11,160 results
1968ref. 139327California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. 8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. Eve Productions unknown books
1968ref. 139327California: Eve Productions 1968. Two vintage black-and-white still photographs from the 1968 film. Seen in the stills is Erica Gavin Vixen and Jon Evans Judd and a split image with Erica Gavin and Harrison Page Niles the duo responsible for the film's thick racial tensions. "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. 8 x 10 inches. One still with a faint tape ghost and two short tears else Near Fine overall. Eve Productions unknown
1969ref. 139328Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown books
1969ref. 139328Middlesex England: Eve Productions Cinecenta 1969. Vintage black-and-white double weight British still photograph from the 1968 US film. Rubber stamp on the verso of COLTMAN DISPLAYS LTD a distributor in Middlesex England. "Vixen!" was one of Meyer's best sleaziest and most commercially successful films made at the peak of his independent productions after "Faster Pussycat! Kill! Kill!" in 1965 and before "Beyond the Valley of the Dolls" in 1970. What is less well known is that this film by way of Ms. Gavin marked a breakthrough in the onscreen portrayal of women in terms of sexual aggression using the then-new platform of late 1960s American independent cinema and the aftermath of the Summer of Love as a canvas. Gavin's titular character is a married woman whose sexual boundaries are none but instead of being a typical sex romp the film heads off into areas that can be reasonably described as unexplored by sexploitation films including communism race relations political debate and terrorist activity. But also present in the film are many of the genre's more familiar themes breast size incest nonstop sexual activity and a generous dose of humor. 8 x 10 inches. Very Good plus with edge creasing and a single short tear. Eve Productions Cinecenta unknown
1962ref. 163800N.p.: N.p. 1962. Two vintage borderless oversize reference photographs from the 1962 film both showing actress Anna Karina. Annotations in manuscript pencil and ink on the versos. Director Jean-Luc Godard's least "intellectual" film and also one of his finest a drama about a well-educated Parisian woman who drifts into prostitution out of boredom with the working world. The third of seven influential films between 1960 and 1965 directed by Godard and starring his then-wife and muse Anna Karina. Shot on location in Paris. 11.75 x 9.5 inches. Very Good moderately edgeworn. BFI 2055. Criterion Collection 512. Ebert I. N.p. unknown books
1962ref. 144425Paris: Les Films de la Pleiade 1962. Four vintage borderless photographs from the 1962 film. With manuscript annotations and rubber stamps on the versos. Based in part on the nonfiction study "Ou en est la prostitution" by Marcel Sacotte who also contributed to the screenplay. Godard's least "intellectual" film is also one of his finest a touching drama about a college-educated woman who drifts into prostitution out of boredom with the working world to tragic consequences. The third of the seven highly influential films directed by Godard between 1960 and 1965 starring his then-wife and muse Anna Karina. Shot on location in Paris. 5 x 7 inches. Near Fine. BFI 2055. Criterion Collection 512. Ebert I. Les Films de la Pleiade unknown books
1962ref. 163800N.p.: N.p. 1962. Two vintage borderless oversize reference photographs from the 1962 film both showing actress Anna Karina. Annotations in manuscript pencil and ink on the versos. Director Jean-Luc Godard's least "intellectual" film and also one of his finest a drama about a well-educated Parisian woman who drifts into prostitution out of boredom with the working world. The third of seven influential films between 1960 and 1965 directed by Godard and starring his then-wife and muse Anna Karina. Shot on location in Paris. 11.75 x 9.5 inches. Very Good moderately edgeworn. BFI 2055. Criterion Collection 512. Ebert I. N.p. unknown
1962ref. 144425Paris: Les Films de la Pleiade 1962. Four vintage borderless photographs from the 1962 film. With manuscript annotations and rubber stamps on the versos. Based in part on the nonfiction study "Ou en est la prostitution" by Marcel Sacotte who also contributed to the screenplay. Godard's least "intellectual" film is also one of his finest a touching drama about a college-educated woman who drifts into prostitution out of boredom with the working world to tragic consequences. The third of the seven highly influential films directed by Godard between 1960 and 1965 starring his then-wife and muse Anna Karina. Shot on location in Paris. 5 x 7 inches. Near Fine. BFI 2055. Criterion Collection 512. Ebert I. Les Films de la Pleiade unknown
