11,065 results
1973ref. 162086N.p.: N.p. 1973. Vintage studio still photograph from the US release of the 1973 Canadian film. Also released in the US under its Canadian title "Corrupted." Photograph with provenance stamps on the verso. An unhappily married wealthy man has an affair with an attractive clerk at a photography studio that specializes in having male clients to take nude photos of their models. Shot on location in Toronto. 8 x 10 inches. Very Good plus with a small closed tear in the lower right margin. N.p. unknown books
1975ref. 151589N.p.: Joseph Green Pictures 1975. Vintage press kit for the US release of the 1975 French film for use by distributors and the press containing two pressbooks 15 black and white photographs and a poster for the film. A married couple played by real-life husband and wife Paul Gegauff and Daniele Gegauff decide to spice up their sex lives by beginning an open relationship but the husband's jealousy soon pushes them both to a breaking point. Poster photographs and pressbooks Near Fine. Joseph Green Pictures unknown
1973ref. 162086N.p.: N.p. 1973. Vintage studio still photograph from the US release of the 1973 Canadian film. Also released in the US under its Canadian title "Corrupted." Photograph with provenance stamps on the verso. An unhappily married wealthy man has an affair with an attractive clerk at a photography studio that specializes in having male clients to take nude photos of their models. Shot on location in Toronto. 8 x 10 inches. Very Good plus with a small closed tear in the lower right margin. N.p. unknown
1961ref. 151518N.p.: International Classics 1961. Vintage borderless reference photograph of Brigitte Bardot and director Roger Vadim on the set of the 1961 film. "Photo Walter Carone" stamp two "La Bride sur le cou" stamps and faint recurring "Paris Match Marie Claire" stamps on verso. Sophie learns her boyfriend is thinking of leaving her for another woman and her first thought is to win him back or kill the woman but with the help of her friend Alain she resolves on the former. Shot on location in Alps Haute-Savoie France. 7.75 x 10.25 inches. Very Good plus. International Classics unknown books
1961ref. 151518N.p.: International Classics 1961. Vintage borderless reference photograph of Brigitte Bardot and director Roger Vadim on the set of the 1961 film. "Photo Walter Carone" stamp two "La Bride sur le cou" stamps and faint recurring "Paris Match Marie Claire" stamps on verso. Sophie learns her boyfriend is thinking of leaving her for another woman and her first thought is to win him back or kill the woman but with the help of her friend Alain she resolves on the former. Shot on location in Alps Haute-Savoie France. 7.75 x 10.25 inches. Very Good plus. International Classics unknown
1967ref. 149330Paris: Jolly Film 1967. Three vintage reference photographs one borderless from the 1967 film. With manuscript annotations regarding layout to the verso and one with the stamp of Specta Films. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. 7 x 5 inches. Very Good plus with light edgewear. Jolly Film unknown books
1967ref. 149330Paris: Jolly Film 1967. Three vintage reference photographs one borderless from the 1967 film. With manuscript annotations regarding layout to the verso and one with the stamp of Specta Films. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. 7 x 5 inches. Very Good plus with light edgewear. Jolly Film unknown
1967ref. 159120N.p.: N.p. 1967. Vintage oversize borderless color reference photograph from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 9.5 x 12 inches. Light wear at the corners else Near Fine. N.p. unknown books
1967ref. 159120N.p.: N.p. 1967. Vintage oversize borderless color reference photograph from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 9.5 x 12 inches. Light wear at the corners else Near Fine. N.p. unknown
1967ref. 159622N.p.: N.p. 1967. Four vintage borderless color reference photographs from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 10.5 x 8.5 inches. Light wear at the corners else Near Fine. N.p. unknown books
1967ref. 159622N.p.: N.p. 1967. Four vintage borderless color reference photographs from the 1967 film. A masterpiece of French cinema. Using his own money director Jacques Tati meticulously constructed a second "Paris" outside of Paris for the third-and most magnificent-of the four Hulot films following "Monsieur Hulot's Holiday" 1953 and "Mon Oncle" 1958. The third feature finds him in the much-modernized heart of the city with its complexities unfolding revolving deconstructing and reconstructing before his eyes. Set in Paris. Approximately 10.5 x 8.5 inches. Light wear at the corners else Near Fine. N.p. unknown
