11,064 results
1968ref. 152151N.p.: Family Films 1968. Third Draft script for the 1968 television film. Copy belonging to actor Johnny Crawford with his name in manuscript ink on the front wrapper and his manuscript ink annotations throughout. With four pages of a shooting schedule bound in after the script. A religious exploration of several young adults' opinions about topical issues including the treatment of African Americans the Vietnam War and monogamous relationships. Brown titled wrappers. Title page present dated 4/5/68 noted as 3rd Draft with credits for screenwriter Frank Rhylick. 40 leaves with last page of text numbered 37. Mimeograph duplication rectos only with blue and yellow revision pages throughout dated variously between 4/5/68 and 4/15/68. Pages Near Fine wrapper Very Good plus bound with two gold brads. Family Films unknown books
1989ref. 168111Culver City CA: Tri-Star TriStar Pictures 1989. Vintage publicity photograph from the 1989 film. First film in the successful "Look Who's Talking" series spawning two sequels in 1990 and 1993 and a television spin-off series "Baby Talk" 1991-1992. 8 x 10 inches. Fine. Tri-Star [TriStar] Pictures unknown books
1977ref. 162340N.p.: N.p. 1977. Two vintage borderless reference photographs from the 1977 film. Based on Judith Rossner's 1975 novel in turn based on the 1973 murder of Roseann Quinn about a schoolteacher who begins compulsively cruising singles bars in search of sexual fulfillment. Nominated for two Academy Awards. Released in a new 4K restoration by Vinegar Syndrome in 2024. Shot on location in Los Angeles and Chicago. 10 x 8 inches. Near Fine. Vinegar Syndrome 485. N.p. unknown
1977ref. 162340N.p.: N.p. 1977. Two vintage borderless reference photographs from the 1977 film. Based on Judith Rossner's 1975 novel in turn based on the 1973 murder of Roseann Quinn about a schoolteacher who begins compulsively cruising singles bars in search of sexual fulfillment. Nominated for two Academy Awards. Released in a new 4K restoration by Vinegar Syndrome in 2024. Shot on location in Los Angeles and Chicago. 10 x 8 inches. Near Fine. Vinegar Syndrome 485. N.p. unknown books
1965ref. 141553Culver City CA: Columbia Pictures 1965. Collection of 12 vintage color studio still photographs from the 1965 film. After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. Shot on location in Cambodia China Malaysia and England. 8 x 10 inches. Fine. Columbia Pictures unknown
1965ref. 141553Culver City CA: Columbia Pictures 1965. Collection of 12 vintage color studio still photographs from the 1965 film. After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. Shot on location in Cambodia China Malaysia and England. 8 x 10 inches. Fine. Columbia Pictures unknown books
1965ref. 144688Culver City CA: Columbia Pictures 1965. Vintage borderless photograph of director Richard Brooks and actor Peter O'Toole on the set of the 1965 film. With manuscript annotations on the verso. After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. Shot on location in Cambodia China Malaysia and England. 10 x 8 inches. Near Fine. Columbia Pictures unknown
1965ref. 144688Culver City CA: Columbia Pictures 1965. Vintage borderless photograph of director Richard Brooks and actor Peter O'Toole on the set of the 1965 film. With manuscript annotations on the verso. After being labeled a coward Lord Jim seeks redemption through an exceptionally dangerous mission. In its wake he finds himself faced again with the choice of self preservation or honor. The Technicolor film was based on Joseph Conrad's novel of the same name. Shot on location in Cambodia China Malaysia and England. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1976ref. 159745London: British Broadcasting Corporation BBC 1976. Vintage reference photograph from the 1976 television mini series. With manuscript ink annotation on the verso. Based on the 1869 novel by R.D. Blackmore. A man watched his father be killed by a family when he was young and swears to avenge his father. Years later as an adult he meets the daughter of the family and realizes he is love with her despite her last name. He tries to rescue her from her family. 8 x 10 inches. Very Good plus. British Broadcasting Corporation [BBC] unknown books