1958ref. 139035Paris: Societe Nouvelle Pathe Cinema 1958. Original French petite small poster for the 1958 film. Nice pinup artwork by the prolific Pierre-Laurent Brenot. Romantic romp about two car mechanics on vacation but their vacation takes a turn for the worse when they are stranded on a yacht. 16 x 27 inches folded once as issued. Very Good with edge tears and creases and one central tear. Uncommon. Societe Nouvelle Pathe Cinema unknown books
1965ref. 152112N.p.: N.p. 1965. Three vintage borderless photographs including one double weight and two single-weight from the set of the 1965 French film. One photograph showing director Louis Malle relaxing with a camera crew to his right one photograph showing Malle with actresses Brigitte Bardot and Jeanne Moreau in conversation with Malle looking on and the final photograph showing Malle and Bardot during filming on location. All photographs with manuscript ink annotations to the verso. Director Louis Malle's sixth film a humorous and subversive gender-swapped twist on the buddy movie about two women named Maria who enjoy a variety of unusual experiences together including inventing striptease for a traveling circus and leading a socialist revolutionary uprising. Set in 1900s Central America shot on location in Mexico. Two photographs approximately 9.5 x 7.25 inches one photograph 9.75 x 8 inches. Near Fine. N.p. unknown books
1965ref. 152112N.p.: N.p. 1965. Three vintage borderless photographs including one double weight and two single-weight from the set of the 1965 French film. One photograph showing director Louis Malle relaxing with a camera crew to his right one photograph showing Malle with actresses Brigitte Bardot and Jeanne Moreau in conversation with Malle looking on and the final photograph showing Malle and Bardot during filming on location. All photographs with manuscript ink annotations to the verso. Director Louis Malle's sixth film a humorous and subversive gender-swapped twist on the buddy movie about two women named Maria who enjoy a variety of unusual experiences together including inventing striptease for a traveling circus and leading a socialist revolutionary uprising. Set in 1900s Central America shot on location in Mexico. Two photographs approximately 9.5 x 7.25 inches one photograph 9.75 x 8 inches. Near Fine. N.p. unknown
ref. 149074Burbank CA: Warner Brothers 1976. Final Shooting script for the 1977 film. Uncredited makeup artist Rick Schwartz's copy with his ownership name on the title page in manuscript link and with penciled check marks throughout relating to close-ups in the film. Secretarial notation of supervising producer Irwin Allen's name on the title page. A stunt-heavy 1970s powerhouse designed to capitalize on the enormous success of the 1971 film "Evel Knievel" but with this entry featuring inimitable motorcycle daredevil Evel Knievel as himself. Also cast are Gene Kelly as his alcoholic mechanic and Leslie Nielsen as a power-hungry Mexican drug lord. Knievel is offered a fortune to perform in Mexico unaware that a drug cartel intends to kill him and use his tour bus to smuggle hundreds of kilos of cocaine. Set in California and Mexico shot on location in Monterey Park Burbank and Long Beach California. Yellow titled wrappers rubber-stamped FINAL on the front wrapper. Title page present dated February 13 1976 noted as SHOOTING FINAL with credits for screenwriter Antonio Santillan sic. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus overall bound with two gold brads. Warner Brothers unknown books
