11,065 results
1963ref. 162082N.p.: Westfield Productions 1963. Vintage studio still photograph from the lost 1963 film. Provenance stamp on the verso. A 1963 nudist "documentary" from prolific sexploitation director Doris Wishman. Today considered lost. Shot on location in Hamburg Germany Paris France Mexico Japan and Florida Hawaii and Las Vegas. 8 x 10 inches. Near Fine. Westfield Productions unknown books
1963ref. 162082N.p.: Westfield Productions 1963. Vintage studio still photograph from the lost 1963 film. Provenance stamp on the verso. A 1963 nudist "documentary" from prolific sexploitation director Doris Wishman. Today considered lost. Shot on location in Hamburg Germany Paris France Mexico Japan and Florida Hawaii and Las Vegas. 8 x 10 inches. Near Fine. Westfield Productions unknown
1954ref. 130946Universal City CA: Universal Pictures 1954. Continuity and Dialogue script for the 1954 film. A woman moves from the midwest to New York City and develops a friendship with a nightclub singer. Unfortunately the nightclub singer's husband develops feelings for the new to town woman. The misunderstanding may be deadly. Set in New York City. White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1757 dated March 16 1954 with credits for director Joseph Pevney. PAGES leaves with last page of text numbered 9. Multilith duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. Grant US. Selby US. Spicer US. Universal Pictures unknown books
1954ref. 130946Universal City CA: Universal Pictures 1954. Continuity and Dialogue script for the 1954 film. A woman moves from the midwest to New York City and develops a friendship with a nightclub singer. Unfortunately the nightclub singer's husband develops feelings for the new to town woman. The misunderstanding may be deadly. Set in New York City. White titled self-wrappers noted as Continuity and Dialogue on the front wrapper production No. 1757 dated March 16 1954 with credits for director Joseph Pevney. PAGES leaves with last page of text numbered 9. Multilith duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads along the top edge. Grant US. Selby US. Spicer US. Universal Pictures unknown
1961ref. 163707N.p.: Topaz Film Corporation 1961. Vintage two-color banner poster for US release of the 1960 British film originally released in the UK as "Too Hot to Handle." Uncommon in this format. Jayne Mansfield stars as showgirl Midnight Franklin headliner at the Pink Flamingo club in Soho run by her tough guy boyfriend Johnny Solos. When Johnny starts getting threats and demands for protection money from a rival club owner he fights back. Featuring famously risqué musical numbers featuring Mansfield in see-through clothing some frames from which were published in Playboy magazine and were visually altered for the US release to meet censor requirements. 118.5 x 24 inches. Very Good plus with some rubbing to the lower left and upper right causing modest color loss. Bright and unfaded. Grant UK. Topaz Film Corporation unknown books
1961ref. 163707N.p.: Topaz Film Corporation 1961. Vintage two-color banner poster for US release of the 1960 British film originally released in the UK as "Too Hot to Handle." Uncommon in this format. Jayne Mansfield stars as showgirl Midnight Franklin headliner at the Pink Flamingo club in Soho run by her tough guy boyfriend Johnny Solos. When Johnny starts getting threats and demands for protection money from a rival club owner he fights back. Featuring famously risqué musical numbers featuring Mansfield in see-through clothing some frames from which were published in Playboy magazine and were visually altered for the US release to meet censor requirements. 118.5 x 24 inches. Very Good plus with some rubbing to the lower left and upper right causing modest color loss. Bright and unfaded. Grant UK. Topaz Film Corporation unknown
1972ref. 162079N.p.: N.p. 1972. Vintage studio still photograph of Laura Antonelli from the US release of the 1972 French film. Provenance stamp on the verso. Best known by the British release title "Scoundrel in White" director Claude Chabrol's "Docteur Popaul" was released in the US nine years after it's 1972 French release under two different titles "Play Now Pay Later" and "High Heels." Based on the 1969 novel "Murder at Leisure" by Hubert Monteilhet. Jean-Paul Belmondo stars as inveterate womanizer. After marrying the wealthy but plain Mia Farrow he seduces her beautiful sister Martine Antonelli. Shot on location in Gironde and Paris France and Tunisia. 8 x 10 inches. Near Fine. N.p. unknown books