1967ref. 162083N.p.: Leo-Todd Productions 1967. Three vintage studio still photographs from the 1967 film. Provenance stamps on the verso of each. An obscure and likely lost sexploitation film from 1967. A wife searches for her missing husband experiencing the city's seedy underbelly. 8 x 10 inches. Near Fine. Leo-Todd Productions unknown books
1967ref. 162083N.p.: Leo-Todd Productions 1967. Three vintage studio still photographs from the 1967 film. Provenance stamps on the verso of each. An obscure and likely lost sexploitation film from 1967. A wife searches for her missing husband experiencing the city's seedy underbelly. 8 x 10 inches. Near Fine. Leo-Todd Productions unknown
1975ref. 142089France: Arcadie Productions 1975. Two vintage color and five borderless black and white reference photographs from the 1975 film. One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material she appears in two of the photographs here than in the actual film. 7 x 5 inches. Fine. Arcadie Productions unknown books
1975ref. 144355France: Arcadie Productions 1975. Vintage borderless photograph of Sylvia Kristel from the 1975 film. With manuscript annotations in pencil on the verso. One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. 7 x 5 inches. Near Fine. Arcadie Productions unknown books
1975ref. 170771France: Arcadie Productions 1975. Collection of promotional ephemera from the 1975 French film including a program ten lobby cards and two black-and-white reference photographs. Text in French. One of ten films directed by Alain Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgängers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. Lobby cards 10: 11.5 x 9.25 inches. Very Good plus. Photographs 2: 7 x 5 inches. Near Fine. Program: 7.25 x 10.25 inches. 17 leaves. Near Fine in saddle-stapled wrappers. All material housed together in an original glassine envelope as issued. Arcadie Productions unknown books
1975ref. 142089France: Arcadie Productions 1975. Two vintage color and five borderless black and white reference photographs from the 1975 film. One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material she appears in two of the photographs here than in the actual film. 7 x 5 inches. Fine. Arcadie Productions unknown
1975ref. 170771France: Arcadie Productions 1975. Collection of promotional ephemera from the 1975 French film including a program ten lobby cards and two black-and-white reference photographs. Text in French. One of ten films directed by Alain Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgängers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. Lobby cards 10: 11.5 x 9.25 inches. Very Good plus. Photographs 2: 7 x 5 inches. Near Fine. Program: 7.25 x 10.25 inches. 17 leaves. Near Fine in saddle-stapled wrappers. All material housed together in an original glassine envelope as issued. Arcadie Productions unknown
1975ref. 144355France: Arcadie Productions 1975. Vintage borderless photograph of Sylvia Kristel from the 1975 film. With manuscript annotations in pencil on the verso. One of ten films made by the French novelist Robbe-Grillet ostensibly about the target of a kidnapping plot hiding out at a high society brothel but in reality an exercise in image making fourth wall breaking and the exploration of Robbe-Grillet's usual concerns of eroticism voyeurism and doppelgangers. One of his most commercially successful films down mostly to the presence of "Emmanuelle" star Sylvia Kristel far more prevalent in the marketing material than in the actual film. 7 x 5 inches. Near Fine. Arcadie Productions unknown
1958ref. 160487Los Angeles: CBS Television Network 1958. Vintage reference photograph of Robert Ryan and Jeanne Crain from Season 2 Episode 39 "The Great Gatsby" of the anthology television series. The Emmy Award winning series "Playhouse 90." aired on CBS from 1956 to 1960 for a total of 133 episodes. Season 2 Episode 39 "The Great Gatsby" aired on CBS on June 26 1958. Based on F. Scott Fitzgerald's classic 1925 novel. Set in New York. 7 x 9 inches. Near Fine. CBS Television Network unknown books