1964ref. 170432N.p.: Eve Productions 1964. Vintage studio still photograph from the 1964 sexploitation film. The first of Russ Meyer's "noir" cycle 1964-1965 sexploitation films shot in black-and-white featuring powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. "Lorna" a voluptuous sexually unfulfilled newlywed becomes sexually awakened after being raped by an escaped convict while she is skinny-dipping in a river and proceeds to invite the convict into her home while her husband is out working in the salt mines. 10 x 8 inches. Near Fine. Eve Productions unknown
1964ref. 170432N.p.: Eve Productions 1964. Vintage studio still photograph from the 1964 sexploitation film. The first of Russ Meyer's "noir" cycle 1964-1965 sexploitation films shot in black-and-white featuring powerful psycho-sexual female characters male impotence and a serious dramatic plot involving less of the "nudie" filmmaking style so prominent in the director's early films. "Lorna" a voluptuous sexually unfulfilled newlywed becomes sexually awakened after being raped by an escaped convict while she is skinny-dipping in a river and proceeds to invite the convict into her home while her husband is out working in the salt mines. 10 x 8 inches. Near Fine. Eve Productions unknown books
1956ref. 130513London: Independent Film Producers / Distributor's Corporation of America 1956. Original British quad poster for the 1956 British film. The fourth of 7 screenplays written by Greene and his third adaptation of his own work. An unusual foray for the author a late screwball comedy in which a mild mannered assistant accountant in the midst of his honeymoon becomes tangled up in a mess involving a casino and two very canny businessmen. 30 x 40 inches. Near Fine. Phillips US. Independent Film Producers / Distributor's Corporation of America unknown
1956ref. 130513London: Independent Film Producers / Distributor's Corporation of America 1956. Original British quad poster for the 1956 British film. The fourth of 7 screenplays written by Greene and his third adaptation of his own work. An unusual foray for the author a late screwball comedy in which a mild mannered assistant accountant in the midst of his honeymoon becomes tangled up in a mess involving a casino and two very canny businessmen. 30 x 40 inches. Near Fine. Phillips US. Independent Film Producers / Distributor's Corporation of America unknown books
1956ref. 141564N.p.: Independent Film Producers 1956. Vintage British front-of-house card from the 1956 film. Bertrand is a young British accountant who upon uncovering a financial error is rewarded with a trip to Monte Carlo. Shot on location in Monaco and England. 8 x 10 inches. Fine with a manuscript graphite notation to the verso. Independent Film Producers unknown books
1980ref. 166469N.p.: N.p. 1980. Draft script for the 1983 film seen here under the working title "Tijuana!". In the summer of 1965 four teenage boys drive from Los Angeles to Tijuana in hopes of losing their virginities and getting into trouble. They find their plans waylaid however by an unexpected companion: a heartbroken woman determined to get a quickie divorce in Mexico. Shot on location in Los Angeles and Calexico California. Pink untitled wrappers. Title page present dated August 1980 noted as copy No. 14 in manuscript ink with credits for screenwriter B.W.L. Norton and story writer Bryan Gindoff. 119 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly faded on the front wrapper bound with two gold brads. N.p. unknown
1980ref. 166469N.p.: N.p. 1980. Draft script for the 1983 film seen here under the working title "Tijuana!". In the summer of 1965 four teenage boys drive from Los Angeles to Tijuana in hopes of losing their virginities and getting into trouble. They find their plans waylaid however by an unexpected companion: a heartbroken woman determined to get a quickie divorce in Mexico. Shot on location in Los Angeles and Calexico California. Pink untitled wrappers. Title page present dated August 1980 noted as copy No. 14 in manuscript ink with credits for screenwriter B.W.L. Norton and story writer Bryan Gindoff. 119 leaves with last page of text numbered 118. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus lightly faded on the front wrapper bound with two gold brads. N.p. unknown books
1997ref. 156712New York: October Films 1997. Five vintage color slides from the 1997 neo-noir film. Accompanying the slides is a corresponding promotional sheet with captions. A man goes to jail for killing his wife only to wake up in a completely new reality and with a new identity. An underrated neo-noir that in the years since its release has attracted a cult following and critical praise. The first film in David Lynch's Los Angeles trilogy followed by "Mulholland Drive" 2001 and "Inland Empire" 2006 all three exploring themes of dream-reality displacement chaos and unrelenting dread. 1 x 1.5 inches housed individually in white cardboard sleeves measuring 2 x 2 inches. About Fine. October Films unknown
