verso and three with provenance stamps and labels on same. A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. Two photographs 9.5 x 7.25 inches two photographs 5 x 7 inches. Generally Very Good plus. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 157289N.p.: N.p. 1967. Three vintage reference photographs from the 1967 Serbian film. One photograph with a printed mimeo snipe in French affixed to the verso. A young switchboard operator begins a relationship with a serious beau but finds herself unwillingly subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. Two photographs 7 x 5 inches one photograph 10 x 8 inches. Near Fine. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1967ref. 142997Belgrade: Avala Film 1967. Original program for the international release of the 1967 Yugoslav black wave film. Photo-illustrated with stills from the film and reproductions of line illustrations. Wrappers text in French with French German Russian Spanish and English text inside. Taking on the trappings of American crime and film noir about a woman who is murdered by her lover after her infidelity is discovered the plot unfolds in non-chronological order with imaginative digressions and interruptions where both a sexologist and criminologist directly address the camera creating a critique of communist society and censorship. 10 x 8.25 inches. Very Good plus in stiff wrappers. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. Avala Film unknown
1967ref. 163332N.p.: N.p. 1967. Three vintage reference photographs from the 1967 Yugoslav film all three showing actress Eva Ras. One with a printed mimeo snipe affixed to the verso and all three with the stamps of photographer Michel Ciment. A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. 10 x 8 inches. Near Fine. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
1967ref. 164292N.p.: N.p. 1967. Four vintage reference photographs from the 1967 Yugoslavian film all showing actress Eva Ras. Two with a printed French mimeo snipes affixed to the verso and three with provenance stamps and labels on same. A young switchboard operator begins a relationship with a serious beau but finds herself subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. The second feature film of Du an Makavejev the most celebrated Yugoslavian director of the 1960s. Two photographs 9.5 x 7.25 inches two photographs 5 x 7 inches. Generally Very Good plus. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
1967ref. 142997Belgrade: Avala Film 1967. Original program for the international release of the 1967 Yugoslav black wave film. Photo-illustrated with stills from the film and reproductions of line illustrations. Wrappers text in French with French German Russian Spanish and English text inside. Taking on the trappings of American crime and film noir about a woman who is murdered by her lover after her infidelity is discovered the plot unfolds in non-chronological order with imaginative digressions and interruptions where both a sexologist and criminologist directly address the camera creating a critique of communist society and censorship. 10 x 8.25 inches. Very Good plus in stiff wrappers. Criterion Eclipse 18. Rosenbaum 1000. Vogel Film as a Subversive Art. Avala Film unknown books
1967ref. 157289N.p.: N.p. 1967. Three vintage reference photographs from the 1967 Serbian film. One photograph with a printed mimeo snipe in French affixed to the verso. A young switchboard operator begins a relationship with a serious beau but finds herself unwillingly subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order with imaginative digressions and frequent interruptions creating a critique of communist society and censorship. Two photographs 7 x 5 inches one photograph 10 x 8 inches. Near Fine. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
1969ref. 164325N.p.: Miracle Films 1969. Two vintage photographs from the UK release of the 1969 Italian-French anthology film both showing scenes from Bernardo Bertolucci's segment "Agonia." From the archive of film historian and author Joel Finler. Largely dealing with themes of religion and spirituality the film featured segments written and directed by five Italian directors and one French director. Bertolucci's segment starred members of The Living Theatre including noted actor and director Julian Beck. Distributed by the notoriously versatile Miracle Films a significant force in both international cinema and American pornography in the late 1960s and 1970s. 10 x 8 inches. One Very Good plus one Very Good both slightly curled. Miracle Films unknown
1969ref. 164325N.p.: Miracle Films 1969. Two vintage photographs from the UK release of the 1969 Italian-French anthology film both showing scenes from Bernardo Bertolucci's segment "Agonia." From the archive of film historian and author Joel Finler. Largely dealing with themes of religion and spirituality the film featured segments written and directed by five Italian directors and one French director. Bertolucci's segment starred members of The Living Theatre including noted actor and director Julian Beck. Distributed by the notoriously versatile Miracle Films a significant force in both international cinema and American pornography in the late 1960s and 1970s. 10 x 8 inches. One Very Good plus one Very Good both slightly curled. Miracle Films unknown books
1977ref. 143875London: ITC 1977. Draft script for the 1979 film. Laid in is a 14-page shooting schedule. A lawman is sent to Switzerland to convince the girlfriend of a well-known gangster to come back to America to testify against him. The gang has sent people of their own to Switzerland assassins who seek only to kill the messenger. Set in Switzerland shot on location there as well as Arizona. White titled wrappers. 124 leaves with last page of text numbered 123. Xerographically reproduced. Pages Fine wrapper Near Fine bound with two silver brads. ITC unknown