1960ref. 130773Los Angeles: Columbia Broadcasting System CBS 1960. Draft script for Season 4 Episode 11 of the anthology drama show "Playhouse 90" which aired on February 24 1960. Actor Van Heflin's working copy with his manuscript name on the first page and manuscript annotations throughout. Also included are two rehearsal schedules for the production. "Playhouse 90" ran from 1956 to 1960 on CBS presenting 90 television movies rather than the standard 60-minute format of most dramas. The program won nine Emmy Awards during it's run including one for Best Drama in its final 1960 season. Script is as issued with pages un-punched and without wrappers. Title page present dated 2-6-60 with credits for screenwriter Rose and director Schaffner. 122 leaves mimeograph duplication with pink and white revision pages throughout dated variously between 2-9-60 and 2-10-60. Pages Fine unbound. Rehearsal Schedules: 2 leaves each one on pink stock and a Call Sheet with annotations. Fine. Columbia Broadcasting System [CBS] unknown books
1959ref. 151411N.p.: N.p. 1959. Draft script for the 18th episode of season 3 of the 1956-1961 television playhouse series originally aired on February 5 1959. Copy belonging to director George Roy Hill with a printed label noting his name on the verso of the front wrapper and his manuscript ink annotations throughout noting deletions and substantive changes. A kinescope of the program survived and is available for viewing only at the Paley Center for Media in Los Angeles. Based on Michel del Castillo's autobiographical 1957 novel "Tanguy." A young Spanish-French refugee is captured by the Nazis and interned in a concentration camp but finds happiness in Spain after the war. An early effort from the great George Roy Hill who was best known in the ensuing years for "Butch Cassidy and the Sundance Kid" 1969 and "The Sting" 1973. Set in France and Germany. Housed in an untitled black spring binder. Title page present dated 1-19-59 with credits for director George Roy Hill novelist Michel del Castillo and screenwriter Irving Gaynor Neiman. 134 leaves with last page of text numbered 111. Mimeograph duplication rectos only with rainbow revision pages throughout dated variously between 1/23/59 and 2-3-59. Pages Near Fine binder Very Good plus. N.p. unknown books
1958ref. 160487Los Angeles: CBS Television Network 1958. Vintage reference photograph of Robert Ryan and Jeanne Crain from Season 2 Episode 39 "The Great Gatsby" of the anthology television series. The Emmy Award winning series "Playhouse 90." aired on CBS from 1956 to 1960 for a total of 133 episodes. Season 2 Episode 39 "The Great Gatsby" aired on CBS on June 26 1958. Based on F. Scott Fitzgerald's classic 1925 novel. Set in New York. 7 x 9 inches. Near Fine. CBS Television Network unknown
1960ref. 130773Los Angeles: Columbia Broadcasting System CBS 1960. Draft script for Season 4 Episode 11 of the anthology drama show "Playhouse 90" which aired on February 24 1960. Actor Van Heflin's working copy with his manuscript name on the first page and manuscript annotations throughout. Also included are two rehearsal schedules for the production. "Playhouse 90" ran from 1956 to 1960 on CBS presenting 90 television movies rather than the standard 60-minute format of most dramas. The program won nine Emmy Awards during it's run including one for Best Drama in its final 1960 season. Script is as issued with pages un-punched and without wrappers. Title page present dated 2-6-60 with credits for screenwriter Rose and director Schaffner. 122 leaves mimeograph duplication with pink and white revision pages throughout dated variously between 2-9-60 and 2-10-60. Pages Fine unbound. Rehearsal Schedules: 2 leaves each one on pink stock and a Call Sheet with annotations. Fine. Columbia Broadcasting System [CBS] unknown
1959ref. 151411N.p.: N.p. 1959. Draft script for the 18th episode of season 3 of the 1956-1961 television playhouse series originally aired on February 5 1959. Copy belonging to director George Roy Hill with a printed label noting his name on the verso of the front wrapper and his manuscript ink annotations throughout noting deletions and substantive changes. A kinescope of the program survived and is available for viewing only at the Paley Center for Media in Los Angeles. Based on Michel del Castillo's autobiographical 1957 novel "Tanguy." A young Spanish-French refugee is captured by the Nazis and interned in a concentration camp but finds happiness in Spain after the war. An early effort from the great George Roy Hill who was best known in the ensuing years for "Butch Cassidy and the Sundance Kid" 1969 and "The Sting" 1973. Set in France and Germany. Housed in an untitled black spring binder. Title page present dated 1-19-59 with credits for director George Roy Hill novelist Michel del Castillo and screenwriter Irving Gaynor Neiman. 134 leaves with last page of text numbered 111. Mimeograph duplication rectos only with rainbow revision pages throughout dated variously between 1/23/59 and 2-3-59. Pages Near Fine binder Very Good plus. N.p. unknown