ref. 149074Burbank CA: Warner Brothers 1976. Final Shooting script for the 1977 film. Uncredited makeup artist Rick Schwartz's copy with his ownership name on the title page in manuscript link and with penciled check marks throughout relating to close-ups in the film. Secretarial notation of supervising producer Irwin Allen's name on the title page. A stunt-heavy 1970s powerhouse designed to capitalize on the enormous success of the 1971 film "Evel Knievel" but with this entry featuring inimitable motorcycle daredevil Evel Knievel as himself. Also cast are Gene Kelly as his alcoholic mechanic and Leslie Nielsen as a power-hungry Mexican drug lord. Knievel is offered a fortune to perform in Mexico unaware that a drug cartel intends to kill him and use his tour bus to smuggle hundreds of kilos of cocaine. Set in California and Mexico shot on location in Monterey Park Burbank and Long Beach California. Yellow titled wrappers rubber-stamped FINAL on the front wrapper. Title page present dated February 13 1976 noted as SHOOTING FINAL with credits for screenwriter Antonio Santillan sic. 115 leaves with last page of text numbered 114. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus overall bound with two gold brads. Warner Brothers unknown
ref. 2090202120402699Not Available N.A. Soft Cover. Fine. Number of books: 1 Not Available paperback
1978ref. 144817France: Filmel 1978. Vintage borderless photograph of Isabelle Huppert and Jean Carmet from the 1978 film. With manuscript annotations on the verso. Based on the 1975 novel of the same name by Jean-Marie Fitere which tells the true story of Violette Noziere Isabelle Huppert a French teenager who in the 1930s worked as a prostitute while living with her parents who she poisoned killing her father after they found out from her doctor that she had syphilis. Isabelle Huppert won the award for Best Actress at the 1978 Cannes Film Festival. Shot on location in Paris. 9.5 x 6 inches. Near Fine. Grant Worldwide. Filmel unknown books
1978ref. 144817France: Filmel 1978. Vintage borderless photograph of Isabelle Huppert and Jean Carmet from the 1978 film. With manuscript annotations on the verso. Based on the 1975 novel of the same name by Jean-Marie Fitere which tells the true story of Violette Noziere Isabelle Huppert a French teenager who in the 1930s worked as a prostitute while living with her parents who she poisoned killing her father after they found out from her doctor that she had syphilis. Isabelle Huppert won the award for Best Actress at the 1978 Cannes Film Festival. Shot on location in Paris. 9.5 x 6 inches. Near Fine. Grant Worldwide. Filmel unknown
1984ref. 166590N.p.: N.p. 1984. Revised Draft script for the 1986 film. Copy belonging to an unidentified crew member with their annotations in manuscript ink on the verso of the final page relating to set construction. A famous photographer takes a two-week trip to her hometown on the Maryland coast where she reconnects with her high school sweetheart who is now married and running his family's local newspaper. Set in Ocean City Maryland and Venice Italy shot on location in Baltimore and Ocean City Maryland and at Rehoboth Beach Delaware. White generic Rastar wrappers. Title page present dated July 27 1984 noted as REVISED with credit for screenwriter Naomi Foner. 125 leaves with last page of text numbered 122. Xerographic duplication rectos only with pink revision pages throughout dated July 31 1984. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. N.p. unknown books
1984ref. 166590N.p.: N.p. 1984. Revised Draft script for the 1986 film. Copy belonging to an unidentified crew member with their annotations in manuscript ink on the verso of the final page relating to set construction. A famous photographer takes a two-week trip to her hometown on the Maryland coast where she reconnects with her high school sweetheart who is now married and running his family's local newspaper. Set in Ocean City Maryland and Venice Italy shot on location in Baltimore and Ocean City Maryland and at Rehoboth Beach Delaware. White generic Rastar wrappers. Title page present dated July 27 1984 noted as REVISED with credit for screenwriter Naomi Foner. 125 leaves with last page of text numbered 122. Xerographic duplication rectos only with pink revision pages throughout dated July 31 1984. Pages Near Fine wrapper about Near Fine bound internally with two gold brads. N.p. unknown
1967ref. 163315Tokyo: Shibata Organization 1967. Three vintage reference photographs from the US release of the 1967 Japanese pink film. Printed mimeo snipes affixed to the versos. A dramatization of the actions of real-life American mass murderer Richard Speck who raped and killed eight student nurses in South Deering Chicago in 1966. Pink film auteur K ji Wakamatsu was one of the most successful Japanese filmmakers of the 1960s directing a number of notable erotic and softcore adult films including "Go Go Second Time Virgin" 1969 and "Ecstasy of the Angels" 1972 as well as producing Nagisa shima's controversial film "In the Realm of the Senses" 1976. 6.5 x 4.75 inches. Near Fine. Shibata Organization unknown books