1990ref. 173097N.p.: New Line Cinema 1990. Collection of thirteen vintage studio still photographs from the 2000 film. Childhood friends fall in love and then separate as they both pursue professional careers in basketball. Shot on location in Southern California. 8 x 10 inches. Fine. Criterion 1097. New Line Cinema unknown
1990ref. 173097N.p.: New Line Cinema 1990. Collection of thirteen vintage studio still photographs from the 2000 film. Childhood friends fall in love and then separate as they both pursue professional careers in basketball. Shot on location in Southern California. 8 x 10 inches. Fine. Criterion 1097. New Line Cinema unknown books
1977ref. 143875London: ITC 1977. Draft script for the 1979 film. Laid in is a 14-page shooting schedule. A lawman is sent to Switzerland to convince the girlfriend of a well-known gangster to come back to America to testify against him. The gang has sent people of their own to Switzerland assassins who seek only to kill the messenger. Set in Switzerland shot on location there as well as Arizona. White titled wrappers. 124 leaves with last page of text numbered 123. Xerographically reproduced. Pages Fine wrapper Near Fine bound with two silver brads. ITC unknown books
1975ref. 127315Beverly Hills CA: United Artists 1975. Vintage one sheet poster for the 1975 film. A coward accidentally becomes a war hero after being forced into in the Russian army. The last of Allen's early outrageous comedies before pursuing a more narrative and dramatic approach beginning with "Annie Hall" 1977. Set in Russia shot on location in France and Hungary. 27 x 41 inches. Folded as issued. Very Good plus. United Artists unknown
1975ref. 127315Beverly Hills CA: United Artists 1975. Vintage one sheet poster for the 1975 film. A coward accidentally becomes a war hero after being forced into in the Russian army. The last of Allen's early outrageous comedies before pursuing a more narrative and dramatic approach beginning with "Annie Hall" 1977. Set in Russia shot on location in France and Hungary. 27 x 41 inches. Folded as issued. Very Good plus. United Artists unknown books
1971ref. 161877N.p.: N.p. 1971. Vintage studio still photograph from the 1971 film. Provenance stamp on the verso. The ski lodge sees more action than the ski slopes during a wild weekend in Aroostook County Maine. An early appearance of noted actor Charles Napier. 8 x 10 inches. Very Good plus with light creasing to the top corners. N.p. unknown
1971ref. 161877N.p.: N.p. 1971. Vintage studio still photograph from the 1971 film. Provenance stamp on the verso. The ski lodge sees more action than the ski slopes during a wild weekend in Aroostook County Maine. An early appearance of noted actor Charles Napier. 8 x 10 inches. Very Good plus with light creasing to the top corners. N.p. unknown books
1990ref. 140709N.p.: David Blocker Productions 1990. Vintage studio still photograph from the 1990 film. Alan Rudolph puts a modernist spin on the hard-boiled detective film in this underrated gem. Starring Tom Berenger Elizabeth Perkins Anne Archer and Kate Capshaw and directed by Alan Rudolph. Shot on location in Oregon. 8 x 10 inches. Very Good plus with a small stain to the image and a blue manuscript ink notation to the verso. Grant US. David Blocker Productions unknown books
1974ref. 149391Paris: Viaduc Productions 1974. Vintage oversize borderless reference photograph from the 1974 film showing actress Jane Birkin in a plaid miniskirt but no top freezing in an unheated Paris apartment. With manuscript annotations regarding layout on the verso along with a mimeo snipe a provenance stamp and a stamp dated 4 OCT 1973. A dark comedy following a shy bank employee who falls under the sway of a cynical misogynistic novelist. Set and shot on location in Paris. 8 x 11.75 inches. Very Good plus overall. Viaduc Productions unknown
1974ref. 149391Paris: Viaduc Productions 1974. Vintage oversize borderless reference photograph from the 1974 film showing actress Jane Birkin in a plaid miniskirt but no top freezing in an unheated Paris apartment. With manuscript annotations regarding layout on the verso along with a mimeo snipe a provenance stamp and a stamp dated 4 OCT 1973. A dark comedy following a shy bank employee who falls under the sway of a cynical misogynistic novelist. Set and shot on location in Paris. 8 x 11.75 inches. Very Good plus overall. Viaduc Productions unknown books
1965ref. 139617Culver City CA: Columbia Pictures 1965. Two vintage black-and-white reference studio still photographs from the 1965 film. Sex intrigue infidelity and murder all stir up this beach-based melodrama. When an ex lover washes up on shore of Acapulco wealthy aging Kit and her beach-boy husband become prime suspects. Shot on location in Acapulco Mexico. 8 x 10 inches and 10 x 8 25.5 x 20.5. Very Good plus. Columbia Pictures unknown books
1977ref. 149787N.p.: N.p. 1977. Draft script for an unproduced play. A light chamber comedy about an aging gay director whose attempts to maintain creative control over his newest production are thwarted by a ham-fisted millionaire who wants his nephew to be cast in the lead role in exchange for financial backing. Clear plastic and green titled wrappers. Title page present dated 1977 with credits for screenwriter Victor Rosen. 113 leaves with last page of text numbered III-32. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine with a red Velo binding. N.p. unknown
1977ref. 149787N.p.: N.p. 1977. Draft script for an unproduced play. A light chamber comedy about an aging gay director whose attempts to maintain creative control over his newest production are thwarted by a ham-fisted millionaire who wants his nephew to be cast in the lead role in exchange for financial backing. Clear plastic and green titled wrappers. Title page present dated 1977 with credits for screenwriter Victor Rosen. 113 leaves with last page of text numbered III-32. Mimeograph duplication rectos only. Pages Fine wrapper Near Fine with a red Velo binding. N.p. unknown books
