10,264 results
1950ref. 154518Los Angeles: Paramount Pictures 1950. Vintage studio still photograph from the 1950 film noir showing actors William Holden and Barry Fitzgerald. A woman suspects several fellow train passengers of being the culprits in a highly publicized kidnapping case. 8 x 10 inches. Very Good plus with light wear to the corners. Grant US. Olive Films 256. Selby US Canon. Silver and Ward Classic Noir. Spicer US. Paramount Pictures unknown
1980ref. 171010N.p.: N.p. 1980. Vintage reference photograph from the 1980 neo-noir film showing Debbie Harry and Everett McGill. Based on 1937 Cornell Woolrich story "Union City: The Corpse Next Door" about a married accountant who kills a vagrant in an obsessive fury. An early screen appearance by Harry preceding her better-known roles in "Videodrome" 1983 and "Hairspray" 1988. All photos 8 x 10 inches. About Near Fine. N.p. unknown books
1980ref. 171010N.p.: N.p. 1980. Vintage reference photograph from the 1980 neo-noir film showing Debbie Harry and Everett McGill. Based on 1937 Cornell Woolrich story "Union City: The Corpse Next Door" about a married accountant who kills a vagrant in an obsessive fury. An early screen appearance by Harry preceding her better-known roles in "Videodrome" 1983 and "Hairspray" 1988. All photos 8 x 10 inches. About Near Fine. N.p. unknown
1992ref. 168113Burbank CA: Warner Brothers 1992. Vintage publicity photograph from the 1992 film showing actor Gene Hackman. Clint Eastwood's best-loved directorial effort about a long-retired killer who having lost his wife agrees to work with a bounty hunter to find a group of lawmen responsible for disfiguring a prostitute and placing a town under corrupt rule. Nominated for nine Academy Awards winning four including Best Picture Best Director and Best Supporting Actor for Hackman. Set in Big Whiskey Wyoming and Hodgeman County Kansas and shot on location in Alberta Canada. 8 x 10 inches. Near Fine lightly worn at the bottom right edge. National Film Registry. Ebert II. Scorsese A Personal Journey Through American Movies. Spicer US Neo-Noir. Warner Brothers unknown books
1941ref. 164506Universal City: Universal Studios 1941. Vintage publicity photograph from the 1941 film showing actress Irene Dunne in a lace-embellished dress and net fascinator. Printed mimeo snipe and provenance stamp on the verso. A small-town singer falls in love with a city playboy on a train to New York only for him to ignore her as soon as the train pulls into the station. Days later after gaining a job as a nightclub singer she is propositioned by the playboy's brother. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal Studios unknown books
1941ref. 164506Universal City: Universal Studios 1941. Vintage publicity photograph from the 1941 film showing actress Irene Dunne in a lace-embellished dress and net fascinator. Printed mimeo snipe and provenance stamp on the verso. A small-town singer falls in love with a city playboy on a train to New York only for him to ignore her as soon as the train pulls into the station. Days later after gaining a job as a nightclub singer she is propositioned by the playboy's brother. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. 8 x 10 inches. Near Fine. Universal Studios unknown
1948ref. 135654Berlin: Nero AG 1948. Vintage black-and-white photograph of director Preston Sturges and actors Linda Darnell and Rex Harrison on the set of the 1948 film. 8 x 10 inches 20.5 x 25.5 inches. Near Fine. Criterion Collection 292. Nero AG unknown books
1948ref. 148200Los Angeles: Twentieth Century-Fox 1948. Vintage studio still photograph of Kurt Kreuger Linda Darnell and Rex Harrison from the 1948 film. Sturges set a goal of combining what is today known as a film noir dynamic with his trademark literate screwball comedy dialogue and structure making a movie that is today still as unique as it is classic. 8 x 10 inches. Near Fine. Criterion Collection 292. Selby US. Twentieth Century-Fox unknown books
1948ref. 135654Berlin: Nero AG 1948. Vintage black-and-white photograph of director Preston Sturges and actors Linda Darnell and Rex Harrison on the set of the 1948 film. 8 x 10 inches 20.5 x 25.5 inches. Near Fine. Criterion Collection 292. Nero AG unknown
1965ref. 154508N.p.: N.p. 1965. Vintage reference photograph from the 1965 film showing the scantily clad posterior of Amidou. From the archive of film historian and author Joel Finler. Five teenagers decide to leave school and study at a "school for criminals." Director Claude Lelouch's first commercial success. 10 x 8 inches. Very Good plus. N.p. unknown books
1965ref. 154508N.p.: N.p. 1965. Vintage reference photograph from the 1965 film showing the scantily clad posterior of Amidou. From the archive of film historian and author Joel Finler. Five teenagers decide to leave school and study at a "school for criminals." Director Claude Lelouch's first commercial success. 10 x 8 inches. Very Good plus. N.p. unknown
1961ref. 138215Paris: N.p. 1961. Vintage black-and-white borderless still photograph of Godard and Macha Meril on the set of the 1961 film. With the Paris stamp of photographer Claude Schwartz on the verso. 9 x 6 inches. Near Fine. Criterion Collection 238. N.p. unknown books
1990ref. 162072N.p.: Images et Loisirs 1990. Vintage flyer for a re-release of the 1969 French film. Text and titles in French. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1876 short story by Fyodor Dostoevsky about a man reflecting on his wife's recent unexplained suicide. 5 x 8 inches. Single leaf recto and verso. Fine. Radiance Films 151. Images et Loisirs unknown books
1961ref. 138215Paris: N.p. 1961. Vintage black-and-white borderless still photograph of Godard and Macha Meril on the set of the 1961 film. With the Paris stamp of photographer Claude Schwartz on the verso. 9 x 6 inches. Near Fine. Criterion Collection 238. N.p. unknown