1997ref. 156712New York: October Films 1997. Five vintage color slides from the 1997 neo-noir film. Accompanying the slides is a corresponding promotional sheet with captions. A man goes to jail for killing his wife only to wake up in a completely new reality and with a new identity. An underrated neo-noir that in the years since its release has attracted a cult following and critical praise. The first film in David Lynch's Los Angeles trilogy followed by "Mulholland Drive" 2001 and "Inland Empire" 2006 all three exploring themes of dream-reality displacement chaos and unrelenting dread. 1 x 1.5 inches housed individually in white cardboard sleeves measuring 2 x 2 inches. About Fine. October Films unknown books
1936ref. 150710Culver City CA: Columbia Pictures 1936. Vintage double weight press portrait photograph of Frank Capra by photographer Alfredo Valente to promote the 1937 film. Mimeo snipe stamp of photographer Alfredo Valente filing stamp with annotations in manuscript pencil dated "6-25-36" and "Kenneth G. Lawrence" stamp all on the verso. Based on the 1933 novel by James Hilton. Remade in 1973 as a musical directed by Charles Jarrott and starring Peter Finch and Liv Ullmann. A British diplomat and his entourage crash in the Himalayas are rescued and taken to the mystical valley of Shangri-La. Shot on location in Griffith Park Ojai Palms Springs Victorville and Sherwood Forest California. 8 x 10 inches. Light edgewear and crease in top right margin else Near Fine. National Film Registry. Columbia Pictures unknown
1936ref. 150710Culver City CA: Columbia Pictures 1936. Vintage double weight press portrait photograph of Frank Capra by photographer Alfredo Valente to promote the 1937 film. Mimeo snipe stamp of photographer Alfredo Valente filing stamp with annotations in manuscript pencil dated "6-25-36" and "Kenneth G. Lawrence" stamp all on the verso. Based on the 1933 novel by James Hilton. Remade in 1973 as a musical directed by Charles Jarrott and starring Peter Finch and Liv Ullmann. A British diplomat and his entourage crash in the Himalayas are rescued and taken to the mystical valley of Shangri-La. Shot on location in Griffith Park Ojai Palms Springs Victorville and Sherwood Forest California. 8 x 10 inches. Light edgewear and crease in top right margin else Near Fine. National Film Registry. Columbia Pictures unknown books
1956ref. 132393London: Rank Organisation 1956. Vintage full-color British front-of-house card from the 1956 UK film. A suspenseful mystery about a kidnapped baby in London. 8 x 10 inches. Very Good plus. Rank Organisation unknown books
1948ref. 148194Rome: Lux Film 1948. Vintage studio still photograph of Massimo Girotti from the 1948 film. "E Un Film Lux Gioventu Perduta" label on verso. A precursor to Italian neorealism co-written by future directors Mario Monicelli and Antonio Pietrangeli. Inspector Mariani Massimo Girotti suspects a group of young criminals led by a professor's son Stefano Jacques Sernas are actually university students so he enrolls to investigate and falls in love with Luisa Carla Del Poggio sister of Stefano. Set in post-war Rome. 8 x 10.5 inches. Near Fine. Lux Film unknown books
ref. 172081Honolulu HI: Lost Productions 2004. Rainbow Revision Second Draft script for the 2004 pilot of the 2004-2010 ABC television series aired on September 22 2004. Copy belonging to Property Master Peter C. Clarke with his name in manuscript ink on the title page and highlighted name on various memos and with manuscript ink and marker annotations on 26 pages noting props. Every leaf watermarked with the number "914" and bound in a generic three-ring binder with a list of Lost Productions contacts laid in under the clear plastic on the front wrapper. Bound in following the script are 70 leaves of contact lists memorandums a petty cash reimbursement form and shooting schedules and laid in the front binder flap are four pages of memos dated April 7 2004 a pink shooting schedule dated March 19 2004 two pages of maps and directions and an letter of gratitude to the cast and crew following the shoot from creators and screenwriters J.J. Abrams "J.J." and Damon Lindelof "Damon" Producer Sarah Caplan "Sarah" and Executive Producer Bryan Burk "Bryan" housed in a Koi Restaurant envelope labeled "Peter Clarke / Props." Considered by many to one of the greatest television series of all time the science fiction adventure drama created by Jeffrey Lieber Abrams and Lindelof premiered with the pilot found here on ABC on September 22 2004 and aired for six seasons of 121 episodes before ending on May 23 2010. The series won a Primetime Emmy Award for Outstanding Drama Series in 2005. 