1972ref. 162079N.p.: N.p. 1972. Vintage studio still photograph of Laura Antonelli from the US release of the 1972 French film. Provenance stamp on the verso. Best known by the British release title "Scoundrel in White" director Claude Chabrol's "Docteur Popaul" was released in the US nine years after it's 1972 French release under two different titles "Play Now Pay Later" and "High Heels." Based on the 1969 novel "Murder at Leisure" by Hubert Monteilhet. Jean-Paul Belmondo stars as inveterate womanizer. After marrying the wealthy but plain Mia Farrow he seduces her beautiful sister Martine Antonelli. Shot on location in Gironde and Paris France and Tunisia. 8 x 10 inches. Near Fine. N.p. unknown
1971ref. 145923Burbank CA: The Malapaso Company 1971. Vintage borderless studio press photograph from the set of the 1971 film. Mimeo snipe on verso. Clint Eastwood's directorial debut after decades as an actor a second career that would garner him two Best Director Oscars for Unforgiven 1992 and Million Dollar Baby 2004 and two more nominations for Mystic River 2003 and Letters from Iwo Jima 2006. Set in and shot on location in California. 7.5 x 9.25 inches. Near Fine light score along top edge light edgewear. Clover "Men Women and Chainsaws." Spicer US Neo-Noir. Silver and Ward Neo-Noir. Grant US. The Malapaso Company unknown books
1971ref. 145923Burbank CA: The Malapaso Company 1971. Vintage borderless studio press photograph from the set of the 1971 film. Mimeo snipe on verso. Clint Eastwood's directorial debut after decades as an actor a second career that would garner him two Best Director Oscars for Unforgiven 1992 and Million Dollar Baby 2004 and two more nominations for Mystic River 2003 and Letters from Iwo Jima 2006. Set in and shot on location in California. 7.5 x 9.25 inches. Near Fine light score along top edge light edgewear. Clover "Men Women and Chainsaws." Spicer US Neo-Noir. Silver and Ward Neo-Noir. Grant US. The Malapaso Company unknown
ref. 160226Hollywood: Paramount Pictures / APJAC Productions 1972. Revised Shooting script for the 1972 film. Based on Woody Allen's 1969 play. The predecessor of many films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but "Play It Again Sam" is significant in that it predicted the more substantive romantic comedies that would gain him broader acclaim. Orange pictorial titled wrappers undated noted as REVISED SHOOTING SCRIPT on the front wrapper. Title page present undated noted as REVISED SHOOTING SCRIPT with credits for screenwriter and playwright Woody Allen. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages and wrapper Very Good plus with light dampstains on the leaves and wrappers lightly toned. Bound with two gold brads. Grant US. Paramount Pictures / APJAC Productions unknown books
1972ref. 156222Los Angeles: Paramount Pictures 1972. Vintage borderless reference photograph of actor Woody Allen from the 1972 film. From the archive of film historian and author Joel Finler. Based on Allen's 1969 play. The predecessor of many films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his time. 10 x 8 inches. Very Good plus overall. Grant US. Paramount Pictures unknown books
1972ref. 153215Los Angeles: Paramount Pictures 1972. Vintage borderless reference photograph of actors Woody Allen and Diane Keaton from the 1972 film. Based on Allen's 1969 play. The predecessor of many great films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era. 8 x 10 inches. Very Good plus overall. Grant US. Paramount Pictures unknown books
1972ref. 151309Los Angeles: Paramount Pictures 1972. Vintage borderless photograph of actor Woody Allen from the 1972 film. With a printed mimeo snipe affixed to the verso. Based on Allen's 1969 play. The predecessor of many great films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era. 10 x 7.5 inches. Very Good plus overall. Grant US. Paramount Pictures unknown books
ref. 160226Hollywood: Paramount Pictures / APJAC Productions 1972. Revised Shooting script for the 1972 film. Based on Woody Allen's 1969 play. The predecessor of many films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but "Play It Again Sam" is significant in that it predicted the more substantive romantic comedies that would gain him broader acclaim. Orange pictorial titled wrappers undated noted as REVISED SHOOTING SCRIPT on the front wrapper. Title page present undated noted as REVISED SHOOTING SCRIPT with credits for screenwriter and playwright Woody Allen. 121 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages and wrapper Very Good plus with light dampstains on the leaves and wrappers lightly toned. Bound with two gold brads. Grant US. Paramount Pictures / APJAC Productions unknown
1972ref. 156222Los Angeles: Paramount Pictures 1972. Vintage borderless reference photograph of actor Woody Allen from the 1972 film. From the archive of film historian and author Joel Finler. Based on Allen's 1969 play. The predecessor of many films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his time. 10 x 8 inches. Very Good plus overall. Grant US. Paramount Pictures unknown