1967ref. 163315Tokyo: Shibata Organization 1967. Three vintage reference photographs from the US release of the 1967 Japanese pink film. Printed mimeo snipes affixed to the versos. A dramatization of the actions of real-life American mass murderer Richard Speck who raped and killed eight student nurses in South Deering Chicago in 1966. Pink film auteur K ji Wakamatsu was one of the most successful Japanese filmmakers of the 1960s directing a number of notable erotic and softcore adult films including "Go Go Second Time Virgin" 1969 and "Ecstasy of the Angels" 1972 as well as producing Nagisa shima's controversial film "In the Realm of the Senses" 1976. 6.5 x 4.75 inches. Near Fine. Shibata Organization unknown
1965ref. 162562N.p.: Associated Distributors of California 1965. Two vintage studio still photographs from the US release of the 1964 Danish film. Improvised without a script and utilizing amateur actors including reportedly actual sex workers and their clients the film though a choppy narrative is a fascinating document of Danish bordellos in the 1960s and has since become a cult classic. 8 x 10 inches. Very Good plus with one photograph with a spot of soiling and foxing in the bottom margin. Associated Distributors of California unknown books
1965ref. 162562N.p.: Associated Distributors of California 1965. Two vintage studio still photographs from the US release of the 1964 Danish film. Improvised without a script and utilizing amateur actors including reportedly actual sex workers and their clients the film though a choppy narrative is a fascinating document of Danish bordellos in the 1960s and has since become a cult classic. 8 x 10 inches. Very Good plus with one photograph with a spot of soiling and foxing in the bottom margin. Associated Distributors of California unknown
1975ref. 117917N.p.: N.p. 1975. Draft script for an unproduced film. Vintage as assembled mostly from xerographically duplicated leaves with two leaves pp. 138 and 139 being ribbon copy. Written as a screenplay with dialogue and location information but lacking camera direction typical of a draft that is past the treatment stage but prior to the advanced draft screenplay stage. This would appear to have no relation to the later produced adaptation of the same novel director Stephen Fry's "Bright Young Things" 2003. Based on the 1930 novel by Evelyn Waugh about the dissolute lives of aristocrats and socialites living in postwar London. Pink wrappers with a die-cut title window in the British style. Title page present dated September 1975 noted as Amended first draft with credits for screenwriter John Wells and author Evelyn Waugh. 167 leaves with last page of text numbered 167. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound internally with two silver brads. N.p. unknown books
1975ref. 117917N.p.: N.p. 1975. Draft script for an unproduced film. Vintage as assembled mostly from xerographically duplicated leaves with two leaves pp. 138 and 139 being ribbon copy. Written as a screenplay with dialogue and location information but lacking camera direction typical of a draft that is past the treatment stage but prior to the advanced draft screenplay stage. This would appear to have no relation to the later produced adaptation of the same novel director Stephen Fry's "Bright Young Things" 2003. Based on the 1930 novel by Evelyn Waugh about the dissolute lives of aristocrats and socialites living in postwar London. Pink wrappers with a die-cut title window in the British style. Title page present dated September 1975 noted as Amended first draft with credits for screenwriter John Wells and author Evelyn Waugh. 167 leaves with last page of text numbered 167. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good bound internally with two silver brads. N.p. unknown
1976ref. 146803N.p.: The Corman Company 1976. Draft script for the 1976 film. A Vietnam vet is hired to deal with a group of rowdy oil workers causing trouble in a small town and decides to occupy the town with his mercenary buddies in order to provide a solution. A low budget action film shot in just 30 days after producer Gene Corman came up with the title and nothing else. White titled wrappers. Title page present with credits for screenwriter George Armitage. 117 leaves with last page of text numbered 114. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with two gold brads. The Corman Company unknown books