48 survivors of a Oceanic Flight 815 find themselves stranded on a mysterious remote island in the South Pacific and find their lives intertwined in a fight for survival. Shot on location in O'ahu Hawaii. Untitled generic white binder with a "Lost Productions Inc." contact list laid in clear plastic on the front wrapper. Title page present dated March 3 2004 noted as SECOND DRAFT with credits for screenwriters J.J. Abrams and Damon Lindelof. 107 leaves with last page of text numbered 95 with 70 pages of production documents bound in following script. Xerographic duplication rectos only with blue pink yellow green and goldenrod revision pages throughout dated variously between 3/9/2004 and 4/19/2004. Pages Near Fine binder Near Fine overall. Lost Productions unknown
ref. 172081Honolulu HI: Lost Productions 2004. Rainbow Revision Second Draft script for the 2004 pilot of the 2004-2010 ABC television series aired on September 22 2004. Copy belonging to Property Master Peter C. Clarke with his name in manuscript ink on the title page and highlighted name on various memos and with manuscript ink and marker annotations on 26 pages noting props. Every leaf watermarked with the number "914" and bound in a generic three-ring binder with a list of Lost Productions contacts laid in under the clear plastic on the front wrapper. Bound in following the script are 70 leaves of contact lists memorandums a petty cash reimbursement form and shooting schedules and laid in the front binder flap are four pages of memos dated April 7 2004 a pink shooting schedule dated March 19 2004 two pages of maps and directions and an letter of gratitude to the cast and crew following the shoot from creators and screenwriters J.J. Abrams "J.J." and Damon Lindelof "Damon" Producer Sarah Caplan "Sarah" and Executive Producer Bryan Burk "Bryan" housed in a Koi Restaurant envelope labeled "Peter Clarke / Props." Considered by many to one of the greatest television series of all time the science fiction adventure drama created by Jeffrey Lieber Abrams and Lindelof premiered with the pilot found here on ABC on September 22 2004 and aired for six seasons of 121 episodes before ending on May 23 2010. The series won a Primetime Emmy Award for Outstanding Drama Series in 2005. 48 survivors of a Oceanic Flight 815 find themselves stranded on a mysterious remote island in the South Pacific and find their lives intertwined in a fight for survival. Shot on location in O'ahu Hawaii. Untitled generic white binder with a "Lost Productions Inc." contact list laid in clear plastic on the front wrapper. Title page present dated March 3 2004 noted as SECOND DRAFT with credits for screenwriters J.J. Abrams and Damon Lindelof. 107 leaves with last page of text numbered 95 with 70 pages of production documents bound in following script. Xerographic duplication rectos only with blue pink yellow green and goldenrod revision pages throughout dated variously between 3/9/2004 and 4/19/2004. Pages Near Fine binder Near Fine overall. Lost Productions unknown books
1993ref. 171219N.p.: N.p. 1993. Final Draft script for Season 2 Episode 16 of the 1992-1995 television series. Originally aired January 24 1994 on CBS. With three photocopied production documents bound in the front of the script. Workplace sitcom taking place at a bar whose owner has a difficult relationship with a local columnist. In this episode the owner tries to prove to her columnist that women are discriminated against by salespeople. Winner of two Emmy Awards. Green titled wrappers noted as FINAL DRAFT on the front wrapper production No. 1215 dated December 16 1993 with credits for screenwriters Marc Flanagan and Stephen Nathan. Title page integral with front wrapper. 63 leaves with last page of text numbered 45. Xerographic duplication rectos only with yellow revision pages throughout dated 12/16/93. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