1972ref. 153215Los Angeles: Paramount Pictures 1972. Vintage borderless reference photograph of actors Woody Allen and Diane Keaton from the 1972 film. Based on Allen's 1969 play. The predecessor of many great films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era. 8 x 10 inches. Very Good plus overall. Grant US. Paramount Pictures unknown
1972ref. 151309Los Angeles: Paramount Pictures 1972. Vintage borderless photograph of actor Woody Allen from the 1972 film. With a printed mimeo snipe affixed to the verso. Based on Allen's 1969 play. The predecessor of many great films Allen would write and direct throughout the 1970s in terms of shooting style timing romantic themes and the actors involved. Allen had already directed two films at this point "Take the Money and Run" in 1969 and "Bananas" in 1971 but this film is significant in that it predicted the more substantive romantic comedies that would later place him among the most important filmmakers of his era. 10 x 7.5 inches. Very Good plus overall. Grant US. Paramount Pictures unknown
1960ref. 168180Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Four vintage studio still photographs from the 1960 film. A man travels to a remote military academy to inquire about his son reported to have died in an unspecified accident only to learn that the boy's death was caused by a violent hazing ritual. 10 x 8 inches. Lightly toned else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1960ref. 168180Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1960. Four vintage studio still photographs from the 1960 film. A man travels to a remote military academy to inquire about his son reported to have died in an unspecified accident only to learn that the boy's death was caused by a violent hazing ritual. 10 x 8 inches. Lightly toned else Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1983ref. 162428N.p.: N.p. 1983. Third Draft script for the 1984 film seen here under the working title "The Texas Picture." Single annotation in manuscript ink on the title page noting copy No. 39. During the Great Depression a recently widowed mother fights to defend her family farm from repossession. Nominated for seven Academy Awards winning two including Best Actress for Sally Field and Best Screenplay. Set in Waxahachie Texas and shot on location in Waxahachie and Five Points Texas. Red titled Studio Duplicating Service wrappers. Title page present dated August 12 1983 noted as Third Draft with credit for screenwriter Robert Benton. 139 leaves with last page of text numbered 138. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold screw brads. N.p. unknown books
1984ref. 150180Culver City CA: TriStar 1984. Vintage studio still photograph from the 1984 film showing actor John Malkovich. With a printed mimeo snipe on the verso along with several newspaper clippings showing the photograph in use and the stamp of a newspaper archive. A recently widowed woman struggles to maintain her family farm and care for her two young children in a small town in Texas in the midst of the Great Depression. Nominated for seven Academy Awards winning two for Best Screenplay and Best Actress for Sally Field. Set in Waxahachie Texas and shot on location in Five Points and Waxahachie Texas. 8 x 10 inches. Very Good plus with manuscript pencil annotations regarding cropping on the recto. TriStar unknown books
1983ref. 162428N.p.: N.p. 1983. Third Draft script for the 1984 film seen here under the working title "The Texas Picture." Single annotation in manuscript ink on the title page noting copy No. 39. During the Great Depression a recently widowed mother fights to defend her family farm from repossession. Nominated for seven Academy Awards winning two including Best Actress for Sally Field and Best Screenplay. Set in Waxahachie Texas and shot on location in Waxahachie and Five Points Texas. Red titled Studio Duplicating Service wrappers. Title page present dated August 12 1983 noted as Third Draft with credit for screenwriter Robert Benton. 139 leaves with last page of text numbered 138. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold screw brads. N.p. unknown
ref. 0217410 Suite de 4 photographies d'exploitation plastifiées d'origine, du célèbre film sorti en 1967, format : H. 23,8 cm - L. 30,2 cm. (traces de rayure sur le plastique, numéro inscrit au feutre noir au dos de chacune des photos, petit manque de plastique sur 2 coins à une photo). Jacques Tati est présent sur 2 photos. Peu courant.
ref. 014295[Monument Catulle Mendès] Romain Coolus (1868-1952), écrivain, scénariste. P.A.S., mai 1909, 1p in-8 oblong. Billet de souscription pré-imprimé pour la soirée de Gala pour l'érection du monument Catulle Mendès (1841-1909), mort le 8 février 1909. Lors de cette soirée, au théâtre Sarah-Bernhardt, la grande actrice joua le rôle de Cyrano de Bergerac et le sculpteur Emile Guillaume (1867-1954) y présenta son buste du poète (il avait aussi fait un masque mortuaire). [341]