1990ref. 162072N.p.: Images et Loisirs 1990. Vintage flyer for a re-release of the 1969 French film. Text and titles in French. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1876 short story by Fyodor Dostoevsky about a man reflecting on his wife's recent unexplained suicide. 5 x 8 inches. Single leaf recto and verso. Fine. Radiance Films 151. Images et Loisirs unknown
1982ref. 151015N.p.: N.p. 1982. Three vintage reference photographs from the set of the 1982 film one of Jacques Demy and Dominique Sanda and two of Demy and crew with camera. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. Although similar to Demy's 1964 "The Umbrellas of Cherbourg" in that it is an operettta-musical in which all the dialogue is sung here Demy is much more explicitly political and possibly even more tragic. Set during the Nantes worker's strike in 1955 shipyard worker Francois Guilbaud a strikers falls in love with his upper-class landlady's married daughter Edith. Set in and shot on location in Nantes France. 1 9.5 x 6 inches 2 9.5 x 7 inches. Near Fine. Criterion Collection 719. Rosenbaum 1000. N.p. unknown books
1982ref. 151015N.p.: N.p. 1982. Three vintage reference photographs from the set of the 1982 film one of Jacques Demy and Dominique Sanda and two of Demy and crew with camera. One with with provenance stamp of film scholar and author "Jean-Pierre Berthome" on verso. Although similar to Demy's 1964 "The Umbrellas of Cherbourg" in that it is an operettta-musical in which all the dialogue is sung here Demy is much more explicitly political and possibly even more tragic. Set during the Nantes worker's strike in 1955 shipyard worker Francois Guilbaud a strikers falls in love with his upper-class landlady's married daughter Edith. Set in and shot on location in Nantes France. 1 9.5 x 6 inches 2 9.5 x 7 inches. Near Fine. Criterion Collection 719. Rosenbaum 1000. N.p. unknown
1958ref. 141439Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. The first film to be credited to Suzuki by his assumed name a man released from prison needs money and goes to retrieve diamonds sought after by fellow yakuza members. White titled perfect-bound wrappers. Title page present. 107 leaves with last page of text numbered 12. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown books
1958ref. 141439Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. The first film to be credited to Suzuki by his assumed name a man released from prison needs money and goes to retrieve diamonds sought after by fellow yakuza members. White titled perfect-bound wrappers. Title page present. 107 leaves with last page of text numbered 12. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown
1958ref. 160810Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1958. Vintage banner poster for the 1958 film. Based on the 1957 nonfiction book "The Naked Warriors" by Commander Francis Douglas Fane about the evolution of the US Navy's Underwater Demolition Unit beginning with its inception near the end of World War II through it's utilization in the Korean War. 82 x 24 inches. Very Good with light soiling overall foxing to the left margin a 1.5 inch closed tear to the bottom center margin several pinholes throughout and a 1.5 inch closed tear to the center with corresponding rubbing and creasing between the a and r of "Warrior". Otherwise bright and unfaded. Metro-Goldwyn-Mayer [MGM] unknown books
ref. 146547N.p.: N.p. Unknown. Draft script for an unproduced film. With a few small manuscript ink annotations to the title page. After a dissatisfying experience with a prostitute a man begins to have a number of hallucinatory experiences while sitting in a bar. Blue untitled card wrappers. Title page present with credits for screenwriter Frank Flannery. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound with a silver clasp. N.p. unknown books
1958ref. 160810Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1958. Vintage banner poster for the 1958 film. Based on the 1957 nonfiction book "The Naked Warriors" by Commander Francis Douglas Fane about the evolution of the US Navy's Underwater Demolition Unit beginning with its inception near the end of World War II through it's utilization in the Korean War. 82 x 24 inches. Very Good with light soiling overall foxing to the left margin a 1.5 inch closed tear to the bottom center margin several pinholes throughout and a 1.5 inch closed tear to the center with corresponding rubbing and creasing between the a and r of "Warrior". Otherwise bright and unfaded. Metro-Goldwyn-Mayer [MGM] unknown
ref. 146547N.p.: N.p. Unknown. Draft script for an unproduced film. With a few small manuscript ink annotations to the title page. After a dissatisfying experience with a prostitute a man begins to have a number of hallucinatory experiences while sitting in a bar. Blue untitled card wrappers. Title page present with credits for screenwriter Frank Flannery. 110 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good with light dampstaining on the front wrapper bound with a silver clasp. N.p. unknown
1995ref. 166110N.p.: N.p. 1995. Vintage borderless reference photograph from the 1995 Serbian film showing director Emir Kusturica adjusting an inverted statue of Jesus. A history of Yugoslavia spanning World War II the Cold War and the Yugoslav Wars told through the friendship between two black marketeers selling weapons to the Communist resistance in wartime Belgrade. Winner of the Palme d'Or. Shot on location in Belgrade Serbia in Plovdiv and Sofia Bulgaria in Prague and in Berlin. 7 x 5 inches. Fine. N.p. unknown books
1995ref. 166110N.p.: N.p. 1995. Vintage borderless reference photograph from the 1995 Serbian film showing director Emir Kusturica adjusting an inverted statue of Jesus. A history of Yugoslavia spanning World War II the Cold War and the Yugoslav Wars told through the friendship between two black marketeers selling weapons to the Communist resistance in wartime Belgrade. Winner of the Palme d'Or. Shot on location in Belgrade Serbia in Plovdiv and Sofia Bulgaria in Prague and in Berlin. 7 x 5 inches. Fine. N.p. unknown
